Songs like Gagarin by Public Service Broadcasting
Based on a tempo of (+/- 10%) and a similar genre
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Spector
All The Sad Young Men
118 bpm • F# Maj • 04:40 • -7.4db
37% Popularity • 58% Danceability • 74% Energy • 14% Liveness
44% Instrumentalness • 8% Positiveness
37% Popularity • 58% Danceability • 74% Energy • 14% Liveness
44% Instrumentalness • 8% Positiveness
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She Drew The Gun
Something For The Pain
118 bpm • A min • 03:08 • -6db
45% Popularity • 54% Danceability • 78% Energy • 20% Liveness
50% Instrumentalness • 68% Positiveness
45% Popularity • 54% Danceability • 78% Energy • 20% Liveness
50% Instrumentalness • 68% Positiveness
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Grandaddy
Evermore
118 bpm • D min • 04:39 • -8.93db
24% Popularity • 59% Danceability • 65% Energy • 11% Liveness
13% Instrumentalness • 29% Positiveness
24% Popularity • 59% Danceability • 65% Energy • 11% Liveness
13% Instrumentalness • 29% Positiveness
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The Dandy Warhols
Every Day Should Be A Holiday
118 bpm • E Maj • 04:01 • -7.56db
42% Popularity • 51% Danceability • 89% Energy • 11% Liveness
20% Instrumentalness • 44% Positiveness
42% Popularity • 51% Danceability • 89% Energy • 11% Liveness
20% Instrumentalness • 44% Positiveness
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Blancmange
What's the Time?
118 bpm • G Maj • 04:28 • -6.53db
26% Popularity • 81% Danceability • 68% Energy • 9% Liveness
55% Instrumentalness • 67% Positiveness
26% Popularity • 81% Danceability • 68% Energy • 9% Liveness
55% Instrumentalness • 67% Positiveness
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Groove Armada
Shameless
118 bpm • D Maj • 04:47 • -11.58db
22% Popularity • 62% Danceability • 48% Energy • 26% Liveness
45% Instrumentalness • 21% Positiveness
22% Popularity • 62% Danceability • 48% Energy • 26% Liveness
45% Instrumentalness • 21% Positiveness
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EOB
Brasil
118 bpm • A# Maj • 08:27 • -15db
28% Popularity • 36% Danceability • 40% Energy • 13% Liveness
54% Instrumentalness • 8% Positiveness
28% Popularity • 36% Danceability • 40% Energy • 13% Liveness
54% Instrumentalness • 8% Positiveness
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Jane Weaver
Heartlow
118 bpm • C# Maj • 04:11 • -7.2db
28% Popularity • 50% Danceability • 54% Energy • 9% Liveness
66% Instrumentalness • 23% Positiveness
28% Popularity • 50% Danceability • 54% Energy • 9% Liveness
66% Instrumentalness • 23% Positiveness
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The Waterboys
We Will Not Be Lovers - 2006 Remaster
118 bpm • A min • 07:01 • -4.41db
40% Popularity • 39% Danceability • 97% Energy • 32% Liveness
9% Instrumentalness • 65% Positiveness
40% Popularity • 39% Danceability • 97% Energy • 32% Liveness
9% Instrumentalness • 65% Positiveness
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Boxed In
Forget
119 bpm • C Maj • 04:27 • -8.21db
25% Popularity • 58% Danceability • 83% Energy • 21% Liveness
22% Instrumentalness • 67% Positiveness
25% Popularity • 58% Danceability • 83% Energy • 21% Liveness
22% Instrumentalness • 67% Positiveness
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Elbow
The Bones of You
117 bpm • G min • 04:49 • -6db
43% Popularity • 61% Danceability • 76% Energy • 31% Liveness
0% Instrumentalness • 24% Positiveness
43% Popularity • 61% Danceability • 76% Energy • 31% Liveness
0% Instrumentalness • 24% Positiveness
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Super Furry Animals
Slow Life (2023 Remaster)
117 bpm • B min • 07:01 • -7.09db
22% Popularity • 65% Danceability • 68% Energy • 12% Liveness
80% Instrumentalness • 50% Positiveness
22% Popularity • 65% Danceability • 68% Energy • 12% Liveness
80% Instrumentalness • 50% Positiveness
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Mint Royale
Blue Song
117 bpm • C# Maj • 04:16 • -5.67db
45% Popularity • 66% Danceability • 82% Energy • 9% Liveness
6% Instrumentalness • 53% Positiveness
45% Popularity • 66% Danceability • 82% Energy • 9% Liveness
6% Instrumentalness • 53% Positiveness
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Cashier No. 9
Lost at Sea
117 bpm • E Maj • 04:07 • -5.84db
8% Popularity • 50% Danceability • 90% Energy • 25% Liveness
0% Instrumentalness • 62% Positiveness
8% Popularity • 50% Danceability • 90% Energy • 25% Liveness
0% Instrumentalness • 62% Positiveness
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Public Service Broadcasting
Turn No More
117 bpm • G min • 04:35 • -10.07db
23% Popularity • 60% Danceability • 81% Energy • 26% Liveness
28% Instrumentalness • 72% Positiveness
23% Popularity • 60% Danceability • 81% Energy • 26% Liveness
28% Instrumentalness • 72% Positiveness
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Pictish Trail
Turning Back
119 bpm • C# Maj • 06:11 • -9.13db
11% Popularity • 43% Danceability • 63% Energy • 5% Liveness
6% Instrumentalness • 31% Positiveness
11% Popularity • 43% Danceability • 63% Energy • 5% Liveness
6% Instrumentalness • 31% Positiveness
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Mogwai
Crossing The Road Material
119 bpm • E Maj • 06:57 • -8.16db
8% Popularity • 33% Danceability • 59% Energy • 9% Liveness
95% Instrumentalness • 6% Positiveness
8% Popularity • 33% Danceability • 59% Energy • 9% Liveness
95% Instrumentalness • 6% Positiveness
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Wild Beasts
We Still Got The Taste Dancin' On Our To...
119 bpm • A# min • 04:36 • -8db
26% Popularity • 67% Danceability • 62% Energy • 10% Liveness
3% Instrumentalness • 45% Positiveness
26% Popularity • 67% Danceability • 62% Energy • 10% Liveness
3% Instrumentalness • 45% Positiveness
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Low
Monkey
116 bpm • G Maj • 04:19 • -8.79db
37% Popularity • 50% Danceability • 54% Energy • 35% Liveness
70% Instrumentalness • 20% Positiveness
37% Popularity • 50% Danceability • 54% Energy • 35% Liveness
70% Instrumentalness • 20% Positiveness
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Doves
Almost Forgot Myself
120 bpm • F# min • 04:42 • -8db
35% Popularity • 51% Danceability • 62% Energy • 11% Liveness
33% Instrumentalness • 76% Positiveness
35% Popularity • 51% Danceability • 62% Energy • 11% Liveness
33% Instrumentalness • 76% Positiveness
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Holy Fuck
Lovely Allen
116 bpm • F Maj • 04:31 • -6.63db
31% Popularity • 54% Danceability • 95% Energy • 16% Liveness
87% Instrumentalness • 11% Positiveness
31% Popularity • 54% Danceability • 95% Energy • 16% Liveness
87% Instrumentalness • 11% Positiveness
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Johnny Marr
Spirit Power and Soul
120 bpm • F# min • 04:38 • -4.12db
36% Popularity • 51% Danceability • 95% Energy • 33% Liveness
1% Instrumentalness • 84% Positiveness
36% Popularity • 51% Danceability • 95% Energy • 33% Liveness
1% Instrumentalness • 84% Positiveness
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Mark Lanegan
Beehive
120 bpm • E Maj • 03:49 • -3.91db
23% Popularity • 39% Danceability • 97% Energy • 16% Liveness
14% Instrumentalness • 35% Positiveness
23% Popularity • 39% Danceability • 97% Energy • 16% Liveness
14% Instrumentalness • 35% Positiveness
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The Beta Band
Assessment
120 bpm • C# Maj • 04:36 • -5.18db
23% Popularity • 31% Danceability • 84% Energy • 38% Liveness
83% Instrumentalness • 55% Positiveness
23% Popularity • 31% Danceability • 84% Energy • 38% Liveness
83% Instrumentalness • 55% Positiveness
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Ghostpoet
X Marks the Spot
120 bpm • C min • 03:50 • -11db
42% Popularity • 61% Danceability • 65% Energy • 12% Liveness
7% Instrumentalness • 36% Positiveness
42% Popularity • 61% Danceability • 65% Energy • 12% Liveness
7% Instrumentalness • 36% Positiveness
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The Dandy Warhols
Catcher in the Rye
120 bpm • A min • 03:02 • -11.11db
16% Popularity • 73% Danceability • 48% Energy • 13% Liveness
14% Instrumentalness • 74% Positiveness
16% Popularity • 73% Danceability • 48% Energy • 13% Liveness
14% Instrumentalness • 74% Positiveness
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Underworld
Get Your Shirt
120 bpm • C Maj • 07:30 • -9.74db
28% Popularity • 68% Danceability • 76% Energy • 12% Liveness
29% Instrumentalness • 74% Positiveness
28% Popularity • 68% Danceability • 76% Energy • 12% Liveness
29% Instrumentalness • 74% Positiveness
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The Coral
Faceless Angel
120 bpm • C Maj • 03:26 • -7.41db
27% Popularity • 61% Danceability • 85% Energy • 23% Liveness
45% Instrumentalness • 59% Positiveness
27% Popularity • 61% Danceability • 85% Energy • 23% Liveness
45% Instrumentalness • 59% Positiveness
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Mark Lanegan
Ode to Sad Disco
116 bpm • F Maj • 06:23 • -5.57db
32% Popularity • 41% Danceability • 87% Energy • 39% Liveness
59% Instrumentalness • 42% Positiveness
32% Popularity • 41% Danceability • 87% Energy • 39% Liveness
59% Instrumentalness • 42% Positiveness
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EOB
Olympik
120 bpm • G Maj • 08:38 • -9db
22% Popularity • 63% Danceability • 88% Energy • 9% Liveness
80% Instrumentalness • 74% Positiveness
22% Popularity • 63% Danceability • 88% Energy • 9% Liveness
80% Instrumentalness • 74% Positiveness
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Wild Beasts
A Simple Beautiful Truth
120 bpm • F# min • 02:35 • -14db
41% Popularity • 81% Danceability • 41% Energy • 11% Liveness
1% Instrumentalness • 79% Positiveness
41% Popularity • 81% Danceability • 41% Energy • 11% Liveness
1% Instrumentalness • 79% Positiveness
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Malcolm Middleton
You & I
120 bpm • D Maj • 03:52 • -5.63db
10% Popularity • 52% Danceability • 89% Energy • 16% Liveness
42% Instrumentalness • 31% Positiveness
10% Popularity • 52% Danceability • 89% Energy • 16% Liveness
42% Instrumentalness • 31% Positiveness
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Underworld
Nylon Strung
120 bpm • D Maj • 06:48 • -10.16db
34% Popularity • 56% Danceability • 69% Energy • 7% Liveness
85% Instrumentalness • 69% Positiveness
34% Popularity • 56% Danceability • 69% Energy • 7% Liveness
85% Instrumentalness • 69% Positiveness
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Ghostpoet
I Grow Tired But Dare Not Fall Asleep
120 bpm • D# min • 04:35 • -8.47db
27% Popularity • 73% Danceability • 52% Energy • 11% Liveness
2% Instrumentalness • 53% Positiveness
27% Popularity • 73% Danceability • 52% Energy • 11% Liveness
2% Instrumentalness • 53% Positiveness
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Public Service Broadcasting
Elfstedentocht, Pt. 2
120 bpm • G Maj • 05:04 • -7.63db
5% Popularity • 62% Danceability • 84% Energy • 11% Liveness
83% Instrumentalness • 52% Positiveness
5% Popularity • 62% Danceability • 84% Energy • 11% Liveness
83% Instrumentalness • 52% Positiveness
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The Slow Readers Club
Plant The Seed
120 bpm • C Maj • 03:02 • -7.07db
37% Popularity • 63% Danceability • 75% Energy • 12% Liveness
5% Instrumentalness • 42% Positiveness
37% Popularity • 63% Danceability • 75% Energy • 12% Liveness
5% Instrumentalness • 42% Positiveness
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BC Camplight
Back To Work
120 bpm • C min • 04:10 • -8.67db
20% Popularity • 34% Danceability • 68% Energy • 9% Liveness
1% Instrumentalness • 22% Positiveness
20% Popularity • 34% Danceability • 68% Energy • 9% Liveness
1% Instrumentalness • 22% Positiveness
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Gwenno
Chwyldro
120 bpm • G Maj • 05:18 • -6.32db
16% Popularity • 61% Danceability • 80% Energy • 8% Liveness
75% Instrumentalness • 49% Positiveness
16% Popularity • 61% Danceability • 80% Energy • 8% Liveness
75% Instrumentalness • 49% Positiveness
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Working Men's Club
John Cooper Clarke
120 bpm • G Maj • 05:27 • -6.58db
32% Popularity • 65% Danceability • 87% Energy • 18% Liveness
61% Instrumentalness • 88% Positiveness
32% Popularity • 65% Danceability • 87% Energy • 18% Liveness
61% Instrumentalness • 88% Positiveness
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shame
Angie
120 bpm • A Maj • 06:55 • -7db
33% Popularity • 59% Danceability • 67% Energy • 11% Liveness
22% Instrumentalness • 13% Positiveness
33% Popularity • 59% Danceability • 67% Energy • 11% Liveness
22% Instrumentalness • 13% Positiveness
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Yeasayer
2080
120 bpm • A Maj • 05:23 • -7db
26% Popularity • 50% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 50% Positiveness
26% Popularity • 50% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 50% Positiveness
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Doves
Here It Comes
116 bpm • A# min • 04:50 • -4db
34% Popularity • 52% Danceability • 96% Energy • 12% Liveness
90% Instrumentalness • 32% Positiveness
34% Popularity • 52% Danceability • 96% Energy • 12% Liveness
90% Instrumentalness • 32% Positiveness
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BC Camplight
You Should've Gone to School
116 bpm • G Maj • 04:29 • -9db
24% Popularity • 65% Danceability • 54% Energy • 13% Liveness
17% Instrumentalness • 60% Positiveness
24% Popularity • 65% Danceability • 54% Energy • 13% Liveness
17% Instrumentalness • 60% Positiveness
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TVAM
These Are Not Your Memories
116 bpm • E Maj • 03:20 • -5.88db
23% Popularity • 38% Danceability • 81% Energy • 11% Liveness
81% Instrumentalness • 32% Positiveness
23% Popularity • 38% Danceability • 81% Energy • 11% Liveness
81% Instrumentalness • 32% Positiveness
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Groove Armada
Look Me In the Eye Sister
120 bpm • C# min • 04:06 • -3.9db
16% Popularity • 48% Danceability • 81% Energy • 38% Liveness
0% Instrumentalness • 24% Positiveness
16% Popularity • 48% Danceability • 81% Energy • 38% Liveness
0% Instrumentalness • 24% Positiveness
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Gwenno
Golau Arall
120 bpm • B min • 03:31 • -8.43db
10% Popularity • 59% Danceability • 72% Energy • 40% Liveness
13% Instrumentalness • 50% Positiveness
10% Popularity • 59% Danceability • 72% Energy • 40% Liveness
13% Instrumentalness • 50% Positiveness
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Gomez
Tijuana Lady
116 bpm • A Maj • 07:08 • -12db
42% Popularity • 63% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
42% Popularity • 63% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Tom Vek
If You Want
120 bpm • F# min • 03:44 • -4db
19% Popularity • 81% Danceability • 89% Energy • 3% Liveness
27% Instrumentalness • 94% Positiveness
19% Popularity • 81% Danceability • 89% Energy • 3% Liveness
27% Instrumentalness • 94% Positiveness
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King Creosote
Something To Believe In
121 bpm • D Maj • 03:14 • -10db
36% Popularity • 24% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 21% Positiveness
36% Popularity • 24% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 21% Positiveness
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The Horrors
Something To Remember Me By
121 bpm • C Maj • 06:40 • -8.39db
45% Popularity • 63% Danceability • 72% Energy • 12% Liveness
69% Instrumentalness • 52% Positiveness
45% Popularity • 63% Danceability • 72% Energy • 12% Liveness
69% Instrumentalness • 52% Positiveness
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Badly Drawn Boy
Once Around the Block
116 bpm • F Maj • 04:04 • -8db
49% Popularity • 39% Danceability • 72% Energy • 6% Liveness
1% Instrumentalness • 86% Positiveness
49% Popularity • 39% Danceability • 72% Energy • 6% Liveness
1% Instrumentalness • 86% Positiveness
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She Drew The Gun
Sweet Harmony
115 bpm • C min • 04:00 • -5.59db
19% Popularity • 62% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
19% Popularity • 62% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Underworld
Moon In Water
115 bpm • F Maj • 05:42 • -12.62db
40% Popularity • 63% Danceability • 56% Energy • 12% Liveness
18% Instrumentalness • 40% Positiveness
40% Popularity • 63% Danceability • 56% Energy • 12% Liveness
18% Instrumentalness • 40% Positiveness
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Neon Neon
Dream Cars
115 bpm • A Maj • 03:25 • -4db
24% Popularity • 64% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
24% Popularity • 64% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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The Dandy Warhols
The Last High
121 bpm • B min • 04:46 • -6.74db
47% Popularity • 69% Danceability • 86% Energy • 13% Liveness
39% Instrumentalness • 93% Positiveness
47% Popularity • 69% Danceability • 86% Energy • 13% Liveness
39% Instrumentalness • 93% Positiveness
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Public Service Broadcasting
Lichtspiel I: Opus
115 bpm • C Maj • 05:43 • -11.4db
18% Popularity • 41% Danceability • 42% Energy • 8% Liveness
49% Instrumentalness • 19% Positiveness
18% Popularity • 41% Danceability • 42% Energy • 8% Liveness
49% Instrumentalness • 19% Positiveness
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Howling Bells
Setting Sun
115 bpm • E Maj • 03:50 • -5.71db
10% Popularity • 52% Danceability • 78% Energy • 23% Liveness
1% Instrumentalness • 42% Positiveness
10% Popularity • 52% Danceability • 78% Energy • 23% Liveness
1% Instrumentalness • 42% Positiveness
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Boxed In
Melt
121 bpm • G Maj • 05:29 • -7.92db
17% Popularity • 61% Danceability • 88% Energy • 8% Liveness
59% Instrumentalness • 15% Positiveness
17% Popularity • 61% Danceability • 88% Energy • 8% Liveness
59% Instrumentalness • 15% Positiveness
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Arcade Fire
Intervention
121 bpm • C Maj • 04:19 • -7db
47% Popularity • 36% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 23% Positiveness
47% Popularity • 36% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 23% Positiveness
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Gomez
Whippin' Piccadilly
115 bpm • C# Maj • 03:12 • -10.36db
46% Popularity • 74% Danceability • 49% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
46% Popularity • 74% Danceability • 49% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
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Midlake
Roscoe
122 bpm • G# min • 04:46 • -8.3db
50% Popularity • 56% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
50% Popularity • 56% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Super Furry Animals
Bing Bong
122 bpm • E Maj • 05:18 • -9.69db
18% Popularity • 62% Danceability • 71% Energy • 12% Liveness
56% Instrumentalness • 41% Positiveness
18% Popularity • 62% Danceability • 71% Energy • 12% Liveness
56% Instrumentalness • 41% Positiveness
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Josefin Öhrn + The Liberation
Rushing Through My Mind
122 bpm • C Maj • 05:46 • -6.41db
24% Popularity • 58% Danceability • 76% Energy • 11% Liveness
80% Instrumentalness • 51% Positiveness
24% Popularity • 58% Danceability • 76% Energy • 11% Liveness
80% Instrumentalness • 51% Positiveness
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Working Men's Club
Teeth
122 bpm • D Maj • 03:41 • -4.8db
19% Popularity • 62% Danceability • 73% Energy • 50% Liveness
2% Instrumentalness • 50% Positiveness
19% Popularity • 62% Danceability • 73% Energy • 50% Liveness
2% Instrumentalness • 50% Positiveness
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Doves
Break Me Gently
122 bpm • B Maj • 04:38 • -9.78db
35% Popularity • 39% Danceability • 54% Energy • 9% Liveness
92% Instrumentalness • 17% Positiveness
35% Popularity • 39% Danceability • 54% Energy • 9% Liveness
92% Instrumentalness • 17% Positiveness
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Wild Beasts
Reach A Bit Further
122 bpm • A# Maj • 03:39 • -14db
29% Popularity • 72% Danceability • 49% Energy • 12% Liveness
2% Instrumentalness • 62% Positiveness
29% Popularity • 72% Danceability • 49% Energy • 12% Liveness
2% Instrumentalness • 62% Positiveness
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Midlake
Roscoe - Beyond the Wizard's Sleeve Remi...
122 bpm • G# min • 06:53 • -6.79db
41% Popularity • 51% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
41% Popularity • 51% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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BC Camplight
I'm In a Weird Place Now
114 bpm • B min • 04:32 • -7.47db
22% Popularity • 53% Danceability • 70% Energy • 17% Liveness
22% Instrumentalness • 68% Positiveness
22% Popularity • 53% Danceability • 70% Energy • 17% Liveness
22% Instrumentalness • 68% Positiveness
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Josefin Öhrn + The Liberation
Sister Green Eyes
114 bpm • G Maj • 04:31 • -5.93db
12% Popularity • 40% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
12% Popularity • 40% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Public Service Broadcasting
Inform - Educate - Entertain
114 bpm • D Maj • 04:12 • -5.79db
19% Popularity • 69% Danceability • 89% Energy • 16% Liveness
48% Instrumentalness • 48% Positiveness
19% Popularity • 69% Danceability • 89% Energy • 16% Liveness
48% Instrumentalness • 48% Positiveness
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Mercury Rev
Delta Sun Bottleneck Stomp
114 bpm • D Maj • 06:19 • -6.26db
22% Popularity • 51% Danceability • 92% Energy • 8% Liveness
1% Instrumentalness • 6% Positiveness
22% Popularity • 51% Danceability • 92% Energy • 8% Liveness
1% Instrumentalness • 6% Positiveness
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Whyte Horses
Pop Or Not
114 bpm • D Maj • 03:02 • -9.07db
14% Popularity • 60% Danceability • 72% Energy • 10% Liveness
86% Instrumentalness • 6% Positiveness
14% Popularity • 60% Danceability • 72% Energy • 10% Liveness
86% Instrumentalness • 6% Positiveness
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The Dandy Warhols
Good Morning
114 bpm • C Maj • 05:00 • -10.58db
37% Popularity • 30% Danceability • 67% Energy • 26% Liveness
96% Instrumentalness • 14% Positiveness
37% Popularity • 30% Danceability • 67% Energy • 26% Liveness
96% Instrumentalness • 14% Positiveness
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Mogwai
Remurdered
114 bpm • A# Maj • 06:25 • -10.88db
16% Popularity • 57% Danceability • 60% Energy • 11% Liveness
76% Instrumentalness • 21% Positiveness
16% Popularity • 57% Danceability • 60% Energy • 11% Liveness
76% Instrumentalness • 21% Positiveness
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Hot Chip
Huarache Lights
114 bpm • D Maj • 05:29 • -7.17db
45% Popularity • 72% Danceability • 64% Energy • 8% Liveness
4% Instrumentalness • 40% Positiveness
45% Popularity • 72% Danceability • 64% Energy • 8% Liveness
4% Instrumentalness • 40% Positiveness
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Boxed In
No Joke
123 bpm • C Maj • 03:26 • -8.56db
27% Popularity • 73% Danceability • 66% Energy • 10% Liveness
58% Instrumentalness • 63% Positiveness
27% Popularity • 73% Danceability • 66% Energy • 10% Liveness
58% Instrumentalness • 63% Positiveness
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Wild Beasts
Brave Bulging Buoyant Clairvoyants
123 bpm • B Maj • 04:02 • -8.11db
16% Popularity • 57% Danceability • 75% Energy • 23% Liveness
60% Instrumentalness • 87% Positiveness
16% Popularity • 57% Danceability • 75% Energy • 23% Liveness
60% Instrumentalness • 87% Positiveness
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Primal Scream
Autumn in Paradise
123 bpm • G Maj • 05:04 • -6.95db
1% Popularity • 65% Danceability • 81% Energy • 11% Liveness
7% Instrumentalness • 77% Positiveness
1% Popularity • 65% Danceability • 81% Energy • 11% Liveness
7% Instrumentalness • 77% Positiveness
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Venus Infers
Goodbye Horses
123 bpm • C Maj • 05:01 • -4.28db
38% Popularity • 56% Danceability • 74% Energy • 36% Liveness
3% Instrumentalness • 19% Positiveness
38% Popularity • 56% Danceability • 74% Energy • 36% Liveness
3% Instrumentalness • 19% Positiveness
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The Dandy Warhols
Styggo
113 bpm • G Maj • 04:18 • -10.43db
28% Popularity • 77% Danceability • 48% Energy • 4% Liveness
67% Instrumentalness • 97% Positiveness
28% Popularity • 77% Danceability • 48% Energy • 4% Liveness
67% Instrumentalness • 97% Positiveness
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Midlake
The Old and the Young
123 bpm • F# min • 05:36 • -6.67db
31% Popularity • 61% Danceability • 78% Energy • 11% Liveness
79% Instrumentalness • 26% Positiveness
31% Popularity • 61% Danceability • 78% Energy • 11% Liveness
79% Instrumentalness • 26% Positiveness
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Public Service Broadcasting
People Will Always Need Coal
113 bpm • B Maj • 04:46 • -10.79db
29% Popularity • 64% Danceability • 64% Energy • 34% Liveness
87% Instrumentalness • 64% Positiveness
29% Popularity • 64% Danceability • 64% Energy • 34% Liveness
87% Instrumentalness • 64% Positiveness
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Wild Beasts
Punk Drunk & Trembling
123 bpm • F# Maj • 03:48 • -10db
25% Popularity • 67% Danceability • 67% Energy • 13% Liveness
22% Instrumentalness • 35% Positiveness
25% Popularity • 67% Danceability • 67% Energy • 13% Liveness
22% Instrumentalness • 35% Positiveness
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Lemon Jelly
In The Bath
113 bpm • A# min • 06:41 • -9.97db
43% Popularity • 69% Danceability • 52% Energy • 11% Liveness
91% Instrumentalness • 26% Positiveness
43% Popularity • 69% Danceability • 52% Energy • 11% Liveness
91% Instrumentalness • 26% Positiveness
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Badly Drawn Boy
Once Around the Block
124 bpm • F Maj • 03:44 • -8db
39% Popularity • 39% Danceability • 71% Energy • 12% Liveness
1% Instrumentalness • 85% Positiveness
39% Popularity • 39% Danceability • 71% Energy • 12% Liveness
1% Instrumentalness • 85% Positiveness
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Whyte Horses
The Snowfalls
113 bpm • C Maj • 03:54 • -4.39db
22% Popularity • 59% Danceability • 94% Energy • 9% Liveness
17% Instrumentalness • 77% Positiveness
22% Popularity • 59% Danceability • 94% Energy • 9% Liveness
17% Instrumentalness • 77% Positiveness
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LCD Soundsystem
i used to
113 bpm • B min • 05:32 • -8db
30% Popularity • 62% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
30% Popularity • 62% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Public Service Broadcasting
Every Valley
124 bpm • C Maj • 04:42 • -11.67db
25% Popularity • 42% Danceability • 52% Energy • 10% Liveness
71% Instrumentalness • 22% Positiveness
25% Popularity • 42% Danceability • 52% Energy • 10% Liveness
71% Instrumentalness • 22% Positiveness
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Half Man Half Biscuit
Every Time a Bell Rings
124 bpm • F Maj • 05:06 • -5.21db
24% Popularity • 50% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
24% Popularity • 50% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Jane Weaver
Did You See Butterflies?
124 bpm • C Maj • 03:45 • -12.58db
25% Popularity • 55% Danceability • 55% Energy • 10% Liveness
8% Instrumentalness • 54% Positiveness
25% Popularity • 55% Danceability • 55% Energy • 10% Liveness
8% Instrumentalness • 54% Positiveness
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Neon Neon
Hammer & Sickle
124 bpm • C Maj • 02:51 • -6.88db
22% Popularity • 63% Danceability • 76% Energy • 16% Liveness
71% Instrumentalness • 94% Positiveness
22% Popularity • 63% Danceability • 76% Energy • 16% Liveness
71% Instrumentalness • 94% Positiveness
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I LIKE TRAINS
The Truth
124 bpm • E min • 06:19 • -8db
18% Popularity • 68% Danceability • 84% Energy • 12% Liveness
3% Instrumentalness • 65% Positiveness
18% Popularity • 68% Danceability • 84% Energy • 12% Liveness
3% Instrumentalness • 65% Positiveness
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Boxed In
Jist
124 bpm • G Maj • 04:43 • -8.18db
29% Popularity • 66% Danceability • 76% Energy • 9% Liveness
31% Instrumentalness • 36% Positiveness
29% Popularity • 66% Danceability • 76% Energy • 9% Liveness
31% Instrumentalness • 36% Positiveness
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Jarvis Cocker
House Music All Night Long
112 bpm • A# min • 05:52 • -5.06db
25% Popularity • 57% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
25% Popularity • 57% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
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Wild Beasts
The Devil's Crayon
112 bpm • G# Maj • 03:38 • -7db
25% Popularity • 51% Danceability • 85% Energy • 11% Liveness
7% Instrumentalness • 81% Positiveness
25% Popularity • 51% Danceability • 85% Energy • 11% Liveness
7% Instrumentalness • 81% Positiveness
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Low
What Part of Me
112 bpm • A Maj • 03:08 • -8.17db
38% Popularity • 65% Danceability • 58% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
38% Popularity • 65% Danceability • 58% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
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Delays
Nearer Than Heaven
112 bpm • A Maj • 03:28 • -5db
37% Popularity • 50% Danceability • 81% Energy • 22% Liveness
0% Instrumentalness • 59% Positiveness
37% Popularity • 50% Danceability • 81% Energy • 22% Liveness
0% Instrumentalness • 59% Positiveness
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Johnny Marr
Sensory Street
125 bpm • B min • 05:18 • -5.43db
30% Popularity • 52% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
30% Popularity • 52% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
