Songs like Galopede by Musica calamus
Based on a tempo of (+/- 10%) and a similar genre
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Musica calamus
Galopede
93 bpm • G Maj • 03:13 • -6.37db
16% Popularity • 68% Danceability • 71% Energy • 29% Liveness
82% Instrumentalness • 89% Positiveness
16% Popularity • 68% Danceability • 71% Energy • 29% Liveness
82% Instrumentalness • 89% Positiveness
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Michael Levy
The Temple of Jupiter
94 bpm • D Maj • 03:58 • -21.08db
15% Popularity • 56% Danceability • 9% Energy • 7% Liveness
86% Instrumentalness • 6% Positiveness
15% Popularity • 56% Danceability • 9% Energy • 7% Liveness
86% Instrumentalness • 6% Positiveness
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Traditional
Black is the Color of My True Love's Hai...
93 bpm • G min • 05:38 • -28db
31% Popularity • 57% Danceability • 5% Energy • 14% Liveness
81% Instrumentalness • 16% Positiveness
31% Popularity • 57% Danceability • 5% Energy • 14% Liveness
81% Instrumentalness • 16% Positiveness
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Faun
Ynis avalach
92 bpm • A min • 05:08 • -8db
33% Popularity • 25% Danceability • 72% Energy • 34% Liveness
72% Instrumentalness • 40% Positiveness
33% Popularity • 25% Danceability • 72% Energy • 34% Liveness
72% Instrumentalness • 40% Positiveness
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Mince Pye
Medieval Drum Dance
94 bpm • B Maj • 02:25 • -7.3db
7% Popularity • 32% Danceability • 66% Energy • 41% Liveness
93% Instrumentalness • 21% Positiveness
7% Popularity • 32% Danceability • 66% Energy • 41% Liveness
93% Instrumentalness • 21% Positiveness
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Datura Medieval Music
Como Poden per Sas Culpas
92 bpm • C Maj • 04:09 • -9.63db
12% Popularity • 30% Danceability • 77% Energy • 9% Liveness
21% Instrumentalness • 77% Positiveness
12% Popularity • 30% Danceability • 77% Energy • 9% Liveness
21% Instrumentalness • 77% Positiveness
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Grimwater
Halls of the Cernunnos
94 bpm • C Maj • 02:40 • -10.02db
13% Popularity • 49% Danceability • 32% Energy • 34% Liveness
2% Instrumentalness • 32% Positiveness
13% Popularity • 49% Danceability • 32% Energy • 34% Liveness
2% Instrumentalness • 32% Positiveness
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Ensemble Galilei
Innsbruck
94 bpm • F Maj • 02:17 • -19db
17% Popularity • 18% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 25% Positiveness
17% Popularity • 18% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 25% Positiveness
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Nicostrauss
Arwen's Love
92 bpm • A min • 03:00 • -7.17db
24% Popularity • 14% Danceability • 46% Energy • 12% Liveness
93% Instrumentalness • 10% Positiveness
24% Popularity • 14% Danceability • 46% Energy • 12% Liveness
93% Instrumentalness • 10% Positiveness
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Erutan
Welcome To Cork
94 bpm • C Maj • 04:12 • -16.06db
23% Popularity • 29% Danceability • 11% Energy • 9% Liveness
17% Instrumentalness • 8% Positiveness
23% Popularity • 29% Danceability • 11% Energy • 9% Liveness
17% Instrumentalness • 8% Positiveness
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Mikolaj Radomski
Ballade
91 bpm • F Maj • 02:47 • -28.96db
1% Popularity • 33% Danceability • 1% Energy • 12% Liveness
68% Instrumentalness • 37% Positiveness
1% Popularity • 33% Danceability • 1% Energy • 12% Liveness
68% Instrumentalness • 37% Positiveness
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Logan Epic Canto
Glorious King Arthur
94 bpm • F Maj • 04:23 • -7.03db
12% Popularity • 22% Danceability • 77% Energy • 21% Liveness
0% Instrumentalness • 9% Positiveness
12% Popularity • 22% Danceability • 77% Energy • 21% Liveness
0% Instrumentalness • 9% Positiveness
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Anonyme
Basse Danse "Jouyssance Vous Donneray"
91 bpm • G Maj • 02:25 • -15db
9% Popularity • 53% Danceability • 39% Energy • 15% Liveness
36% Instrumentalness • 88% Positiveness
9% Popularity • 53% Danceability • 39% Energy • 15% Liveness
36% Instrumentalness • 88% Positiveness
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Poeta Magica
Brudmarsch från Dalsland
95 bpm • G Maj • 03:24 • -15.15db
12% Popularity • 39% Danceability • 26% Energy • 15% Liveness
1% Instrumentalness • 30% Positiveness
12% Popularity • 39% Danceability • 26% Energy • 15% Liveness
1% Instrumentalness • 30% Positiveness
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Annwn
An Dro Medar
95 bpm • G Maj • 03:32 • -11db
14% Popularity • 58% Danceability • 59% Energy • 12% Liveness
45% Instrumentalness • 42% Positiveness
14% Popularity • 58% Danceability • 59% Energy • 12% Liveness
45% Instrumentalness • 42% Positiveness
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Erutan
Star Above The Garter / Monaghan's Jig /...
91 bpm • D Maj • 06:10 • -14db
28% Popularity • 41% Danceability • 28% Energy • 19% Liveness
3% Instrumentalness • 58% Positiveness
28% Popularity • 41% Danceability • 28% Energy • 19% Liveness
3% Instrumentalness • 58% Positiveness
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Trouvere Medieval Minstrels
Septime estampie real
95 bpm • D Maj • 04:10 • -17.77db
20% Popularity • 70% Danceability • 22% Energy • 9% Liveness
92% Instrumentalness • 72% Positiveness
20% Popularity • 70% Danceability • 22% Energy • 9% Liveness
92% Instrumentalness • 72% Positiveness
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YOLANDA MILLERA
DANZA DE LOS NOVIOS
95 bpm • B Maj • 01:15 • -13.52db
9% Popularity • 49% Danceability • 50% Energy • 13% Liveness
93% Instrumentalness • 76% Positiveness
9% Popularity • 49% Danceability • 50% Energy • 13% Liveness
93% Instrumentalness • 76% Positiveness
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Michael Levy
The Wisdom of Minerva
95 bpm • D min • 03:37 • -17.77db
13% Popularity • 43% Danceability • 32% Energy • 9% Liveness
85% Instrumentalness • 22% Positiveness
13% Popularity • 43% Danceability • 32% Energy • 9% Liveness
85% Instrumentalness • 22% Positiveness
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Estampie
Palastinalied
95 bpm • A min • 04:26 • -9.33db
26% Popularity • 26% Danceability • 58% Energy • 11% Liveness
2% Instrumentalness • 46% Positiveness
26% Popularity • 26% Danceability • 58% Energy • 11% Liveness
2% Instrumentalness • 46% Positiveness
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Poeta Magica
Pikkukivi
95 bpm • D Maj • 04:31 • -9.9db
8% Popularity • 37% Danceability • 71% Energy • 4% Liveness
0% Instrumentalness • 37% Positiveness
8% Popularity • 37% Danceability • 71% Energy • 4% Liveness
0% Instrumentalness • 37% Positiveness
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Alfonso X El Sabio
Cantiga No. 10, "Rosa das rosas": Por no...
96 bpm • C Maj • 07:25 • -18.14db
21% Popularity • 27% Danceability • 17% Energy • 20% Liveness
0% Instrumentalness • 52% Positiveness
21% Popularity • 27% Danceability • 17% Energy • 20% Liveness
0% Instrumentalness • 52% Positiveness
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Erutan
Loibere Risen
96 bpm • D Maj • 04:51 • -15db
21% Popularity • 27% Danceability • 9% Energy • 12% Liveness
29% Instrumentalness • 23% Positiveness
21% Popularity • 27% Danceability • 9% Energy • 12% Liveness
29% Instrumentalness • 23% Positiveness
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Baude Cordier
Tout par compas suy composés
90 bpm • E min • 02:11 • -24.4db
32% Popularity • 24% Danceability • 5% Energy • 12% Liveness
82% Instrumentalness • 33% Positiveness
32% Popularity • 24% Danceability • 5% Energy • 12% Liveness
82% Instrumentalness • 33% Positiveness
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Michael Levy
Ode to Ancient Rome
95 bpm • C Maj • 03:12 • -19.85db
21% Popularity • 51% Danceability • 6% Energy • 7% Liveness
83% Instrumentalness • 23% Positiveness
21% Popularity • 51% Danceability • 6% Energy • 7% Liveness
83% Instrumentalness • 23% Positiveness
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Claire van Kampen
Hoboekendans (Christmas)
90 bpm • A min • 01:29 • -15.63db
17% Popularity • 61% Danceability • 17% Energy • 5% Liveness
34% Instrumentalness • 83% Positiveness
17% Popularity • 61% Danceability • 17% Energy • 5% Liveness
34% Instrumentalness • 83% Positiveness
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Michael Maurice
Norfolk
90 bpm • E min • 03:22 • -16.34db
11% Popularity • 51% Danceability • 22% Energy • 7% Liveness
65% Instrumentalness • 25% Positiveness
11% Popularity • 51% Danceability • 22% Energy • 7% Liveness
65% Instrumentalness • 25% Positiveness
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Jessica Baran-Surel
Amor mi fa cantar
96 bpm • G Maj • 02:57 • -8.57db
26% Popularity • 18% Danceability • 36% Energy • 14% Liveness
1% Instrumentalness • 44% Positiveness
26% Popularity • 18% Danceability • 36% Energy • 14% Liveness
1% Instrumentalness • 44% Positiveness
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Fabien Leanza
Variation No. 2
90 bpm • G# Maj • 02:39 • -23.1db
11% Popularity • 56% Danceability • 18% Energy • 11% Liveness
87% Instrumentalness • 9% Positiveness
11% Popularity • 56% Danceability • 18% Energy • 11% Liveness
87% Instrumentalness • 9% Positiveness
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Tartalo Music
Returning Heroes (Bonus Track)
90 bpm • D Maj • 02:46 • -12db
19% Popularity • 35% Danceability • 75% Energy • 24% Liveness
96% Instrumentalness • 14% Positiveness
19% Popularity • 35% Danceability • 75% Energy • 24% Liveness
96% Instrumentalness • 14% Positiveness
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Logan Epic Canto
Elven Song(Instrumental version)
90 bpm • E min • 02:50 • -7.33db
23% Popularity • 32% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
23% Popularity • 32% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
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Poeta Magica
Grevelius Harpa
90 bpm • D min • 03:32 • -10.03db
18% Popularity • 53% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
18% Popularity • 53% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
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Die Irrlichter
Mittsommerreigen
96 bpm • C Maj • 03:22 • -7.45db
13% Popularity • 19% Danceability • 47% Energy • 12% Liveness
91% Instrumentalness • 21% Positiveness
13% Popularity • 19% Danceability • 47% Energy • 12% Liveness
91% Instrumentalness • 21% Positiveness
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Michael Levy
The Flight of Mercury
89 bpm • G min • 04:12 • -16.91db
11% Popularity • 51% Danceability • 13% Energy • 11% Liveness
82% Instrumentalness • 23% Positiveness
11% Popularity • 51% Danceability • 13% Energy • 11% Liveness
82% Instrumentalness • 23% Positiveness
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Eduardo Paniagua
Danza / Dit Le Burguygnon
90 bpm • D min • 02:49 • -15.5db
17% Popularity • 68% Danceability • 28% Energy • 10% Liveness
51% Instrumentalness • 43% Positiveness
17% Popularity • 68% Danceability • 28% Energy • 10% Liveness
51% Instrumentalness • 43% Positiveness
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The Wandering Bard
CSM 380: Sen Calar Nen Tardar (Time Of S...
89 bpm • B Maj • 03:23 • -16.9db
35% Popularity • 44% Danceability • 14% Energy • 12% Liveness
82% Instrumentalness • 38% Positiveness
35% Popularity • 44% Danceability • 14% Energy • 12% Liveness
82% Instrumentalness • 38% Positiveness
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Lars-Luis Linek
Hurdy Gurdy Drone
89 bpm • C Maj • 01:29 • -3.8db
10% Popularity • 21% Danceability • 28% Energy • 10% Liveness
68% Instrumentalness • 23% Positiveness
10% Popularity • 21% Danceability • 28% Energy • 10% Liveness
68% Instrumentalness • 23% Positiveness
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Wolgemut
Nonesuch
97 bpm • A min • 02:02 • -5.23db
7% Popularity • 26% Danceability • 79% Energy • 6% Liveness
97% Instrumentalness • 4% Positiveness
7% Popularity • 26% Danceability • 79% Energy • 6% Liveness
97% Instrumentalness • 4% Positiveness
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Mince Pye
La Basse Dance de Magdelena
97 bpm • D Maj • 02:45 • -8.64db
12% Popularity • 57% Danceability • 69% Energy • 19% Liveness
2% Instrumentalness • 69% Positiveness
12% Popularity • 57% Danceability • 69% Energy • 19% Liveness
2% Instrumentalness • 69% Positiveness
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Cantiga
Basse Dance
97 bpm • E min • 02:47 • -11.09db
11% Popularity • 34% Danceability • 32% Energy • 11% Liveness
26% Instrumentalness • 56% Positiveness
11% Popularity • 34% Danceability • 32% Energy • 11% Liveness
26% Instrumentalness • 56% Positiveness
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Die Irrlichter
Galgentanz
98 bpm • G min • 02:38 • -6.19db
17% Popularity • 62% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
17% Popularity • 62% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Kirill Bogomilov
The Russian Motives
98 bpm • E min • 03:22 • -8db
12% Popularity • 54% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
12% Popularity • 54% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Vox Vulgaris
Cantiga 213
98 bpm • G Maj • 05:12 • -8.86db
15% Popularity • 32% Danceability • 38% Energy • 22% Liveness
61% Instrumentalness • 42% Positiveness
15% Popularity • 32% Danceability • 38% Energy • 22% Liveness
61% Instrumentalness • 42% Positiveness
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André Luiz Machado
Josh Journey's Theme (Alea Jacta Est)
98 bpm • C Maj • 01:52 • -10.58db
2% Popularity • 71% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
2% Popularity • 71% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Eduardo Paniagua
Danza / Wascha Mesa
88 bpm • D min • 03:39 • -17db
20% Popularity • 71% Danceability • 25% Energy • 7% Liveness
84% Instrumentalness • 66% Positiveness
20% Popularity • 71% Danceability • 25% Energy • 7% Liveness
84% Instrumentalness • 66% Positiveness
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Albert de Rippe
Fantasia XXII
98 bpm • F min • 04:56 • -30.32db
17% Popularity • 40% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 44% Positiveness
17% Popularity • 40% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 44% Positiveness
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Drakensang
Spelunken Und Tavernen
88 bpm • G Maj • 01:09 • -14.31db
31% Popularity • 69% Danceability • 30% Energy • 9% Liveness
2% Instrumentalness • 21% Positiveness
31% Popularity • 69% Danceability • 30% Energy • 9% Liveness
2% Instrumentalness • 21% Positiveness
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Musica calamus
Manfredina
88 bpm • A min • 03:11 • -12.4db
14% Popularity • 42% Danceability • 25% Energy • 17% Liveness
95% Instrumentalness • 24% Positiveness
14% Popularity • 42% Danceability • 25% Energy • 17% Liveness
95% Instrumentalness • 24% Positiveness
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Sylvain Bergeron
Perceval la quete du Graal: La Bataille ...
99 bpm • G Maj • 01:04 • -40.01db
30% Popularity • 43% Danceability • 1% Energy • 8% Liveness
83% Instrumentalness • 26% Positiveness
30% Popularity • 43% Danceability • 1% Energy • 8% Liveness
83% Instrumentalness • 26% Positiveness
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Tartalo Music
Ancient Reflections
99 bpm • F min • 02:24 • -12.12db
20% Popularity • 18% Danceability • 63% Energy • 12% Liveness
87% Instrumentalness • 9% Positiveness
20% Popularity • 18% Danceability • 63% Energy • 12% Liveness
87% Instrumentalness • 9% Positiveness
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The Wandering Bard
CSM 18: Por Nos De Dulta Tirar (Nunium, ...
88 bpm • G# min • 04:05 • -14.58db
18% Popularity • 42% Danceability • 19% Energy • 13% Liveness
19% Instrumentalness • 51% Positiveness
18% Popularity • 42% Danceability • 19% Energy • 13% Liveness
19% Instrumentalness • 51% Positiveness
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Adam de la Halle
De cueur pensieu
99 bpm • C Maj • 01:35 • -15.21db
10% Popularity • 76% Danceability • 34% Energy • 11% Liveness
88% Instrumentalness • 96% Positiveness
10% Popularity • 76% Danceability • 34% Energy • 11% Liveness
88% Instrumentalness • 96% Positiveness
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Fabien Leanza
Chronesthesia
99 bpm • A min • 02:28 • -22.09db
9% Popularity • 56% Danceability • 23% Energy • 9% Liveness
94% Instrumentalness • 53% Positiveness
9% Popularity • 56% Danceability • 23% Energy • 9% Liveness
94% Instrumentalness • 53% Positiveness
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Gace Brulé
Quant voi la flour boutener
87 bpm • C# Maj • 03:14 • -21.23db
10% Popularity • 12% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
10% Popularity • 12% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Nancy Karpeles
Sparrows and Cats
99 bpm • A min • 02:44 • -16.75db
27% Popularity • 21% Danceability • 9% Energy • 9% Liveness
95% Instrumentalness • 21% Positiveness
27% Popularity • 21% Danceability • 9% Energy • 9% Liveness
95% Instrumentalness • 21% Positiveness
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Tartalo Music
The Awakening of the Celts
100 bpm • B min • 03:07 • -15.36db
34% Popularity • 24% Danceability • 54% Energy • 24% Liveness
89% Instrumentalness • 27% Positiveness
34% Popularity • 24% Danceability • 54% Energy • 24% Liveness
89% Instrumentalness • 27% Positiveness
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Erutan
Corn Yairds
87 bpm • F Maj • 04:56 • -10.32db
29% Popularity • 48% Danceability • 40% Energy • 14% Liveness
44% Instrumentalness • 31% Positiveness
29% Popularity • 48% Danceability • 40% Energy • 14% Liveness
44% Instrumentalness • 31% Positiveness
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Mauro Pertosa
Claro paschali gaudio
100 bpm • B min • 02:49 • -14.73db
9% Popularity • 55% Danceability • 19% Energy • 17% Liveness
2% Instrumentalness • 31% Positiveness
9% Popularity • 55% Danceability • 19% Energy • 17% Liveness
2% Instrumentalness • 31% Positiveness
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Musica calamus
Pavane Belle Qui Tiens Ma Vie
100 bpm • F Maj • 02:46 • -12.64db
16% Popularity • 42% Danceability • 21% Energy • 11% Liveness
95% Instrumentalness • 24% Positiveness
16% Popularity • 42% Danceability • 21% Energy • 11% Liveness
95% Instrumentalness • 24% Positiveness
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Nicostrauss
The raggle taggle gypsy
100 bpm • A min • 01:24 • -9.33db
35% Popularity • 75% Danceability • 64% Energy • 13% Liveness
90% Instrumentalness • 96% Positiveness
35% Popularity • 75% Danceability • 64% Energy • 13% Liveness
90% Instrumentalness • 96% Positiveness
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Petros Tabouris Ensemble
Hymn to Nemesis
100 bpm • D Maj • 01:39 • -17.48db
13% Popularity • 75% Danceability • 9% Energy • 10% Liveness
86% Instrumentalness • 81% Positiveness
13% Popularity • 75% Danceability • 9% Energy • 10% Liveness
86% Instrumentalness • 81% Positiveness
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Tartalo Music
Assault in the Night
100 bpm • D Maj • 02:33 • -13.36db
8% Popularity • 47% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
8% Popularity • 47% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Various Artists
The Medieval Era (Hungary)
100 bpm • D Maj • 03:19 • -13.88db
24% Popularity • 74% Danceability • 38% Energy • 9% Liveness
60% Instrumentalness • 41% Positiveness
24% Popularity • 74% Danceability • 38% Energy • 9% Liveness
60% Instrumentalness • 41% Positiveness
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Everrune
Hops and Barley
100 bpm • A min • 01:43 • -14.68db
34% Popularity • 68% Danceability • 33% Energy • 8% Liveness
64% Instrumentalness • 54% Positiveness
34% Popularity • 68% Danceability • 33% Energy • 8% Liveness
64% Instrumentalness • 54% Positiveness
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Tyler Cunningham
Another Round!
100 bpm • C Maj • 01:16 • -17.86db
20% Popularity • 79% Danceability • 36% Energy • 10% Liveness
83% Instrumentalness • 89% Positiveness
20% Popularity • 79% Danceability • 36% Energy • 10% Liveness
83% Instrumentalness • 89% Positiveness
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Logan Epic Canto
The Forest Wizard
100 bpm • D min • 02:07 • -7.11db
9% Popularity • 46% Danceability • 96% Energy • 7% Liveness
10% Instrumentalness • 50% Positiveness
9% Popularity • 46% Danceability • 96% Energy • 7% Liveness
10% Instrumentalness • 50% Positiveness
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Musica calamus
Traubentritt
100 bpm • A min • 02:35 • -6db
19% Popularity • 49% Danceability • 80% Energy • 38% Liveness
88% Instrumentalness • 74% Positiveness
19% Popularity • 49% Danceability • 80% Energy • 38% Liveness
88% Instrumentalness • 74% Positiveness
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Tartalo Music
Ghrianstad
100 bpm • D Maj • 02:17 • -10.13db
33% Popularity • 56% Danceability • 65% Energy • 38% Liveness
29% Instrumentalness • 67% Positiveness
33% Popularity • 56% Danceability • 65% Energy • 38% Liveness
29% Instrumentalness • 67% Positiveness
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Brighter Note
Medieval Tavern - Full
100 bpm • D min • 01:19 • -11db
17% Popularity • 52% Danceability • 34% Energy • 16% Liveness
9% Instrumentalness • 4% Positiveness
17% Popularity • 52% Danceability • 34% Energy • 16% Liveness
9% Instrumentalness • 4% Positiveness
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Jeff Victor
Dance of the Dumfrieshire Dwarves
100 bpm • C Maj • 03:41 • -16.45db
21% Popularity • 54% Danceability • 39% Energy • 69% Liveness
70% Instrumentalness • 51% Positiveness
21% Popularity • 54% Danceability • 39% Energy • 69% Liveness
70% Instrumentalness • 51% Positiveness
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Lynne Reardon
Twyngryllyg
86 bpm • D Maj • 03:00 • -9.07db
34% Popularity • 36% Danceability • 41% Energy • 12% Liveness
2% Instrumentalness • 66% Positiveness
34% Popularity • 36% Danceability • 41% Energy • 12% Liveness
2% Instrumentalness • 66% Positiveness
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Ensemble Galilei
Recercada Segonda Sobre La Misma Cancion
86 bpm • D min • 02:56 • -17.61db
15% Popularity • 14% Danceability • 10% Energy • 6% Liveness
98% Instrumentalness • 23% Positiveness
15% Popularity • 14% Danceability • 10% Energy • 6% Liveness
98% Instrumentalness • 23% Positiveness
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Danzante Banda Celta
Black Is the Color
86 bpm • E min • 02:24 • -12.62db
13% Popularity • 20% Danceability • 20% Energy • 9% Liveness
15% Instrumentalness • 9% Positiveness
13% Popularity • 20% Danceability • 20% Energy • 9% Liveness
15% Instrumentalness • 9% Positiveness
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Erutan
Dame Ne Regardez Pas
101 bpm • A min • 03:44 • -18.49db
20% Popularity • 45% Danceability • 7% Energy • 12% Liveness
63% Instrumentalness • 20% Positiveness
20% Popularity • 45% Danceability • 7% Energy • 12% Liveness
63% Instrumentalness • 20% Positiveness
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John Playford
A Trip to Killburn
101 bpm • E min • 04:07 • -22.94db
16% Popularity • 61% Danceability • 9% Energy • 10% Liveness
89% Instrumentalness • 76% Positiveness
16% Popularity • 61% Danceability • 9% Energy • 10% Liveness
89% Instrumentalness • 76% Positiveness
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Andrei Krylov
Song of Lady of Venice
101 bpm • F# Maj • 02:14 • -17db
29% Popularity • 56% Danceability • 23% Energy • 12% Liveness
88% Instrumentalness • 56% Positiveness
29% Popularity • 56% Danceability • 23% Energy • 12% Liveness
88% Instrumentalness • 56% Positiveness
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Sowulo
Beltane - Acoustic
86 bpm • G Maj • 03:23 • -10.08db
25% Popularity • 28% Danceability • 62% Energy • 34% Liveness
17% Instrumentalness • 45% Positiveness
25% Popularity • 28% Danceability • 62% Energy • 34% Liveness
17% Instrumentalness • 45% Positiveness
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Greg Joy
Journey to Camelot
101 bpm • D min • 04:06 • -14.66db
11% Popularity • 49% Danceability • 32% Energy • 10% Liveness
18% Instrumentalness • 22% Positiveness
11% Popularity • 49% Danceability • 32% Energy • 10% Liveness
18% Instrumentalness • 22% Positiveness
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Aryeh Frankfurter
Slängpolska after Byss-Kalle
101 bpm • A Maj • 03:52 • -16.1db
16% Popularity • 56% Danceability • 31% Energy • 31% Liveness
9% Instrumentalness • 54% Positiveness
16% Popularity • 56% Danceability • 31% Energy • 31% Liveness
9% Instrumentalness • 54% Positiveness
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Anon
Lauda Novella (melody only)
101 bpm • D Maj • 01:15 • -21.3db
11% Popularity • 62% Danceability • 35% Energy • 10% Liveness
93% Instrumentalness • 75% Positiveness
11% Popularity • 62% Danceability • 35% Energy • 10% Liveness
93% Instrumentalness • 75% Positiveness
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melwa, by the garden
Night at the Journeyman Inn
101 bpm • C min • 01:37 • -15.75db
28% Popularity • 47% Danceability • 22% Energy • 11% Liveness
95% Instrumentalness • 54% Positiveness
28% Popularity • 47% Danceability • 22% Energy • 11% Liveness
95% Instrumentalness • 54% Positiveness
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Cantiga
Skillywidden
101 bpm • A min • 05:39 • -14.59db
8% Popularity • 55% Danceability • 22% Energy • 30% Liveness
0% Instrumentalness • 60% Positiveness
8% Popularity • 55% Danceability • 22% Energy • 30% Liveness
0% Instrumentalness • 60% Positiveness
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Logan Epic Canto
The Road to Nottingham
102 bpm • B min • 02:43 • -3.77db
21% Popularity • 26% Danceability • 84% Energy • 34% Liveness
17% Instrumentalness • 9% Positiveness
21% Popularity • 26% Danceability • 84% Energy • 34% Liveness
17% Instrumentalness • 9% Positiveness
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Ian Fontova
The Feadóg Suite
85 bpm • A Maj • 01:15 • -12.17db
23% Popularity • 41% Danceability • 70% Energy • 31% Liveness
33% Instrumentalness • 42% Positiveness
23% Popularity • 41% Danceability • 70% Energy • 31% Liveness
33% Instrumentalness • 42% Positiveness
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Kieran Fahy
Planxty Kelly
85 bpm • A min • 02:26 • -11.91db
28% Popularity • 45% Danceability • 21% Energy • 12% Liveness
63% Instrumentalness • 60% Positiveness
28% Popularity • 45% Danceability • 21% Energy • 12% Liveness
63% Instrumentalness • 60% Positiveness
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Poeta Magica
Grevelius Polonaise
102 bpm • D min • 05:22 • -10.72db
8% Popularity • 44% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
8% Popularity • 44% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Michael Levy
Amatores (Lovers)
85 bpm • A min • 04:10 • -20.66db
13% Popularity • 48% Danceability • 6% Energy • 9% Liveness
93% Instrumentalness • 11% Positiveness
13% Popularity • 48% Danceability • 6% Energy • 9% Liveness
93% Instrumentalness • 11% Positiveness
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Ensemble Galilei
Following the Moon
85 bpm • G Maj • 05:15 • -14.74db
34% Popularity • 26% Danceability • 12% Energy • 9% Liveness
85% Instrumentalness • 13% Positiveness
34% Popularity • 26% Danceability • 12% Energy • 9% Liveness
85% Instrumentalness • 13% Positiveness
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Logan Epic Canto
Duel Of Druids
102 bpm • C Maj • 03:30 • -9db
15% Popularity • 29% Danceability • 75% Energy • 18% Liveness
1% Instrumentalness • 10% Positiveness
15% Popularity • 29% Danceability • 75% Energy • 18% Liveness
1% Instrumentalness • 10% Positiveness
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Reinaissance Celtic Band
Way to Santiago
84 bpm • A min • 01:49 • -11.27db
13% Popularity • 85% Danceability • 23% Energy • 11% Liveness
95% Instrumentalness • 48% Positiveness
13% Popularity • 85% Danceability • 23% Energy • 11% Liveness
95% Instrumentalness • 48% Positiveness
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Erutan
Road To Lisdoonvarna
103 bpm • D min • 03:07 • -14.39db
37% Popularity • 39% Danceability • 18% Energy • 17% Liveness
0% Instrumentalness • 65% Positiveness
37% Popularity • 39% Danceability • 18% Energy • 17% Liveness
0% Instrumentalness • 65% Positiveness
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Chalmeris
Frontier Outpost
103 bpm • A Maj • 01:40 • -13.22db
31% Popularity • 63% Danceability • 19% Energy • 17% Liveness
4% Instrumentalness • 74% Positiveness
31% Popularity • 63% Danceability • 19% Energy • 17% Liveness
4% Instrumentalness • 74% Positiveness
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Die Irrlichter
Glîmelîn
84 bpm • A min • 02:41 • -8.35db
14% Popularity • 47% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
14% Popularity • 47% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Lori Pappajohn
In Spring We Shall Dance
84 bpm • D min • 03:23 • -13.66db
23% Popularity • 54% Danceability • 18% Energy • 12% Liveness
89% Instrumentalness • 22% Positiveness
23% Popularity • 54% Danceability • 18% Energy • 12% Liveness
89% Instrumentalness • 22% Positiveness
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John Playford
The English Dance Master, Vol. 1: Bobbin...
104 bpm • G Maj • 01:32 • -14.36db
18% Popularity • 63% Danceability • 20% Energy • 9% Liveness
35% Instrumentalness • 82% Positiveness
18% Popularity • 63% Danceability • 20% Energy • 9% Liveness
35% Instrumentalness • 82% Positiveness
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OMNIA
One Morning in May
104 bpm • A min • 03:08 • -20.21db
33% Popularity • 77% Danceability • 15% Energy • 10% Liveness
91% Instrumentalness • 33% Positiveness
33% Popularity • 77% Danceability • 15% Energy • 10% Liveness
91% Instrumentalness • 33% Positiveness
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Aryeh Frankfurter
Polska after Ola Lans
104 bpm • B min • 04:55 • -11.82db
20% Popularity • 59% Danceability • 34% Energy • 7% Liveness
52% Instrumentalness • 16% Positiveness
20% Popularity • 59% Danceability • 34% Energy • 7% Liveness
52% Instrumentalness • 16% Positiveness
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Audinity
Summer Crush
83 bpm • D Maj • 03:46 • -15.31db
20% Popularity • 9% Danceability • 11% Energy • 21% Liveness
40% Instrumentalness • 11% Positiveness
20% Popularity • 9% Danceability • 11% Energy • 21% Liveness
40% Instrumentalness • 11% Positiveness
