Songs like Geistliche Chormusik, Op. 11, SWV 369-397: No. 23. Selig sind die Toten, die in dem Herren sterben, SWV 391 by Heinrich Schütz
Based on a tempo of (+/- 10%) and a similar genre
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Henry Purcell
Purcell: King Arthur, Z. 628, Act 1: Tri...
78 bpm • E Maj • 03:40 • -23.29db
2% Popularity • 34% Danceability • 4% Energy • 23% Liveness
0% Instrumentalness • 20% Positiveness
2% Popularity • 34% Danceability • 4% Energy • 23% Liveness
0% Instrumentalness • 20% Positiveness
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The Monteverdi Choir
Love Is Come Again
78 bpm • F Maj • 02:00 • -19.51db
20% Popularity • 29% Danceability • 25% Energy • 22% Liveness
0% Instrumentalness • 30% Positiveness
20% Popularity • 29% Danceability • 25% Energy • 22% Liveness
0% Instrumentalness • 30% Positiveness
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Johann Sebastian Bach
Bach, JS: Herz und Mund und Tat und Lebe...
78 bpm • F# Maj • 02:16 • -17.88db
16% Popularity • 28% Danceability • 17% Energy • 14% Liveness
83% Instrumentalness • 33% Positiveness
16% Popularity • 28% Danceability • 17% Energy • 14% Liveness
83% Instrumentalness • 33% Positiveness
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Clara Schumann
3 Lieder, Op. 12: 2. Liebst du um Schonh...
78 bpm • C# Maj • 02:31 • -28db
16% Popularity • 30% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
16% Popularity • 30% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Heinrich Schütz
Geistliche Chormusik, Op. 11, SWV 369-39...
78 bpm • G Maj • 04:04 • -25.7db
11% Popularity • 9% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 9% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Tantum ergo, Op. 55
78 bpm • A Maj • 02:43 • -25.05db
11% Popularity • 16% Danceability • 8% Energy • 11% Liveness
4% Instrumentalness • 5% Positiveness
11% Popularity • 16% Danceability • 8% Energy • 11% Liveness
4% Instrumentalness • 5% Positiveness
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Sergei Rachmaninoff
Vespers (All-Night Vigil), Op. 37: 3. "B...
78 bpm • D min • 06:05 • -29.01db
16% Popularity • 12% Danceability • 5% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
16% Popularity • 12% Danceability • 5% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Ave verum corpus, K. 618
78 bpm • D Maj • 02:46 • -26db
15% Popularity • 20% Danceability • 6% Energy • 12% Liveness
97% Instrumentalness • 3% Positiveness
15% Popularity • 20% Danceability • 6% Energy • 12% Liveness
97% Instrumentalness • 3% Positiveness
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Edward Elgar
The Dream of Gerontius, Op. 38, Pt.2: So...
78 bpm • D Maj • 06:50 • -31.41db
2% Popularity • 9% Danceability • 3% Energy • 8% Liveness
2% Instrumentalness • 4% Positiveness
2% Popularity • 9% Danceability • 3% Energy • 8% Liveness
2% Instrumentalness • 4% Positiveness
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Anton Bruckner
Locus iste, WAB 23
78 bpm • C Maj • 02:43 • -30db
19% Popularity • 11% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
19% Popularity • 11% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Maurice Duruflé
4 Motets sur des themes gregoriens, Op. ...
78 bpm • D Maj • 02:05 • -32db
11% Popularity • 9% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
11% Popularity • 9% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Henry Purcell
Purcell: King Arthur, Z. 628, Act 1: Cho...
78 bpm • E Maj • 02:20 • -22.87db
2% Popularity • 18% Danceability • 8% Energy • 31% Liveness
3% Instrumentalness • 6% Positiveness
2% Popularity • 18% Danceability • 8% Energy • 31% Liveness
3% Instrumentalness • 6% Positiveness
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Johann Sebastian Bach
Mass in B Minor, BWV 232: Et in unum Dom...
78 bpm • F# Maj • 04:10 • -21.4db
21% Popularity • 32% Danceability • 10% Energy • 19% Liveness
0% Instrumentalness • 46% Positiveness
21% Popularity • 32% Danceability • 10% Energy • 19% Liveness
0% Instrumentalness • 46% Positiveness
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AntonÃn Dvořák
Stabat Mater, Op. 58: IX. Inflammatus et...
79 bpm • D min • 05:08 • -27db
16% Popularity • 16% Danceability • 3% Energy • 33% Liveness
0% Instrumentalness • 5% Positiveness
16% Popularity • 16% Danceability • 3% Energy • 33% Liveness
0% Instrumentalness • 5% Positiveness
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Edward Elgar
Elgar: Sea Pictures, Op. 37: No. 1, Sea ...
78 bpm • C Maj • 05:02 • -24.98db
21% Popularity • 19% Danceability • 13% Energy • 10% Liveness
2% Instrumentalness • 5% Positiveness
21% Popularity • 19% Danceability • 13% Energy • 10% Liveness
2% Instrumentalness • 5% Positiveness
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Johannes Brahms
Ein deutsches Requiem (A German Requiem)...
77 bpm • G Maj • 07:22 • -28.35db
17% Popularity • 19% Danceability • 3% Energy • 11% Liveness
13% Instrumentalness • 4% Positiveness
17% Popularity • 19% Danceability • 3% Energy • 11% Liveness
13% Instrumentalness • 4% Positiveness
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Luigi Cherubini
Requiem No. 1 in C Minor: Sanctus
77 bpm • G# Maj • 01:32 • -17.93db
29% Popularity • 18% Danceability • 12% Energy • 17% Liveness
44% Instrumentalness • 15% Positiveness
29% Popularity • 18% Danceability • 12% Energy • 17% Liveness
44% Instrumentalness • 15% Positiveness
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Henry Purcell
Purcell: King Arthur, Z. 628, Act 1: Son...
78 bpm • E Maj • 02:02 • -22.95db
2% Popularity • 59% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
2% Popularity • 59% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Johann Sebastian Bach
Matthäus-Passion, BWV 244 / Zweiter Tei...
78 bpm • B min • 05:09 • -20.56db
23% Popularity • 12% Danceability • 15% Energy • 25% Liveness
95% Instrumentalness • 11% Positiveness
23% Popularity • 12% Danceability • 15% Energy • 25% Liveness
95% Instrumentalness • 11% Positiveness
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Count Alexander Sheremetiev
Now ye heavenly powers
77 bpm • E Maj • 03:42 • -24.35db
18% Popularity • 11% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
18% Popularity • 11% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Gustav Mahler
Lieder eines fahrenden Gesellen: I. Wenn...
79 bpm • G min • 03:55 • -25.46db
3% Popularity • 14% Danceability • 6% Energy • 9% Liveness
2% Instrumentalness • 6% Positiveness
3% Popularity • 14% Danceability • 6% Energy • 9% Liveness
2% Instrumentalness • 6% Positiveness
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Christoph Willibald Gluck
Gluck: Orphée et Eurydice, Wq. 41, Act ...
79 bpm • C# min • 01:37 • -24.43db
4% Popularity • 35% Danceability • 5% Energy • 51% Liveness
0% Instrumentalness • 10% Positiveness
4% Popularity • 35% Danceability • 5% Energy • 51% Liveness
0% Instrumentalness • 10% Positiveness
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Antonio Vivaldi
Gloria: Domine Fili unigenite
79 bpm • E Maj • 02:02 • -20db
31% Popularity • 28% Danceability • 25% Energy • 22% Liveness
6% Instrumentalness • 41% Positiveness
31% Popularity • 28% Danceability • 25% Energy • 22% Liveness
6% Instrumentalness • 41% Positiveness
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Henry Purcell
Dido and Aeneas / Act 3: "Thy hand, Beli...
79 bpm • F# min • 04:05 • -27.56db
17% Popularity • 17% Danceability • 2% Energy • 16% Liveness
0% Instrumentalness • 4% Positiveness
17% Popularity • 17% Danceability • 2% Energy • 16% Liveness
0% Instrumentalness • 4% Positiveness
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Francis Poulenc
Stabat Mater, FP 148: 1. Stabat Mater do...
77 bpm • A min • 04:01 • -24.89db
17% Popularity • 16% Danceability • 9% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
17% Popularity • 16% Danceability • 9% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Agostino Steffani
Stabat Mater: Pro peccatis suae gentis
79 bpm • G min • 01:21 • -12db
15% Popularity • 22% Danceability • 35% Energy • 10% Liveness
14% Instrumentalness • 26% Positiveness
15% Popularity • 22% Danceability • 35% Energy • 10% Liveness
14% Instrumentalness • 26% Positiveness
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George Frideric Handel
Dixit Dominus, HWV 232: Tu es sacerdos i...
77 bpm • A Maj • 01:39 • -16.89db
13% Popularity • 28% Danceability • 36% Energy • 29% Liveness
4% Instrumentalness • 71% Positiveness
13% Popularity • 28% Danceability • 36% Energy • 29% Liveness
4% Instrumentalness • 71% Positiveness
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Giovanni Battista Pergolesi
Stabat Mater: 2. Cujus animam
79 bpm • G Maj • 02:11 • -21db
25% Popularity • 39% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
25% Popularity • 39% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
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Johann Sebastian Bach
Mass in B Minor, BWV 232: Kyrie eleison ...
79 bpm • F min • 03:19 • -18.17db
24% Popularity • 18% Danceability • 18% Energy • 16% Liveness
53% Instrumentalness • 18% Positiveness
24% Popularity • 18% Danceability • 18% Energy • 16% Liveness
53% Instrumentalness • 18% Positiveness
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Henry Purcell
Purcell: King Arthur, Z. 628, Act 2: Due...
79 bpm • F# min • 02:11 • -28.39db
2% Popularity • 45% Danceability • 2% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
2% Popularity • 45% Danceability • 2% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
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Gabriel Fauré
Requiem, Op. 48: VI. Agnus Dei
77 bpm • F Maj • 05:12 • -25.08db
18% Popularity • 9% Danceability • 4% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
18% Popularity • 9% Danceability • 4% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Agostino Steffani
Stabat Mater: Quis est homo qui non fler...
77 bpm • G min • 02:48 • -21db
14% Popularity • 17% Danceability • 14% Energy • 11% Liveness
24% Instrumentalness • 6% Positiveness
14% Popularity • 17% Danceability • 14% Energy • 11% Liveness
24% Instrumentalness • 6% Positiveness
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Gustav Mahler
Rückert-Lieder: Ich bin der Welt abhand...
77 bpm • C min • 07:18 • -32.53db
11% Popularity • 13% Danceability • 2% Energy • 8% Liveness
6% Instrumentalness • 4% Positiveness
11% Popularity • 13% Danceability • 2% Energy • 8% Liveness
6% Instrumentalness • 4% Positiveness
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AntonÃn Dvořák
Stabat Mater, Op. 58: IV. Fac, ut ardeat...
79 bpm • A# min • 07:37 • -26db
18% Popularity • 9% Danceability • 4% Energy • 11% Liveness
28% Instrumentalness • 4% Positiveness
18% Popularity • 9% Danceability • 4% Energy • 11% Liveness
28% Instrumentalness • 4% Positiveness
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Johannes Brahms
13 Canons, Op. 113: No. 13. Einformig is...
79 bpm • A min • 02:41 • -32.07db
24% Popularity • 13% Danceability • 2% Energy • 9% Liveness
39% Instrumentalness • 9% Positiveness
24% Popularity • 13% Danceability • 2% Energy • 9% Liveness
39% Instrumentalness • 9% Positiveness
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Johann Sebastian Bach
St. Matthew Passion, BWV 244 / Pt. 2: No...
79 bpm • A# min • 06:16 • -17db
23% Popularity • 20% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
23% Popularity • 20% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Henry Purcell
Purcell: King Arthur, Z. 628, Act 3: Pre...
77 bpm • B Maj • 03:26 • -30.54db
2% Popularity • 49% Danceability • 2% Energy • 21% Liveness
0% Instrumentalness • 16% Positiveness
2% Popularity • 49% Danceability • 2% Energy • 21% Liveness
0% Instrumentalness • 16% Positiveness
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Gabriel Fauré
Requiem in D Minor, Op. 48: Introït et ...
77 bpm • A# Maj • 06:34 • -24.16db
15% Popularity • 9% Danceability • 3% Energy • 12% Liveness
76% Instrumentalness • 3% Positiveness
15% Popularity • 9% Danceability • 3% Energy • 12% Liveness
76% Instrumentalness • 3% Positiveness
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Gustav Mahler
Rückert-Lieder: Liebst du um Schönheit
77 bpm • C Maj • 02:28 • -22.96db
6% Popularity • 19% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
6% Popularity • 19% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Jean-Marie Leclair
Leclair: Scylla et Glaucus, Op. 11, Act ...
80 bpm • B Maj • 02:42 • -22.45db
0% Popularity • 53% Danceability • 5% Energy • 8% Liveness
46% Instrumentalness • 54% Positiveness
0% Popularity • 53% Danceability • 5% Energy • 8% Liveness
46% Instrumentalness • 54% Positiveness
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Giovanni Battista Pergolesi
Stabat Mater, P. 77: III. O quam tristis
80 bpm • G min • 02:33 • -23.72db
39% Popularity • 14% Danceability • 10% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
39% Popularity • 14% Danceability • 10% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
St. John Passion, BWV 245: Part I: Recit...
80 bpm • F# min • 01:08 • -27.65db
29% Popularity • 36% Danceability • 4% Energy • 20% Liveness
0% Instrumentalness • 15% Positiveness
29% Popularity • 36% Danceability • 4% Energy • 20% Liveness
0% Instrumentalness • 15% Positiveness
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Joseph Haydn
Die Schöpfung, Hob. XXI:2, Erster Teil:...
76 bpm • A Maj • 03:34 • -21db
15% Popularity • 29% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 29% Positiveness
15% Popularity • 29% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 29% Positiveness
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Gabriel Fauré
Requiem, Op. 48: 2. Offertorium: Domine ...
80 bpm • D Maj • 08:28 • -34db
8% Popularity • 12% Danceability • 1% Energy • 15% Liveness
36% Instrumentalness • 4% Positiveness
8% Popularity • 12% Danceability • 1% Energy • 15% Liveness
36% Instrumentalness • 4% Positiveness
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Maurice Duruflé
Requiem: Pie Jesu
80 bpm • G# Maj • 04:25 • -24.94db
11% Popularity • 10% Danceability • 2% Energy • 18% Liveness
12% Instrumentalness • 4% Positiveness
11% Popularity • 10% Danceability • 2% Energy • 18% Liveness
12% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
Gloria: Gratias agimus tibi
80 bpm • D# Maj • 01:15 • -14db
32% Popularity • 26% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
32% Popularity • 26% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Christoph Willibald Gluck
Gluck : Iphigénie en Aulide : Act 1 "Ar...
80 bpm • F Maj • 01:29 • -15.69db
2% Popularity • 55% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
2% Popularity • 55% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Johann Sebastian Bach
St. John Passion, BWV 245: Part II: Reci...
76 bpm • B min • 02:10 • -29.89db
20% Popularity • 36% Danceability • 2% Energy • 15% Liveness
0% Instrumentalness • 10% Positiveness
20% Popularity • 36% Danceability • 2% Energy • 15% Liveness
0% Instrumentalness • 10% Positiveness
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Johannes Brahms
Fest- und Gedenksprüche, Op. 109: III. ...
76 bpm • F Maj • 04:59 • -22.54db
12% Popularity • 10% Danceability • 13% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
12% Popularity • 10% Danceability • 13% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Requiem, Op. 48: III. Offertoire
76 bpm • D Maj • 08:18 • -25.75db
36% Popularity • 11% Danceability • 7% Energy • 10% Liveness
63% Instrumentalness • 4% Positiveness
36% Popularity • 11% Danceability • 7% Energy • 10% Liveness
63% Instrumentalness • 4% Positiveness
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Anton Bruckner
Locus Iste (Motet), WAB. 23
76 bpm • C Maj • 03:43 • -27.64db
3% Popularity • 7% Danceability • 3% Energy • 6% Liveness
1% Instrumentalness • 3% Positiveness
3% Popularity • 7% Danceability • 3% Energy • 6% Liveness
1% Instrumentalness • 3% Positiveness
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Heinrich Schütz
Geistliche Chormusik, Op. 11: Herr, auf ...
76 bpm • G Maj • 03:16 • -25db
9% Popularity • 15% Danceability • 6% Energy • 7% Liveness
22% Instrumentalness • 9% Positiveness
9% Popularity • 15% Danceability • 6% Energy • 7% Liveness
22% Instrumentalness • 9% Positiveness
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Edward Elgar
Variations on an Original Theme, Op. 36 ...
80 bpm • G Maj • 05:24 • -12.37db
10% Popularity • 20% Danceability • 36% Energy • 10% Liveness
92% Instrumentalness • 14% Positiveness
10% Popularity • 20% Danceability • 36% Energy • 10% Liveness
92% Instrumentalness • 14% Positiveness
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Ernest Chausson
Sept mélodies, Op. 2: VI. Hébé
80 bpm • A min • 02:28 • -24db
20% Popularity • 26% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
20% Popularity • 26% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
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Johannes Brahms
German Requiem, Op. 45: Wie lieblich sin...
80 bpm • D# Maj • 04:18 • -25.68db
15% Popularity • 15% Danceability • 7% Energy • 11% Liveness
92% Instrumentalness • 12% Positiveness
15% Popularity • 15% Danceability • 7% Energy • 11% Liveness
92% Instrumentalness • 12% Positiveness
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Gabriel Fauré
Requiem, Op. 48: 5. Agnus Dei (I)
76 bpm • D min • 05:43 • -26.04db
8% Popularity • 7% Danceability • 3% Energy • 11% Liveness
75% Instrumentalness • 3% Positiveness
8% Popularity • 7% Danceability • 3% Energy • 11% Liveness
75% Instrumentalness • 3% Positiveness
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Antonio Caldara
Il trionfo dell'innocenza: "Vanne pentit...
80 bpm • A Maj • 08:45 • -24db
19% Popularity • 22% Danceability • 5% Energy • 13% Liveness
3% Instrumentalness • 7% Positiveness
19% Popularity • 22% Danceability • 5% Energy • 13% Liveness
3% Instrumentalness • 7% Positiveness
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Carl Orff
Carmina Burana / 3. Cour d'amours: "In t...
80 bpm • E min • 02:27 • -36db
32% Popularity • 14% Danceability • 2% Energy • 12% Liveness
5% Instrumentalness • 4% Positiveness
32% Popularity • 14% Danceability • 2% Energy • 12% Liveness
5% Instrumentalness • 4% Positiveness
► Preview
Christoph Willibald Gluck
Gluck : Iphigénie en Aulide : Act 1 "Qu...
76 bpm • G Maj • 03:24 • -23.21db
3% Popularity • 27% Danceability • 7% Energy • 10% Liveness
50% Instrumentalness • 22% Positiveness
3% Popularity • 27% Danceability • 7% Energy • 10% Liveness
50% Instrumentalness • 22% Positiveness
► Preview
Johann Sebastian Bach
Matthäus-Passion, BWV 244 / Zweiter Tei...
76 bpm • A# min • 00:57 • -25.26db
25% Popularity • 18% Danceability • 5% Energy • 14% Liveness
68% Instrumentalness • 15% Positiveness
25% Popularity • 18% Danceability • 5% Energy • 14% Liveness
68% Instrumentalness • 15% Positiveness
► Preview
Gioachino Rossini
Petite messe solennelle: XVIII. Agnus De...
80 bpm • C Maj • 07:25 • -21db
17% Popularity • 34% Danceability • 8% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
17% Popularity • 34% Danceability • 8% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Gabriel Fauré
Requiem, Op. 48: IV. Sanctus
76 bpm • D# Maj • 02:40 • -27.14db
20% Popularity • 9% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
20% Popularity • 9% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Franz Schubert
Du bist die Ruh', Op. 59 No. 3, D. 776
80 bpm • C Maj • 04:14 • -25.15db
6% Popularity • 17% Danceability • 2% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
6% Popularity • 17% Danceability • 2% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Benjamin Britten
Britten: Serenade, Op. 31: No. 3, Noctur...
76 bpm • D# Maj • 03:35 • -17.55db
8% Popularity • 28% Danceability • 16% Energy • 41% Liveness
0% Instrumentalness • 30% Positiveness
8% Popularity • 28% Danceability • 16% Energy • 41% Liveness
0% Instrumentalness • 30% Positiveness
► Preview
Anton Bruckner
Vexilla regis, WAB 51
75 bpm • F Maj • 04:59 • -28.35db
12% Popularity • 12% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 3% Positiveness
12% Popularity • 12% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 3% Positiveness
► Preview
Johann Sebastian Bach
Wachet auf, ruft uns die Stimme, Cantata...
76 bpm • C min • 06:54 • -19.25db
14% Popularity • 16% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
14% Popularity • 16% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
► Preview
Gioachino Rossini
Petite Messe solennelle, Kyrie: II. Chri...
81 bpm • F min • 01:49 • -32.62db
30% Popularity • 16% Danceability • 2% Energy • 16% Liveness
66% Instrumentalness • 4% Positiveness
30% Popularity • 16% Danceability • 2% Energy • 16% Liveness
66% Instrumentalness • 4% Positiveness
► Preview
Wolfgang Amadeus Mozart
Mozart: Don Giovanni, K. 527, Act 1: "Da...
75 bpm • G Maj • 04:42 • -24.86db
11% Popularity • 13% Danceability • 6% Energy • 28% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 13% Danceability • 6% Energy • 28% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Agostino Steffani
Stabat Mater: Fac ut portem Christi mort...
75 bpm • C min • 01:03 • -15.41db
30% Popularity • 31% Danceability • 29% Energy • 18% Liveness
52% Instrumentalness • 8% Positiveness
30% Popularity • 31% Danceability • 29% Energy • 18% Liveness
52% Instrumentalness • 8% Positiveness
► Preview
Heinrich Schütz
Historia der Auferstehung Jesu Christi, ...
75 bpm • D# min • 01:04 • -22.9db
23% Popularity • 20% Danceability • 11% Energy • 23% Liveness
2% Instrumentalness • 7% Positiveness
23% Popularity • 20% Danceability • 11% Energy • 23% Liveness
2% Instrumentalness • 7% Positiveness
► Preview
Giovanni Battista Pergolesi
Stabat Mater, P. 77: IV. Quae moerabat
75 bpm • D# Maj • 02:49 • -25db
36% Popularity • 26% Danceability • 6% Energy • 10% Liveness
3% Instrumentalness • 13% Positiveness
36% Popularity • 26% Danceability • 6% Energy • 10% Liveness
3% Instrumentalness • 13% Positiveness
► Preview
Johann Sebastian Bach
Wachet auf, ruft uns die Stimme, BWV 140...
75 bpm • D# Maj • 04:01 • -31.18db
8% Popularity • 23% Danceability • 3% Energy • 10% Liveness
88% Instrumentalness • 30% Positiveness
8% Popularity • 23% Danceability • 3% Energy • 10% Liveness
88% Instrumentalness • 30% Positiveness
► Preview
Gioachino Rossini
Petite messe solennelle: XVI. Sanctus
81 bpm • C Maj • 03:53 • -26db
16% Popularity • 15% Danceability • 6% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
16% Popularity • 15% Danceability • 6% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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Christoph Willibald Gluck
Gluck: Orphée et Eurydice, Wq. 41, Act ...
75 bpm • D# Maj • 04:54 • -23.66db
5% Popularity • 23% Danceability • 4% Energy • 17% Liveness
0% Instrumentalness • 8% Positiveness
5% Popularity • 23% Danceability • 4% Energy • 17% Liveness
0% Instrumentalness • 8% Positiveness
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Giuseppe Verdi
Verdi: Messa da Requiem: XX. Requiem æt...
81 bpm • F# Maj • 03:10 • -29db
16% Popularity • 17% Danceability • 6% Energy • 13% Liveness
6% Instrumentalness • 4% Positiveness
16% Popularity • 17% Danceability • 6% Energy • 13% Liveness
6% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Requiem in D minor, K.626: 3. Sequentia:...
75 bpm • C Maj • 02:27 • -23.76db
38% Popularity • 13% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
38% Popularity • 13% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Carlo Colombara
Messa da Requiem: III Offertorio: Domine...
81 bpm • G# Maj • 04:36 • -22.36db
9% Popularity • 14% Danceability • 15% Energy • 26% Liveness
3% Instrumentalness • 4% Positiveness
9% Popularity • 14% Danceability • 15% Energy • 26% Liveness
3% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
St. John Passion, BWV 245: Part I: Aria:...
75 bpm • C# min • 04:40 • -26.6db
29% Popularity • 32% Danceability • 9% Energy • 11% Liveness
8% Instrumentalness • 34% Positiveness
29% Popularity • 32% Danceability • 9% Energy • 11% Liveness
8% Instrumentalness • 34% Positiveness
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Gabriel Fauré
Requiem, Op. 48: 5. Agnus Dei (Chorus)
81 bpm • F Maj • 07:08 • -24db
9% Popularity • 8% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 3% Positiveness
9% Popularity • 8% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 3% Positiveness
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George Frideric Handel
Dixit Dominus, HWV 232: Virgam virtutis ...
81 bpm • A Maj • 02:48 • -24.71db
17% Popularity • 33% Danceability • 6% Energy • 27% Liveness
0% Instrumentalness • 51% Positiveness
17% Popularity • 33% Danceability • 6% Energy • 27% Liveness
0% Instrumentalness • 51% Positiveness
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Edward Elgar
Variations on an Original Theme, Op. 36 ...
75 bpm • A# Maj • 02:50 • -26.17db
14% Popularity • 11% Danceability • 6% Energy • 19% Liveness
86% Instrumentalness • 4% Positiveness
14% Popularity • 11% Danceability • 6% Energy • 19% Liveness
86% Instrumentalness • 4% Positiveness
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Henry Purcell
Purcell: King Arthur, Z. 628, Act 3: Son...
81 bpm • B Maj • 00:55 • -24.52db
1% Popularity • 38% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
1% Popularity • 38% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Jean-Philippe Rameau
Rameau: "Feuillages verts naissez"
81 bpm • G# Maj • 01:53 • -26db
13% Popularity • 33% Danceability • 4% Energy • 63% Liveness
0% Instrumentalness • 6% Positiveness
13% Popularity • 33% Danceability • 4% Energy • 63% Liveness
0% Instrumentalness • 6% Positiveness
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Johann Sebastian Bach
Gottes Zeit ist die allerbeste Zeit, BWV...
81 bpm • F min • 03:32 • -28.75db
19% Popularity • 25% Danceability • 2% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
19% Popularity • 25% Danceability • 2% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
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Heinrich Schütz
Geistliche Chormusik, Op. 11: No. 4, Ver...
75 bpm • G# min • 02:13 • -19.96db
17% Popularity • 14% Danceability • 10% Energy • 9% Liveness
25% Instrumentalness • 8% Positiveness
17% Popularity • 14% Danceability • 10% Energy • 9% Liveness
25% Instrumentalness • 8% Positiveness
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Gustav Mahler
Mahler: Kindertotenlieder: No. 3, Wenn d...
81 bpm • G# Maj • 05:20 • -24.82db
10% Popularity • 13% Danceability • 4% Energy • 13% Liveness
19% Instrumentalness • 5% Positiveness
10% Popularity • 13% Danceability • 4% Energy • 13% Liveness
19% Instrumentalness • 5% Positiveness
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Giovanni Pierluigi da Palestrina
Jesu, rex admirabilis
82 bpm • D min • 01:39 • -34db
33% Popularity • 14% Danceability • 3% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
33% Popularity • 14% Danceability • 3% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
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Francis Poulenc
Mass in G Major, FP 89: I. Kyrie
82 bpm • G Maj • 03:25 • -23.6db
8% Popularity • 14% Danceability • 15% Energy • 32% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 14% Danceability • 15% Energy • 32% Liveness
0% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Mass in C Major, K. 317 "Coronation": VI...
81 bpm • C Maj • 06:55 • -20.5db
15% Popularity • 16% Danceability • 6% Energy • 7% Liveness
1% Instrumentalness • 5% Positiveness
15% Popularity • 16% Danceability • 6% Energy • 7% Liveness
1% Instrumentalness • 5% Positiveness
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Johann Sebastian Bach
Matthäus-Passion, BWV 244 / Erster Teil...
81 bpm • D# min • 06:59 • -19db
30% Popularity • 21% Danceability • 14% Energy • 7% Liveness
55% Instrumentalness • 17% Positiveness
30% Popularity • 21% Danceability • 14% Energy • 7% Liveness
55% Instrumentalness • 17% Positiveness
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Johannes Brahms
Brahms: Ein deutsches Requiem, Op. 45: V...
74 bpm • F Maj • 10:30 • -26.61db
18% Popularity • 7% Danceability • 5% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
18% Popularity • 7% Danceability • 5% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
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Claudio Monteverdi
Vespro della Beata Vergine, SV 206: Ave ...
74 bpm • G Maj • 08:55 • -31db
9% Popularity • 7% Danceability • 4% Energy • 9% Liveness
12% Instrumentalness • 4% Positiveness
9% Popularity • 7% Danceability • 4% Energy • 9% Liveness
12% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Des pas dans l'allée, Op. 141, No. 1
74 bpm • D min • 05:20 • -33.2db
18% Popularity • 15% Danceability • 2% Energy • 6% Liveness
9% Instrumentalness • 3% Positiveness
18% Popularity • 15% Danceability • 2% Energy • 6% Liveness
9% Instrumentalness • 3% Positiveness
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Richard Strauss
Strauss, R: 4 Letzte Lieder: No. 4, Im A...
82 bpm • A# Maj • 08:27 • -24.29db
19% Popularity • 8% Danceability • 6% Energy • 13% Liveness
55% Instrumentalness • 4% Positiveness
19% Popularity • 8% Danceability • 6% Energy • 13% Liveness
55% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Piano Concerto No. 17 in G Major, K. 453...
82 bpm • D Maj • 08:07 • -24.09db
2% Popularity • 34% Danceability • 14% Energy • 11% Liveness
87% Instrumentalness • 28% Positiveness
2% Popularity • 34% Danceability • 14% Energy • 11% Liveness
87% Instrumentalness • 28% Positiveness
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Johann Sebastian Bach
Mass in B Minor, BWV 232: Domine Deus (S...
74 bpm • F# Maj • 05:11 • -25.75db
23% Popularity • 40% Danceability • 5% Energy • 37% Liveness
0% Instrumentalness • 33% Positiveness
23% Popularity • 40% Danceability • 5% Energy • 37% Liveness
0% Instrumentalness • 33% Positiveness
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Henry Purcell
Purcell: King Arthur, Z. 628, Act 5: Tri...
74 bpm • C# min • 02:43 • -27.08db
1% Popularity • 35% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
1% Popularity • 35% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
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Gabriel Fauré
Fauré: Requiem, Op. 48: VI. Libera me
82 bpm • D min • 04:32 • -23.81db
20% Popularity • 11% Danceability • 4% Energy • 12% Liveness
54% Instrumentalness • 4% Positiveness
20% Popularity • 11% Danceability • 4% Energy • 12% Liveness
54% Instrumentalness • 4% Positiveness
