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Future Memories
Songs like
Future Memories
by
Yotam Silberstein
Based on a tempo of (+/- 10%) and a similar genre
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Niclas Knudsen Trio
La Rosita
120 bpm • C min • 05:46 • -15.96db
14% Popularity • 61% Danceability • 23% Energy • 8% Liveness
80% Instrumentalness • 46% Positiveness
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Marco Vezzoso
A Me Me Piace O Blues
120 bpm • D min • 03:57 • -11.18db
27% Popularity • 70% Danceability • 23% Energy • 6% Liveness
86% Instrumentalness • 31% Positiveness
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ELGNZA
LOOKING OVER FOR
120 bpm • B Maj • 02:38 • -22.09db
9% Popularity • 52% Danceability • 11% Energy • 11% Liveness
92% Instrumentalness • 9% Positiveness
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Albare
Feeling Moody
120 bpm • C# Maj • 05:09 • -16.91db
7% Popularity • 73% Danceability • 28% Energy • 10% Liveness
36% Instrumentalness • 44% Positiveness
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Amanda Gardier
The Incarcerated Artist and His Muse
120 bpm • B min • 05:29 • -14.05db
13% Popularity • 48% Danceability • 28% Energy • 12% Liveness
87% Instrumentalness • 17% Positiveness
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Peter Holmes
Beautiful Mistake
120 bpm • G min • 05:14 • -7.77db
7% Popularity • 63% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Lluis Capdevila
Everything Has an End
120 bpm • G min • 04:48 • -16.01db
16% Popularity • 57% Danceability • 27% Energy • 12% Liveness
81% Instrumentalness • 31% Positiveness
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Félix Zurstrassen
Elusive
120 bpm • B Maj • 06:08 • -13.44db
9% Popularity • 39% Danceability • 27% Energy • 14% Liveness
29% Instrumentalness • 11% Positiveness
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Morten Haxholm
Whirl
120 bpm • C# Maj • 05:28 • -12.16db
18% Popularity • 40% Danceability • 34% Energy • 12% Liveness
16% Instrumentalness • 37% Positiveness
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Kaira
In Memory of KG
120 bpm • A min • 05:01 • -13.72db
14% Popularity • 60% Danceability • 38% Energy • 12% Liveness
90% Instrumentalness • 47% Positiveness
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Marco Mezquida
Beibita
120 bpm • C Maj • 03:37 • -14.87db
7% Popularity • 53% Danceability • 36% Energy • 11% Liveness
94% Instrumentalness • 17% Positiveness
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The Dam Jawn
Master Street
120 bpm • F min • 06:09 • -10.45db
13% Popularity • 56% Danceability • 40% Energy • 7% Liveness
2% Instrumentalness • 28% Positiveness
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Piper Williamson
Never Again
119 bpm • G# Maj • 03:20 • -16.52db
34% Popularity • 54% Danceability • 14% Energy • 12% Liveness
11% Instrumentalness • 18% Positiveness
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Gaige Myers
This Could Be Love
119 bpm • C Maj • 03:26 • -15.84db
45% Popularity • 30% Danceability • 10% Energy • 10% Liveness
82% Instrumentalness • 7% Positiveness
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Salvatore Bonafede
Ask The Dust - To John Fante
121 bpm • F min • 04:35 • -12.87db
9% Popularity • 35% Danceability • 45% Energy • 22% Liveness
82% Instrumentalness • 16% Positiveness
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Monne Verschaeve
Ahsoka's Theme
119 bpm • F Maj • 05:12 • -16.15db
10% Popularity • 56% Danceability • 11% Energy • 10% Liveness
94% Instrumentalness • 27% Positiveness
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Luke Sellick
John the Revelator
121 bpm • D Maj • 05:20 • -18.74db
19% Popularity • 62% Danceability • 13% Energy • 12% Liveness
94% Instrumentalness • 22% Positiveness
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Jaazy Jazz
Key of Harmony
119 bpm • B min • 01:14 • -13.19db
24% Popularity • 77% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Susanne Alt
Bel Air Bop
119 bpm • D min • 05:34 • -8db
13% Popularity • 51% Danceability • 70% Energy • 23% Liveness
34% Instrumentalness • 42% Positiveness
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Hans Lüdemann's Rooms
Blaue Kreise (Reprise)
119 bpm • C# min • 06:20 • -7.23db
7% Popularity • 40% Danceability • 71% Energy • 18% Liveness
2% Instrumentalness • 51% Positiveness
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Pierre Boussaguet
Portrait de famille
119 bpm • G Maj • 03:38 • -16.95db
22% Popularity • 42% Danceability • 33% Energy • 12% Liveness
93% Instrumentalness • 34% Positiveness
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Simon Spang-Hanssen
Dakar Paris
122 bpm • C# min • 06:15 • -8.66db
9% Popularity • 44% Danceability • 47% Energy • 8% Liveness
53% Instrumentalness • 50% Positiveness
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Orlando Madrid
From This Moment Forward
122 bpm • B min • 08:26 • -11.94db
8% Popularity • 44% Danceability • 31% Energy • 10% Liveness
10% Instrumentalness • 23% Positiveness
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Philip Catherine
Lost Land
122 bpm • A Maj • 05:06 • -11.44db
9% Popularity • 49% Danceability • 36% Energy • 9% Liveness
89% Instrumentalness • 14% Positiveness
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The Jim Kelly Quartet
Feel No Paine
118 bpm • G# Maj • 07:02 • -21.1db
13% Popularity • 61% Danceability • 8% Energy • 10% Liveness
77% Instrumentalness • 13% Positiveness
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Vali Kasma
Assault
118 bpm • C min • 01:52 • -10.56db
9% Popularity • 42% Danceability • 30% Energy • 67% Liveness
92% Instrumentalness • 14% Positiveness
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Benny Golson
Killer Joe - Snapshot - tenor sax solo
122 bpm • C Maj • 01:05 • -13.27db
28% Popularity • 63% Danceability • 34% Energy • 12% Liveness
2% Instrumentalness • 60% Positiveness
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TwoTwo
Crossing Borders
118 bpm • C min • 07:35 • -9.91db
8% Popularity • 46% Danceability • 36% Energy • 10% Liveness
1% Instrumentalness • 21% Positiveness
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Peter Beets
Etude No 12
118 bpm • F# Maj • 03:45 • -13.6db
12% Popularity • 52% Danceability • 50% Energy • 20% Liveness
40% Instrumentalness • 59% Positiveness
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Antonio Hart
Rock Candy
122 bpm • D min • 05:53 • -11.42db
5% Popularity • 59% Danceability • 44% Energy • 16% Liveness
91% Instrumentalness • 66% Positiveness
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Henrik Hallberg
The First and the Last Tango
117 bpm • A Maj • 07:48 • -21.53db
18% Popularity • 60% Danceability • 10% Energy • 11% Liveness
86% Instrumentalness • 29% Positiveness
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Oakwood Station
A Sigh
117 bpm • E min • 01:53 • -18.93db
11% Popularity • 44% Danceability • 34% Energy • 68% Liveness
78% Instrumentalness • 55% Positiveness
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Sébastien Lovato
Monpazier/New-York
117 bpm • F Maj • 05:35 • -14.62db
8% Popularity • 41% Danceability • 46% Energy • 10% Liveness
90% Instrumentalness • 74% Positiveness
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Flash Pig
Age of Bloom
123 bpm • E min • 03:14 • -14.78db
12% Popularity • 42% Danceability • 42% Energy • 10% Liveness
75% Instrumentalness • 52% Positiveness
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Mike Murley
A New Wayning Moment
117 bpm • G min • 05:04 • -13.88db
10% Popularity • 42% Danceability • 16% Energy • 18% Liveness
64% Instrumentalness • 26% Positiveness
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Antonio Hart
Speak Low
117 bpm • D min • 06:33 • -10.39db
1% Popularity • 66% Danceability • 30% Energy • 12% Liveness
80% Instrumentalness • 57% Positiveness
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Niclas Knudsen Trio
Reformation
117 bpm • F Maj • 03:38 • -14.48db
17% Popularity • 64% Danceability • 42% Energy • 10% Liveness
68% Instrumentalness • 68% Positiveness
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Silvan Joray
Looking Up
124 bpm • B Maj • 05:11 • -16.3db
17% Popularity • 62% Danceability • 29% Energy • 9% Liveness
87% Instrumentalness • 54% Positiveness
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Jill & Henry
Comin’ Over
117 bpm • F min • 03:18 • -13.18db
40% Popularity • 40% Danceability • 16% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
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Francesca Tandoi
You and the Lake and the Moon
117 bpm • F# Maj • 05:59 • -16.61db
9% Popularity • 46% Danceability • 28% Energy • 10% Liveness
87% Instrumentalness • 17% Positiveness
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Harvie S
A Vontade Mesmo
117 bpm • C Maj • 04:03 • -17.73db
8% Popularity • 50% Danceability • 40% Energy • 19% Liveness
50% Instrumentalness • 66% Positiveness
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Ben Allison
She Insists
116 bpm • E min • 04:54 • -16.8db
16% Popularity • 66% Danceability • 13% Energy • 9% Liveness
94% Instrumentalness • 19% Positiveness
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Doctor 3
Il tempo di morire
116 bpm • C min • 03:26 • -12.82db
20% Popularity • 55% Danceability • 40% Energy • 11% Liveness
93% Instrumentalness • 74% Positiveness
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Ramon Valle
Dayla
124 bpm • F# min • 06:32 • -16.8db
11% Popularity • 40% Danceability • 36% Energy • 23% Liveness
89% Instrumentalness • 35% Positiveness
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John Ellis Quartet
Toreador
116 bpm • F Maj • 06:34 • -11.76db
10% Popularity • 60% Danceability • 35% Energy • 12% Liveness
36% Instrumentalness • 62% Positiveness
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Yotam Silberstein
Haper
124 bpm • G Maj • 05:45 • -17.45db
1% Popularity • 49% Danceability • 38% Energy • 9% Liveness
86% Instrumentalness • 24% Positiveness
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Lawrence Fields
Vision
124 bpm • F Maj • 06:38 • -12.43db
12% Popularity • 42% Danceability • 44% Energy • 8% Liveness
90% Instrumentalness • 26% Positiveness
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Alfre Storti
Río Arriba
116 bpm • D# Maj • 05:44 • -22.58db
9% Popularity • 40% Danceability • 10% Energy • 11% Liveness
41% Instrumentalness • 12% Positiveness
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Erlend Skomsvoll Trio
Ambivertilismer
124 bpm • F min • 06:19 • -19.1db
10% Popularity • 75% Danceability • 22% Energy • 11% Liveness
91% Instrumentalness • 73% Positiveness
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Peter Beets
Second Piano Concerto: Part 1
116 bpm • C min • 06:18 • -14.87db
8% Popularity • 46% Danceability • 31% Energy • 12% Liveness
73% Instrumentalness • 16% Positiveness
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Douglas Brown
The Last Thing I Heard Was a Bb
116 bpm • F min • 05:06 • -14.42db
11% Popularity • 46% Danceability • 40% Energy • 9% Liveness
88% Instrumentalness • 64% Positiveness
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Yotam Silberstein
Wind on the Lake
116 bpm • E Maj • 07:04 • -16.07db
9% Popularity • 60% Danceability • 22% Energy • 7% Liveness
94% Instrumentalness • 22% Positiveness
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Nils Kugelmann
Symphony for the Rain
115 bpm • C Maj • 05:20 • -14.64db
9% Popularity • 38% Danceability • 38% Energy • 24% Liveness
81% Instrumentalness • 32% Positiveness
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Jo-Yu Chen
Wolfgang Amadeus Mozart: Twinkle Twinkle...
125 bpm • C Maj • 04:12 • -15.57db
31% Popularity • 69% Danceability • 19% Energy • 9% Liveness
83% Instrumentalness • 40% Positiveness
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Adam Levy
Your Name Here
115 bpm • G Maj • 07:37 • -16.55db
8% Popularity • 46% Danceability • 25% Energy • 11% Liveness
88% Instrumentalness • 27% Positiveness
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André Mehmari
Evanescente
125 bpm • D min • 05:24 • -20.31db
7% Popularity • 55% Danceability • 23% Energy • 27% Liveness
87% Instrumentalness • 14% Positiveness
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Banksia Trio
Messe 1
115 bpm • F Maj • 05:08 • -16.95db
9% Popularity • 47% Danceability • 29% Energy • 11% Liveness
84% Instrumentalness • 41% Positiveness
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Niclas Knudsen Trio
Se Nu Stiger Solen Af Havets Skød
115 bpm • A Maj • 04:24 • -17.94db
13% Popularity • 77% Danceability • 15% Energy • 11% Liveness
76% Instrumentalness • 34% Positiveness
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David Friedman
Surge Of Silence, Pt. 2
115 bpm • C Maj • 08:00 • -15.32db
10% Popularity • 48% Danceability • 41% Energy • 34% Liveness
45% Instrumentalness • 21% Positiveness
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Yotam Silberstein
Frythm
125 bpm • C min • 05:45 • -19.32db
2% Popularity • 52% Danceability • 28% Energy • 10% Liveness
84% Instrumentalness • 65% Positiveness
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Van Crusen
Sembrava Una Discesa, Pt. 2
115 bpm • A min • 01:30 • -10.7db
25% Popularity • 64% Danceability • 41% Energy • 10% Liveness
9% Instrumentalness • 64% Positiveness
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小曽根啓
Gorgeous
115 bpm • C# Maj • 07:32 • -15.68db
7% Popularity • 48% Danceability • 7% Energy • 10% Liveness
60% Instrumentalness • 29% Positiveness
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Bossa Curve
Everything We Wanted
125 bpm • F min • 03:16 • -19.88db
16% Popularity • 45% Danceability • 36% Energy • 39% Liveness
94% Instrumentalness • 38% Positiveness
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Alex Weitz
Odyssey
115 bpm • D# min • 04:18 • -12.59db
19% Popularity • 40% Danceability • 48% Energy • 11% Liveness
81% Instrumentalness • 57% Positiveness
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Helio Alves
Chan's Song
126 bpm • C# Maj • 07:11 • -14.67db
8% Popularity • 52% Danceability • 38% Energy • 11% Liveness
94% Instrumentalness • 38% Positiveness
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Yotam Silberstein
Limehouse Blues
114 bpm • F# Maj • 04:31 • -17.61db
0% Popularity • 64% Danceability • 17% Energy • 11% Liveness
93% Instrumentalness • 54% Positiveness
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Lunaria
Sheer Despair (Interlude)
126 bpm • A# Maj • 01:06 • -17.26db
26% Popularity • 47% Danceability • 26% Energy • 13% Liveness
92% Instrumentalness • 28% Positiveness
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Lage Lund
Bad Acrobat
114 bpm • G# min • 06:21 • -17.38db
7% Popularity • 38% Danceability • 38% Energy • 11% Liveness
92% Instrumentalness • 45% Positiveness
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Triód
Maremma Amara
114 bpm • A# Maj • 04:35 • -16db
8% Popularity • 44% Danceability • 7% Energy • 12% Liveness
89% Instrumentalness • 26% Positiveness
► Preview
ELGNZA
BE WITH ME MY LOVE
114 bpm • A# Maj • 03:14 • -14.05db
9% Popularity • 66% Danceability • 24% Energy • 14% Liveness
39% Instrumentalness • 19% Positiveness
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Stefania Tallini
A Twin Thought
127 bpm • E min • 04:57 • -21db
14% Popularity • 44% Danceability • 22% Energy • 17% Liveness
85% Instrumentalness • 14% Positiveness
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Andrea Candeloro
Sotto un Metro di Sogni
114 bpm • G# Maj • 03:54 • -23.92db
7% Popularity • 45% Danceability • 2% Energy • 14% Liveness
91% Instrumentalness • 8% Positiveness
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Petter Bergander Trio
Days To Come
127 bpm • G Maj • 05:19 • -21.21db
35% Popularity • 51% Danceability • 23% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
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Ron Horton
ML
114 bpm • F Maj • 09:10 • -9.37db
14% Popularity • 43% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Niclas Knudsen Trio
Ebbe Skammelsøn
127 bpm • D min • 04:53 • -18.49db
9% Popularity • 60% Danceability • 12% Energy • 12% Liveness
65% Instrumentalness • 20% Positiveness
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Francesca Tandoi
Lethargy
127 bpm • F# Maj • 05:00 • -13.65db
8% Popularity • 44% Danceability • 51% Energy • 22% Liveness
92% Instrumentalness • 40% Positiveness
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David Ecker
Respite (Despite)
113 bpm • F min • 06:45 • -12.88db
1% Popularity • 34% Danceability • 46% Energy • 12% Liveness
69% Instrumentalness • 40% Positiveness
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André Mehmari
O Voo da Libélula
113 bpm • D min • 04:06 • -16.48db
7% Popularity • 52% Danceability • 45% Energy • 9% Liveness
91% Instrumentalness • 40% Positiveness
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Mathias Højgaard Jensen
Off-Set
127 bpm • C# Maj • 06:13 • -14.89db
3% Popularity • 52% Danceability • 33% Energy • 9% Liveness
71% Instrumentalness • 34% Positiveness
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Christian Tamburr
Embracing Peace
113 bpm • F Maj • 03:51 • -24.37db
13% Popularity • 57% Danceability • 7% Energy • 12% Liveness
88% Instrumentalness • 14% Positiveness
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Roisel Suàrez
If I Were to lose you
128 bpm • G Maj • 05:17 • -11.95db
14% Popularity • 48% Danceability • 22% Energy • 13% Liveness
89% Instrumentalness • 10% Positiveness
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Andreas Theobald
Double Espresso
128 bpm • C Maj • 04:19 • -8.99db
8% Popularity • 55% Danceability • 63% Energy • 8% Liveness
78% Instrumentalness • 46% Positiveness
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Yotam Silberstein
Parana (Entre Rios)
113 bpm • F min • 04:37 • -14.21db
4% Popularity • 70% Danceability • 30% Energy • 10% Liveness
86% Instrumentalness • 36% Positiveness
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Frederic Loiseau
Coco
128 bpm • F min • 03:32 • -18.06db
11% Popularity • 54% Danceability • 13% Energy • 11% Liveness
79% Instrumentalness • 22% Positiveness
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Michele Perruggini
Disillusion
128 bpm • C min • 05:47 • -9.54db
12% Popularity • 38% Danceability • 50% Energy • 13% Liveness
77% Instrumentalness • 14% Positiveness
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Emile Parisien
Bazar - Bonus Track
113 bpm • F# min • 05:04 • -13.03db
13% Popularity • 54% Danceability • 45% Energy • 9% Liveness
91% Instrumentalness • 51% Positiveness
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Yorkville
Moonfall
113 bpm • F min • 03:41 • -13.18db
9% Popularity • 48% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Scott Colley
Leisureman Blues
128 bpm • G min • 04:08 • -11.37db
14% Popularity • 71% Danceability • 15% Energy • 12% Liveness
90% Instrumentalness • 36% Positiveness
► Preview
Travis Wesley
Slip Slidin' Away
112 bpm • G# Maj • 05:14 • -13.29db
9% Popularity • 38% Danceability • 45% Energy • 9% Liveness
80% Instrumentalness • 30% Positiveness
► Preview
Yotam Silberstein
Never Let Me Go
112 bpm • G min • 06:23 • -15.45db
15% Popularity • 52% Danceability • 14% Energy • 12% Liveness
3% Instrumentalness • 22% Positiveness
► Preview
Lage Lund
Vashkar
128 bpm • B Maj • 04:15 • -14.85db
17% Popularity • 54% Danceability • 40% Energy • 13% Liveness
74% Instrumentalness • 50% Positiveness
► Preview
Tim Garland
Two to Go
129 bpm • F Maj • 07:18 • -12.03db
11% Popularity • 48% Danceability • 30% Energy • 10% Liveness
88% Instrumentalness • 37% Positiveness
► Preview
Mika Krstic
Winter in LA
112 bpm • G# Maj • 06:31 • -16.58db
10% Popularity • 43% Danceability • 39% Energy • 11% Liveness
87% Instrumentalness • 26% Positiveness
► Preview
Willie Morris
Leaving Paradise
129 bpm • B min • 05:49 • -13.1db
15% Popularity • 51% Danceability • 32% Energy • 11% Liveness
95% Instrumentalness • 36% Positiveness
► Preview
Berlin 21
Wedding Waltz
112 bpm • C Maj • 04:40 • -21.72db
18% Popularity • 61% Danceability • 24% Energy • 12% Liveness
94% Instrumentalness • 26% Positiveness
► Preview
Yotam Silberstein
Little Willie Leaps
112 bpm • D min • 04:46 • -18.52db
13% Popularity • 55% Danceability • 28% Energy • 10% Liveness
82% Instrumentalness • 55% Positiveness
► Preview
Kari Antila
Wild Rooster
129 bpm • G min • 06:20 • -12.21db
13% Popularity • 52% Danceability • 42% Energy • 11% Liveness
92% Instrumentalness • 34% Positiveness
► Preview
Lage Lund
Antarctica
129 bpm • G# min • 06:50 • -16.16db
8% Popularity • 44% Danceability • 33% Energy • 10% Liveness
92% Instrumentalness • 33% Positiveness
► Preview
Anat Cohen
Birdie
129 bpm • A# min • 06:39 • -13.44db
8% Popularity • 48% Danceability • 27% Energy • 10% Liveness
81% Instrumentalness • 24% Positiveness
► Preview
Art Hirahara
Echo Canyon
112 bpm • C min • 05:32 • -12.5db
14% Popularity • 45% Danceability • 37% Energy • 16% Liveness
93% Instrumentalness • 6% Positiveness
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Future Memories