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Galway
Songs like
Galway
by
Jo Brand
Based on a tempo of (+/- 10%) and a similar genre
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Jo Brand
Intro
111 bpm • D# Maj • 04:15 • -18.96db
3% Popularity • 51% Danceability • 76% Energy • 78% Liveness
0% Instrumentalness • 15% Positiveness
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Aaron Karo
Just Go Talk to Her
111 bpm • C# Maj • 01:13 • -5.83db
18% Popularity • 50% Danceability • 89% Energy • 97% Liveness
0% Instrumentalness • 44% Positiveness
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Mock the Week
Horses
111 bpm • C# Maj • 01:53 • -17.59db
21% Popularity • 60% Danceability • 51% Energy • 70% Liveness
0% Instrumentalness • 93% Positiveness
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Marc Maron
Near-Death
112 bpm • D Maj • 04:48 • -13.95db
8% Popularity • 55% Danceability • 77% Energy • 47% Liveness
0% Instrumentalness • 44% Positiveness
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Andy Hendrickson
Brother
112 bpm • C# min • 04:34 • -15.75db
16% Popularity • 52% Danceability • 55% Energy • 82% Liveness
0% Instrumentalness • 39% Positiveness
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Ian Bagg
Red Guy and His Wife
112 bpm • D Maj • 03:16 • -10.89db
16% Popularity • 52% Danceability • 86% Energy • 93% Liveness
0% Instrumentalness • 41% Positiveness
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Jo Brand
Poem
111 bpm • G min • 01:48 • -21.76db
4% Popularity • 61% Danceability • 67% Energy • 83% Liveness
0% Instrumentalness • 64% Positiveness
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Dara O Briain
Posh 'n' Becks
110 bpm • G Maj • 05:10 • -20.14db
14% Popularity • 59% Danceability • 53% Energy • 96% Liveness
0% Instrumentalness • 45% Positiveness
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Tig Notaro
Eddie Van Halen
112 bpm • F Maj • 03:04 • -14db
16% Popularity • 48% Danceability • 64% Energy • 87% Liveness
0% Instrumentalness • 34% Positiveness
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Ryan Stout
Bad for the Group
112 bpm • C# Maj • 01:54 • -7db
27% Popularity • 66% Danceability • 82% Energy • 81% Liveness
0% Instrumentalness • 70% Positiveness
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Steve Soelberg
Facebook
110 bpm • D Maj • 03:43 • -14.1db
17% Popularity • 49% Danceability • 83% Energy • 45% Liveness
0% Instrumentalness • 23% Positiveness
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Jesse Joyce
Killer Bees
112 bpm • A# Maj • 01:18 • -15.97db
15% Popularity • 62% Danceability • 56% Energy • 72% Liveness
0% Instrumentalness • 69% Positiveness
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Jo Brand
Galway
111 bpm • F# min • 01:47 • -16.82db
15% Popularity • 58% Danceability • 59% Energy • 81% Liveness
0% Instrumentalness • 44% Positiveness
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Dov Davidoff
Oversimplified
112 bpm • D Maj • 02:33 • -10.34db
14% Popularity • 68% Danceability • 64% Energy • 88% Liveness
0% Instrumentalness • 62% Positiveness
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Jack Dee
West End
113 bpm • D Maj • 08:22 • -16.7db
9% Popularity • 58% Danceability • 54% Energy • 51% Liveness
0% Instrumentalness • 67% Positiveness
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Michelle Shaughnessy
Maxed out Reality Star
109 bpm • B Maj • 04:46 • -20.18db
8% Popularity • 70% Danceability • 23% Energy • 76% Liveness
0% Instrumentalness • 53% Positiveness
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Warren B. Hall
Repeated Lie
109 bpm • C Maj • 01:09 • -15.29db
25% Popularity • 54% Danceability • 63% Energy • 59% Liveness
0% Instrumentalness • 52% Positiveness
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Steve Hofstetter
Air Canada is Terrible
113 bpm • E Maj • 01:53 • -21.35db
19% Popularity • 66% Danceability • 48% Energy • 73% Liveness
0% Instrumentalness • 40% Positiveness
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Jo Brand
Euston Station
110 bpm • A min • 02:22 • -17.2db
14% Popularity • 50% Danceability • 52% Energy • 55% Liveness
0% Instrumentalness • 44% Positiveness
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Louie Anderson
Inheritance
113 bpm • D# min • 01:21 • -8.42db
27% Popularity • 53% Danceability • 97% Energy • 90% Liveness
0% Instrumentalness • 4% Positiveness
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David Crowe
Jazz
113 bpm • F# Maj • 04:50 • -15.05db
16% Popularity • 50% Danceability • 67% Energy • 40% Liveness
0% Instrumentalness • 39% Positiveness
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Josh Johnson
Pigeon
113 bpm • G min • 01:33 • -8.67db
19% Popularity • 64% Danceability • 77% Energy • 89% Liveness
0% Instrumentalness • 65% Positiveness
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Derrick Stroup
Dog Poo
113 bpm • E min • 03:30 • -12.87db
13% Popularity • 47% Danceability • 76% Energy • 92% Liveness
0% Instrumentalness • 58% Positiveness
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Dov Davidoff
Faith
113 bpm • D Maj • 01:11 • -9.44db
20% Popularity • 69% Danceability • 69% Energy • 28% Liveness
0% Instrumentalness • 44% Positiveness
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Jo Brand
Babies
112 bpm • G# Maj • 03:01 • -19.31db
4% Popularity • 65% Danceability • 48% Energy • 80% Liveness
0% Instrumentalness • 38% Positiveness
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Ed Byrne
Hiking
109 bpm • D Maj • 09:04 • -16.99db
11% Popularity • 69% Danceability • 53% Energy • 69% Liveness
0% Instrumentalness • 43% Positiveness
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Jon Richardson
Real Men and Stag Do's - Live
108 bpm • C# min • 09:26 • -19.06db
13% Popularity • 59% Danceability • 66% Energy • 68% Liveness
0% Instrumentalness • 27% Positiveness
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Jesse Joyce
Bathroom Attendants
108 bpm • B Maj • 01:06 • -13db
21% Popularity • 58% Danceability • 54% Energy • 72% Liveness
0% Instrumentalness • 70% Positiveness
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Jim Norton
Bill Cosby
108 bpm • C# Maj • 05:23 • -15.82db
13% Popularity • 49% Danceability • 73% Energy • 90% Liveness
0% Instrumentalness • 20% Positiveness
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Artie Lange
Gay TV
108 bpm • F min • 01:13 • -14.03db
32% Popularity • 62% Danceability • 61% Energy • 91% Liveness
0% Instrumentalness • 73% Positiveness
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Jo Brand
Jack The Ripper
109 bpm • G# Maj • 04:56 • -24.63db
7% Popularity • 71% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Jay Mohr
Incomprehensible Sports Stars
114 bpm • D Maj • 08:56 • -15.06db
11% Popularity • 58% Danceability • 55% Energy • 87% Liveness
0% Instrumentalness • 49% Positiveness
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Dara O Briain
Commit to It
108 bpm • G# Maj • 05:29 • -14.94db
13% Popularity • 66% Danceability • 51% Energy • 91% Liveness
0% Instrumentalness • 50% Positiveness
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Steve Soelberg
Stinky
114 bpm • F Maj • 01:55 • -14.63db
16% Popularity • 51% Danceability • 66% Energy • 57% Liveness
0% Instrumentalness • 26% Positiveness
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Marc Maron
Those People
107 bpm • C# Maj • 04:46 • -12.48db
8% Popularity • 52% Danceability • 77% Energy • 72% Liveness
0% Instrumentalness • 42% Positiveness
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Jack Whitehall
Quiet Sex
107 bpm • A Maj • 10:02 • -16.57db
20% Popularity • 56% Danceability • 82% Energy • 79% Liveness
0% Instrumentalness • 30% Positiveness
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Jo Brand
Men's Egos
114 bpm • A# Maj • 04:58 • -18.55db
4% Popularity • 62% Danceability • 44% Energy • 80% Liveness
0% Instrumentalness • 51% Positiveness
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Ed Byrne
Politics
107 bpm • F min • 06:28 • -13.41db
12% Popularity • 60% Danceability • 85% Energy • 66% Liveness
0% Instrumentalness • 44% Positiveness
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Danny Bhoy
Last Orders
115 bpm • B Maj • 05:08 • -7.75db
19% Popularity • 52% Danceability • 94% Energy • 36% Liveness
0% Instrumentalness • 40% Positiveness
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Josh Johnson
Choke
115 bpm • F# Maj • 01:46 • -10.9db
14% Popularity • 55% Danceability • 72% Energy • 72% Liveness
0% Instrumentalness • 36% Positiveness
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Dara O Briain
Nerd Rants
115 bpm • C# Maj • 10:19 • -17.89db
12% Popularity • 67% Danceability • 49% Energy • 95% Liveness
0% Instrumentalness • 38% Positiveness
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Steve Hofstetter
Lady in Red
115 bpm • B Maj • 02:42 • -18.33db
9% Popularity • 57% Danceability • 46% Energy • 96% Liveness
0% Instrumentalness • 59% Positiveness
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Jo Brand
Sad Blokes
108 bpm • C# min • 01:43 • -15.75db
14% Popularity • 50% Danceability • 51% Energy • 74% Liveness
0% Instrumentalness • 60% Positiveness
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Sarah Millican
Cake Shelf
107 bpm • D min • 05:32 • -15.64db
20% Popularity • 55% Danceability • 72% Energy • 85% Liveness
0% Instrumentalness • 31% Positiveness
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Brad Upton
Honey Don't List
107 bpm • C# Maj • 04:00 • -13.67db
19% Popularity • 49% Danceability • 86% Energy • 89% Liveness
0% Instrumentalness • 39% Positiveness
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Casey Corbin
Citified
116 bpm • D# min • 01:01 • -15.36db
17% Popularity • 78% Danceability • 42% Energy • 67% Liveness
0% Instrumentalness • 87% Positiveness
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Sean Patton
Boone's Farm
106 bpm • G# Maj • 01:24 • -18.19db
8% Popularity • 69% Danceability • 58% Energy • 92% Liveness
0% Instrumentalness • 70% Positiveness
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Jessi Campbell
Panera
116 bpm • F# Maj • 02:43 • -15db
20% Popularity • 52% Danceability • 69% Energy • 95% Liveness
0% Instrumentalness • 56% Positiveness
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Jo Brand
Periods
115 bpm • F# min • 02:19 • -12.29db
9% Popularity • 49% Danceability • 78% Energy • 74% Liveness
0% Instrumentalness • 39% Positiveness
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Sarah Millican
Wedding Cake
106 bpm • A Maj • 05:59 • -15.69db
17% Popularity • 60% Danceability • 66% Energy • 38% Liveness
0% Instrumentalness • 43% Positiveness
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Omid Djalili
The Show Starts Here - Live
106 bpm • C# Maj • 06:08 • -13.1db
8% Popularity • 68% Danceability • 62% Energy • 38% Liveness
0% Instrumentalness • 14% Positiveness
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Stewart Francis
Impatient
105 bpm • C# Maj • 07:09 • -19.58db
9% Popularity • 43% Danceability • 81% Energy • 67% Liveness
0% Instrumentalness • 4% Positiveness
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Jon Reep
Bedroom Shooting
117 bpm • D Maj • 02:17 • -14.08db
21% Popularity • 55% Danceability • 77% Energy • 77% Liveness
0% Instrumentalness • 22% Positiveness
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Steve Byrne
Social Sheriff
117 bpm • F# Maj • 04:00 • -22.73db
8% Popularity • 63% Danceability • 30% Energy • 84% Liveness
0% Instrumentalness • 74% Positiveness
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Jo Brand
Footie
107 bpm • F min • 04:31 • -19.08db
3% Popularity • 60% Danceability • 50% Energy • 89% Liveness
0% Instrumentalness • 57% Positiveness
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Eddie Izzard
Bees and their Crazy Ways
105 bpm • A Maj • 08:32 • -11.93db
8% Popularity • 60% Danceability • 58% Energy • 78% Liveness
0% Instrumentalness • 57% Positiveness
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Tommy Tiernan
What Recession ?
105 bpm • C# Maj • 03:58 • -13.41db
15% Popularity • 56% Danceability • 61% Energy • 91% Liveness
0% Instrumentalness • 40% Positiveness
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Dara O Briain
Racism Is Way Better
104 bpm • E Maj • 03:38 • -17.32db
12% Popularity • 66% Danceability • 52% Energy • 83% Liveness
0% Instrumentalness • 37% Positiveness
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Jon Reep
At the Movies
117 bpm • E min • 01:12 • -15db
29% Popularity • 58% Danceability • 89% Energy • 78% Liveness
0% Instrumentalness • 4% Positiveness
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Chris Distefano
My Mom's Dating Again
104 bpm • D Maj • 03:14 • -10.61db
16% Popularity • 62% Danceability • 69% Energy • 42% Liveness
0% Instrumentalness • 52% Positiveness
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Jo Brand
Health Farm
116 bpm • F# min • 01:34 • -17.2db
13% Popularity • 54% Danceability • 51% Energy • 77% Liveness
0% Instrumentalness • 50% Positiveness
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Marc Maron
I'm Afraid Of My Phone
104 bpm • A Maj • 03:35 • -12.57db
9% Popularity • 50% Danceability • 85% Energy • 93% Liveness
0% Instrumentalness • 30% Positiveness
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Ari Shaffir
Passover
104 bpm • C# Maj • 02:34 • -17.01db
20% Popularity • 62% Danceability • 67% Energy • 67% Liveness
0% Instrumentalness • 37% Positiveness
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Robert Mac
Politically Correct
103 bpm • D Maj • 03:25 • -14.76db
17% Popularity • 52% Danceability • 69% Energy • 92% Liveness
0% Instrumentalness • 38% Positiveness
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Arj Barker
Wife's Laugh
119 bpm • F# min • 02:35 • -12.09db
21% Popularity • 59% Danceability • 72% Energy • 76% Liveness
0% Instrumentalness • 45% Positiveness
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Kurt Braunohler
Argument for Creationism: Shit Tubes
103 bpm • F min • 01:56 • -14.39db
15% Popularity • 66% Danceability • 64% Energy • 89% Liveness
0% Instrumentalness • 34% Positiveness
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Jo Brand
Jesus Christ
116 bpm • B min • 06:08 • -23.7db
7% Popularity • 71% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
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Dara O Briain
Who's This Guy?
103 bpm • C# Maj • 06:15 • -15.03db
12% Popularity • 63% Danceability • 68% Energy • 67% Liveness
0% Instrumentalness • 47% Positiveness
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Stewart Francis
Raised By Goldfish
120 bpm • D Maj • 07:40 • -29.51db
8% Popularity • 51% Danceability • 31% Energy • 95% Liveness
0% Instrumentalness • 4% Positiveness
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Tommy Tiernan
Abortion
120 bpm • F Maj • 02:00 • -11.59db
22% Popularity • 61% Danceability • 70% Energy • 93% Liveness
0% Instrumentalness • 58% Positiveness
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Derrick Stroup
The Hot Sauce From Earlier
121 bpm • F Maj • 02:29 • -13.68db
12% Popularity • 47% Danceability • 71% Energy • 41% Liveness
0% Instrumentalness • 55% Positiveness
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Katherine Ryan
Single
102 bpm • F# min • 08:37 • -29.92db
14% Popularity • 60% Danceability • 19% Energy • 48% Liveness
0% Instrumentalness • 30% Positiveness
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Jo Brand
Living With Someone
105 bpm • B Maj • 04:13 • -20.38db
4% Popularity • 60% Danceability • 37% Energy • 62% Liveness
0% Instrumentalness • 43% Positiveness
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Louie Anderson
The Greatest Time
102 bpm • C# Maj • 02:15 • -8.98db
14% Popularity • 48% Danceability • 95% Energy • 62% Liveness
0% Instrumentalness • 8% Positiveness
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Paul Foot
Allergies
121 bpm • D Maj • 04:32 • -9.95db
8% Popularity • 67% Danceability • 72% Energy • 89% Liveness
0% Instrumentalness • 67% Positiveness
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Chris Distefano
Latina Daughter
102 bpm • D Maj • 02:01 • -12.61db
22% Popularity • 59% Danceability • 56% Energy • 70% Liveness
0% Instrumentalness • 68% Positiveness
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Arj Barker
The Circus
102 bpm • E Maj • 03:44 • -11.94db
17% Popularity • 61% Danceability • 63% Energy • 62% Liveness
0% Instrumentalness • 51% Positiveness
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Katherine Ryan
Tulisa Don't Like Comedians
121 bpm • F min • 05:46 • -31.75db
14% Popularity • 61% Danceability • 15% Energy • 68% Liveness
0% Instrumentalness • 39% Positiveness
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Christian Pieper
Drawerge
101 bpm • D Maj • 03:32 • -15.15db
15% Popularity • 44% Danceability • 81% Energy • 55% Liveness
0% Instrumentalness • 34% Positiveness
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Ari Shaffir
Loopholes (Jewish Lady Wigs)
101 bpm • C Maj • 01:00 • -17.89db
20% Popularity • 63% Danceability • 53% Energy • 72% Liveness
0% Instrumentalness • 73% Positiveness
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Dara O Briain
Well Hello There - Live
122 bpm • D Maj • 04:22 • -21.72db
13% Popularity • 63% Danceability • 46% Energy • 98% Liveness
0% Instrumentalness • 48% Positiveness
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Louie Anderson
Growing up Broke
101 bpm • F# min • 01:34 • -8.54db
21% Popularity • 51% Danceability • 91% Energy • 87% Liveness
0% Instrumentalness • 14% Positiveness
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Dwayne Perkins
Starving Kids in Africa
123 bpm • D# min • 04:56 • -18db
15% Popularity • 53% Danceability • 62% Energy • 78% Liveness
0% Instrumentalness • 37% Positiveness
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Sean Lock
Enquiring Mind
100 bpm • C Maj • 08:20 • -19.19db
21% Popularity • 56% Danceability • 72% Energy • 80% Liveness
0% Instrumentalness • 13% Positiveness
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Jo Brand
Women
99 bpm • F# min • 02:45 • -18.79db
12% Popularity • 52% Danceability • 53% Energy • 74% Liveness
0% Instrumentalness • 49% Positiveness
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Colin Quinn
Founding Gangsters (Amendments 3 - 10)
124 bpm • C Maj • 01:05 • -12.23db
20% Popularity • 63% Danceability • 50% Energy • 69% Liveness
0% Instrumentalness • 93% Positiveness
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Dara O Briain
The Floods and the Bishop
100 bpm • G# Maj • 01:45 • -18.27db
20% Popularity • 65% Danceability • 48% Energy • 80% Liveness
0% Instrumentalness • 70% Positiveness
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Steve Hofstetter
Japan is Half Full
99 bpm • A# min • 04:22 • -18.79db
9% Popularity • 50% Danceability • 63% Energy • 91% Liveness
0% Instrumentalness • 18% Positiveness
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Richard Jeni
Marriage—Ointment or Suppositories
99 bpm • G# Maj • 01:36 • -9.01db
18% Popularity • 46% Danceability • 89% Energy • 62% Liveness
0% Instrumentalness • 36% Positiveness
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Chris Distefano
Fired from Netflix
125 bpm • D Maj • 06:56 • -12db
15% Popularity • 69% Danceability • 48% Energy • 88% Liveness
0% Instrumentalness • 70% Positiveness
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Arj Barker
Caveman Sandwich
99 bpm • G Maj • 02:46 • -11.79db
25% Popularity • 53% Danceability • 77% Energy • 44% Liveness
0% Instrumentalness • 40% Positiveness
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Jim Norton
Goin To The Gym and Eatin Better
125 bpm • C# Maj • 02:33 • -16.6db
15% Popularity • 53% Danceability • 50% Energy • 84% Liveness
0% Instrumentalness • 39% Positiveness
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Dara O Briain
When Thatcher Met Brown
99 bpm • B Maj • 01:27 • -19.07db
20% Popularity • 58% Danceability • 64% Energy • 98% Liveness
0% Instrumentalness • 63% Positiveness
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Jo Brand
Julius Ceasar
125 bpm • B min • 05:29 • -24.73db
7% Popularity • 72% Danceability • 11% Energy • 35% Liveness
0% Instrumentalness • 66% Positiveness
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Paul Foot
The Living room
125 bpm • F min • 05:35 • -7.48db
8% Popularity • 61% Danceability • 80% Energy • 84% Liveness
0% Instrumentalness • 66% Positiveness
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Marc Maron
The Media Landscape
98 bpm • C# Maj • 03:12 • -12.95db
8% Popularity • 51% Danceability • 78% Energy • 79% Liveness
0% Instrumentalness • 47% Positiveness
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Tom Rhodes
Loving a Dark Skinned Woman
126 bpm • F# Maj • 01:19 • -11.34db
24% Popularity • 66% Danceability • 67% Energy • 90% Liveness
0% Instrumentalness • 52% Positiveness
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Jessi Campbell
Kevin
98 bpm • C# Maj • 01:59 • -14.77db
17% Popularity • 44% Danceability • 70% Energy • 38% Liveness
0% Instrumentalness • 46% Positiveness
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Andy Hendrickson
Half Marathon
126 bpm • F# Maj • 02:23 • -16db
16% Popularity • 50% Danceability • 72% Energy • 95% Liveness
0% Instrumentalness • 42% Positiveness
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Jo Brand
Men
126 bpm • A min • 01:53 • -20.24db
4% Popularity • 64% Danceability • 40% Energy • 67% Liveness
0% Instrumentalness • 39% Positiveness
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Galway