Songs like Gasoline (feat. Taylor Swift) by HAIM
Based on a tempo of (+/- 10%) and a similar genre
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girl in red
watch you sleep.
133 bpm • D Maj • 03:00 • -16.38db
60% Popularity • 46% Danceability • 22% Energy • 10% Liveness
1% Instrumentalness • 37% Positiveness
60% Popularity • 46% Danceability • 22% Energy • 10% Liveness
1% Instrumentalness • 37% Positiveness
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Madison Beer
Home To Another One
133 bpm • B min • 02:29 • -7.83db
63% Popularity • 68% Danceability • 52% Energy • 71% Liveness
6% Instrumentalness • 46% Positiveness
63% Popularity • 68% Danceability • 52% Energy • 71% Liveness
6% Instrumentalness • 46% Positiveness
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Kathryn Gallagher
I'll Get the Coffee
133 bpm • A Maj • 03:19 • -6db
45% Popularity • 80% Danceability • 53% Energy • 20% Liveness
6% Instrumentalness • 55% Positiveness
45% Popularity • 80% Danceability • 53% Energy • 20% Liveness
6% Instrumentalness • 55% Positiveness
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HAIM
Gasoline
133 bpm • C# min • 03:13 • -4.56db
40% Popularity • 68% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
40% Popularity • 68% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Olivia Rodrigo
making the bed
133 bpm • G Maj • 03:18 • -7.74db
78% Popularity • 54% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
78% Popularity • 54% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Sabrina Carpenter
Fast Times
132 bpm • C# min • 02:54 • -5db
64% Popularity • 72% Danceability • 67% Energy • 4% Liveness
0% Instrumentalness • 74% Positiveness
64% Popularity • 72% Danceability • 67% Energy • 4% Liveness
0% Instrumentalness • 74% Positiveness
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Samia
Minnesota
132 bpm • C Maj • 03:01 • -6.42db
15% Popularity • 70% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
15% Popularity • 70% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Fenne Lily
Hypochondriac
132 bpm • D# Maj • 03:12 • -7db
42% Popularity • 61% Danceability • 57% Energy • 22% Liveness
17% Instrumentalness • 56% Positiveness
42% Popularity • 61% Danceability • 57% Energy • 22% Liveness
17% Instrumentalness • 56% Positiveness
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5 Seconds of Summer
Bad Omens
134 bpm • C# Maj • 03:35 • -6.32db
62% Popularity • 49% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
62% Popularity • 49% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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HAIM
Gasoline
133 bpm • C# min • 03:13 • -4.26db
61% Popularity • 66% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
61% Popularity • 66% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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BLÜ EYES
supposed to
134 bpm • D Maj • 02:54 • -6.33db
41% Popularity • 80% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
41% Popularity • 80% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Kim Petras
Can't Do Better
132 bpm • G Maj • 03:08 • -5.14db
59% Popularity • 47% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
59% Popularity • 47% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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The Sunshine State
Dating a Drug Dealer
131 bpm • D Maj • 02:59 • -5.99db
31% Popularity • 63% Danceability • 73% Energy • 16% Liveness
1% Instrumentalness • 34% Positiveness
31% Popularity • 63% Danceability • 73% Energy • 16% Liveness
1% Instrumentalness • 34% Positiveness
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Ashe
Shower With My Clothes On
135 bpm • F# min • 03:04 • -7db
38% Popularity • 57% Danceability • 54% Energy • 20% Liveness
0% Instrumentalness • 41% Positiveness
38% Popularity • 57% Danceability • 54% Energy • 20% Liveness
0% Instrumentalness • 41% Positiveness
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Nat & Alex Wolff
Glue
135 bpm • C Maj • 04:35 • -10.83db
38% Popularity • 72% Danceability • 51% Energy • 9% Liveness
2% Instrumentalness • 24% Positiveness
38% Popularity • 72% Danceability • 51% Energy • 9% Liveness
2% Instrumentalness • 24% Positiveness
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HAIM
Running If You Call My Name
134 bpm • C Maj • 04:03 • -5.36db
32% Popularity • 62% Danceability • 95% Energy • 6% Liveness
17% Instrumentalness • 45% Positiveness
32% Popularity • 62% Danceability • 95% Energy • 6% Liveness
17% Instrumentalness • 45% Positiveness
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Chappell Roan
Casual
131 bpm • C# Maj • 03:52 • -6.85db
74% Popularity • 51% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
74% Popularity • 51% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
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Paramore
Crave
131 bpm • B Maj • 03:55 • -9.08db
60% Popularity • 67% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
60% Popularity • 67% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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MARINA
Venus Fly Trap
135 bpm • A min • 02:38 • -4.39db
58% Popularity • 59% Danceability • 86% Energy • 34% Liveness
0% Instrumentalness • 52% Positiveness
58% Popularity • 59% Danceability • 86% Energy • 34% Liveness
0% Instrumentalness • 52% Positiveness
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Big Red Machine
Latter Days
130 bpm • C Maj • 03:38 • -10.08db
39% Popularity • 70% Danceability • 33% Energy • 10% Liveness
2% Instrumentalness • 23% Positiveness
39% Popularity • 70% Danceability • 33% Energy • 10% Liveness
2% Instrumentalness • 23% Positiveness
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Taylor Swift
this is me trying
136 bpm • A Maj • 03:15 • -9.84db
77% Popularity • 52% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
77% Popularity • 52% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
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Griff
Earl Grey Tea
130 bpm • C# min • 02:47 • -6.53db
46% Popularity • 65% Danceability • 50% Energy • 20% Liveness
0% Instrumentalness • 27% Positiveness
46% Popularity • 65% Danceability • 50% Energy • 20% Liveness
0% Instrumentalness • 27% Positiveness
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Gatlin
Grown
130 bpm • D# Maj • 03:30 • -6.31db
32% Popularity • 57% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
32% Popularity • 57% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Samia
Fit N Full
136 bpm • E Maj • 02:46 • -4db
17% Popularity • 56% Danceability • 82% Energy • 36% Liveness
7% Instrumentalness • 46% Positiveness
17% Popularity • 56% Danceability • 82% Energy • 36% Liveness
7% Instrumentalness • 46% Positiveness
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quinnie
man
136 bpm • C Maj • 03:58 • -9db
48% Popularity • 49% Danceability • 44% Energy • 38% Liveness
0% Instrumentalness • 21% Positiveness
48% Popularity • 49% Danceability • 44% Energy • 38% Liveness
0% Instrumentalness • 21% Positiveness
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beabadoobee
She Plays Bass
136 bpm • A min • 03:27 • -3.82db
56% Popularity • 45% Danceability • 89% Energy • 10% Liveness
2% Instrumentalness • 27% Positiveness
56% Popularity • 45% Danceability • 89% Energy • 10% Liveness
2% Instrumentalness • 27% Positiveness
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Fickle Friends
Pretty Great
130 bpm • C# Maj • 03:33 • -6db
38% Popularity • 80% Danceability • 53% Energy • 23% Liveness
0% Instrumentalness • 96% Positiveness
38% Popularity • 80% Danceability • 53% Energy • 23% Liveness
0% Instrumentalness • 96% Positiveness
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Sabrina Carpenter
Vicious
130 bpm • C Maj • 02:29 • -6.92db
70% Popularity • 72% Danceability • 46% Energy • 26% Liveness
0% Instrumentalness • 63% Positiveness
70% Popularity • 72% Danceability • 46% Energy • 26% Liveness
0% Instrumentalness • 63% Positiveness
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Olivia Rodrigo
bad idea right?
130 bpm • A Maj • 03:04 • -3.45db
84% Popularity • 63% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
84% Popularity • 63% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
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Caroline Polachek
Breathless
130 bpm • E Maj • 03:02 • -7.74db
46% Popularity • 63% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
46% Popularity • 63% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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Samia
As You Are
136 bpm • B Maj • 02:21 • -11db
39% Popularity • 54% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
39% Popularity • 54% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Seeing Double
Leah
130 bpm • F Maj • 04:20 • -8.37db
44% Popularity • 55% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
44% Popularity • 55% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Taylor Swift
my tears ricochet
130 bpm • C Maj • 04:15 • -10.63db
79% Popularity • 46% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
79% Popularity • 46% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
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Chappell Roan
California
130 bpm • C# Maj • 03:18 • -10.07db
62% Popularity • 56% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
62% Popularity • 56% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Daisy Jones & The Six
Let Me Down Easy
137 bpm • A min • 03:24 • -4db
60% Popularity • 62% Danceability • 90% Energy • 18% Liveness
0% Instrumentalness • 73% Positiveness
60% Popularity • 62% Danceability • 90% Energy • 18% Liveness
0% Instrumentalness • 73% Positiveness
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Kacey Musgraves
Cardinal
129 bpm • A# min • 03:11 • -8.15db
72% Popularity • 58% Danceability • 65% Energy • 65% Liveness
0% Instrumentalness • 36% Positiveness
72% Popularity • 58% Danceability • 65% Energy • 65% Liveness
0% Instrumentalness • 36% Positiveness
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Lorde
Green Light
129 bpm • D Maj • 03:54 • -7.81db
72% Popularity • 59% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
72% Popularity • 59% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Charli XCX
Good Ones
129 bpm • G min • 02:16 • -5.95db
61% Popularity • 76% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
61% Popularity • 76% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Julia Michaels
Pessimist
138 bpm • G# Maj • 03:17 • -5.06db
36% Popularity • 69% Danceability • 77% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
36% Popularity • 69% Danceability • 77% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
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Olivia Rodrigo
vampire
138 bpm • F Maj • 03:39 • -5.75db
90% Popularity • 51% Danceability • 53% Energy • 29% Liveness
0% Instrumentalness • 35% Positiveness
90% Popularity • 51% Danceability • 53% Energy • 29% Liveness
0% Instrumentalness • 35% Positiveness
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Holly Humberstone
Please Don't Leave Just Yet
128 bpm • C Maj • 03:49 • -9db
40% Popularity • 78% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
40% Popularity • 78% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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HAIM
I Know Alone
128 bpm • C Maj • 03:46 • -6.93db
39% Popularity • 77% Danceability • 66% Energy • 12% Liveness
1% Instrumentalness • 36% Positiveness
39% Popularity • 77% Danceability • 66% Energy • 12% Liveness
1% Instrumentalness • 36% Positiveness
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Sophie Holohan
Cognitive Dissonance
128 bpm • C# min • 02:56 • -7.09db
57% Popularity • 65% Danceability • 59% Energy • 14% Liveness
1% Instrumentalness • 51% Positiveness
57% Popularity • 65% Danceability • 59% Energy • 14% Liveness
1% Instrumentalness • 51% Positiveness
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boygenius
Afraid of Heights
138 bpm • G# Maj • 02:41 • -12.81db
60% Popularity • 69% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
60% Popularity • 69% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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beabadoobee
10:36
128 bpm • D Maj • 03:15 • -5db
58% Popularity • 61% Danceability • 93% Energy • 7% Liveness
2% Instrumentalness • 84% Positiveness
58% Popularity • 61% Danceability • 93% Energy • 7% Liveness
2% Instrumentalness • 84% Positiveness
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Olivia Rodrigo
the grudge
128 bpm • A# Maj • 03:09 • -9.21db
79% Popularity • 55% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
79% Popularity • 55% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Noah Kahan
She Calls Me Back
128 bpm • B Maj • 04:03 • -6.3db
77% Popularity • 74% Danceability • 67% Energy • 29% Liveness
0% Instrumentalness • 63% Positiveness
77% Popularity • 74% Danceability • 67% Energy • 29% Liveness
0% Instrumentalness • 63% Positiveness
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BOYS LIKE GIRLS
Two Is Better Than One
128 bpm • C Maj • 04:02 • -5.19db
65% Popularity • 52% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
65% Popularity • 52% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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HAIM
Let Me Go
128 bpm • C Maj • 04:08 • -5.8db
31% Popularity • 40% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
31% Popularity • 40% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Holly Humberstone
Deep End
128 bpm • C Maj • 02:51 • -8db
52% Popularity • 40% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
52% Popularity • 40% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Kacey Musgraves
Giver / Taker
139 bpm • D# Maj • 03:10 • -9.89db
69% Popularity • 66% Danceability • 34% Energy • 19% Liveness
0% Instrumentalness • 17% Positiveness
69% Popularity • 66% Danceability • 34% Energy • 19% Liveness
0% Instrumentalness • 17% Positiveness
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Harry Styles
Satellite
139 bpm • C Maj • 03:38 • -6.47db
79% Popularity • 58% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
79% Popularity • 58% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Sabrina Carpenter
Nonsense
139 bpm • G# Maj • 02:43 • -4.91db
87% Popularity • 74% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 73% Positiveness
87% Popularity • 74% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 73% Positiveness
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beabadoobee
Lovesong
128 bpm • F Maj • 04:05 • -10.17db
62% Popularity • 48% Danceability • 37% Energy • 11% Liveness
8% Instrumentalness • 23% Positiveness
62% Popularity • 48% Danceability • 37% Energy • 11% Liveness
8% Instrumentalness • 23% Positiveness
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Paramore
Running Out Of Time
127 bpm • B min • 03:12 • -9.22db
63% Popularity • 74% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
63% Popularity • 74% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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Jenna Doe
Pink Slips
127 bpm • C# min • 03:12 • -6.61db
42% Popularity • 57% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
42% Popularity • 57% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
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Beyoncé
16 CARRIAGES
127 bpm • C# Maj • 03:47 • -7.04db
64% Popularity • 52% Danceability • 46% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
64% Popularity • 52% Danceability • 46% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
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Harry Styles
Golden
140 bpm • E min • 03:28 • -5.26db
77% Popularity • 45% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
77% Popularity • 45% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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Caroline Polachek
Billions
140 bpm • F Maj • 04:57 • -7.89db
48% Popularity • 58% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
48% Popularity • 58% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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HAIM
Don't Save Me
140 bpm • G Maj • 03:51 • -4.28db
43% Popularity • 68% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
43% Popularity • 68% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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MARINA
Purge The Poison
140 bpm • C Maj • 03:16 • -5.08db
54% Popularity • 58% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
54% Popularity • 58% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Chappell Roan
HOT TO GO!
140 bpm • F# Maj • 03:04 • -4.92db
72% Popularity • 74% Danceability • 76% Energy • 27% Liveness
0% Instrumentalness • 96% Positiveness
72% Popularity • 74% Danceability • 76% Energy • 27% Liveness
0% Instrumentalness • 96% Positiveness
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Holly Humberstone
I Would Die 4 U
126 bpm • D Maj • 02:20 • -12.61db
48% Popularity • 67% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
48% Popularity • 67% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Kacey Musgraves
Heaven Is
126 bpm • G# Maj • 02:44 • -7.52db
66% Popularity • 69% Danceability • 34% Energy • 23% Liveness
0% Instrumentalness • 39% Positiveness
66% Popularity • 69% Danceability • 34% Energy • 23% Liveness
0% Instrumentalness • 39% Positiveness
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Beyoncé
TYRANT
126 bpm • F# Maj • 04:10 • -4.21db
59% Popularity • 75% Danceability • 65% Energy • 58% Liveness
0% Instrumentalness • 81% Positiveness
59% Popularity • 75% Danceability • 65% Energy • 58% Liveness
0% Instrumentalness • 81% Positiveness
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Overcoats
Fire & Fury
126 bpm • A Maj • 03:45 • -5.76db
37% Popularity • 62% Danceability • 72% Energy • 24% Liveness
0% Instrumentalness • 18% Positiveness
37% Popularity • 62% Danceability • 72% Energy • 24% Liveness
0% Instrumentalness • 18% Positiveness
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Daisy Jones & The Six
Look At Us Now (Honeycomb)
141 bpm • G Maj • 05:32 • -6.14db
64% Popularity • 32% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
64% Popularity • 32% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Chappell Roan
Super Graphic Ultra Modern Girl
126 bpm • C# Maj • 03:03 • -4.49db
68% Popularity • 66% Danceability • 90% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
68% Popularity • 66% Danceability • 90% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
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Conan Gray
People Watching
126 bpm • F Maj • 02:38 • -7.28db
77% Popularity • 53% Danceability • 59% Energy • 29% Liveness
0% Instrumentalness • 54% Positiveness
77% Popularity • 53% Danceability • 59% Energy • 29% Liveness
0% Instrumentalness • 54% Positiveness
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B.o.B
Both of Us
125 bpm • G Maj • 03:36 • -7.09db
57% Popularity • 68% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 5% Positiveness
57% Popularity • 68% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 5% Positiveness
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Miki Ratsula
Missing June
125 bpm • F Maj • 02:52 • -9.01db
41% Popularity • 72% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
41% Popularity • 72% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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Gatlin
2000 Miles
125 bpm • C# min • 02:59 • -7db
41% Popularity • 71% Danceability • 76% Energy • 11% Liveness
1% Instrumentalness • 57% Positiveness
41% Popularity • 71% Danceability • 76% Energy • 11% Liveness
1% Instrumentalness • 57% Positiveness
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HAIM
If I Could Change Your Mind
125 bpm • D min • 03:50 • -5.56db
48% Popularity • 67% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
48% Popularity • 67% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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The Japanese House
Something Has to Change
125 bpm • A Maj • 03:11 • -8.86db
52% Popularity • 70% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
52% Popularity • 70% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Chappell Roan
Femininomenon
125 bpm • C min • 03:39 • -4.93db
70% Popularity • 61% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
70% Popularity • 61% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Kacey Musgraves
Anime Eyes
142 bpm • A# Maj • 03:18 • -8.36db
66% Popularity • 38% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
66% Popularity • 38% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Lorde
Supercut
125 bpm • C Maj • 04:37 • -10.23db
75% Popularity • 56% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
75% Popularity • 56% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
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King Princess
Upper West Side
142 bpm • A Maj • 03:31 • -8.86db
46% Popularity • 64% Danceability • 50% Energy • 8% Liveness
1% Instrumentalness • 73% Positiveness
46% Popularity • 64% Danceability • 50% Energy • 8% Liveness
1% Instrumentalness • 73% Positiveness
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Conan Gray
Never Ending Song
142 bpm • D Maj • 02:34 • -6.47db
59% Popularity • 58% Danceability • 80% Energy • 32% Liveness
0% Instrumentalness • 56% Positiveness
59% Popularity • 58% Danceability • 80% Energy • 32% Liveness
0% Instrumentalness • 56% Positiveness
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Harry Styles
Little Freak
142 bpm • D# Maj • 03:22 • -7.72db
75% Popularity • 56% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
75% Popularity • 56% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Chappell Roan
Guilty Pleasure
124 bpm • D Maj • 03:44 • -3.97db
61% Popularity • 56% Danceability • 63% Energy • 37% Liveness
0% Instrumentalness • 40% Positiveness
61% Popularity • 56% Danceability • 63% Energy • 37% Liveness
0% Instrumentalness • 40% Positiveness
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Kacey Musgraves
Butterflies
142 bpm • E min • 03:39 • -6.14db
69% Popularity • 69% Danceability • 61% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
69% Popularity • 69% Danceability • 61% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
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Olivia Rodrigo
brutal
124 bpm • E Maj • 02:23 • -6.45db
79% Popularity • 67% Danceability • 53% Energy • 28% Liveness
0% Instrumentalness • 28% Positiveness
79% Popularity • 67% Danceability • 53% Energy • 28% Liveness
0% Instrumentalness • 28% Positiveness
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Caroline Polachek
Door
124 bpm • D# Maj • 05:22 • -8.31db
50% Popularity • 68% Danceability • 44% Energy • 26% Liveness
0% Instrumentalness • 25% Positiveness
50% Popularity • 68% Danceability • 44% Energy • 26% Liveness
0% Instrumentalness • 25% Positiveness
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Sawyer
Emotional Girls
124 bpm • D# Maj • 03:00 • -4db
32% Popularity • 82% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
32% Popularity • 82% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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Gatlin
never been in love
124 bpm • F# min • 03:06 • -9db
48% Popularity • 64% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
48% Popularity • 64% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Chappell Roan
Red Wine Supernova
124 bpm • A Maj • 03:12 • -4.37db
77% Popularity • 66% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
77% Popularity • 66% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Holly Humberstone
Scarlett
143 bpm • D Maj • 03:16 • -9db
56% Popularity • 62% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
56% Popularity • 62% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Olivia Rodrigo
pretty isn’t pretty
124 bpm • D Maj • 03:19 • -4.34db
75% Popularity • 55% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
75% Popularity • 55% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Sabrina Carpenter
Feather
124 bpm • F# min • 03:05 • -4.37db
90% Popularity • 79% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
90% Popularity • 79% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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Kacey Musgraves
The Architect
123 bpm • A Maj • 02:57 • -8.54db
72% Popularity • 68% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
72% Popularity • 68% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Lorde
The Louvre
123 bpm • C Maj • 04:31 • -9.98db
63% Popularity • 66% Danceability • 38% Energy • 9% Liveness
1% Instrumentalness • 13% Positiveness
63% Popularity • 66% Danceability • 38% Energy • 9% Liveness
1% Instrumentalness • 13% Positiveness
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Paramore
This Is Why
123 bpm • B min • 03:26 • -6.88db
67% Popularity • 73% Danceability • 76% Energy • 13% Liveness
1% Instrumentalness • 67% Positiveness
67% Popularity • 73% Danceability • 76% Energy • 13% Liveness
1% Instrumentalness • 67% Positiveness
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Holly Humberstone
London Is Lonely
143 bpm • A# Maj • 03:54 • -7.22db
49% Popularity • 48% Danceability • 43% Energy • 34% Liveness
0% Instrumentalness • 11% Positiveness
49% Popularity • 48% Danceability • 43% Energy • 34% Liveness
0% Instrumentalness • 11% Positiveness
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Ashe
Me Without You
123 bpm • B Maj • 03:09 • -8.67db
40% Popularity • 74% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
40% Popularity • 74% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Daisy Jones & The Six
Regret Me
123 bpm • G Maj • 03:16 • -3.6db
56% Popularity • 49% Danceability • 88% Energy • 34% Liveness
0% Instrumentalness • 76% Positiveness
56% Popularity • 49% Danceability • 88% Energy • 34% Liveness
0% Instrumentalness • 76% Positiveness
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HAIM
Nothing's Wrong
144 bpm • F Maj • 03:09 • -4.69db
36% Popularity • 55% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
36% Popularity • 55% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
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girl in red
You Need Me Now?
144 bpm • G min • 03:06 • -4.4db
74% Popularity • 54% Danceability • 85% Energy • 3% Liveness
0% Instrumentalness • 64% Positiveness
74% Popularity • 54% Danceability • 85% Energy • 3% Liveness
0% Instrumentalness • 64% Positiveness