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Garden Of Silence
Songs like
Garden Of Silence
by
Björn Meyer
Based on a tempo of (+/- 10%) and a similar genre
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Björn Meyer
Garden Of Silence
132 bpm • G Maj • 05:46 • -30.03db
5% Popularity • 42% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Mats Eilertsen
22
132 bpm • A# min • 04:58 • -28.56db
28% Popularity • 33% Danceability • 14% Energy • 10% Liveness
78% Instrumentalness • 7% Positiveness
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Steve Tibbetts
Life Of Someone
132 bpm • G Maj • 02:30 • -28.15db
10% Popularity • 40% Danceability • 2% Energy • 10% Liveness
30% Instrumentalness • 34% Positiveness
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Trygve Seim
Nu Seglar Vi Inn
131 bpm • C min • 04:34 • -19.28db
13% Popularity • 34% Danceability • 3% Energy • 10% Liveness
13% Instrumentalness • 19% Positiveness
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Nik Bärtsch
Modul 42
131 bpm • C# Maj • 06:27 • -23.64db
17% Popularity • 48% Danceability • 9% Energy • 19% Liveness
86% Instrumentalness • 3% Positiveness
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Tonbruket
Music for the Sun King
133 bpm • A# Maj • 05:43 • -19.7db
22% Popularity • 46% Danceability • 20% Energy • 11% Liveness
85% Instrumentalness • 12% Positiveness
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Marcin Wasilewski
Hyperballad
131 bpm • C min • 05:52 • -20.86db
22% Popularity • 39% Danceability • 10% Energy • 11% Liveness
78% Instrumentalness • 12% Positiveness
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Marcel Lüscher
Himmel aus Mahagoni
133 bpm • G# min • 06:03 • -13.28db
1% Popularity • 28% Danceability • 27% Energy • 10% Liveness
77% Instrumentalness • 11% Positiveness
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Mette Henriette
Beneath You
131 bpm • D# min • 03:10 • -35.43db
8% Popularity • 28% Danceability • 1% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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Anouar Brahem
Déjà la nuit
133 bpm • F min • 05:10 • -32.22db
23% Popularity • 32% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 9% Positiveness
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Håkon Kornstad
Petrus
131 bpm • A# Maj • 07:59 • -17.1db
23% Popularity • 60% Danceability • 7% Energy • 11% Liveness
93% Instrumentalness • 44% Positiveness
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Stephan Micus
Baobab Dance
131 bpm • G# min • 03:08 • -27.24db
13% Popularity • 71% Danceability • 12% Energy • 11% Liveness
79% Instrumentalness • 6% Positiveness
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Pascal Schumacher
Nostalgia
133 bpm • F min • 03:46 • -29.19db
14% Popularity • 38% Danceability • 0% Energy • 13% Liveness
94% Instrumentalness • 34% Positiveness
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Esbjörn Svensson
Prelude in D-Minor
130 bpm • F Maj • 04:13 • -15db
22% Popularity • 44% Danceability • 11% Energy • 8% Liveness
90% Instrumentalness • 26% Positiveness
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Mette Henriette
Drifting
131 bpm • A# min • 04:01 • -22.46db
27% Popularity • 30% Danceability • 3% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
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Jon Balke
This Is The Movie
134 bpm • C Maj • 05:18 • -26.98db
25% Popularity • 30% Danceability • 1% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Mats Eilertsen Trio
Sails Set
134 bpm • E Maj • 02:24 • -27.92db
25% Popularity • 49% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 28% Positiveness
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Björn Meyer
Trails Crossing
130 bpm • D Maj • 06:43 • -32db
13% Popularity • 26% Danceability • 5% Energy • 27% Liveness
65% Instrumentalness • 4% Positiveness
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Dominic Miller
What You Didn’t Say
134 bpm • A min • 05:41 • -22.42db
26% Popularity • 50% Danceability • 11% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Anouar Brahem
Bahia
134 bpm • G min • 08:45 • -23db
28% Popularity • 46% Danceability • 20% Energy • 13% Liveness
89% Instrumentalness • 47% Positiveness
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Skúli Sverrisson
Divena
130 bpm • D min • 01:59 • -17.31db
40% Popularity • 51% Danceability • 25% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
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Bremer/McCoy
Gaia
130 bpm • G min • 03:42 • -24.53db
35% Popularity • 44% Danceability • 9% Energy • 16% Liveness
94% Instrumentalness • 26% Positiveness
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Anat Fort Trio
Paul Motian (2)
134 bpm • D Maj • 04:00 • -26.55db
27% Popularity • 30% Danceability • 9% Energy • 6% Liveness
63% Instrumentalness • 4% Positiveness
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Vega Trails
Red Moon Rising
134 bpm • D Maj • 03:38 • -18.84db
24% Popularity • 15% Danceability • 5% Energy • 13% Liveness
83% Instrumentalness • 4% Positiveness
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Dominic Miller
Water
135 bpm • D# min • 05:23 • -24.36db
19% Popularity • 38% Danceability • 10% Energy • 11% Liveness
79% Instrumentalness • 45% Positiveness
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David Helbock
Beethoven #7, 2nd Movement
129 bpm • A min • 02:43 • -23db
38% Popularity • 48% Danceability • 4% Energy • 9% Liveness
97% Instrumentalness • 10% Positiveness
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Shida Shahabi
Afterword
129 bpm • A# min • 01:31 • -30db
33% Popularity • 35% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 10% Positiveness
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Benjamin Moussay
Villefranque
129 bpm • A min • 03:57 • -34db
11% Popularity • 45% Danceability • 0% Energy • 6% Liveness
96% Instrumentalness • 14% Positiveness
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Anat Fort Trio
Minnesota
135 bpm • D Maj • 07:34 • -21db
26% Popularity • 45% Danceability • 16% Energy • 13% Liveness
83% Instrumentalness • 14% Positiveness
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Tord Gustavsen Quartet
Communion
135 bpm • E min • 04:33 • -26.67db
10% Popularity • 27% Danceability • 1% Energy • 12% Liveness
59% Instrumentalness • 4% Positiveness
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Omar Sosa
Rei's Ray
135 bpm • D min • 04:05 • -13.81db
19% Popularity • 66% Danceability • 40% Energy • 11% Liveness
90% Instrumentalness • 47% Positiveness
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Michel Benita
Elisian/Inutil Paisagem
129 bpm • G# Maj • 04:56 • -19.72db
14% Popularity • 27% Danceability • 15% Energy • 14% Liveness
73% Instrumentalness • 10% Positiveness
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Eberhard Weber
Maurizius
135 bpm • F Maj • 08:13 • -24db
17% Popularity • 25% Danceability • 4% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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ab3ad
Alte Liebe
129 bpm • G min • 03:45 • -16.9db
0% Popularity • 56% Danceability • 8% Energy • 11% Liveness
3% Instrumentalness • 15% Positiveness
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Anat Fort Trio
En If
135 bpm • A Maj • 05:54 • -21.11db
24% Popularity • 41% Danceability • 13% Energy • 8% Liveness
88% Instrumentalness • 12% Positiveness
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Magnús Jóhann
Án tillits
129 bpm • C# Maj • 03:22 • -24.57db
16% Popularity • 47% Danceability • 14% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
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Arild Andersen
Hyperborean
128 bpm • G min • 05:15 • -26.98db
12% Popularity • 27% Danceability • 11% Energy • 5% Liveness
89% Instrumentalness • 20% Positiveness
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Omar Sosa
Thiossane
136 bpm • G min • 04:09 • -20.11db
12% Popularity • 44% Danceability • 5% Energy • 12% Liveness
92% Instrumentalness • 13% Positiveness
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Nils Frahm
Berduxa
129 bpm • D# min • 04:28 • -31.62db
30% Popularity • 31% Danceability • 2% Energy • 27% Liveness
92% Instrumentalness • 15% Positiveness
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Gustaf Ljunggren
Leading Somewhere
128 bpm • B min • 04:23 • -16.5db
38% Popularity • 58% Danceability • 29% Energy • 11% Liveness
94% Instrumentalness • 71% Positiveness
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Skúli Sverrisson
The Typist
136 bpm • E min • 03:25 • -27.12db
20% Popularity • 37% Danceability • 5% Energy • 11% Liveness
97% Instrumentalness • 34% Positiveness
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Studnitzky
BREATH
136 bpm • A min • 06:14 • -20.51db
21% Popularity • 62% Danceability • 28% Energy • 11% Liveness
97% Instrumentalness • 17% Positiveness
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John Surman
Byndweed
137 bpm • C min • 05:11 • -15.59db
16% Popularity • 42% Danceability • 14% Energy • 9% Liveness
88% Instrumentalness • 15% Positiveness
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Mats Eilertsen
March
127 bpm • A min • 08:03 • -15.69db
15% Popularity • 39% Danceability • 16% Energy • 14% Liveness
54% Instrumentalness • 8% Positiveness
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F.S.Blumm
Is Love What You Don't Know
137 bpm • F# Maj • 06:29 • -25.49db
25% Popularity • 46% Danceability • 4% Energy • 9% Liveness
85% Instrumentalness • 12% Positiveness
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Andy Sheppard
Ballarina
137 bpm • D min • 03:43 • -20.67db
11% Popularity • 40% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 6% Positiveness
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Snag
Snowman's Dance
127 bpm • A min • 06:25 • -15.85db
0% Popularity • 40% Danceability • 6% Energy • 8% Liveness
24% Instrumentalness • 5% Positiveness
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Trygve Seim
Agnus Dei
127 bpm • D Maj • 03:13 • -24.21db
15% Popularity • 35% Danceability • 1% Energy • 8% Liveness
95% Instrumentalness • 17% Positiveness
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Areni Agbabian
Mother
137 bpm • B min • 04:28 • -25.88db
10% Popularity • 26% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Erik Truffaz
Agades - Désert
137 bpm • G min • 06:56 • -17.29db
29% Popularity • 32% Danceability • 10% Energy • 14% Liveness
88% Instrumentalness • 9% Positiveness
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Anat Fort Trio
If
137 bpm • A Maj • 01:18 • -20.75db
47% Popularity • 29% Danceability • 15% Energy • 14% Liveness
67% Instrumentalness • 10% Positiveness
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Nik Bärtsch
Modul 45
127 bpm • C Maj • 09:41 • -17.06db
9% Popularity • 45% Danceability • 27% Energy • 9% Liveness
51% Instrumentalness • 9% Positiveness
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Terje Rypdal
As If The Ghost … Was Me!?
137 bpm • G Maj • 05:43 • -18.82db
14% Popularity • 21% Danceability • 34% Energy • 33% Liveness
82% Instrumentalness • 9% Positiveness
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Mats Eilertsen
Perpetum
138 bpm • D Maj • 06:55 • -28.77db
13% Popularity • 44% Danceability • 5% Energy • 10% Liveness
87% Instrumentalness • 6% Positiveness
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Tigran Hamasyan
The Boatman (Prelude)
138 bpm • G# min • 03:25 • -22.07db
23% Popularity • 47% Danceability • 5% Energy • 10% Liveness
95% Instrumentalness • 11% Positiveness
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Skúli Sverrisson
Sweet Earth
126 bpm • G min • 02:26 • -18.39db
35% Popularity • 50% Danceability • 10% Energy • 12% Liveness
86% Instrumentalness • 46% Positiveness
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Uwe Lal
Denn ich hab Fantasie
126 bpm • C Maj • 03:16 • -7.07db
1% Popularity • 77% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Vega Trails
Love Your Grace
138 bpm • D Maj • 02:32 • -22db
40% Popularity • 44% Danceability • 18% Energy • 11% Liveness
93% Instrumentalness • 30% Positiveness
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Philip Glass
Opening
138 bpm • D# Maj • 06:31 • -30.41db
29% Popularity • 34% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 23% Positiveness
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Steve Tibbetts
Sitavana
126 bpm • D min • 01:29 • -24.93db
31% Popularity • 54% Danceability • 10% Energy • 10% Liveness
79% Instrumentalness • 57% Positiveness
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Cesare Picco
Runaway
126 bpm • A min • 04:01 • -15.84db
18% Popularity • 46% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 14% Positiveness
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Misha Alperin
At Home
139 bpm • A# Maj • 02:42 • -32db
35% Popularity • 45% Danceability • 2% Energy • 8% Liveness
93% Instrumentalness • 15% Positiveness
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Eivind Aarset
Homage To Greene
139 bpm • D Maj • 05:29 • -24.71db
9% Popularity • 30% Danceability • 11% Energy • 10% Liveness
88% Instrumentalness • 11% Positiveness
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John Ellis
Poemander
139 bpm • F Maj • 06:50 • -12.59db
15% Popularity • 39% Danceability • 37% Energy • 9% Liveness
69% Instrumentalness • 21% Positiveness
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Colin Vallon
Tsunami
125 bpm • A min • 07:00 • -19.74db
13% Popularity • 39% Danceability • 20% Energy • 10% Liveness
90% Instrumentalness • 7% Positiveness
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Markus Stockhausen
Mondtraum
125 bpm • E min • 05:10 • -25db
15% Popularity • 37% Danceability • 2% Energy • 5% Liveness
90% Instrumentalness • 29% Positiveness
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John Surman
Within The Clouds
125 bpm • F min • 04:48 • -19.11db
16% Popularity • 39% Danceability • 6% Energy • 11% Liveness
48% Instrumentalness • 8% Positiveness
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Matthew Halsall
Life
139 bpm • F# Maj • 09:58 • -17.51db
27% Popularity • 29% Danceability • 13% Energy • 11% Liveness
93% Instrumentalness • 7% Positiveness
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Eivind Aarset
Close (For Comfort)
126 bpm • G# min • 06:34 • -21db
10% Popularity • 25% Danceability • 6% Energy • 16% Liveness
79% Instrumentalness • 4% Positiveness
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Portico Quartet
Memory Palace
140 bpm • F min • 01:32 • -26.26db
34% Popularity • 38% Danceability • 12% Energy • 12% Liveness
82% Instrumentalness • 31% Positiveness
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Bremer/McCoy
Himalaya
140 bpm • D# min • 05:46 • -19.85db
29% Popularity • 44% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 15% Positiveness
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Omar Sosa
Peace Keeping
140 bpm • D min • 04:48 • -23.6db
15% Popularity • 46% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 14% Positiveness
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Steve Tibbetts
Life Of Lowell
124 bpm • F Maj • 03:28 • -28.2db
7% Popularity • 44% Danceability • 4% Energy • 11% Liveness
51% Instrumentalness • 14% Positiveness
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Deep South
Moonchild
140 bpm • C Maj • 09:35 • -17.76db
0% Popularity • 56% Danceability • 19% Energy • 11% Liveness
90% Instrumentalness • 27% Positiveness
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Keith Jarrett
Encore From Tokyo
124 bpm • E min • 08:16 • -18.99db
36% Popularity • 34% Danceability • 23% Energy • 68% Liveness
90% Instrumentalness • 25% Positiveness
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Skúli Sverrisson
Speak Softly Now
141 bpm • E min • 03:05 • -29.25db
23% Popularity • 33% Danceability • 4% Energy • 11% Liveness
91% Instrumentalness • 29% Positiveness
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Bremer/McCoy
Fortæl Os Om Begyndelsen
140 bpm • C min • 02:40 • -26.99db
42% Popularity • 46% Danceability • 14% Energy • 12% Liveness
95% Instrumentalness • 26% Positiveness
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Jacques Loussier Trio
Gymnopédie No. 1: Var. 3
124 bpm • G Maj • 05:03 • -27db
29% Popularity • 47% Danceability • 13% Energy • 10% Liveness
91% Instrumentalness • 7% Positiveness
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Steve Tibbetts
Padre-Yaga
125 bpm • D min • 06:27 • -24.21db
11% Popularity • 52% Danceability • 9% Energy • 11% Liveness
89% Instrumentalness • 36% Positiveness
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Jakob Davidsen
7-Isolation (Edvard Munch)
141 bpm • D min • 03:55 • -27db
9% Popularity • 32% Danceability • 2% Energy • 7% Liveness
64% Instrumentalness • 3% Positiveness
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Tore Brunborg
Shelter
123 bpm • C# min • 05:21 • -18.57db
17% Popularity • 57% Danceability • 18% Energy • 19% Liveness
91% Instrumentalness • 25% Positiveness
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Matthew Halsall
Stories from India
123 bpm • D Maj • 09:33 • -13.43db
17% Popularity • 47% Danceability • 41% Energy • 8% Liveness
90% Instrumentalness • 17% Positiveness
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Bremer/McCoy
Vend Hjem
124 bpm • C# min • 02:44 • -21.31db
30% Popularity • 46% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 15% Positiveness
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Søren Bebe Trio
The Path to Somewhere
123 bpm • D Maj • 03:22 • -22.29db
33% Popularity • 34% Danceability • 9% Energy • 11% Liveness
89% Instrumentalness • 11% Positiveness
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Titas Petrikis
Stalo Dvikova
142 bpm • F# min • 01:12 • -31db
33% Popularity • 59% Danceability • 1% Energy • 11% Liveness
88% Instrumentalness • 40% Positiveness
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John Surman
Stoke Damerel
142 bpm • G min • 03:37 • -18.59db
11% Popularity • 44% Danceability • 11% Energy • 10% Liveness
66% Instrumentalness • 13% Positiveness
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Colin Vallon
Sisyphe
143 bpm • G# min • 04:26 • -26.75db
34% Popularity • 38% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 37% Positiveness
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Erik Steen
Rosas de Invierno
122 bpm • F# min • 06:38 • -18.02db
0% Popularity • 54% Danceability • 43% Energy • 12% Liveness
85% Instrumentalness • 80% Positiveness
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Hesam Inanlou
Duo with Electric Bass
122 bpm • D Maj • 05:06 • -15.55db
0% Popularity • 42% Danceability • 14% Energy • 10% Liveness
39% Instrumentalness • 13% Positiveness
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Jan Garbarek
Conversation With A Stone
143 bpm • C min • 04:18 • -10.76db
14% Popularity • 25% Danceability • 29% Energy • 8% Liveness
52% Instrumentalness • 6% Positiveness
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Stephan Micus
A Song For Raijin
143 bpm • C min • 04:20 • -31.57db
9% Popularity • 13% Danceability • 3% Energy • 32% Liveness
18% Instrumentalness • 4% Positiveness
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Jorge Roeder
El Suelo Mio
122 bpm • D Maj • 03:29 • -20db
28% Popularity • 70% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 28% Positiveness
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Colin Vallon
Reste
143 bpm • D# Maj • 01:36 • -23.39db
39% Popularity • 30% Danceability • 5% Energy • 14% Liveness
93% Instrumentalness • 13% Positiveness
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Hadouk Trio
Échappade
143 bpm • C# Maj • 01:14 • -21.61db
46% Popularity • 52% Danceability • 10% Energy • 11% Liveness
89% Instrumentalness • 48% Positiveness
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Carl Michael Bellman
Fredmans sånger: Sång Nr 64 Haga
143 bpm • F Maj • 05:22 • -29.49db
0% Popularity • 32% Danceability • 3% Energy • 27% Liveness
0% Instrumentalness • 7% Positiveness
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Espen Eriksen Trio
Where The River Runs
122 bpm • A Maj • 04:57 • -18.11db
16% Popularity • 60% Danceability • 27% Energy • 11% Liveness
89% Instrumentalness • 25% Positiveness
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Skúli Sverrisson
Fragments
143 bpm • A min • 03:38 • -26.1db
22% Popularity • 31% Danceability • 6% Energy • 11% Liveness
98% Instrumentalness • 41% Positiveness
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Tord Gustavsen Quartet
Silent Spaces
122 bpm • C# min • 03:31 • -28.48db
19% Popularity • 48% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Louis Sclavis
Extases
121 bpm • C# Maj • 03:57 • -23.31db
19% Popularity • 29% Danceability • 1% Energy • 12% Liveness
92% Instrumentalness • 27% Positiveness
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Nicolas Parent trio
Doux mirage
121 bpm • E min • 03:32 • -15.28db
31% Popularity • 43% Danceability • 29% Energy • 11% Liveness
91% Instrumentalness • 16% Positiveness
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Garden Of Silence