Songs like Gawharet El Fan by Amir Sofi
Based on a tempo of (+/- 10%) and a similar genre
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Amir Sofi
Amir - Remix
104 bpm • G Maj • 04:23 • -7.7db
1% Popularity • 80% Danceability • 88% Energy • 8% Liveness
2% Instrumentalness • 82% Positiveness
1% Popularity • 80% Danceability • 88% Energy • 8% Liveness
2% Instrumentalness • 82% Positiveness
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Tony Mouzayek
Bastanak
104 bpm • D min • 05:00 • -4.53db
15% Popularity • 59% Danceability • 60% Energy • 31% Liveness
0% Instrumentalness • 19% Positiveness
15% Popularity • 59% Danceability • 60% Energy • 31% Liveness
0% Instrumentalness • 19% Positiveness
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Cairo Orchestra
Al Atlal
104 bpm • G min • 03:30 • -9.66db
13% Popularity • 58% Danceability • 45% Energy • 11% Liveness
80% Instrumentalness • 55% Positiveness
13% Popularity • 58% Danceability • 45% Energy • 11% Liveness
80% Instrumentalness • 55% Positiveness
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Khan El Khalili Brasil
Taht Al Shbback
104 bpm • D Maj • 05:55 • -8.5db
15% Popularity • 50% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
15% Popularity • 50% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
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Upper Egypt Ensemble
Saidi Festival (Saidi Medley)
104 bpm • B min • 05:27 • -12.03db
15% Popularity • 57% Danceability • 80% Energy • 7% Liveness
83% Instrumentalness • 17% Positiveness
15% Popularity • 57% Danceability • 80% Energy • 7% Liveness
83% Instrumentalness • 17% Positiveness
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Andelus Ensemble
Ya Ein Moulayyiten
103 bpm • B min • 03:41 • -6.13db
10% Popularity • 52% Danceability • 71% Energy • 34% Liveness
32% Instrumentalness • 66% Positiveness
10% Popularity • 52% Danceability • 71% Energy • 34% Liveness
32% Instrumentalness • 66% Positiveness
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Amir Sofi
Amir
104 bpm • G Maj • 05:48 • -7.27db
5% Popularity • 78% Danceability • 92% Energy • 7% Liveness
1% Instrumentalness • 87% Positiveness
5% Popularity • 78% Danceability • 92% Energy • 7% Liveness
1% Instrumentalness • 87% Positiveness
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Tony Mouzayek
Ya Helwe Ya Zein
104 bpm • A min • 05:00 • -3.01db
18% Popularity • 76% Danceability • 94% Energy • 3% Liveness
0% Instrumentalness • 78% Positiveness
18% Popularity • 76% Danceability • 94% Energy • 3% Liveness
0% Instrumentalness • 78% Positiveness
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Salatin Al Tarab Orchestra
Ya Mal Il Sham
103 bpm • A# Maj • 03:52 • -6.59db
15% Popularity • 41% Danceability • 66% Energy • 28% Liveness
6% Instrumentalness • 54% Positiveness
15% Popularity • 41% Danceability • 66% Energy • 28% Liveness
6% Instrumentalness • 54% Positiveness
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Shahrzad
Awedt Aini
103 bpm • E min • 07:02 • -4.76db
11% Popularity • 49% Danceability • 68% Energy • 28% Liveness
0% Instrumentalness • 43% Positiveness
11% Popularity • 49% Danceability • 68% Energy • 28% Liveness
0% Instrumentalness • 43% Positiveness
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Gizira Band
Albi Lik Mayyal
105 bpm • F min • 07:01 • -8.53db
11% Popularity • 74% Danceability • 58% Energy • 28% Liveness
7% Instrumentalness • 42% Positiveness
11% Popularity • 74% Danceability • 58% Energy • 28% Liveness
7% Instrumentalness • 42% Positiveness
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Aziza
Baladi Ya Waad
103 bpm • G# Maj • 05:18 • -7.54db
12% Popularity • 78% Danceability • 60% Energy • 53% Liveness
0% Instrumentalness • 72% Positiveness
12% Popularity • 78% Danceability • 60% Energy • 53% Liveness
0% Instrumentalness • 72% Positiveness
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Amir Sofi
Gawharet El Fan
104 bpm • C min • 04:56 • -8.22db
16% Popularity • 47% Danceability • 91% Energy • 34% Liveness
16% Instrumentalness • 84% Positiveness
16% Popularity • 47% Danceability • 91% Energy • 34% Liveness
16% Instrumentalness • 84% Positiveness
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Tony Mouzayek
Bahiya - Acoustic Live
103 bpm • A# min • 10:07 • -4.05db
15% Popularity • 37% Danceability • 88% Energy • 67% Liveness
0% Instrumentalness • 58% Positiveness
15% Popularity • 37% Danceability • 88% Energy • 67% Liveness
0% Instrumentalness • 58% Positiveness
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Salatin Al Tarab Orchestra
Ya Teyra Tiri
105 bpm • F Maj • 02:27 • -7.91db
15% Popularity • 52% Danceability • 67% Energy • 30% Liveness
3% Instrumentalness • 82% Positiveness
15% Popularity • 52% Danceability • 67% Energy • 30% Liveness
3% Instrumentalness • 82% Positiveness
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Salatin El Tarab Orchestra
Ya Bent al-Sultan
103 bpm • G# Maj • 02:00 • -8.9db
12% Popularity • 68% Danceability • 71% Energy • 36% Liveness
55% Instrumentalness • 70% Positiveness
12% Popularity • 68% Danceability • 71% Energy • 36% Liveness
55% Instrumentalness • 70% Positiveness
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Andelus Ensemble
Tahtdilou Dajhat
103 bpm • C# min • 03:24 • -8.94db
8% Popularity • 48% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
8% Popularity • 48% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Hassan Abou Seoud
Hekaya
103 bpm • G min • 03:25 • -7.63db
17% Popularity • 37% Danceability • 62% Energy • 8% Liveness
85% Instrumentalness • 73% Positiveness
17% Popularity • 37% Danceability • 62% Energy • 8% Liveness
85% Instrumentalness • 73% Positiveness
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Dr Samy Farag
Set El Hosen
102 bpm • F# Maj • 07:21 • -10.77db
8% Popularity • 53% Danceability • 61% Energy • 13% Liveness
15% Instrumentalness • 51% Positiveness
8% Popularity • 53% Danceability • 61% Energy • 13% Liveness
15% Instrumentalness • 51% Positiveness
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Tony Mouzayek
Ya Mshar Eyni
102 bpm • F min • 03:46 • -4.06db
21% Popularity • 84% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
21% Popularity • 84% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
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Salatin Al Tarab Orchestra
Awal Ashrid Mahboobi
103 bpm • G# Maj • 03:59 • -6.58db
12% Popularity • 45% Danceability • 68% Energy • 11% Liveness
42% Instrumentalness • 78% Positiveness
12% Popularity • 45% Danceability • 68% Energy • 11% Liveness
42% Instrumentalness • 78% Positiveness
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Gizira Band
Basbousa
102 bpm • A# min • 03:56 • -5.84db
12% Popularity • 58% Danceability • 92% Energy • 32% Liveness
1% Instrumentalness • 82% Positiveness
12% Popularity • 58% Danceability • 92% Energy • 32% Liveness
1% Instrumentalness • 82% Positiveness
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Amir Sofi
Tango / Waltz
106 bpm • C Maj • 04:44 • -9.03db
2% Popularity • 45% Danceability • 60% Energy • 57% Liveness
25% Instrumentalness • 72% Positiveness
2% Popularity • 45% Danceability • 60% Energy • 57% Liveness
25% Instrumentalness • 72% Positiveness
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Khader Ahmad
Bos Shof
106 bpm • C Maj • 03:48 • -6.04db
12% Popularity • 57% Danceability • 97% Energy • 8% Liveness
27% Instrumentalness • 94% Positiveness
12% Popularity • 57% Danceability • 97% Energy • 8% Liveness
27% Instrumentalness • 94% Positiveness
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Dr Samy Farag
Ishta ( So Sweet)
106 bpm • A min • 05:25 • -5.09db
18% Popularity • 57% Danceability • 81% Energy • 28% Liveness
11% Instrumentalness • 66% Positiveness
18% Popularity • 57% Danceability • 81% Energy • 28% Liveness
11% Instrumentalness • 66% Positiveness
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Tony Mouzayek
Ya Gaieb
106 bpm • A min • 05:40 • -5.4db
18% Popularity • 58% Danceability • 83% Energy • 5% Liveness
0% Instrumentalness • 57% Positiveness
18% Popularity • 58% Danceability • 83% Energy • 5% Liveness
0% Instrumentalness • 57% Positiveness
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Salatin Al Tarab Orchestra
Balashti Bousni
105 bpm • G# Maj • 01:31 • -9.59db
18% Popularity • 40% Danceability • 56% Energy • 48% Liveness
80% Instrumentalness • 80% Positiveness
18% Popularity • 40% Danceability • 56% Energy • 48% Liveness
80% Instrumentalness • 80% Positiveness
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Al-Ahram Orchestra
Dina Tata
106 bpm • C Maj • 04:13 • -10.09db
17% Popularity • 82% Danceability • 80% Energy • 34% Liveness
69% Instrumentalness • 88% Positiveness
17% Popularity • 82% Danceability • 80% Energy • 34% Liveness
69% Instrumentalness • 88% Positiveness
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Dr Samy Farag
Gana El Hawa
106 bpm • E min • 02:20 • -7.41db
14% Popularity • 72% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
14% Popularity • 72% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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Yasar Akpence
Special Harem Solo, Pt. 2
102 bpm • C# min • 02:15 • -6.26db
21% Popularity • 80% Danceability • 99% Energy • 32% Liveness
32% Instrumentalness • 47% Positiveness
21% Popularity • 80% Danceability • 99% Energy • 32% Liveness
32% Instrumentalness • 47% Positiveness
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Dr Samy Farag
El Wad Dah
106 bpm • F Maj • 03:51 • -3.89db
9% Popularity • 75% Danceability • 95% Energy • 17% Liveness
0% Instrumentalness • 88% Positiveness
9% Popularity • 75% Danceability • 95% Energy • 17% Liveness
0% Instrumentalness • 88% Positiveness
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Gizira Band
Nabtadi Minen Il Hikaya
106 bpm • F Maj • 04:05 • -8.25db
10% Popularity • 54% Danceability • 66% Energy • 8% Liveness
80% Instrumentalness • 76% Positiveness
10% Popularity • 54% Danceability • 66% Energy • 8% Liveness
80% Instrumentalness • 76% Positiveness
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Emad Sayyah
Sibaak Ajjimaal - Instr.
106 bpm • G Maj • 03:44 • -10.18db
3% Popularity • 48% Danceability • 97% Energy • 5% Liveness
76% Instrumentalness • 66% Positiveness
3% Popularity • 48% Danceability • 97% Energy • 5% Liveness
76% Instrumentalness • 66% Positiveness
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Cairo Orchestra
Gondol
102 bpm • C Maj • 03:00 • -8.74db
11% Popularity • 70% Danceability • 39% Energy • 14% Liveness
23% Instrumentalness • 54% Positiveness
11% Popularity • 70% Danceability • 39% Energy • 14% Liveness
23% Instrumentalness • 54% Positiveness
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Upper Egypt Ensemble
Inta al-Amal
102 bpm • A# min • 01:51 • -13.78db
16% Popularity • 77% Danceability • 73% Energy • 14% Liveness
6% Instrumentalness • 48% Positiveness
16% Popularity • 77% Danceability • 73% Energy • 14% Liveness
6% Instrumentalness • 48% Positiveness
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Salatin Al Tarab Orchestra
Al-heyla
106 bpm • F min • 02:48 • -8db
14% Popularity • 53% Danceability • 48% Energy • 19% Liveness
48% Instrumentalness • 48% Positiveness
14% Popularity • 53% Danceability • 48% Energy • 19% Liveness
48% Instrumentalness • 48% Positiveness
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Gamal Goma
Cycle of Life (Malfoof)
106 bpm • C Maj • 04:37 • -8.2db
14% Popularity • 78% Danceability • 98% Energy • 3% Liveness
88% Instrumentalness • 86% Positiveness
14% Popularity • 78% Danceability • 98% Energy • 3% Liveness
88% Instrumentalness • 86% Positiveness
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Gizira Band
Tannoura
106 bpm • C# Maj • 04:07 • -5.08db
9% Popularity • 85% Danceability • 95% Energy • 5% Liveness
24% Instrumentalness • 83% Positiveness
9% Popularity • 85% Danceability • 95% Energy • 5% Liveness
24% Instrumentalness • 83% Positiveness
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Ya Salam Orchestra
Banat Iskandariah
102 bpm • A# min • 04:32 • -4.52db
7% Popularity • 34% Danceability • 90% Energy • 8% Liveness
92% Instrumentalness • 52% Positiveness
7% Popularity • 34% Danceability • 90% Energy • 8% Liveness
92% Instrumentalness • 52% Positiveness
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Eddie the Sheik Kochak
The Sensual Chifti (Rumba)
101 bpm • A min • 02:35 • -10.26db
24% Popularity • 62% Danceability • 56% Energy • 12% Liveness
91% Instrumentalness • 68% Positiveness
24% Popularity • 62% Danceability • 56% Energy • 12% Liveness
91% Instrumentalness • 68% Positiveness
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Cairo Tabla All-Stars
Asabee Al-Sahri
107 bpm • G# min • 03:18 • -7.27db
13% Popularity • 91% Danceability • 98% Energy • 13% Liveness
31% Instrumentalness • 74% Positiveness
13% Popularity • 91% Danceability • 98% Energy • 13% Liveness
31% Instrumentalness • 74% Positiveness
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Salatin Al Tarab Orchestra
Al-arasiyya
106 bpm • G# Maj • 01:13 • -6.75db
19% Popularity • 60% Danceability • 69% Energy • 26% Liveness
1% Instrumentalness • 67% Positiveness
19% Popularity • 60% Danceability • 69% Energy • 26% Liveness
1% Instrumentalness • 67% Positiveness
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Issam Houshan
Shimmabulous
101 bpm • E min • 04:05 • -4.46db
16% Popularity • 54% Danceability • 94% Energy • 5% Liveness
80% Instrumentalness • 52% Positiveness
16% Popularity • 54% Danceability • 94% Energy • 5% Liveness
80% Instrumentalness • 52% Positiveness
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Mokhtar al Said
Rakset Mizmar
101 bpm • C min • 02:47 • -5.57db
21% Popularity • 68% Danceability • 94% Energy • 6% Liveness
70% Instrumentalness • 35% Positiveness
21% Popularity • 68% Danceability • 94% Energy • 6% Liveness
70% Instrumentalness • 35% Positiveness
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Tony Mouzayek
Ya Ghaieb
107 bpm • G min • 05:20 • -4.34db
22% Popularity • 76% Danceability • 83% Energy • 30% Liveness
0% Instrumentalness • 82% Positiveness
22% Popularity • 76% Danceability • 83% Energy • 30% Liveness
0% Instrumentalness • 82% Positiveness
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Al-Ahram Orchestra
Altablalal Ghallab
107 bpm • F# min • 02:14 • -9.15db
7% Popularity • 59% Danceability • 95% Energy • 6% Liveness
93% Instrumentalness • 62% Positiveness
7% Popularity • 59% Danceability • 95% Energy • 6% Liveness
93% Instrumentalness • 62% Positiveness
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Mosavo
Cedars of Lebanon (Lebanese Dabke)
107 bpm • E Maj • 03:37 • -10.26db
20% Popularity • 50% Danceability • 74% Energy • 31% Liveness
56% Instrumentalness • 93% Positiveness
20% Popularity • 50% Danceability • 74% Energy • 31% Liveness
56% Instrumentalness • 93% Positiveness
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Nesma
Maksoum - Base and Variations
101 bpm • G Maj • 01:20 • -13.28db
23% Popularity • 55% Danceability • 83% Energy • 4% Liveness
95% Instrumentalness • 61% Positiveness
23% Popularity • 55% Danceability • 83% Energy • 4% Liveness
95% Instrumentalness • 61% Positiveness
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Fadi El Saadi
Shahd Entrance
101 bpm • C Maj • 04:59 • -5.96db
10% Popularity • 47% Danceability • 84% Energy • 8% Liveness
29% Instrumentalness • 70% Positiveness
10% Popularity • 47% Danceability • 84% Energy • 8% Liveness
29% Instrumentalness • 70% Positiveness
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Brandan Osvaldo el Beryewe
MALFÚF rápido
101 bpm • C# Maj • 03:00 • -8.59db
19% Popularity • 76% Danceability • 94% Energy • 5% Liveness
84% Instrumentalness • 96% Positiveness
19% Popularity • 76% Danceability • 94% Energy • 5% Liveness
84% Instrumentalness • 96% Positiveness
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Ali Ahmad Ali
Bardawi Drum Solo
107 bpm • F min • 02:59 • -10.6db
20% Popularity • 69% Danceability • 89% Energy • 9% Liveness
84% Instrumentalness • 91% Positiveness
20% Popularity • 69% Danceability • 89% Energy • 9% Liveness
84% Instrumentalness • 91% Positiveness
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Emad Sayyah
That Is My Obsession - Percussion
108 bpm • G# min • 02:37 • -10.11db
13% Popularity • 80% Danceability • 97% Energy • 6% Liveness
89% Instrumentalness • 64% Positiveness
13% Popularity • 80% Danceability • 97% Energy • 6% Liveness
89% Instrumentalness • 64% Positiveness
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Khader Ahmad
Cinderella
100 bpm • C Maj • 06:06 • -6.78db
11% Popularity • 43% Danceability • 91% Energy • 26% Liveness
42% Instrumentalness • 50% Positiveness
11% Popularity • 43% Danceability • 91% Energy • 26% Liveness
42% Instrumentalness • 50% Positiveness
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Saad El Soghayar
Bellydance
108 bpm • D Maj • 02:34 • -5.88db
30% Popularity • 87% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
30% Popularity • 87% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Fadi El Saadi
Akdeb Aleik
100 bpm • A# Maj • 05:45 • -5.63db
10% Popularity • 47% Danceability • 69% Energy • 20% Liveness
0% Instrumentalness • 53% Positiveness
10% Popularity • 47% Danceability • 69% Energy • 20% Liveness
0% Instrumentalness • 53% Positiveness
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Asena
Warda
100 bpm • D Maj • 03:51 • -9.99db
37% Popularity • 49% Danceability • 66% Energy • 42% Liveness
51% Instrumentalness • 33% Positiveness
37% Popularity • 49% Danceability • 66% Energy • 42% Liveness
51% Instrumentalness • 33% Positiveness
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Sami Nossair Orchestra
Gamil Gamal
100 bpm • G# Maj • 05:44 • -12.47db
10% Popularity • 77% Danceability • 43% Energy • 38% Liveness
89% Instrumentalness • 68% Positiveness
10% Popularity • 77% Danceability • 43% Energy • 38% Liveness
89% Instrumentalness • 68% Positiveness
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Elissar
War And Peace
100 bpm • D Maj • 04:18 • -4.47db
16% Popularity • 64% Danceability • 96% Energy • 12% Liveness
34% Instrumentalness • 68% Positiveness
16% Popularity • 64% Danceability • 96% Energy • 12% Liveness
34% Instrumentalness • 68% Positiveness
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Tony Anka
Baladi
100 bpm • G Maj • 04:14 • -8.41db
10% Popularity • 75% Danceability • 88% Energy • 7% Liveness
87% Instrumentalness • 63% Positiveness
10% Popularity • 75% Danceability • 88% Energy • 7% Liveness
87% Instrumentalness • 63% Positiveness
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Karen Barbee
Akdeb Alaik Instrumental
100 bpm • C Maj • 04:10 • -6.75db
7% Popularity • 58% Danceability • 94% Energy • 35% Liveness
94% Instrumentalness • 84% Positiveness
7% Popularity • 58% Danceability • 94% Energy • 35% Liveness
94% Instrumentalness • 84% Positiveness
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Brandan Osvaldo el Beryewe
Caderas de Fuego - Reggaetón Árabe
100 bpm • G Maj • 03:31 • -12db
14% Popularity • 91% Danceability • 77% Energy • 4% Liveness
0% Instrumentalness • 77% Positiveness
14% Popularity • 91% Danceability • 77% Energy • 4% Liveness
0% Instrumentalness • 77% Positiveness
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Hegazy Metkal
Salam
100 bpm • C# min • 03:46 • -7.05db
13% Popularity • 77% Danceability • 89% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
13% Popularity • 77% Danceability • 89% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
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Tony Mouzayek
Ya Habibi Albi Mal
100 bpm • C min • 04:03 • -5db
29% Popularity • 72% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
29% Popularity • 72% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
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Arabian Tabla Dances
Baba Sargon
100 bpm • D Maj • 01:14 • -12.56db
15% Popularity • 89% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
15% Popularity • 89% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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El Soumbatic
Ana Fintizrak (Arr. H. Ramzy)
108 bpm • G Maj • 10:34 • -5.71db
12% Popularity • 52% Danceability • 64% Energy • 16% Liveness
39% Instrumentalness • 67% Positiveness
12% Popularity • 52% Danceability • 64% Energy • 16% Liveness
39% Instrumentalness • 67% Positiveness
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Sabaya
Raksat El Sabaya
100 bpm • C Maj • 06:54 • -7.34db
6% Popularity • 54% Danceability • 62% Energy • 11% Liveness
59% Instrumentalness • 76% Positiveness
6% Popularity • 54% Danceability • 62% Energy • 11% Liveness
59% Instrumentalness • 76% Positiveness
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Ihsan Al-Mounzer
Samia's Dance - edit 1
100 bpm • G Maj • 04:26 • -8.33db
16% Popularity • 34% Danceability • 64% Energy • 34% Liveness
76% Instrumentalness • 46% Positiveness
16% Popularity • 34% Danceability • 64% Energy • 34% Liveness
76% Instrumentalness • 46% Positiveness
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Salatin Al Tarab Orchestra
Dabke Iraqiyyi (Chobi) Iraqi Folk Dance
99 bpm • F Maj • 02:44 • -8.62db
15% Popularity • 72% Danceability • 71% Energy • 9% Liveness
11% Instrumentalness • 80% Positiveness
15% Popularity • 72% Danceability • 71% Energy • 9% Liveness
11% Instrumentalness • 80% Positiveness
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Hassan Abou Seoud
Nova Raks - Remastered
99 bpm • C min • 03:22 • -4db
30% Popularity • 76% Danceability • 86% Energy • 16% Liveness
58% Instrumentalness • 86% Positiveness
30% Popularity • 76% Danceability • 86% Energy • 16% Liveness
58% Instrumentalness • 86% Positiveness
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Sami Nossair Orchestra
Wahashtini
109 bpm • C min • 05:23 • -6.73db
9% Popularity • 46% Danceability • 59% Energy • 62% Liveness
0% Instrumentalness • 72% Positiveness
9% Popularity • 46% Danceability • 59% Energy • 62% Liveness
0% Instrumentalness • 72% Positiveness
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Brandan Osvaldo el Beryewe
SAMÁI TAQUÍL lento
109 bpm • C# Maj • 03:00 • -11.33db
10% Popularity • 83% Danceability • 57% Energy • 5% Liveness
94% Instrumentalness • 75% Positiveness
10% Popularity • 83% Danceability • 57% Energy • 5% Liveness
94% Instrumentalness • 75% Positiveness
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Cairo Tabla All-Stars
Basmet Al-Fatat
109 bpm • B Maj • 03:00 • -6.67db
16% Popularity • 79% Danceability • 86% Energy • 12% Liveness
91% Instrumentalness • 76% Positiveness
16% Popularity • 79% Danceability • 86% Energy • 12% Liveness
91% Instrumentalness • 76% Positiveness
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Ihsan Al-Mounzer
Nebtiti Minin El Hikiya - edit
100 bpm • A min • 05:10 • -7.83db
18% Popularity • 45% Danceability • 64% Energy • 9% Liveness
85% Instrumentalness • 31% Positiveness
18% Popularity • 45% Danceability • 64% Energy • 9% Liveness
85% Instrumentalness • 31% Positiveness
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Maged Serour
Layali el sayedah (Nights in El Sayedah)
110 bpm • F# min • 04:33 • -5.88db
12% Popularity • 68% Danceability • 81% Energy • 7% Liveness
97% Instrumentalness • 80% Positiveness
12% Popularity • 68% Danceability • 81% Energy • 7% Liveness
97% Instrumentalness • 80% Positiveness
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Hassan Abou Seoud
Tabla Sahrawi - Remastered
99 bpm • C min • 03:33 • -5.9db
19% Popularity • 55% Danceability • 99% Energy • 5% Liveness
90% Instrumentalness • 62% Positiveness
19% Popularity • 55% Danceability • 99% Energy • 5% Liveness
90% Instrumentalness • 62% Positiveness
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Cairo Orchestra
Accordion Balady
99 bpm • C Maj • 05:23 • -8.73db
7% Popularity • 57% Danceability • 54% Energy • 30% Liveness
65% Instrumentalness • 64% Positiveness
7% Popularity • 57% Danceability • 54% Energy • 30% Liveness
65% Instrumentalness • 64% Positiveness
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Raul Ferrando
Trance-Formation
98 bpm • F# min • 03:37 • -8db
10% Popularity • 53% Danceability • 89% Energy • 6% Liveness
85% Instrumentalness • 66% Positiveness
10% Popularity • 53% Danceability • 89% Energy • 6% Liveness
85% Instrumentalness • 66% Positiveness
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Sayed Balaha
Hamada
110 bpm • G# Maj • 05:16 • -12.28db
16% Popularity • 54% Danceability • 64% Energy • 10% Liveness
69% Instrumentalness • 36% Positiveness
16% Popularity • 54% Danceability • 64% Energy • 10% Liveness
69% Instrumentalness • 36% Positiveness
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Al-Ahram Orchestra
Salamatha Om Hassan (Egyptian Classic)
110 bpm • C Maj • 04:29 • -6.42db
16% Popularity • 78% Danceability • 90% Energy • 5% Liveness
2% Instrumentalness • 88% Positiveness
16% Popularity • 78% Danceability • 90% Energy • 5% Liveness
2% Instrumentalness • 88% Positiveness
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Emad Sayyah
California Sunshine Belly
110 bpm • F# Maj • 02:37 • -13.07db
15% Popularity • 80% Danceability • 94% Energy • 6% Liveness
87% Instrumentalness • 67% Positiveness
15% Popularity • 80% Danceability • 94% Energy • 6% Liveness
87% Instrumentalness • 67% Positiveness
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Hassan Abou Seoud
Boss Wa Chouf
110 bpm • C Maj • 03:02 • -10.56db
26% Popularity • 45% Danceability • 65% Energy • 6% Liveness
76% Instrumentalness • 83% Positiveness
26% Popularity • 45% Danceability • 65% Energy • 6% Liveness
76% Instrumentalness • 83% Positiveness
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Issam Houshan
The Path To Goa
110 bpm • F Maj • 04:12 • -6.36db
12% Popularity • 68% Danceability • 86% Energy • 35% Liveness
84% Instrumentalness • 94% Positiveness
12% Popularity • 68% Danceability • 86% Energy • 35% Liveness
84% Instrumentalness • 94% Positiveness
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Said Mrad
Esmerim
110 bpm • D Maj • 04:35 • -5.11db
9% Popularity • 79% Danceability • 98% Energy • 3% Liveness
73% Instrumentalness • 50% Positiveness
9% Popularity • 79% Danceability • 98% Energy • 3% Liveness
73% Instrumentalness • 50% Positiveness
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Saad El Soghayar
Farah Ebn El Balad
110 bpm • D Maj • 04:00 • -6.87db
8% Popularity • 80% Danceability • 86% Energy • 20% Liveness
0% Instrumentalness • 91% Positiveness
8% Popularity • 80% Danceability • 86% Energy • 20% Liveness
0% Instrumentalness • 91% Positiveness
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Fadi El Saadi
Set El Hosn
110 bpm • A min • 08:19 • -5.38db
13% Popularity • 49% Danceability • 87% Energy • 17% Liveness
8% Instrumentalness • 69% Positiveness
13% Popularity • 49% Danceability • 87% Energy • 17% Liveness
8% Instrumentalness • 69% Positiveness
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Emad Sayyah
Ahlaw Sahla (You are Welcome)
110 bpm • D min • 04:30 • -11.39db
15% Popularity • 74% Danceability • 55% Energy • 2% Liveness
0% Instrumentalness • 81% Positiveness
15% Popularity • 74% Danceability • 55% Energy • 2% Liveness
0% Instrumentalness • 81% Positiveness
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Brandan Osvaldo el Beryewe
MASMÚDI SUÁIER (BALADI) lento
110 bpm • C# Maj • 03:00 • -6.42db
9% Popularity • 80% Danceability • 98% Energy • 5% Liveness
82% Instrumentalness • 96% Positiveness
9% Popularity • 80% Danceability • 98% Energy • 5% Liveness
82% Instrumentalness • 96% Positiveness
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Mokhtar al Said
Lissa Fakir
110 bpm • C Maj • 05:04 • -9.05db
29% Popularity • 54% Danceability • 45% Energy • 22% Liveness
46% Instrumentalness • 65% Positiveness
29% Popularity • 54% Danceability • 45% Energy • 22% Liveness
46% Instrumentalness • 65% Positiveness
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Dr Samy Farag
El Ghazal ( The Deer)
98 bpm • F min • 05:06 • -5.31db
11% Popularity • 48% Danceability • 77% Energy • 15% Liveness
40% Instrumentalness • 70% Positiveness
11% Popularity • 48% Danceability • 77% Energy • 15% Liveness
40% Instrumentalness • 70% Positiveness
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Salatin El Tarab Orchestra
Shatti Ya Dnyi
110 bpm • C Maj • 05:37 • -8.92db
8% Popularity • 53% Danceability • 66% Energy • 9% Liveness
25% Instrumentalness • 88% Positiveness
8% Popularity • 53% Danceability • 66% Energy • 9% Liveness
25% Instrumentalness • 88% Positiveness
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Sami Nossair Orchestra
Rannet al-Tabla / Enter the Rakkasa (Dru...
111 bpm • C Maj • 05:11 • -7.84db
25% Popularity • 54% Danceability • 92% Energy • 6% Liveness
90% Instrumentalness • 38% Positiveness
25% Popularity • 54% Danceability • 92% Energy • 6% Liveness
90% Instrumentalness • 38% Positiveness
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Emad Sayyah
Khayyala mayyala
98 bpm • G Maj • 02:54 • -7db
23% Popularity • 80% Danceability • 98% Energy • 17% Liveness
87% Instrumentalness • 67% Positiveness
23% Popularity • 80% Danceability • 98% Energy • 17% Liveness
87% Instrumentalness • 67% Positiveness
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Brandan Osvaldo el Beryewe
MALFÚF lento
110 bpm • C# Maj • 03:00 • -8.38db
20% Popularity • 78% Danceability • 98% Energy • 5% Liveness
77% Instrumentalness • 83% Positiveness
20% Popularity • 78% Danceability • 98% Energy • 5% Liveness
77% Instrumentalness • 83% Positiveness
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Khan El Khalili Brasil
Hassan
111 bpm • C min • 05:43 • -6.44db
12% Popularity • 56% Danceability • 59% Energy • 26% Liveness
76% Instrumentalness • 56% Positiveness
12% Popularity • 56% Danceability • 59% Energy • 26% Liveness
76% Instrumentalness • 56% Positiveness
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Andelus Ensemble
Taksim Layali
98 bpm • B min • 03:01 • -9.21db
16% Popularity • 45% Danceability • 82% Energy • 22% Liveness
95% Instrumentalness • 85% Positiveness
16% Popularity • 45% Danceability • 82% Energy • 22% Liveness
95% Instrumentalness • 85% Positiveness
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Tony Mouzayek
Bent El Sultan
111 bpm • G# Maj • 04:38 • -5.19db
17% Popularity • 67% Danceability • 87% Energy • 28% Liveness
0% Instrumentalness • 78% Positiveness
17% Popularity • 67% Danceability • 87% Energy • 28% Liveness
0% Instrumentalness • 78% Positiveness
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Amir Sofi
Aghadan Alqak / Ansak
98 bpm • G Maj • 05:10 • -8.56db
2% Popularity • 45% Danceability • 84% Energy • 28% Liveness
52% Instrumentalness • 57% Positiveness
2% Popularity • 45% Danceability • 84% Energy • 28% Liveness
52% Instrumentalness • 57% Positiveness
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Raul Ferrando
Tabla Talk
111 bpm • C Maj • 03:33 • -8.19db
36% Popularity • 54% Danceability • 99% Energy • 5% Liveness
89% Instrumentalness • 53% Positiveness
36% Popularity • 54% Danceability • 99% Energy • 5% Liveness
89% Instrumentalness • 53% Positiveness
