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Furies Descend
Songs like
Furies Descend
by
Felix Erskine
Based on a tempo of (+/- 10%) and a similar genre
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Hi-Finesse
Spectra
120 bpm • G min • 02:57 • -9.01db
39% Popularity • 44% Danceability • 48% Energy • 11% Liveness
87% Instrumentalness • 23% Positiveness
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FirstCom Cinematic Orchestra
Murmur
120 bpm • D min • 03:02 • -10db
27% Popularity • 47% Danceability • 83% Energy • 6% Liveness
74% Instrumentalness • 5% Positiveness
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C21fx
In the End We Will Remember
120 bpm • G min • 03:04 • -14.9db
9% Popularity • 47% Danceability • 36% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
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Patryk Scelina
Love Across the Stars
120 bpm • E min • 03:07 • -9db
20% Popularity • 44% Danceability • 50% Energy • 10% Liveness
97% Instrumentalness • 6% Positiveness
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Nicolas Mauri
In the Heat of the Moment
120 bpm • F min • 03:57 • -23.56db
7% Popularity • 52% Danceability • 33% Energy • 10% Liveness
88% Instrumentalness • 35% Positiveness
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Fringe Element
The Age of Man
120 bpm • D min • 02:07 • -9db
19% Popularity • 46% Danceability • 60% Energy • 9% Liveness
88% Instrumentalness • 8% Positiveness
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Future Heroes
Worlds on Fire
120 bpm • G# Maj • 03:28 • -13.59db
14% Popularity • 41% Danceability • 35% Energy • 9% Liveness
82% Instrumentalness • 3% Positiveness
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Rob Simonsen
Preparation
120 bpm • F# min • 03:15 • -16.02db
14% Popularity • 52% Danceability • 44% Energy • 15% Liveness
87% Instrumentalness • 4% Positiveness
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Peter Roe
Legend of Valor
120 bpm • A min • 02:48 • -14db
23% Popularity • 48% Danceability • 47% Energy • 10% Liveness
89% Instrumentalness • 10% Positiveness
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Robert Duncan
Almost Kiss
120 bpm • C min • 01:19 • -27db
21% Popularity • 37% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 6% Positiveness
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Marco Beltrami
This Is The Beginning
120 bpm • D min • 04:00 • -10.69db
7% Popularity • 49% Danceability • 62% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
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Felix Erskine
Wil Genewen
120 bpm • C Maj • 01:42 • -16.43db
3% Popularity • 41% Danceability • 50% Energy • 24% Liveness
86% Instrumentalness • 9% Positiveness
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Epic North
Unforgiven
120 bpm • C Maj • 02:57 • -13.21db
8% Popularity • 46% Danceability • 42% Energy • 12% Liveness
88% Instrumentalness • 8% Positiveness
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Full Tilt
Hellion
120 bpm • D Maj • 02:26 • -13.1db
1% Popularity • 45% Danceability • 48% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Blake Neely
And Now He's Gone
120 bpm • G min • 04:01 • -34.83db
7% Popularity • 44% Danceability • 3% Energy • 8% Liveness
80% Instrumentalness • 5% Positiveness
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Jeremy Zuckerman
The Cycle
120 bpm • G min • 03:00 • -21.7db
9% Popularity • 36% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 7% Positiveness
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Future Heroes
Persephone
120 bpm • A min • 02:42 • -13.8db
24% Popularity • 22% Danceability • 47% Energy • 12% Liveness
66% Instrumentalness • 4% Positiveness
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Felix Erskine
Furies Descend
120 bpm • B min • 01:21 • -10.57db
4% Popularity • 40% Danceability • 83% Energy • 13% Liveness
94% Instrumentalness • 6% Positiveness
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Epic North
Supersolar
120 bpm • C Maj • 02:49 • -9.29db
19% Popularity • 45% Danceability • 80% Energy • 11% Liveness
85% Instrumentalness • 8% Positiveness
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Marco Beltrami
Remembering Mother
120 bpm • B min • 01:30 • -28.52db
19% Popularity • 34% Danceability • 9% Energy • 21% Liveness
93% Instrumentalness • 4% Positiveness
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Trailerhead
From the Ashes We Will Rise
120 bpm • D min • 03:16 • -10.16db
14% Popularity • 39% Danceability • 62% Energy • 10% Liveness
95% Instrumentalness • 8% Positiveness
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Liquid Cinema
Of Fire And Iron
120 bpm • C# Maj • 02:07 • -9.78db
12% Popularity • 56% Danceability • 64% Energy • 10% Liveness
92% Instrumentalness • 36% Positiveness
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Danny Elfman
Rachel
120 bpm • G min • 02:32 • -22.04db
7% Popularity • 51% Danceability • 32% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Hi-Finesse
Equivalence
120 bpm • D# min • 02:23 • -7.68db
42% Popularity • 33% Danceability • 60% Energy • 8% Liveness
84% Instrumentalness • 26% Positiveness
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Epic North
Final Breath of Fire
120 bpm • A Maj • 03:18 • -13.97db
10% Popularity • 44% Danceability • 34% Energy • 11% Liveness
66% Instrumentalness • 5% Positiveness
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Bear McCreary
Transfusion
120 bpm • A# Maj • 04:25 • -25.26db
9% Popularity • 27% Danceability • 14% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
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Rupert Gregson-Williams
Diamonds
121 bpm • C# Maj • 04:50 • -24.1db
14% Popularity • 17% Danceability • 7% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
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Jed Kurzel
The Creed
121 bpm • A# min • 04:07 • -22.38db
22% Popularity • 22% Danceability • 27% Energy • 10% Liveness
91% Instrumentalness • 18% Positiveness
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Marco Beltrami
Rosebud
121 bpm • A Maj • 04:32 • -18db
24% Popularity • 23% Danceability • 24% Energy • 7% Liveness
89% Instrumentalness • 3% Positiveness
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Rob Lane
Introducing Matthew Clairmont & Diana Bi...
119 bpm • C min • 02:19 • -21.9db
21% Popularity • 28% Danceability • 12% Energy • 10% Liveness
54% Instrumentalness • 3% Positiveness
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Hans Zimmer
X-SS
121 bpm • A min • 02:01 • -11.65db
24% Popularity • 38% Danceability • 62% Energy • 12% Liveness
78% Instrumentalness • 27% Positiveness
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Mike Higham
Go to Her
119 bpm • C min • 06:16 • -16db
28% Popularity • 21% Danceability • 15% Energy • 15% Liveness
80% Instrumentalness • 4% Positiveness
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Future World Music
Stronghold
122 bpm • D min • 03:34 • -12.72db
16% Popularity • 38% Danceability • 51% Energy • 10% Liveness
94% Instrumentalness • 5% Positiveness
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Liquid Cinema
Hand Of God
118 bpm • C# min • 02:26 • -11.26db
14% Popularity • 34% Danceability • 41% Energy • 11% Liveness
65% Instrumentalness • 7% Positiveness
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Trailerhead
The Lords Shall Rule
122 bpm • D min • 03:09 • -9.35db
16% Popularity • 18% Danceability • 71% Energy • 11% Liveness
95% Instrumentalness • 13% Positiveness
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Zack Hemsey
Facing Demons
122 bpm • A min • 02:39 • -10.9db
29% Popularity • 18% Danceability • 37% Energy • 14% Liveness
82% Instrumentalness • 26% Positiveness
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Epic North
Star Guide
122 bpm • A min • 02:57 • -10.47db
22% Popularity • 42% Danceability • 49% Energy • 10% Liveness
98% Instrumentalness • 6% Positiveness
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Sound Adventures
Angel Pride
118 bpm • D Maj • 02:39 • -10.03db
10% Popularity • 23% Danceability • 37% Energy • 12% Liveness
2% Instrumentalness • 7% Positiveness
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Trevor Morris
Scotland Yard
122 bpm • C# Maj • 00:57 • -26.16db
8% Popularity • 60% Danceability • 27% Energy • 11% Liveness
69% Instrumentalness • 3% Positiveness
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Bear McCreary
Da Vinci’s Demons Main Title (Season T...
122 bpm • G# Maj • 01:24 • -13.7db
8% Popularity • 31% Danceability • 47% Energy • 11% Liveness
75% Instrumentalness • 4% Positiveness
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Michael Giacchino
Apes Together Strong
118 bpm • E min • 07:12 • -23.2db
20% Popularity • 24% Danceability • 3% Energy • 9% Liveness
77% Instrumentalness • 3% Positiveness
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Craig Armstrong
In Time Choral Theme
122 bpm • D min • 03:20 • -11.6db
12% Popularity • 17% Danceability • 42% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
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Blake Neely
See You on the Other Side
122 bpm • C# Maj • 03:56 • -13.32db
8% Popularity • 40% Danceability • 70% Energy • 14% Liveness
95% Instrumentalness • 29% Positiveness
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Christophe Beck
Angel of Verdun (Main Title)
118 bpm • G Maj • 02:56 • -26.14db
27% Popularity • 41% Danceability • 22% Energy • 11% Liveness
89% Instrumentalness • 3% Positiveness
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Satnam Ramgotra
Eviction
118 bpm • D min • 03:34 • -18.88db
10% Popularity • 17% Danceability • 23% Energy • 12% Liveness
94% Instrumentalness • 3% Positiveness
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David Arnold
Lazarus
117 bpm • B min • 03:36 • -16.84db
2% Popularity • 34% Danceability • 36% Energy • 11% Liveness
84% Instrumentalness • 9% Positiveness
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Jonas B. Ingebretsen
The Great Speech (Instrumental)
117 bpm • F# min • 03:29 • -11.27db
16% Popularity • 17% Danceability • 27% Energy • 15% Liveness
94% Instrumentalness • 4% Positiveness
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Thomas Wander
It's Getting Real
123 bpm • G min • 03:06 • -18db
8% Popularity • 18% Danceability • 28% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
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Thomas Bergersen
Soulseeker
117 bpm • C min • 03:14 • -8.31db
28% Popularity • 40% Danceability • 56% Energy • 9% Liveness
48% Instrumentalness • 15% Positiveness
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Atli Örvarsson
Cruz' Sins
123 bpm • G min • 03:08 • -24.24db
11% Popularity • 20% Danceability • 7% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Hi-Finesse
Slowly into the Light
124 bpm • B min • 02:33 • -8.53db
36% Popularity • 43% Danceability • 53% Energy • 6% Liveness
9% Instrumentalness • 10% Positiveness
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Epic North
Avalanche
124 bpm • A# Maj • 02:29 • -11.93db
12% Popularity • 20% Danceability • 46% Energy • 10% Liveness
79% Instrumentalness • 7% Positiveness
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Trevor Morris
Ivar Travels the Silk Road
116 bpm • G Maj • 02:36 • -15.34db
32% Popularity • 17% Danceability • 20% Energy • 15% Liveness
94% Instrumentalness • 4% Positiveness
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Thomas Newman
The Sleeping Girl
125 bpm • F min • 03:14 • -22.26db
24% Popularity • 19% Danceability • 11% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
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Joseph William Morgan
Elite Voids
125 bpm • G min • 02:46 • -9.92db
21% Popularity • 43% Danceability • 68% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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City of the Fallen
Messiah
125 bpm • D min • 02:26 • -7.27db
18% Popularity • 41% Danceability • 64% Energy • 12% Liveness
70% Instrumentalness • 6% Positiveness
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Christian Reindl
Awaken
125 bpm • B Maj • 02:52 • -8.17db
11% Popularity • 38% Danceability • 54% Energy • 11% Liveness
10% Instrumentalness • 6% Positiveness
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derani
Post Mortem
125 bpm • B min • 03:20 • -14.13db
20% Popularity • 45% Danceability • 46% Energy • 21% Liveness
96% Instrumentalness • 19% Positiveness
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Fringe Element
Immortal
125 bpm • D min • 02:22 • -9.93db
14% Popularity • 51% Danceability • 70% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
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Veigar Margeirsson
Touch the Sky
115 bpm • C Maj • 02:47 • -11.76db
17% Popularity • 36% Danceability • 26% Energy • 8% Liveness
79% Instrumentalness • 13% Positiveness
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Iliya Zaki
Edge of the World
115 bpm • G# Maj • 02:39 • -13.39db
15% Popularity • 23% Danceability • 63% Energy • 24% Liveness
96% Instrumentalness • 12% Positiveness
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Dominik Scherrer
In My Protection
114 bpm • D Maj • 03:47 • -19.53db
8% Popularity • 44% Danceability • 25% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Ilan Eshkeri
Seppuku
114 bpm • F Maj • 03:44 • -15.76db
34% Popularity • 17% Danceability • 33% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Tree Adams
The Program That Ended the World
127 bpm • C min • 01:55 • -17.88db
11% Popularity • 17% Danceability • 20% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
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Joseph William Morgan
Binary Pursuit
114 bpm • D Maj • 02:24 • -9.48db
22% Popularity • 36% Danceability • 54% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
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Volker Bertelmann
I Always Go First
113 bpm • C# min • 03:05 • -21.04db
7% Popularity • 28% Danceability • 21% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Felix Erskine
Dagda Druid Fight
128 bpm • D min • 01:15 • -12.7db
3% Popularity • 26% Danceability • 73% Energy • 14% Liveness
86% Instrumentalness • 14% Positiveness
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VonLichten
Palomar 12
113 bpm • G# Maj • 04:14 • -15.58db
12% Popularity • 27% Danceability • 44% Energy • 10% Liveness
78% Instrumentalness • 4% Positiveness
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Clint Mansell
The Spirit of the Creator Moved Upon the...
112 bpm • A# Maj • 02:59 • -11.37db
11% Popularity • 26% Danceability • 20% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Atli Örvarsson
How It Ends
112 bpm • G# Maj • 02:11 • -13.18db
21% Popularity • 46% Danceability • 67% Energy • 11% Liveness
85% Instrumentalness • 14% Positiveness
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Ilan Eshkeri
Ako
129 bpm • A# min • 02:13 • -25.33db
29% Popularity • 36% Danceability • 6% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
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Thomas Newman
The Starship Avalon (Main Title)
129 bpm • C min • 04:15 • -28.47db
33% Popularity • 37% Danceability • 3% Energy • 6% Liveness
96% Instrumentalness • 4% Positiveness
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Christian Reindl
Black Sails
111 bpm • D min • 02:17 • -10.41db
11% Popularity • 20% Danceability • 56% Energy • 10% Liveness
94% Instrumentalness • 10% Positiveness
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Bear McCreary
Starlings
129 bpm • G# Maj • 01:59 • -16.3db
14% Popularity • 18% Danceability • 42% Energy • 22% Liveness
87% Instrumentalness • 3% Positiveness
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Joseph William Morgan
One Million
129 bpm • C# min • 02:49 • -9.74db
23% Popularity • 27% Danceability • 32% Energy • 9% Liveness
84% Instrumentalness • 5% Positiveness
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John Paesano
A Better Beginning
129 bpm • C Maj • 04:25 • -16.54db
36% Popularity • 19% Danceability • 25% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Sound Adventures
Chasing Dreams
130 bpm • A# min • 03:24 • -16.15db
13% Popularity • 16% Danceability • 27% Energy • 9% Liveness
85% Instrumentalness • 13% Positiveness
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Epic North
To Live Forever
111 bpm • D# Maj • 02:33 • -12.1db
16% Popularity • 36% Danceability • 52% Energy • 29% Liveness
96% Instrumentalness • 28% Positiveness
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Andrew Lockington
San Andreas End Credits
130 bpm • D Maj • 02:57 • -11.02db
21% Popularity • 25% Danceability • 67% Energy • 29% Liveness
67% Instrumentalness • 47% Positiveness
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Jed Kurzel
Abstergo
130 bpm • E Maj • 04:18 • -24.71db
20% Popularity • 16% Danceability • 11% Energy • 9% Liveness
74% Instrumentalness • 3% Positiveness
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Fringe Element
Brave New World
130 bpm • C Maj • 03:46 • -13.15db
22% Popularity • 29% Danceability • 27% Energy • 13% Liveness
90% Instrumentalness • 4% Positiveness
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Liquid Cinema
Zeitgeist
130 bpm • C# Maj • 02:15 • -11.63db
9% Popularity • 44% Danceability • 29% Energy • 11% Liveness
16% Instrumentalness • 7% Positiveness
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Sound Adventures
Deed and Destiny
130 bpm • G min • 02:53 • -10db
31% Popularity • 27% Danceability • 51% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
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Ryan Amon
Unauthorized Entry
130 bpm • G# Maj • 04:35 • -20db
15% Popularity • 32% Danceability • 34% Energy • 10% Liveness
85% Instrumentalness • 18% Positiveness
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Peter Roe
On the Edge
130 bpm • C Maj • 02:08 • -12db
12% Popularity • 17% Danceability • 46% Energy • 11% Liveness
54% Instrumentalness • 5% Positiveness
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Jed Kurzel
The Animus
130 bpm • A Maj • 04:41 • -16.27db
26% Popularity • 34% Danceability • 36% Energy • 9% Liveness
80% Instrumentalness • 6% Positiveness
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Daniel Pemberton
Tower & Power
130 bpm • A# Maj • 03:52 • -11.37db
29% Popularity • 38% Danceability • 53% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
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David Chappell
Dream Catchers
130 bpm • D min • 03:30 • -14db
18% Popularity • 35% Danceability • 31% Energy • 11% Liveness
96% Instrumentalness • 9% Positiveness
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C21fx
Fallen Heroes
130 bpm • F# min • 03:16 • -16.75db
22% Popularity • 36% Danceability • 25% Energy • 10% Liveness
81% Instrumentalness • 6% Positiveness
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Ryan Amon
Deportation
130 bpm • C# Maj • 01:55 • -15.84db
15% Popularity • 38% Danceability • 56% Energy • 38% Liveness
79% Instrumentalness • 11% Positiveness
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Peter Roe
The Last Voyager
130 bpm • C Maj • 05:18 • -10.25db
14% Popularity • 28% Danceability • 52% Energy • 10% Liveness
46% Instrumentalness • 18% Positiveness
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Fringe Element
For All Humanity
130 bpm • D min • 03:00 • -12.65db
15% Popularity • 38% Danceability • 48% Energy • 10% Liveness
90% Instrumentalness • 7% Positiveness
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John Paesano
A Trail of Hope
130 bpm • F min • 02:44 • -15.73db
27% Popularity • 45% Danceability • 34% Energy • 10% Liveness
94% Instrumentalness • 6% Positiveness
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Felix Erskine
You Passed the Test
111 bpm • D min • 02:25 • -14.97db
3% Popularity • 19% Danceability • 66% Energy • 17% Liveness
91% Instrumentalness • 5% Positiveness
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Ilan Eshkeri
Centurion
130 bpm • E min • 03:05 • -21db
43% Popularity • 30% Danceability • 22% Energy • 10% Liveness
73% Instrumentalness • 12% Positiveness
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Ryan Amon
Matilda
110 bpm • G Maj • 02:53 • -27db
25% Popularity • 33% Danceability • 9% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
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Robert Charles Corley
Time is Collapsing
110 bpm • G Maj • 04:25 • -18.14db
13% Popularity • 34% Danceability • 8% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Dean Valentine
Now I Take Everything from You (Trailer ...
110 bpm • F Maj • 02:41 • -16db
30% Popularity • 31% Danceability • 30% Energy • 9% Liveness
82% Instrumentalness • 4% Positiveness
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Glory Oath + Blood
In Peace In War
110 bpm • F min • 03:08 • -12.78db
12% Popularity • 16% Danceability • 45% Energy • 9% Liveness
12% Instrumentalness • 3% Positiveness
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Felix Erskine
Taking the Sword
131 bpm • G Maj • 01:33 • -27.08db
4% Popularity • 16% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 6% Positiveness
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Furies Descend