Songs like Gate 1 by Emptyset
Based on a tempo of (+/- 10%) and a similar genre
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Ninos Du Brasil
Aromobates NDB
112 bpm • G Maj • 08:17 • -12.55db
14% Popularity • 50% Danceability • 60% Energy • 10% Liveness
79% Instrumentalness • 16% Positiveness
14% Popularity • 50% Danceability • 60% Energy • 10% Liveness
79% Instrumentalness • 16% Positiveness
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Demdike Stare
Bardo Thodol
112 bpm • E min • 05:35 • -12.18db
14% Popularity • 60% Danceability • 56% Energy • 19% Liveness
87% Instrumentalness • 9% Positiveness
14% Popularity • 60% Danceability • 56% Energy • 19% Liveness
87% Instrumentalness • 9% Positiveness
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Blawan
Close the Cycle
112 bpm • G Maj • 04:05 • -4.24db
17% Popularity • 81% Danceability • 90% Energy • 27% Liveness
83% Instrumentalness • 26% Positiveness
17% Popularity • 81% Danceability • 90% Energy • 27% Liveness
83% Instrumentalness • 26% Positiveness
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The Black Dog
Sleep Deprivation 1
112 bpm • G# Maj • 04:53 • -29.62db
30% Popularity • 35% Danceability • 7% Energy • 11% Liveness
90% Instrumentalness • 29% Positiveness
30% Popularity • 35% Danceability • 7% Energy • 11% Liveness
90% Instrumentalness • 29% Positiveness
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Pessimist
Spirals
112 bpm • C# Maj • 06:01 • -15.12db
14% Popularity • 48% Danceability • 57% Energy • 16% Liveness
92% Instrumentalness • 4% Positiveness
14% Popularity • 48% Danceability • 57% Energy • 16% Liveness
92% Instrumentalness • 4% Positiveness
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Roly Porter
In System
112 bpm • A# Maj • 04:52 • -25.66db
11% Popularity • 23% Danceability • 16% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
11% Popularity • 23% Danceability • 16% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
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Shed
Keep Time
112 bpm • D Maj • 03:01 • -11db
23% Popularity • 70% Danceability • 59% Energy • 26% Liveness
87% Instrumentalness • 12% Positiveness
23% Popularity • 70% Danceability • 59% Energy • 26% Liveness
87% Instrumentalness • 12% Positiveness
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Emptyset
Gate 1
112 bpm • B min • 03:16 • -15.21db
16% Popularity • 74% Danceability • 19% Energy • 13% Liveness
94% Instrumentalness • 3% Positiveness
16% Popularity • 74% Danceability • 19% Energy • 13% Liveness
94% Instrumentalness • 3% Positiveness
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Pan Sonic
Laptevinmeri / Laptev Sea
112 bpm • G Maj • 04:59 • -17.52db
11% Popularity • 65% Danceability • 47% Energy • 48% Liveness
89% Instrumentalness • 11% Positiveness
11% Popularity • 65% Danceability • 47% Energy • 48% Liveness
89% Instrumentalness • 11% Positiveness
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Powell
So We Went Electric
112 bpm • B min • 06:39 • -6.8db
8% Popularity • 77% Danceability • 86% Energy • 19% Liveness
81% Instrumentalness • 32% Positiveness
8% Popularity • 77% Danceability • 86% Energy • 19% Liveness
81% Instrumentalness • 32% Positiveness
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Second Woman
/
112 bpm • D Maj • 03:47 • -12db
11% Popularity • 52% Danceability • 49% Energy • 15% Liveness
83% Instrumentalness • 2% Positiveness
11% Popularity • 52% Danceability • 49% Energy • 15% Liveness
83% Instrumentalness • 2% Positiveness
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Mika Vainio
Kunnes
111 bpm • G Maj • 01:17 • -35.79db
23% Popularity • 32% Danceability • 5% Energy • 48% Liveness
93% Instrumentalness • 14% Positiveness
23% Popularity • 32% Danceability • 5% Energy • 48% Liveness
93% Instrumentalness • 14% Positiveness
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Slikback
Klout
111 bpm • C Maj • 03:14 • -8.58db
16% Popularity • 31% Danceability • 91% Energy • 10% Liveness
75% Instrumentalness • 4% Positiveness
16% Popularity • 31% Danceability • 91% Energy • 10% Liveness
75% Instrumentalness • 4% Positiveness
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Vril
Ilojim
113 bpm • G# min • 07:59 • -27.96db
10% Popularity • 17% Danceability • 11% Energy • 11% Liveness
80% Instrumentalness • 5% Positiveness
10% Popularity • 17% Danceability • 11% Energy • 11% Liveness
80% Instrumentalness • 5% Positiveness
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CoH
Untangled Forever
113 bpm • G# Maj • 09:01 • -26.32db
10% Popularity • 17% Danceability • 5% Energy • 8% Liveness
87% Instrumentalness • 6% Positiveness
10% Popularity • 17% Danceability • 5% Energy • 8% Liveness
87% Instrumentalness • 6% Positiveness
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Emptyset
Gate 3
111 bpm • G Maj • 03:21 • -12.43db
19% Popularity • 83% Danceability • 64% Energy • 37% Liveness
82% Instrumentalness • 4% Positiveness
19% Popularity • 83% Danceability • 64% Energy • 37% Liveness
82% Instrumentalness • 4% Positiveness
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Porter Ricks
Anguilla Electrica
113 bpm • A# min • 07:10 • -14.26db
10% Popularity • 83% Danceability • 73% Energy • 14% Liveness
83% Instrumentalness • 39% Positiveness
10% Popularity • 83% Danceability • 73% Energy • 14% Liveness
83% Instrumentalness • 39% Positiveness
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Positive Centre
Become the Surface
114 bpm • C# Maj • 04:38 • -13.1db
10% Popularity • 84% Danceability • 47% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
10% Popularity • 84% Danceability • 47% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
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Slikback
ISHU
111 bpm • F min • 02:49 • -7.52db
11% Popularity • 52% Danceability • 91% Energy • 12% Liveness
60% Instrumentalness • 4% Positiveness
11% Popularity • 52% Danceability • 91% Energy • 12% Liveness
60% Instrumentalness • 4% Positiveness
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Helena Hauff
Continuez Mon Enfant Vous Serez Traité...
110 bpm • D Maj • 04:50 • -7.26db
19% Popularity • 78% Danceability • 87% Energy • 11% Liveness
93% Instrumentalness • 12% Positiveness
19% Popularity • 78% Danceability • 87% Energy • 11% Liveness
93% Instrumentalness • 12% Positiveness
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Pessimist
Bloom
110 bpm • G# Maj • 05:46 • -16.38db
15% Popularity • 51% Danceability • 25% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
15% Popularity • 51% Danceability • 25% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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alva noto
CR-FO
110 bpm • B min • 04:22 • -15.4db
11% Popularity • 76% Danceability • 49% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
11% Popularity • 76% Danceability • 49% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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UVB76
Nox
110 bpm • C# Maj • 04:34 • -8.98db
14% Popularity • 83% Danceability • 61% Energy • 8% Liveness
76% Instrumentalness • 24% Positiveness
14% Popularity • 83% Danceability • 61% Energy • 8% Liveness
76% Instrumentalness • 24% Positiveness
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Murcof
Underwater Lament
110 bpm • C# Maj • 05:20 • -16db
26% Popularity • 48% Danceability • 50% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
26% Popularity • 48% Danceability • 50% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Ninos Du Brasil
Em Que o Rio do Mar Se Torna
110 bpm • A# min • 05:23 • -12.05db
15% Popularity • 71% Danceability • 50% Energy • 34% Liveness
94% Instrumentalness • 8% Positiveness
15% Popularity • 71% Danceability • 50% Energy • 34% Liveness
94% Instrumentalness • 8% Positiveness
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Andy Stott
How It Was
110 bpm • A# min • 06:09 • -10.77db
23% Popularity • 77% Danceability • 40% Energy • 9% Liveness
3% Instrumentalness • 23% Positiveness
23% Popularity • 77% Danceability • 40% Energy • 9% Liveness
3% Instrumentalness • 23% Positiveness
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Aïsha Devi
Genesis of Ohm
115 bpm • G Maj • 02:13 • -11.92db
9% Popularity • 25% Danceability • 80% Energy • 83% Liveness
94% Instrumentalness • 24% Positiveness
9% Popularity • 25% Danceability • 80% Energy • 83% Liveness
94% Instrumentalness • 24% Positiveness
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alva noto
A-BU –> BUG –> BU-CR
110 bpm • C# Maj • 05:57 • -13.46db
11% Popularity • 73% Danceability • 59% Energy • 11% Liveness
90% Instrumentalness • 9% Positiveness
11% Popularity • 73% Danceability • 59% Energy • 11% Liveness
90% Instrumentalness • 9% Positiveness
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The Haxan Cloak
Excavation (Part 2)
110 bpm • C# Maj • 04:13 • -16.57db
16% Popularity • 47% Danceability • 32% Energy • 32% Liveness
25% Instrumentalness • 3% Positiveness
16% Popularity • 47% Danceability • 32% Energy • 32% Liveness
25% Instrumentalness • 3% Positiveness
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Raime
The Last Foundry
115 bpm • C# Maj • 05:52 • -18.9db
22% Popularity • 71% Danceability • 43% Energy • 14% Liveness
92% Instrumentalness • 3% Positiveness
22% Popularity • 71% Danceability • 43% Energy • 14% Liveness
92% Instrumentalness • 3% Positiveness
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Zaliva-D
Faraway
115 bpm • A# min • 04:30 • -11.88db
11% Popularity • 72% Danceability • 51% Energy • 10% Liveness
89% Instrumentalness • 50% Positiveness
11% Popularity • 72% Danceability • 51% Energy • 10% Liveness
89% Instrumentalness • 50% Positiveness
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Robert Lippok
whitesuperstructure
115 bpm • F min • 04:50 • -19db
12% Popularity • 70% Danceability • 53% Energy • 11% Liveness
85% Instrumentalness • 6% Positiveness
12% Popularity • 70% Danceability • 53% Energy • 11% Liveness
85% Instrumentalness • 6% Positiveness
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Karenn
Cloy
115 bpm • C# min • 06:53 • -11.34db
8% Popularity • 71% Danceability • 54% Energy • 54% Liveness
75% Instrumentalness • 5% Positiveness
8% Popularity • 71% Danceability • 54% Energy • 54% Liveness
75% Instrumentalness • 5% Positiveness
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Emptyset
Departure
109 bpm • G Maj • 03:29 • -23.67db
7% Popularity • 17% Danceability • 11% Energy • 12% Liveness
94% Instrumentalness • 2% Positiveness
7% Popularity • 17% Danceability • 11% Energy • 12% Liveness
94% Instrumentalness • 2% Positiveness
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Tzusing
Digital Properties
115 bpm • D Maj • 03:56 • -9.83db
23% Popularity • 55% Danceability • 74% Energy • 11% Liveness
85% Instrumentalness • 18% Positiveness
23% Popularity • 55% Danceability • 74% Energy • 11% Liveness
85% Instrumentalness • 18% Positiveness
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Vessel
Images of Bodies
115 bpm • A# min • 04:21 • -10.49db
8% Popularity • 75% Danceability • 62% Energy • 12% Liveness
34% Instrumentalness • 23% Positiveness
8% Popularity • 75% Danceability • 62% Energy • 12% Liveness
34% Instrumentalness • 23% Positiveness
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Murcof
Memoria
115 bpm • G# Maj • 05:58 • -15.99db
24% Popularity • 74% Danceability • 62% Energy • 12% Liveness
82% Instrumentalness • 5% Positiveness
24% Popularity • 74% Danceability • 62% Energy • 12% Liveness
82% Instrumentalness • 5% Positiveness
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Hiro Kone
Poortgebouw
109 bpm • G Maj • 05:03 • -17.1db
11% Popularity • 29% Danceability • 16% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
11% Popularity • 29% Danceability • 16% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
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Mika Vainio
Movement 2 - Live
108 bpm • F# Maj • 03:48 • -16.86db
13% Popularity • 49% Danceability • 18% Energy • 15% Liveness
92% Instrumentalness • 34% Positiveness
13% Popularity • 49% Danceability • 18% Energy • 15% Liveness
92% Instrumentalness • 34% Positiveness
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Emptyset
Retrieve
116 bpm • G Maj • 03:10 • -11.05db
5% Popularity • 46% Danceability • 20% Energy • 10% Liveness
74% Instrumentalness • 21% Positiveness
5% Popularity • 46% Danceability • 20% Energy • 10% Liveness
74% Instrumentalness • 21% Positiveness
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Tzusing
Khi-Tang
115 bpm • E Maj • 05:39 • -7.14db
18% Popularity • 76% Danceability • 73% Energy • 12% Liveness
93% Instrumentalness • 56% Positiveness
18% Popularity • 76% Danceability • 73% Energy • 12% Liveness
93% Instrumentalness • 56% Positiveness
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Ø
Scene 1
116 bpm • G Maj • 06:52 • -20.92db
10% Popularity • 71% Danceability • 23% Energy • 6% Liveness
55% Instrumentalness • 70% Positiveness
10% Popularity • 71% Danceability • 23% Energy • 6% Liveness
55% Instrumentalness • 70% Positiveness
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Pan Sonic
Virta 1. / Current 1
108 bpm • B min • 05:39 • -14.96db
10% Popularity • 54% Danceability • 55% Energy • 16% Liveness
90% Instrumentalness • 3% Positiveness
10% Popularity • 54% Danceability • 55% Energy • 16% Liveness
90% Instrumentalness • 3% Positiveness
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Flora Yin-Wong
Aurochs
117 bpm • E min • 02:36 • -17.55db
13% Popularity • 64% Danceability • 24% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
13% Popularity • 64% Danceability • 24% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Mika Vainio
S-bahn
116 bpm • C# min • 05:26 • -19.5db
10% Popularity • 75% Danceability • 36% Energy • 7% Liveness
92% Instrumentalness • 28% Positiveness
10% Popularity • 75% Danceability • 36% Energy • 7% Liveness
92% Instrumentalness • 28% Positiveness
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Emptyset
Structure
117 bpm • G# Maj • 02:45 • -9.59db
3% Popularity • 43% Danceability • 34% Energy • 12% Liveness
76% Instrumentalness • 4% Positiveness
3% Popularity • 43% Danceability • 34% Energy • 12% Liveness
76% Instrumentalness • 4% Positiveness
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Actress
Birdcage
107 bpm • B Maj • 02:34 • -8.02db
21% Popularity • 83% Danceability • 87% Energy • 24% Liveness
86% Instrumentalness • 92% Positiveness
21% Popularity • 83% Danceability • 87% Energy • 24% Liveness
86% Instrumentalness • 92% Positiveness
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Shed
Leave Things
117 bpm • D min • 03:51 • -11.32db
10% Popularity • 40% Danceability • 72% Energy • 16% Liveness
87% Instrumentalness • 22% Positiveness
10% Popularity • 40% Danceability • 72% Energy • 16% Liveness
87% Instrumentalness • 22% Positiveness
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Lee Gamble
Flatland
118 bpm • A# Maj • 01:33 • -24.65db
16% Popularity • 24% Danceability • 22% Energy • 11% Liveness
97% Instrumentalness • 13% Positiveness
16% Popularity • 24% Danceability • 22% Energy • 11% Liveness
97% Instrumentalness • 13% Positiveness
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Four Tet
Cload (Pole Remix)
106 bpm • G Maj • 02:39 • -17.48db
33% Popularity • 76% Danceability • 41% Energy • 19% Liveness
68% Instrumentalness • 8% Positiveness
33% Popularity • 76% Danceability • 41% Energy • 19% Liveness
68% Instrumentalness • 8% Positiveness
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Object Blue
ECSTASY OF ST. TERESA
118 bpm • A# min • 06:40 • -12db
15% Popularity • 69% Danceability • 50% Energy • 10% Liveness
15% Instrumentalness • 7% Positiveness
15% Popularity • 69% Danceability • 50% Energy • 10% Liveness
15% Instrumentalness • 7% Positiveness
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Hiro Kone
A Desire, Nameless
118 bpm • F# Maj • 04:07 • -9.12db
20% Popularity • 44% Danceability • 89% Energy • 32% Liveness
73% Instrumentalness • 4% Positiveness
20% Popularity • 44% Danceability • 89% Energy • 32% Liveness
73% Instrumentalness • 4% Positiveness
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Emptyset
Beyond
118 bpm • A# min • 05:57 • -13.03db
9% Popularity • 81% Danceability • 59% Energy • 10% Liveness
90% Instrumentalness • 7% Positiveness
9% Popularity • 81% Danceability • 59% Energy • 10% Liveness
90% Instrumentalness • 7% Positiveness
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Andy Stott
Posers
106 bpm • E min • 05:07 • -15db
22% Popularity • 69% Danceability • 48% Energy • 11% Liveness
85% Instrumentalness • 8% Positiveness
22% Popularity • 69% Danceability • 48% Energy • 11% Liveness
85% Instrumentalness • 8% Positiveness
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Eomac
Rainmaker
106 bpm • G# Maj • 05:40 • -15.62db
10% Popularity • 61% Danceability • 42% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
10% Popularity • 61% Danceability • 42% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Shed
Stp 2
119 bpm • G Maj • 01:40 • -16.29db
19% Popularity • 20% Danceability • 35% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
19% Popularity • 20% Danceability • 35% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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The Haxan Cloak
Excavation (Part 1)
119 bpm • B min • 08:09 • -21.51db
18% Popularity • 35% Danceability • 24% Energy • 13% Liveness
88% Instrumentalness • 3% Positiveness
18% Popularity • 35% Danceability • 24% Energy • 13% Liveness
88% Instrumentalness • 3% Positiveness
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Abul Mogard
Bound Universe
105 bpm • C# Maj • 06:44 • -25.66db
24% Popularity • 20% Danceability • 12% Energy • 11% Liveness
94% Instrumentalness • 2% Positiveness
24% Popularity • 20% Danceability • 12% Energy • 11% Liveness
94% Instrumentalness • 2% Positiveness
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Vril
Anima Mundi
105 bpm • A min • 04:10 • -20.33db
14% Popularity • 24% Danceability • 32% Energy • 13% Liveness
83% Instrumentalness • 13% Positiveness
14% Popularity • 24% Danceability • 32% Energy • 13% Liveness
83% Instrumentalness • 13% Positiveness
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Andy Stott
Sleepless
106 bpm • E min • 05:49 • -10.49db
26% Popularity • 63% Danceability • 81% Energy • 36% Liveness
4% Instrumentalness • 14% Positiveness
26% Popularity • 63% Danceability • 81% Energy • 36% Liveness
4% Instrumentalness • 14% Positiveness
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Emptyset
Clone
120 bpm • D Maj • 02:46 • -8.97db
1% Popularity • 26% Danceability • 42% Energy • 33% Liveness
0% Instrumentalness • 4% Positiveness
1% Popularity • 26% Danceability • 42% Energy • 33% Liveness
0% Instrumentalness • 4% Positiveness
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Vatican Shadow
Take Vows
105 bpm • G Maj • 06:07 • -11.39db
13% Popularity • 68% Danceability • 76% Energy • 11% Liveness
87% Instrumentalness • 5% Positiveness
13% Popularity • 68% Danceability • 76% Energy • 11% Liveness
87% Instrumentalness • 5% Positiveness
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Mika Vainio
Movement 10 - Live
120 bpm • F# min • 05:49 • -16.97db
8% Popularity • 49% Danceability • 21% Energy • 41% Liveness
96% Instrumentalness • 23% Positiveness
8% Popularity • 49% Danceability • 21% Energy • 41% Liveness
96% Instrumentalness • 23% Positiveness
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Caterina Barbieri
Scratches on the Readable Surface
120 bpm • C# min • 05:56 • -10.26db
22% Popularity • 49% Danceability • 99% Energy • 11% Liveness
80% Instrumentalness • 81% Positiveness
22% Popularity • 49% Danceability • 99% Energy • 11% Liveness
80% Instrumentalness • 81% Positiveness
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TSVI
Jinn
120 bpm • E min • 05:23 • -8db
15% Popularity • 55% Danceability • 51% Energy • 21% Liveness
87% Instrumentalness • 4% Positiveness
15% Popularity • 55% Danceability • 51% Energy • 21% Liveness
87% Instrumentalness • 4% Positiveness
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Drew McDowall
Violence's Detour
120 bpm • G# Maj • 08:55 • -12db
10% Popularity • 48% Danceability • 59% Energy • 14% Liveness
50% Instrumentalness • 5% Positiveness
10% Popularity • 48% Danceability • 59% Energy • 14% Liveness
50% Instrumentalness • 5% Positiveness
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Bjarki
Healthy Texting
120 bpm • B min • 01:56 • -12.51db
18% Popularity • 67% Danceability • 60% Energy • 10% Liveness
82% Instrumentalness • 6% Positiveness
18% Popularity • 67% Danceability • 60% Energy • 10% Liveness
82% Instrumentalness • 6% Positiveness
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Tzusing
日出東方 唯我不敗
120 bpm • F# Maj • 05:11 • -10.96db
34% Popularity • 56% Danceability • 73% Energy • 10% Liveness
89% Instrumentalness • 17% Positiveness
34% Popularity • 56% Danceability • 73% Energy • 10% Liveness
89% Instrumentalness • 17% Positiveness
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Mika Vainio
Movement 4 - Live
120 bpm • G Maj • 07:36 • -18.86db
15% Popularity • 48% Danceability • 41% Energy • 8% Liveness
92% Instrumentalness • 8% Positiveness
15% Popularity • 48% Danceability • 41% Energy • 8% Liveness
92% Instrumentalness • 8% Positiveness
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Villaelvin
ETIQUETTE STOMP
120 bpm • G# min • 05:36 • -9.77db
8% Popularity • 84% Danceability • 37% Energy • 59% Liveness
62% Instrumentalness • 30% Positiveness
8% Popularity • 84% Danceability • 37% Energy • 59% Liveness
62% Instrumentalness • 30% Positiveness
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Rrose
Bandage
120 bpm • D Maj • 06:39 • -16db
9% Popularity • 52% Danceability • 57% Energy • 8% Liveness
84% Instrumentalness • 3% Positiveness
9% Popularity • 52% Danceability • 57% Energy • 8% Liveness
84% Instrumentalness • 3% Positiveness
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Frank Bretschneider
Construction shack
120 bpm • A# min • 04:11 • -14.19db
8% Popularity • 81% Danceability • 89% Energy • 11% Liveness
96% Instrumentalness • 10% Positiveness
8% Popularity • 81% Danceability • 89% Energy • 11% Liveness
96% Instrumentalness • 10% Positiveness
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Machine Woman
Timbu Limbu And Her War Bass
120 bpm • A Maj • 03:36 • -7db
10% Popularity • 78% Danceability • 80% Energy • 11% Liveness
91% Instrumentalness • 32% Positiveness
10% Popularity • 78% Danceability • 80% Energy • 11% Liveness
91% Instrumentalness • 32% Positiveness
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Emptyset
Point
120 bpm • G# Maj • 03:33 • -13.43db
12% Popularity • 56% Danceability • 14% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
12% Popularity • 56% Danceability • 14% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
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Ninos Du Brasil
O Som de Ossos
120 bpm • A# min • 04:17 • -14.67db
15% Popularity • 76% Danceability • 63% Energy • 32% Liveness
93% Instrumentalness • 4% Positiveness
15% Popularity • 76% Danceability • 63% Energy • 32% Liveness
93% Instrumentalness • 4% Positiveness
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Monolake
Infernal Limit
120 bpm • A# min • 08:36 • -12.71db
8% Popularity • 34% Danceability • 40% Energy • 8% Liveness
87% Instrumentalness • 3% Positiveness
8% Popularity • 34% Danceability • 40% Energy • 8% Liveness
87% Instrumentalness • 3% Positiveness
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Tzusing
Torque Pulsations
120 bpm • G Maj • 04:47 • -10.54db
16% Popularity • 75% Danceability • 53% Energy • 12% Liveness
91% Instrumentalness • 21% Positiveness
16% Popularity • 75% Danceability • 53% Energy • 12% Liveness
91% Instrumentalness • 21% Positiveness
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Frank Bretschneider
Big.Hopes
120 bpm • A# min • 02:35 • -10db
13% Popularity • 81% Danceability • 84% Energy • 14% Liveness
92% Instrumentalness • 44% Positiveness
13% Popularity • 81% Danceability • 84% Energy • 14% Liveness
92% Instrumentalness • 44% Positiveness
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Komet
Clap 05 - Original
120 bpm • E min • 04:06 • -18db
12% Popularity • 77% Danceability • 34% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
12% Popularity • 77% Danceability • 34% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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Emptyset
Completely Gone
120 bpm • C# Maj • 06:07 • -13db
12% Popularity • 93% Danceability • 65% Energy • 11% Liveness
93% Instrumentalness • 6% Positiveness
12% Popularity • 93% Danceability • 65% Energy • 11% Liveness
93% Instrumentalness • 6% Positiveness
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Pessimist
Grit
120 bpm • E min • 05:35 • -14db
9% Popularity • 53% Danceability • 69% Energy • 10% Liveness
92% Instrumentalness • 10% Positiveness
9% Popularity • 53% Danceability • 69% Energy • 10% Liveness
92% Instrumentalness • 10% Positiveness
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Hüma Utku
Truth from the Deepest Source
120 bpm • C# Maj • 06:36 • -18.9db
8% Popularity • 61% Danceability • 68% Energy • 9% Liveness
86% Instrumentalness • 19% Positiveness
8% Popularity • 61% Danceability • 68% Energy • 9% Liveness
86% Instrumentalness • 19% Positiveness
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Raime
The Walker in Blast and Bottle
120 bpm • G# Maj • 05:11 • -18db
11% Popularity • 73% Danceability • 32% Energy • 9% Liveness
94% Instrumentalness • 10% Positiveness
11% Popularity • 73% Danceability • 32% Energy • 9% Liveness
94% Instrumentalness • 10% Positiveness
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Frank Bretschneider
Sputnik
120 bpm • F min • 05:30 • -11db
9% Popularity • 81% Danceability • 64% Energy • 12% Liveness
87% Instrumentalness • 59% Positiveness
9% Popularity • 81% Danceability • 64% Energy • 12% Liveness
87% Instrumentalness • 59% Positiveness
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Komet
licht
120 bpm • C# Maj • 06:52 • -27db
10% Popularity • 77% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
10% Popularity • 77% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Tzusing
King of Hosts
120 bpm • D Maj • 04:53 • -11db
29% Popularity • 75% Danceability • 56% Energy • 10% Liveness
80% Instrumentalness • 32% Positiveness
29% Popularity • 75% Danceability • 56% Energy • 10% Liveness
80% Instrumentalness • 32% Positiveness
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Byetone
Plastic Star - Sleeparchive Remix
120 bpm • G Maj • 04:22 • -14.21db
16% Popularity • 53% Danceability • 59% Energy • 42% Liveness
83% Instrumentalness • 3% Positiveness
16% Popularity • 53% Danceability • 59% Energy • 42% Liveness
83% Instrumentalness • 3% Positiveness
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Deena Abdelwahed
5/5
120 bpm • C# Maj • 04:42 • -10.53db
8% Popularity • 64% Danceability • 66% Energy • 74% Liveness
89% Instrumentalness • 13% Positiveness
8% Popularity • 64% Danceability • 66% Energy • 74% Liveness
89% Instrumentalness • 13% Positiveness
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Shackleton
In the Void
120 bpm • B min • 05:03 • -9.61db
8% Popularity • 77% Danceability • 68% Energy • 10% Liveness
87% Instrumentalness • 28% Positiveness
8% Popularity • 77% Danceability • 68% Energy • 10% Liveness
87% Instrumentalness • 28% Positiveness
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Modeselektor
Soda
120 bpm • B min • 02:24 • -9.64db
21% Popularity • 79% Danceability • 60% Energy • 10% Liveness
93% Instrumentalness • 52% Positiveness
21% Popularity • 79% Danceability • 60% Energy • 10% Liveness
93% Instrumentalness • 52% Positiveness
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SHXCXCHCXSH
Helical Dialog
120 bpm • F# min • 03:13 • -11.29db
10% Popularity • 52% Danceability • 91% Energy • 11% Liveness
88% Instrumentalness • 16% Positiveness
10% Popularity • 52% Danceability • 91% Energy • 11% Liveness
88% Instrumentalness • 16% Positiveness
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Grischa Lichtenberger
1011_11_ss1
120 bpm • B min • 02:47 • -10.44db
12% Popularity • 93% Danceability • 41% Energy • 10% Liveness
92% Instrumentalness • 8% Positiveness
12% Popularity • 93% Danceability • 41% Energy • 10% Liveness
92% Instrumentalness • 8% Positiveness
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Byetone
Plastic Star
120 bpm • G Maj • 04:51 • -11db
20% Popularity • 68% Danceability • 49% Energy • 11% Liveness
90% Instrumentalness • 15% Positiveness
20% Popularity • 68% Danceability • 49% Energy • 11% Liveness
90% Instrumentalness • 15% Positiveness
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CoH
near you
120 bpm • B Maj • 04:53 • -16db
7% Popularity • 54% Danceability • 70% Energy • 8% Liveness
92% Instrumentalness • 67% Positiveness
7% Popularity • 54% Danceability • 70% Energy • 8% Liveness
92% Instrumentalness • 67% Positiveness
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Shackleton
The Branch Is Weak
120 bpm • E min • 07:23 • -11.09db
8% Popularity • 80% Danceability • 46% Energy • 18% Liveness
90% Instrumentalness • 38% Positiveness
8% Popularity • 80% Danceability • 46% Energy • 18% Liveness
90% Instrumentalness • 38% Positiveness
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Emptyset
Awake
120 bpm • C# Maj • 04:10 • -12.08db
11% Popularity • 80% Danceability • 32% Energy • 14% Liveness
50% Instrumentalness • 4% Positiveness
11% Popularity • 80% Danceability • 32% Energy • 14% Liveness
50% Instrumentalness • 4% Positiveness
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Roly Porter
Mass
104 bpm • F# min • 05:47 • -12.47db
10% Popularity • 18% Danceability • 55% Energy • 17% Liveness
92% Instrumentalness • 13% Positiveness
10% Popularity • 18% Danceability • 55% Energy • 17% Liveness
92% Instrumentalness • 13% Positiveness
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ZULI
Bassous
120 bpm • G Maj • 03:25 • -11.88db
12% Popularity • 83% Danceability • 40% Energy • 10% Liveness
60% Instrumentalness • 22% Positiveness
12% Popularity • 83% Danceability • 40% Energy • 10% Liveness
60% Instrumentalness • 22% Positiveness
