Songs like Gallyard (Anonyme) by Jordi Savall
Based on a tempo of (+/- 10%) and a similar genre
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Michael Praetorius
Terpsichore*: Bransle simple 1 (La, la, ...
76 bpm • D# Maj • 01:43 • -23.93db
35% Popularity • 60% Danceability • 8% Energy • 11% Liveness
58% Instrumentalness • 84% Positiveness
35% Popularity • 60% Danceability • 8% Energy • 11% Liveness
58% Instrumentalness • 84% Positiveness
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Marc-Antoine Charpentier
Prélude pour le Salve Regina, H. 23a
76 bpm • D# Maj • 01:04 • -23.68db
22% Popularity • 10% Danceability • 5% Energy • 11% Liveness
10% Instrumentalness • 7% Positiveness
22% Popularity • 10% Danceability • 5% Energy • 11% Liveness
10% Instrumentalness • 7% Positiveness
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Anthony Holborne
Image of Melancholy
76 bpm • D Maj • 05:33 • -15.87db
33% Popularity • 13% Danceability • 8% Energy • 10% Liveness
78% Instrumentalness • 11% Positiveness
33% Popularity • 13% Danceability • 8% Energy • 10% Liveness
78% Instrumentalness • 11% Positiveness
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La Capella Reial De Catalunya
Sibil-La Valenciana: D'Alt Dels Cels Dev...
76 bpm • G min • 02:09 • -24.5db
14% Popularity • 28% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
14% Popularity • 28% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
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Jean-Philippe Rameau
Les Indes Galantes - Tambourins I/II
76 bpm • C# Maj • 01:30 • -20.49db
14% Popularity • 39% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 90% Positiveness
14% Popularity • 39% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 90% Positiveness
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Hopkinson Smith
La Mallassis - Sarabande
76 bpm • F min • 02:35 • -28db
29% Popularity • 42% Danceability • 2% Energy • 11% Liveness
76% Instrumentalness • 13% Positiveness
29% Popularity • 42% Danceability • 2% Energy • 11% Liveness
76% Instrumentalness • 13% Positiveness
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Jordi Savall
Canarios (Improvisations Instr.) (Jordi ...
76 bpm • G Maj • 03:13 • -25.97db
16% Popularity • 20% Danceability • 3% Energy • 9% Liveness
4% Instrumentalness • 17% Positiveness
16% Popularity • 20% Danceability • 3% Energy • 9% Liveness
4% Instrumentalness • 17% Positiveness
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Pierre de la Rue
Mijn hert altijt heeft verlanghen
76 bpm • A min • 04:47 • -22.21db
17% Popularity • 13% Danceability • 4% Energy • 9% Liveness
20% Instrumentalness • 4% Positiveness
17% Popularity • 13% Danceability • 4% Energy • 9% Liveness
20% Instrumentalness • 4% Positiveness
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Mateo Flecha
Teresica Hermana
76 bpm • G min • 02:14 • -15.19db
2% Popularity • 38% Danceability • 26% Energy • 19% Liveness
9% Instrumentalness • 43% Positiveness
2% Popularity • 38% Danceability • 26% Energy • 19% Liveness
9% Instrumentalness • 43% Positiveness
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Diego Ortiz
Pass'emezzo antico: Recercada primera
76 bpm • G# min • 02:11 • -20db
28% Popularity • 51% Danceability • 21% Energy • 10% Liveness
96% Instrumentalness • 60% Positiveness
28% Popularity • 51% Danceability • 21% Energy • 10% Liveness
96% Instrumentalness • 60% Positiveness
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Monsieur de Sainte-Colombe
Les Pleurs (version à 2 violes) (Mr. de...
77 bpm • C# min • 02:24 • -23db
34% Popularity • 7% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
34% Popularity • 7% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Arcangelo Corelli
Concerto Grosso in D Major, Op. 6 No. 4:...
77 bpm • C# Maj • 02:22 • -17.59db
16% Popularity • 49% Danceability • 15% Energy • 9% Liveness
1% Instrumentalness • 64% Positiveness
16% Popularity • 49% Danceability • 15% Energy • 9% Liveness
1% Instrumentalness • 64% Positiveness
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Jordi Savall
Gallyard (Anonyme)
76 bpm • G min • 02:38 • -20.84db
18% Popularity • 50% Danceability • 15% Energy • 7% Liveness
73% Instrumentalness • 43% Positiveness
18% Popularity • 50% Danceability • 15% Energy • 7% Liveness
73% Instrumentalness • 43% Positiveness
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Marc-Antoine Charpentier
Concert pour quatre parties de violes, H...
75 bpm • C# min • 05:47 • -19.06db
4% Popularity • 10% Danceability • 12% Energy • 10% Liveness
94% Instrumentalness • 11% Positiveness
4% Popularity • 10% Danceability • 12% Energy • 10% Liveness
94% Instrumentalness • 11% Positiveness
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Jean-Baptiste Lully
Le Bourgeois Gentilhomme, LWV 43: Gavott...
75 bpm • A# Maj • 01:41 • -18.48db
15% Popularity • 53% Danceability • 31% Energy • 12% Liveness
93% Instrumentalness • 27% Positiveness
15% Popularity • 53% Danceability • 31% Energy • 12% Liveness
93% Instrumentalness • 27% Positiveness
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Guillaume Dufay
Je me complains piteusement
75 bpm • A Maj • 02:06 • -30db
28% Popularity • 22% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
28% Popularity • 22% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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John Playford
The Dancing Master: Come live with me an...
75 bpm • C Maj • 01:14 • -30db
27% Popularity • 17% Danceability • 3% Energy • 12% Liveness
85% Instrumentalness • 28% Positiveness
27% Popularity • 17% Danceability • 3% Energy • 12% Liveness
85% Instrumentalness • 28% Positiveness
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Carl Friedrich Abel
Viola da Gamba Suite in D Minor: V. Alle...
77 bpm • C# min • 03:58 • -30.05db
24% Popularity • 33% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 31% Positiveness
24% Popularity • 33% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 31% Positiveness
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Baltimore Consort
Kemp’s Jig
77 bpm • A# Maj • 01:15 • -24db
23% Popularity • 60% Danceability • 5% Energy • 13% Liveness
59% Instrumentalness • 73% Positiveness
23% Popularity • 60% Danceability • 5% Energy • 13% Liveness
59% Instrumentalness • 73% Positiveness
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Jean-Féry Rebel
Les Éléments: III. Chaconne : Le Feu
77 bpm • C# Maj • 02:29 • -18db
9% Popularity • 28% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
9% Popularity • 28% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Michael Praetorius
Terpsichore*: Bransle Double 3
77 bpm • G min • 01:42 • -26.88db
30% Popularity • 66% Danceability • 2% Energy • 15% Liveness
71% Instrumentalness • 67% Positiveness
30% Popularity • 66% Danceability • 2% Energy • 15% Liveness
71% Instrumentalness • 67% Positiveness
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Jordi Savall
Brandeberges (Anonyme)
75 bpm • D min • 01:25 • -19.39db
9% Popularity • 53% Danceability • 23% Energy • 44% Liveness
85% Instrumentalness • 76% Positiveness
9% Popularity • 53% Danceability • 23% Energy • 44% Liveness
85% Instrumentalness • 76% Positiveness
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Tobias Hume
The First Part of Ayres, 1605: Love's Fa...
75 bpm • F# Maj • 01:52 • -27.24db
15% Popularity • 15% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 49% Positiveness
15% Popularity • 15% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 49% Positiveness
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William Byrd
In Nomine No. 2
75 bpm • C# min • 03:07 • -28.64db
10% Popularity • 15% Danceability • 1% Energy • 21% Liveness
5% Instrumentalness • 8% Positiveness
10% Popularity • 15% Danceability • 1% Energy • 21% Liveness
5% Instrumentalness • 8% Positiveness
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Matthias Spaeter
Cantus Caravaggio IV « In Memoriam » (...
78 bpm • G min • 01:16 • -40db
22% Popularity • 24% Danceability • 0% Energy • 9% Liveness
83% Instrumentalness • 14% Positiveness
22% Popularity • 24% Danceability • 0% Energy • 9% Liveness
83% Instrumentalness • 14% Positiveness
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Adrian Willaert
Ricercar à 3
74 bpm • A# min • 01:39 • -31.09db
14% Popularity • 25% Danceability • 1% Energy • 14% Liveness
30% Instrumentalness • 57% Positiveness
14% Popularity • 25% Danceability • 1% Energy • 14% Liveness
30% Instrumentalness • 57% Positiveness
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Giovanni Zamboni
Suonata: Sarabanda
78 bpm • G# Maj • 01:29 • -21db
25% Popularity • 59% Danceability • 5% Energy • 9% Liveness
80% Instrumentalness • 16% Positiveness
25% Popularity • 59% Danceability • 5% Energy • 9% Liveness
80% Instrumentalness • 16% Positiveness
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Jordi Savall
Música Profana (Vol.II), III.: Correno ...
74 bpm • D Maj • 02:34 • -21.04db
3% Popularity • 28% Danceability • 14% Energy • 6% Liveness
45% Instrumentalness • 66% Positiveness
3% Popularity • 28% Danceability • 14% Energy • 6% Liveness
45% Instrumentalness • 66% Positiveness
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Innocentio Alberti
Pavin of Albarti
78 bpm • E Maj • 01:16 • -27.77db
34% Popularity • 15% Danceability • 2% Energy • 12% Liveness
80% Instrumentalness • 17% Positiveness
34% Popularity • 15% Danceability • 2% Energy • 12% Liveness
80% Instrumentalness • 17% Positiveness
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John Dowland
Lachrimæ, or Seven Teares: XI. The King...
74 bpm • C Maj • 01:32 • -19db
20% Popularity • 43% Danceability • 14% Energy • 10% Liveness
91% Instrumentalness • 35% Positiveness
20% Popularity • 43% Danceability • 14% Energy • 10% Liveness
91% Instrumentalness • 35% Positiveness
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Ferran Savall
Deploratio III (Improvisation)
74 bpm • D# Maj • 03:08 • -26.12db
8% Popularity • 18% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
8% Popularity • 18% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Luigi Boccherini
Quintetto in Do Maggiore La Musica Nottu...
74 bpm • C Maj • 00:35 • -33.35db
17% Popularity • 43% Danceability • 1% Energy • 10% Liveness
43% Instrumentalness • 4% Positiveness
17% Popularity • 43% Danceability • 1% Energy • 10% Liveness
43% Instrumentalness • 4% Positiveness
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Le Concert Des Nations
Premier Concert: Gigue - Légèrement (C...
79 bpm • C Maj • 01:44 • -16.15db
9% Popularity • 47% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 88% Positiveness
9% Popularity • 47% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 88% Positiveness
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Jordi Savall
La Represa (Anonyme)
79 bpm • G min • 01:07 • -22.91db
21% Popularity • 50% Danceability • 9% Energy • 16% Liveness
64% Instrumentalness • 58% Positiveness
21% Popularity • 50% Danceability • 9% Energy • 16% Liveness
64% Instrumentalness • 58% Positiveness
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Nicola Matteis
Diverse bizzarrie sopra la Vecchia Sarab...
79 bpm • B Maj • 04:14 • -14db
29% Popularity • 53% Danceability • 27% Energy • 11% Liveness
34% Instrumentalness • 54% Positiveness
29% Popularity • 53% Danceability • 27% Energy • 11% Liveness
34% Instrumentalness • 54% Positiveness
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Claude Goudimel
Requiem: Pie Jesu Domine - Cristóbal de...
74 bpm • A# Maj • 01:40 • -17.08db
18% Popularity • 17% Danceability • 20% Energy • 11% Liveness
99% Instrumentalness • 4% Positiveness
18% Popularity • 17% Danceability • 20% Energy • 11% Liveness
99% Instrumentalness • 4% Positiveness
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Jacob Clemens non Papa
Adieu delices de mon ceur
79 bpm • D min • 01:58 • -33db
30% Popularity • 9% Danceability • 0% Energy • 12% Liveness
96% Instrumentalness • 23% Positiveness
30% Popularity • 9% Danceability • 0% Energy • 12% Liveness
96% Instrumentalness • 23% Positiveness
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Paolo Pandolfo
sopra Canaryo
79 bpm • G Maj • 06:04 • -25db
15% Popularity • 22% Danceability • 11% Energy • 55% Liveness
50% Instrumentalness • 11% Positiveness
15% Popularity • 22% Danceability • 11% Energy • 55% Liveness
50% Instrumentalness • 11% Positiveness
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William Lawes
Lawes: Consort Set No. 2 for 5 Viols in ...
79 bpm • A min • 02:45 • -24db
16% Popularity • 25% Danceability • 10% Energy • 10% Liveness
41% Instrumentalness • 29% Positiveness
16% Popularity • 25% Danceability • 10% Energy • 10% Liveness
41% Instrumentalness • 29% Positiveness
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Jordi Savall
Passacaglia « Libertas » (Jordi Savall...
78 bpm • D min • 03:17 • -19.25db
12% Popularity • 20% Danceability • 15% Energy • 12% Liveness
8% Instrumentalness • 17% Positiveness
12% Popularity • 20% Danceability • 15% Energy • 12% Liveness
8% Instrumentalness • 17% Positiveness
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La Capella Reial De Catalunya
Sibil-La Valenciana: D'Una Verge Naixer�...
73 bpm • G min • 01:55 • -24db
12% Popularity • 25% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 25% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Heinrich Isaac
Fanfare des Médicis: Palle, palle (Inst...
73 bpm • F Maj • 02:08 • -17.7db
9% Popularity • 28% Danceability • 29% Energy • 12% Liveness
93% Instrumentalness • 62% Positiveness
9% Popularity • 28% Danceability • 29% Energy • 12% Liveness
93% Instrumentalness • 62% Positiveness
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Claudio Monteverdi
Sinfonia a Cinque
79 bpm • G Maj • 02:55 • -23db
13% Popularity • 30% Danceability • 8% Energy • 11% Liveness
4% Instrumentalness • 27% Positiveness
13% Popularity • 30% Danceability • 8% Energy • 11% Liveness
4% Instrumentalness • 27% Positiveness
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Orlando Gibbons
Pavan
79 bpm • F# Maj • 04:22 • -24db
27% Popularity • 13% Danceability • 7% Energy • 16% Liveness
87% Instrumentalness • 15% Positiveness
27% Popularity • 13% Danceability • 7% Energy • 16% Liveness
87% Instrumentalness • 15% Positiveness
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Marc-Antoine Charpentier
Te Deum: III. Te aeternum patrem
79 bpm • C# Maj • 01:55 • -18.63db
11% Popularity • 19% Danceability • 15% Energy • 23% Liveness
84% Instrumentalness • 28% Positiveness
11% Popularity • 19% Danceability • 15% Energy • 23% Liveness
84% Instrumentalness • 28% Positiveness
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Jordi Savall
Saltarello (Cantigas 77-119) (Alfonso X ...
73 bpm • E min • 02:28 • -18db
11% Popularity • 34% Danceability • 34% Energy • 10% Liveness
98% Instrumentalness • 74% Positiveness
11% Popularity • 34% Danceability • 34% Energy • 10% Liveness
98% Instrumentalness • 74% Positiveness
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Hildegard von Bingen
Instrumentalstück
73 bpm • A min • 03:34 • -40.44db
10% Popularity • 7% Danceability • 0% Energy • 12% Liveness
95% Instrumentalness • 8% Positiveness
10% Popularity • 7% Danceability • 0% Energy • 12% Liveness
95% Instrumentalness • 8% Positiveness
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Montserrat Figueras
Tourdion: Quand je bois du vin (Anonyme)
79 bpm • B min • 04:05 • -19.11db
22% Popularity • 38% Danceability • 35% Energy • 10% Liveness
13% Instrumentalness • 38% Positiveness
22% Popularity • 38% Danceability • 35% Energy • 10% Liveness
13% Instrumentalness • 38% Positiveness
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![Sonata in A-Moll, BuxWV 272: Sonata in A-Moll, BuxWV 272: III. [Passacaglia] cover art](https://i.scdn.co/image/ab67616d00001e02f90d6525c5a62ca2c4975b93)
Dietrich Buxtehude
Sonata in A-Moll, BuxWV 272: Sonata in A...
73 bpm • G# min • 02:45 • -16.74db
26% Popularity • 28% Danceability • 26% Energy • 11% Liveness
43% Instrumentalness • 12% Positiveness
26% Popularity • 28% Danceability • 26% Energy • 11% Liveness
43% Instrumentalness • 12% Positiveness
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La Capella Reial De Catalunya
Sibil-La Mallorquina: Ladonchs No Haurà ...
73 bpm • F Maj • 02:50 • -25.77db
10% Popularity • 20% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 20% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Anonymous
Danze Veneziane: Pavana del Re
79 bpm • F Maj • 01:56 • -22.61db
19% Popularity • 38% Danceability • 17% Energy • 11% Liveness
92% Instrumentalness • 46% Positiveness
19% Popularity • 38% Danceability • 17% Energy • 11% Liveness
92% Instrumentalness • 46% Positiveness
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Jacob Obrecht
Tsat een meskin: Stat ('tsaat) ein meski...
73 bpm • G Maj • 02:05 • -19db
28% Popularity • 51% Danceability • 16% Energy • 9% Liveness
98% Instrumentalness • 55% Positiveness
28% Popularity • 51% Danceability • 16% Energy • 9% Liveness
98% Instrumentalness • 55% Positiveness
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Jean-Féry Rebel
Les Éléments: IV. Ramage : L’Air
80 bpm • C# Maj • 01:17 • -29.66db
20% Popularity • 45% Danceability • 2% Energy • 6% Liveness
76% Instrumentalness • 69% Positiveness
20% Popularity • 45% Danceability • 2% Energy • 6% Liveness
76% Instrumentalness • 69% Positiveness
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Monsieur de Sainte-Colombe
Concert XLI: Le retour - Le retour
80 bpm • C# Maj • 03:23 • -22.4db
9% Popularity • 24% Danceability • 4% Energy • 11% Liveness
80% Instrumentalness • 17% Positiveness
9% Popularity • 24% Danceability • 4% Energy • 11% Liveness
80% Instrumentalness • 17% Positiveness
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Hespèrion XXI
Lachrimae Coactae
80 bpm • A min • 04:53 • -20db
8% Popularity • 9% Danceability • 6% Energy • 11% Liveness
82% Instrumentalness • 9% Positiveness
8% Popularity • 9% Danceability • 6% Energy • 11% Liveness
82% Instrumentalness • 9% Positiveness
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La Capella Reial De Catalunya
Sibil-La Valenciana: Fanfares (Cathédra...
73 bpm • C Maj • 01:32 • -25db
14% Popularity • 14% Danceability • 7% Energy • 12% Liveness
97% Instrumentalness • 39% Positiveness
14% Popularity • 14% Danceability • 7% Energy • 12% Liveness
97% Instrumentalness • 39% Positiveness
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Jordi Savall
Première Suite: Prélude
80 bpm • F Maj • 04:26 • -24.84db
38% Popularity • 20% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
38% Popularity • 20% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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David Douglass
Tarantella
72 bpm • C Maj • 06:51 • -23db
8% Popularity • 45% Danceability • 8% Energy • 6% Liveness
1% Instrumentalness • 28% Positiveness
8% Popularity • 45% Danceability • 8% Energy • 6% Liveness
1% Instrumentalness • 28% Positiveness
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Mateo Flecha
Que Farem del Pobre Joan
72 bpm • A# Maj • 02:12 • -16.18db
2% Popularity • 22% Danceability • 28% Energy • 18% Liveness
66% Instrumentalness • 57% Positiveness
2% Popularity • 22% Danceability • 28% Energy • 18% Liveness
66% Instrumentalness • 57% Positiveness
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Johann Sebastian Bach
Contrapunctus 1
80 bpm • D min • 03:39 • -20.02db
15% Popularity • 10% Danceability • 4% Energy • 8% Liveness
95% Instrumentalness • 6% Positiveness
15% Popularity • 10% Danceability • 4% Energy • 8% Liveness
95% Instrumentalness • 6% Positiveness
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Biagio Marini
Per ogni sorte di strumenti musicale, Op...
80 bpm • G min • 05:47 • -20db
12% Popularity • 9% Danceability • 7% Energy • 13% Liveness
57% Instrumentalness • 5% Positiveness
12% Popularity • 9% Danceability • 7% Energy • 13% Liveness
57% Instrumentalness • 5% Positiveness
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Girolamo Frescobaldi
Canzona undecima a due canti "detta la p...
72 bpm • A min • 02:14 • -23.01db
39% Popularity • 15% Danceability • 10% Energy • 10% Liveness
83% Instrumentalness • 37% Positiveness
39% Popularity • 15% Danceability • 10% Energy • 10% Liveness
83% Instrumentalness • 37% Positiveness
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Jean-Philippe Rameau
Les Indes Galantes - Suites des airs à ...
72 bpm • C# Maj • 02:22 • -29.27db
8% Popularity • 19% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
8% Popularity • 19% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Francisco de Peñalosa
Por Las Sierras De Madrid
72 bpm • D min • 04:17 • -20db
26% Popularity • 25% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
26% Popularity • 25% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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Samuel Scheidt
Ludi Musici: Paduan V
80 bpm • A min • 05:46 • -20db
11% Popularity • 13% Danceability • 11% Energy • 11% Liveness
82% Instrumentalness • 10% Positiveness
11% Popularity • 13% Danceability • 11% Energy • 11% Liveness
82% Instrumentalness • 10% Positiveness
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Ferran Savall
Deploratio I (Improvisation)
72 bpm • D# Maj • 03:51 • -22db
12% Popularity • 12% Danceability • 3% Energy • 9% Liveness
98% Instrumentalness • 4% Positiveness
12% Popularity • 12% Danceability • 3% Energy • 9% Liveness
98% Instrumentalness • 4% Positiveness
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Jordi Savall
Suite En Mi Mineur: Courante, II.99 (Mar...
81 bpm • D# min • 01:40 • -18db
14% Popularity • 27% Danceability • 10% Energy • 11% Liveness
60% Instrumentalness • 26% Positiveness
14% Popularity • 27% Danceability • 10% Energy • 11% Liveness
60% Instrumentalness • 26% Positiveness
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Christopher Tye
In nomine: Rachell’s Weepinge
81 bpm • C# min • 02:50 • -26db
31% Popularity • 7% Danceability • 2% Energy • 11% Liveness
84% Instrumentalness • 7% Positiveness
31% Popularity • 7% Danceability • 2% Energy • 11% Liveness
84% Instrumentalness • 7% Positiveness
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Luca Marenzio
Basciami Mille Volte a 5 Voci
81 bpm • G min • 02:02 • -19.35db
31% Popularity • 21% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
31% Popularity • 21% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Antonio Vivaldi
"Concerto Funebre" con hautbois sordini ...
71 bpm • E Maj • 03:29 • -16.18db
16% Popularity • 23% Danceability • 13% Energy • 16% Liveness
0% Instrumentalness • 12% Positiveness
16% Popularity • 23% Danceability • 13% Energy • 16% Liveness
0% Instrumentalness • 12% Positiveness
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Hildegard von Bingen
Instrumental piece I
81 bpm • C Maj • 05:46 • -39db
5% Popularity • 8% Danceability • 0% Energy • 6% Liveness
0% Instrumentalness • 12% Positiveness
5% Popularity • 8% Danceability • 0% Energy • 6% Liveness
0% Instrumentalness • 12% Positiveness
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Marc-Antoine Charpentier
Te Deum: I. Prélude
81 bpm • C# Maj • 01:44 • -14.86db
27% Popularity • 42% Danceability • 33% Energy • 21% Liveness
94% Instrumentalness • 49% Positiveness
27% Popularity • 42% Danceability • 33% Energy • 21% Liveness
94% Instrumentalness • 49% Positiveness
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Jordi Savall
Suite En Si Mineur: Menuet, II.92 (Marai...
81 bpm • A# min • 02:07 • -18db
12% Popularity • 17% Danceability • 15% Energy • 11% Liveness
94% Instrumentalness • 12% Positiveness
12% Popularity • 17% Danceability • 15% Energy • 11% Liveness
94% Instrumentalness • 12% Positiveness
► Preview
Tobias Hume
The King of Denmarks Delight
81 bpm • G Maj • 02:31 • -35.35db
27% Popularity • 48% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 52% Positiveness
27% Popularity • 48% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 52% Positiveness
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La Capella Reial De Catalunya
Paduana del Re (Mss. Venezia)
82 bpm • F Maj • 02:59 • -33.94db
5% Popularity • 22% Danceability • 2% Energy • 9% Liveness
96% Instrumentalness • 27% Positiveness
5% Popularity • 22% Danceability • 2% Energy • 9% Liveness
96% Instrumentalness • 27% Positiveness
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Antonio Vivaldi
Dixit Dominus, RV 595: II. Chorus "Donec...
82 bpm • D# min • 02:59 • -21.63db
9% Popularity • 25% Danceability • 10% Energy • 15% Liveness
6% Instrumentalness • 8% Positiveness
9% Popularity • 25% Danceability • 10% Energy • 15% Liveness
6% Instrumentalness • 8% Positiveness
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Montserrat Figueras
Lamento D'Ariana, 1608 (Monteverdi)
70 bpm • E Maj • 11:35 • -21.13db
6% Popularity • 23% Danceability • 3% Energy • 6% Liveness
0% Instrumentalness • 5% Positiveness
6% Popularity • 23% Danceability • 3% Energy • 6% Liveness
0% Instrumentalness • 5% Positiveness
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Marin Marais
Pièces de viole du Quatrième Livre, su...
82 bpm • E min • 08:32 • -24.19db
14% Popularity • 16% Danceability • 7% Energy • 10% Liveness
50% Instrumentalness • 7% Positiveness
14% Popularity • 16% Danceability • 7% Energy • 10% Liveness
50% Instrumentalness • 7% Positiveness
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Jordi Savall
Canarios - Anonyme/Jordi Savall
81 bpm • G Maj • 02:19 • -24.8db
8% Popularity • 27% Danceability • 4% Energy • 9% Liveness
90% Instrumentalness • 22% Positiveness
8% Popularity • 27% Danceability • 4% Energy • 9% Liveness
90% Instrumentalness • 22% Positiveness
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Michael Praetorius
Terpsichore*: Volte
82 bpm • F Maj • 01:20 • -27db
29% Popularity • 30% Danceability • 2% Energy • 21% Liveness
7% Instrumentalness • 88% Positiveness
29% Popularity • 30% Danceability • 2% Energy • 21% Liveness
7% Instrumentalness • 88% Positiveness
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Monsieur de Sainte-Colombe
Concert XLIV: Tombeau les regrets - Le t...
70 bpm • F# min • 01:36 • -29db
18% Popularity • 13% Danceability • 0% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
18% Popularity • 13% Danceability • 0% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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La Capella Reial De Catalunya
Sibil-La Mallorquina: E Dirà Cascú Ax�...
70 bpm • G min • 02:19 • -28.67db
8% Popularity • 19% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 19% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Claudio Monteverdi
L'Orfeo, Atto secondo: V. Tu se’ morta
82 bpm • D min • 02:27 • -23.21db
24% Popularity • 23% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
24% Popularity • 23% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Girolamo Frescobaldi
Canzona seconda a canto solo "detta la B...
82 bpm • A min • 02:38 • -21db
23% Popularity • 32% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
23% Popularity • 32% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Joan Ambrosio Dalza
Tastar de corde
82 bpm • C min • 01:28 • -35.72db
31% Popularity • 38% Danceability • 1% Energy • 11% Liveness
78% Instrumentalness • 25% Positiveness
31% Popularity • 38% Danceability • 1% Energy • 11% Liveness
78% Instrumentalness • 25% Positiveness
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Michael Praetorius
Spagnoletta
70 bpm • A# Maj • 01:00 • -19db
24% Popularity • 43% Danceability • 13% Energy • 14% Liveness
2% Instrumentalness • 28% Positiveness
24% Popularity • 43% Danceability • 13% Energy • 14% Liveness
2% Instrumentalness • 28% Positiveness
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Giovanni Zamboni
Lute Sonata No. 9: IV. Sarabanda
83 bpm • C# min • 01:42 • -27db
29% Popularity • 37% Danceability • 2% Energy • 10% Liveness
88% Instrumentalness • 19% Positiveness
29% Popularity • 37% Danceability • 2% Energy • 10% Liveness
88% Instrumentalness • 19% Positiveness
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La Capella Reial De Catalunya
Pie Jesu (Requiem)
70 bpm • A# Maj • 01:37 • -31.41db
39% Popularity • 21% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 5% Positiveness
39% Popularity • 21% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 5% Positiveness
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Pierre Attaingnant
Basse danse la Magdalena
83 bpm • D min • 02:13 • -29db
14% Popularity • 25% Danceability • 1% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
14% Popularity • 25% Danceability • 1% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Jordi Savall
Allemande (Anonyme)
83 bpm • A# Maj • 01:36 • -22.72db
15% Popularity • 48% Danceability • 12% Energy • 10% Liveness
76% Instrumentalness • 41% Positiveness
15% Popularity • 48% Danceability • 12% Energy • 10% Liveness
76% Instrumentalness • 41% Positiveness
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Pedro de San Lorenzo
Folia (Obra de 1er Tono, N. 10)
83 bpm • D min • 03:33 • -19db
10% Popularity • 10% Danceability • 11% Energy • 10% Liveness
84% Instrumentalness • 9% Positiveness
10% Popularity • 10% Danceability • 11% Energy • 10% Liveness
84% Instrumentalness • 9% Positiveness
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Le Concert Des Nations
Premier Concert: Prélude - Gravement (C...
84 bpm • F Maj • 02:39 • -16.37db
11% Popularity • 12% Danceability • 18% Energy • 12% Liveness
29% Instrumentalness • 18% Positiveness
11% Popularity • 12% Danceability • 18% Energy • 12% Liveness
29% Instrumentalness • 18% Positiveness
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Johannes Ockeghem
Ockeghem: Missa pro Defunctis: I. Requie...
83 bpm • F Maj • 05:37 • -31db
17% Popularity • 8% Danceability • 3% Energy • 11% Liveness
51% Instrumentalness • 4% Positiveness
17% Popularity • 8% Danceability • 3% Energy • 11% Liveness
51% Instrumentalness • 4% Positiveness
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Jean-Baptiste Lully
Le Bourgeois Gentilhomme, LWV 43: Canari...
84 bpm • D min • 01:16 • -20db
19% Popularity • 52% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
19% Popularity • 52% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Stephen Stubbs
Arpeggiata a mio modo (2004)
84 bpm • D# min • 03:12 • -35.04db
14% Popularity • 28% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 23% Positiveness
14% Popularity • 28% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 23% Positiveness
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Anthony Holborne
I. - Galliard: The Teares Of The Muses (...
84 bpm • G min • 02:07 • -22db
10% Popularity • 30% Danceability • 9% Energy • 11% Liveness
98% Instrumentalness • 25% Positiveness
10% Popularity • 30% Danceability • 9% Energy • 11% Liveness
98% Instrumentalness • 25% Positiveness
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Guglielmo Ebreo da Pesaro
Falla con misuras
84 bpm • E min • 01:26 • -27db
35% Popularity • 14% Danceability • 5% Energy • 10% Liveness
87% Instrumentalness • 24% Positiveness
35% Popularity • 14% Danceability • 5% Energy • 10% Liveness
87% Instrumentalness • 24% Positiveness
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Michael Praetorius
Terpsichore*: Spagnoletta
84 bpm • A# Maj • 00:56 • -26.39db
32% Popularity • 61% Danceability • 18% Energy • 9% Liveness
93% Instrumentalness • 51% Positiveness
32% Popularity • 61% Danceability • 18% Energy • 9% Liveness
93% Instrumentalness • 51% Positiveness