Songs like George III. His Lament by Godfrey Ridout
Based on a tempo of (+/- 10%) and a similar genre
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Stavros Kleisiaris
Jesus of Nazareth - Epic Orchestral Vers...
140 bpm • E min • 04:42 • -19.46db
10% Popularity • 15% Danceability • 14% Energy • 17% Liveness
93% Instrumentalness • 8% Positiveness
10% Popularity • 15% Danceability • 14% Energy • 17% Liveness
93% Instrumentalness • 8% Positiveness
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Karsten Masch
Opus No. 5 Karsten Masch - Tubae Spei - ...
140 bpm • C# min • 03:12 • -16.48db
19% Popularity • 37% Danceability • 24% Energy • 12% Liveness
85% Instrumentalness • 14% Positiveness
19% Popularity • 37% Danceability • 24% Energy • 12% Liveness
85% Instrumentalness • 14% Positiveness
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George Enescu
Symphony No. 1, Op. 13: I. Assez vif et ...
140 bpm • D# Maj • 11:36 • -20.78db
10% Popularity • 17% Danceability • 14% Energy • 10% Liveness
89% Instrumentalness • 8% Positiveness
10% Popularity • 17% Danceability • 14% Energy • 10% Liveness
89% Instrumentalness • 8% Positiveness
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Godfrey Ridout
George III. His Lament
140 bpm • G Maj • 14:58 • -27.41db
0% Popularity • 20% Danceability • 2% Energy • 15% Liveness
53% Instrumentalness • 5% Positiveness
0% Popularity • 20% Danceability • 2% Energy • 15% Liveness
53% Instrumentalness • 5% Positiveness
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Edward Elgar
Enigma Variations, Op. 36: Variation XII...
139 bpm • A# Maj • 02:23 • -21.38db
9% Popularity • 15% Danceability • 10% Energy • 18% Liveness
75% Instrumentalness • 4% Positiveness
9% Popularity • 15% Danceability • 10% Energy • 18% Liveness
75% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Kyrie in D Major: IV. Versetto No.3, Sen...
141 bpm • D Maj • 01:02 • -26.43db
13% Popularity • 14% Danceability • 4% Energy • 10% Liveness
71% Instrumentalness • 21% Positiveness
13% Popularity • 14% Danceability • 4% Energy • 10% Liveness
71% Instrumentalness • 21% Positiveness
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Alexander Glazunov
The Seasons, Op. 67, Pt. 4 "L'automne": ...
141 bpm • A Maj • 04:26 • -27.79db
14% Popularity • 14% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 5% Positiveness
14% Popularity • 14% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 5% Positiveness
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William Walton
Viola Concerto: I. Andante comodo
139 bpm • A min • 08:39 • -24.4db
8% Popularity • 22% Danceability • 10% Energy • 11% Liveness
71% Instrumentalness • 7% Positiveness
8% Popularity • 22% Danceability • 10% Energy • 11% Liveness
71% Instrumentalness • 7% Positiveness
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Sergei Rachmaninoff
Woodland Suite: III. Moon-Fairy (Arr. Of...
139 bpm • A Maj • 02:08 • -34.07db
9% Popularity • 15% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 7% Positiveness
9% Popularity • 15% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 7% Positiveness
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Godfrey Ridout
No Mean City: Scenes from Childhood: II....
139 bpm • C# Maj • 04:01 • -37.76db
0% Popularity • 32% Danceability • 3% Energy • 35% Liveness
65% Instrumentalness • 24% Positiveness
0% Popularity • 32% Danceability • 3% Energy • 35% Liveness
65% Instrumentalness • 24% Positiveness
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Maurice Duruflé
Requiem, Op. 9: I. Introit
141 bpm • F Maj • 03:47 • -34.57db
12% Popularity • 14% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
12% Popularity • 14% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Septet in E-Flat Major, Op. 65: II. Menu...
139 bpm • D# Maj • 04:16 • -22.78db
2% Popularity • 25% Danceability • 2% Energy • 6% Liveness
50% Instrumentalness • 17% Positiveness
2% Popularity • 25% Danceability • 2% Energy • 6% Liveness
50% Instrumentalness • 17% Positiveness
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Swedish Chamber Orchestra
Sov du lilla videung - Sing along
138 bpm • B Maj • 02:00 • -20.17db
11% Popularity • 15% Danceability • 10% Energy • 13% Liveness
83% Instrumentalness • 7% Positiveness
11% Popularity • 15% Danceability • 10% Energy • 13% Liveness
83% Instrumentalness • 7% Positiveness
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Robert Parsons
A Songe Called Trumpetts
142 bpm • F# Maj • 01:39 • -39.92db
10% Popularity • 39% Danceability • 1% Energy • 12% Liveness
92% Instrumentalness • 69% Positiveness
10% Popularity • 39% Danceability • 1% Energy • 12% Liveness
92% Instrumentalness • 69% Positiveness
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Arnold Rosner
Variations on a Theme by Frank Martin, O...
138 bpm • A min • 02:16 • -23.84db
10% Popularity • 19% Danceability • 4% Energy • 17% Liveness
79% Instrumentalness • 4% Positiveness
10% Popularity • 19% Danceability • 4% Energy • 17% Liveness
79% Instrumentalness • 4% Positiveness
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Godfrey Ridout
Fall Fair
141 bpm • G Maj • 07:38 • -17.55db
1% Popularity • 28% Danceability • 17% Energy • 29% Liveness
95% Instrumentalness • 13% Positiveness
1% Popularity • 28% Danceability • 17% Energy • 29% Liveness
95% Instrumentalness • 13% Positiveness
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Alberto Moggi
Lunacy Talked Me out of It
138 bpm • C# Maj • 02:18 • -25db
7% Popularity • 16% Danceability • 4% Energy • 12% Liveness
88% Instrumentalness • 8% Positiveness
7% Popularity • 16% Danceability • 4% Energy • 12% Liveness
88% Instrumentalness • 8% Positiveness
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Camille Saint-Saëns
Parysatis, R. 312: Introduction. Air de ...
142 bpm • F Maj • 02:42 • -20.36db
8% Popularity • 38% Danceability • 9% Energy • 18% Liveness
95% Instrumentalness • 7% Positiveness
8% Popularity • 38% Danceability • 9% Energy • 18% Liveness
95% Instrumentalness • 7% Positiveness
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Johannes Brahms
21 Hungarian Dances, WoO 1 (version for ...
138 bpm • F Maj • 02:46 • -24.08db
11% Popularity • 39% Danceability • 3% Energy • 7% Liveness
86% Instrumentalness • 14% Positiveness
11% Popularity • 39% Danceability • 3% Energy • 7% Liveness
86% Instrumentalness • 14% Positiveness
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RTE Concert Orchestra
Coastal Command Suite: Taking Off At Nig...
138 bpm • A# Maj • 01:39 • -27.35db
16% Popularity • 15% Danceability • 1% Energy • 18% Liveness
92% Instrumentalness • 4% Positiveness
16% Popularity • 15% Danceability • 1% Energy • 18% Liveness
92% Instrumentalness • 4% Positiveness
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BlueJayStudio
Strength and Honor
138 bpm • D# Maj • 01:47 • -19.54db
16% Popularity • 15% Danceability • 15% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
16% Popularity • 15% Danceability • 15% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Godfrey Ridout
George III His Lament: I. Molto adagio (...
138 bpm • G Maj • 02:24 • -20.33db
0% Popularity • 15% Danceability • 12% Energy • 12% Liveness
71% Instrumentalness • 3% Positiveness
0% Popularity • 15% Danceability • 12% Energy • 12% Liveness
71% Instrumentalness • 3% Positiveness
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![Peter and the Wolf - A Musical Tale for Children Op. 67 [Baker version] (1995 Digital Remaster): On a branch of a big tree (The Bird) cover art](https://i.scdn.co/image/ab67616d00001e02f8f124b3c9cbe2123a602857)
Raymond Leppard
Peter and the Wolf - A Musical Tale for ...
143 bpm • C Maj • 01:31 • -25.1db
10% Popularity • 39% Danceability • 6% Energy • 23% Liveness
69% Instrumentalness • 36% Positiveness
10% Popularity • 39% Danceability • 6% Energy • 23% Liveness
69% Instrumentalness • 36% Positiveness
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David Lyon
Fairytale Suite: The Ice Palace: Finale
143 bpm • A min • 04:29 • -25.39db
9% Popularity • 14% Danceability • 1% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
9% Popularity • 14% Danceability • 1% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Eric Coates
Cinderella: 2. Her Fairy Godmother calls...
143 bpm • G Maj • 01:35 • -31db
15% Popularity • 14% Danceability • 2% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
15% Popularity • 14% Danceability • 2% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
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Ottorino Respighi
Respighi: Trittico botticelliano, P. 151...
137 bpm • A Maj • 05:40 • -13.71db
4% Popularity • 33% Danceability • 19% Energy • 11% Liveness
91% Instrumentalness • 10% Positiveness
4% Popularity • 33% Danceability • 19% Energy • 11% Liveness
91% Instrumentalness • 10% Positiveness
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Vítězslav Novák
Moravian-Slovak Suite, Op. 32 (version f...
137 bpm • D# Maj • 04:30 • -22.14db
15% Popularity • 18% Danceability • 6% Energy • 13% Liveness
85% Instrumentalness • 4% Positiveness
15% Popularity • 18% Danceability • 6% Energy • 13% Liveness
85% Instrumentalness • 4% Positiveness
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Godfrey Ridout
La prima ballerina: Suite No. 1: III. Ge...
143 bpm • C# Maj • 04:44 • -25.12db
0% Popularity • 48% Danceability • 7% Energy • 25% Liveness
2% Instrumentalness • 22% Positiveness
0% Popularity • 48% Danceability • 7% Energy • 25% Liveness
2% Instrumentalness • 22% Positiveness
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Jean Sibelius
Lemminkäinen, Op. 22: IV. Lemminkäinen...
144 bpm • C min • 06:36 • -24.5db
8% Popularity • 29% Danceability • 20% Energy • 7% Liveness
86% Instrumentalness • 12% Positiveness
8% Popularity • 29% Danceability • 20% Energy • 7% Liveness
86% Instrumentalness • 12% Positiveness
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Dmitri Shostakovich
Shostakovich: Piano Concerto No. 2 in F ...
144 bpm • A# Maj • 07:27 • -14.21db
1% Popularity • 47% Danceability • 32% Energy • 6% Liveness
89% Instrumentalness • 31% Positiveness
1% Popularity • 47% Danceability • 32% Energy • 6% Liveness
89% Instrumentalness • 31% Positiveness
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Gabrieli String Quartet
Elsie Cubitt (The Dancing Men) - 2024 Di...
144 bpm • C# Maj • 03:56 • -33.9db
9% Popularity • 13% Danceability • 1% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
9% Popularity • 13% Danceability • 1% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Arnold Rosner
Variations on a Theme by Frank Martin, O...
136 bpm • A Maj • 01:57 • -32.98db
13% Popularity • 15% Danceability • 2% Energy • 15% Liveness
90% Instrumentalness • 3% Positiveness
13% Popularity • 15% Danceability • 2% Energy • 15% Liveness
90% Instrumentalness • 3% Positiveness
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Dick Walter
Mini Sleeping Beauty
136 bpm • D# Maj • 01:02 • -24.05db
13% Popularity • 19% Danceability • 7% Energy • 12% Liveness
92% Instrumentalness • 5% Positiveness
13% Popularity • 19% Danceability • 7% Energy • 12% Liveness
92% Instrumentalness • 5% Positiveness
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Godfrey Ridout
La prima ballerina: Suite No. 1: I. Danc...
144 bpm • C# Maj • 02:10 • -23.25db
0% Popularity • 50% Danceability • 24% Energy • 9% Liveness
78% Instrumentalness • 27% Positiveness
0% Popularity • 50% Danceability • 24% Energy • 9% Liveness
78% Instrumentalness • 27% Positiveness
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Milo Paulus
The Men's Project: II. Meeting Madeleine
136 bpm • C Maj • 02:32 • -20.23db
13% Popularity • 15% Danceability • 17% Energy • 10% Liveness
93% Instrumentalness • 5% Positiveness
13% Popularity • 15% Danceability • 17% Energy • 10% Liveness
93% Instrumentalness • 5% Positiveness
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Ottorino Respighi
Belkis, regina di Saba, P 171: III. Danz...
144 bpm • G# min • 02:53 • -16.65db
14% Popularity • 36% Danceability • 40% Energy • 9% Liveness
89% Instrumentalness • 33% Positiveness
14% Popularity • 36% Danceability • 40% Energy • 9% Liveness
89% Instrumentalness • 33% Positiveness
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Benjamin Britten
Simple Symphony, Op. 4: IV. Frolicsome F...
144 bpm • G Maj • 03:08 • -18.22db
9% Popularity • 30% Danceability • 24% Energy • 8% Liveness
89% Instrumentalness • 20% Positiveness
9% Popularity • 30% Danceability • 24% Energy • 8% Liveness
89% Instrumentalness • 20% Positiveness
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Peter Deunov
Weaving
135 bpm • D min • 01:58 • -20.12db
8% Popularity • 34% Danceability • 10% Energy • 9% Liveness
95% Instrumentalness • 27% Positiveness
8% Popularity • 34% Danceability • 10% Energy • 9% Liveness
95% Instrumentalness • 27% Positiveness
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Igor Stravinsky
Stravinsky: Pulcinella: VIII. Gavotta
145 bpm • D Maj • 01:36 • -30.88db
5% Popularity • 18% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 8% Positiveness
5% Popularity • 18% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 8% Positiveness
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Godfrey Ridout
George III His Lament: IV. Brioso (Live)
144 bpm • G Maj • 01:41 • -21.79db
0% Popularity • 48% Danceability • 10% Energy • 13% Liveness
90% Instrumentalness • 57% Positiveness
0% Popularity • 48% Danceability • 10% Energy • 13% Liveness
90% Instrumentalness • 57% Positiveness
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Milo Paulus
Proving the Existence of Folkloric Creat...
135 bpm • A min • 03:17 • -21.72db
10% Popularity • 38% Danceability • 13% Energy • 9% Liveness
45% Instrumentalness • 10% Positiveness
10% Popularity • 38% Danceability • 13% Energy • 9% Liveness
45% Instrumentalness • 10% Positiveness
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Christian Lindberg
Devil´s Train to Hell I
134 bpm • F# Maj • 00:51 • -13.83db
10% Popularity • 36% Danceability • 69% Energy • 32% Liveness
86% Instrumentalness • 39% Positiveness
10% Popularity • 36% Danceability • 69% Energy • 32% Liveness
86% Instrumentalness • 39% Positiveness
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Ria Mbanefo
Love Sleeping Alone
134 bpm • G min • 02:24 • -22.2db
14% Popularity • 56% Danceability • 9% Energy • 12% Liveness
96% Instrumentalness • 45% Positiveness
14% Popularity • 56% Danceability • 9% Energy • 12% Liveness
96% Instrumentalness • 45% Positiveness
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Benjamin Britten
Spring Symphony, Op. 44, Part I: Introdu...
134 bpm • C Maj • 08:33 • -25.34db
17% Popularity • 16% Danceability • 3% Energy • 25% Liveness
20% Instrumentalness • 3% Positiveness
17% Popularity • 16% Danceability • 3% Energy • 25% Liveness
20% Instrumentalness • 3% Positiveness
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Hugo Alfvén
Vallflickans Dance (Dance of the Shepher...
147 bpm • G Maj • 03:54 • -29db
10% Popularity • 25% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 18% Positiveness
10% Popularity • 25% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 18% Positiveness
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Godfrey Ridout
Ballade
134 bpm • C Maj • 09:14 • -37.46db
0% Popularity • 16% Danceability • 2% Energy • 10% Liveness
6% Instrumentalness • 4% Positiveness
0% Popularity • 16% Danceability • 2% Energy • 10% Liveness
6% Instrumentalness • 4% Positiveness
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Dani Howard
Arches
147 bpm • E Maj • 09:15 • -21.78db
8% Popularity • 16% Danceability • 11% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
8% Popularity • 16% Danceability • 11% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
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Franz von Suppé
Die Reise um die Erde in 80 Tagen (Versi...
147 bpm • C# min • 01:01 • -11.84db
26% Popularity • 32% Danceability • 44% Energy • 53% Liveness
86% Instrumentalness • 31% Positiveness
26% Popularity • 32% Danceability • 44% Energy • 53% Liveness
86% Instrumentalness • 31% Positiveness
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Heitor Villa-Lobos
Fantasia for Cello & Orchestra, W454: II...
133 bpm • D# Maj • 07:00 • -26.09db
9% Popularity • 26% Danceability • 10% Energy • 12% Liveness
85% Instrumentalness • 23% Positiveness
9% Popularity • 26% Danceability • 10% Energy • 12% Liveness
85% Instrumentalness • 23% Positiveness
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Benjamin Britten
Spring Symphony, Op. 44, Part IV: Finale...
134 bpm • C Maj • 07:18 • -18.63db
15% Popularity • 30% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
15% Popularity • 30% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
► Preview
Arvo Pärt
De profundis
133 bpm • E min • 06:55 • -24.78db
21% Popularity • 16% Danceability • 6% Energy • 26% Liveness
56% Instrumentalness • 4% Positiveness
21% Popularity • 16% Danceability • 6% Energy • 26% Liveness
56% Instrumentalness • 4% Positiveness
► Preview
Godfrey Ridout
Music for a Young Prince: III. The Cowbo...
134 bpm • E min • 04:17 • -26.49db
0% Popularity • 25% Danceability • 5% Energy • 5% Liveness
74% Instrumentalness • 9% Positiveness
0% Popularity • 25% Danceability • 5% Energy • 5% Liveness
74% Instrumentalness • 9% Positiveness
► Preview
Erik Satie
Relâche, Pt. 2: No. 10, La femme rejoin...
148 bpm • C min • 01:01 • -38.39db
9% Popularity • 16% Danceability • 0% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
9% Popularity • 16% Danceability • 0% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Paul Chihara
Concerto-Fantasy: II. Interlude
133 bpm • C# Maj • 03:47 • -25.08db
10% Popularity • 22% Danceability • 7% Energy • 60% Liveness
86% Instrumentalness • 5% Positiveness
10% Popularity • 22% Danceability • 7% Energy • 60% Liveness
86% Instrumentalness • 5% Positiveness
► Preview
Frederick Delius
Orchestral Suite No. 1, RT VI/6: II. Ber...
133 bpm • G Maj • 03:05 • -31.26db
8% Popularity • 16% Danceability • 2% Energy • 8% Liveness
65% Instrumentalness • 3% Positiveness
8% Popularity • 16% Danceability • 2% Energy • 8% Liveness
65% Instrumentalness • 3% Positiveness
► Preview
Benjamin Britten
The Young Person's Guide to the Orchestr...
148 bpm • D Maj • 03:02 • -16.63db
23% Popularity • 37% Danceability • 25% Energy • 11% Liveness
79% Instrumentalness • 25% Positiveness
23% Popularity • 37% Danceability • 25% Energy • 11% Liveness
79% Instrumentalness • 25% Positiveness
► Preview
Aurelio Scotto
Orchestral Sketch n.°2
132 bpm • A min • 01:27 • -20.56db
18% Popularity • 46% Danceability • 17% Energy • 20% Liveness
86% Instrumentalness • 25% Positiveness
18% Popularity • 46% Danceability • 17% Energy • 20% Liveness
86% Instrumentalness • 25% Positiveness
► Preview
![Fall Fair, Op. 25 (Arr. E. Fralick for Wind Ensemble) [Live] cover art](https://i.scdn.co/image/ab67616d00001e02527f3169e5b53b8da31de30a)
Godfrey Ridout
Fall Fair, Op. 25 (Arr. E. Fralick for W...
133 bpm • D Maj • 04:55 • -21.22db
0% Popularity • 30% Danceability • 12% Energy • 64% Liveness
85% Instrumentalness • 12% Positiveness
0% Popularity • 30% Danceability • 12% Energy • 64% Liveness
85% Instrumentalness • 12% Positiveness
► Preview
Eric Coates
Cinderella: 7. Cinderella, once more sit...
148 bpm • G Maj • 01:13 • -36.75db
13% Popularity • 12% Danceability • 0% Energy • 9% Liveness
65% Instrumentalness • 3% Positiveness
13% Popularity • 12% Danceability • 0% Energy • 9% Liveness
65% Instrumentalness • 3% Positiveness
► Preview
Luca Schettino
String Quartet N 20 Mov 1 Mazurka Versio...
150 bpm • C min • 01:16 • -14db
14% Popularity • 39% Danceability • 25% Energy • 83% Liveness
86% Instrumentalness • 66% Positiveness
14% Popularity • 39% Danceability • 25% Energy • 83% Liveness
86% Instrumentalness • 66% Positiveness
► Preview
Sanseti Sabaru
Mystic Raga Serenity
149 bpm • G min • 02:22 • -34.22db
10% Popularity • 13% Danceability • 2% Energy • 5% Liveness
94% Instrumentalness • 5% Positiveness
10% Popularity • 13% Danceability • 2% Energy • 5% Liveness
94% Instrumentalness • 5% Positiveness
► Preview
Danke Timi Briggs
Billabong
150 bpm • G min • 02:12 • -15.02db
18% Popularity • 22% Danceability • 22% Energy • 36% Liveness
91% Instrumentalness • 38% Positiveness
18% Popularity • 22% Danceability • 22% Energy • 36% Liveness
91% Instrumentalness • 38% Positiveness
► Preview
LeoRoads
Harmony of Angels
130 bpm • E min • 02:19 • -16.85db
8% Popularity • 48% Danceability • 18% Energy • 14% Liveness
95% Instrumentalness • 4% Positiveness
8% Popularity • 48% Danceability • 18% Energy • 14% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
Godfrey Ridout
Cantiones mysticae: No. 2. Thou Hast Mad...
132 bpm • C Maj • 03:17 • -35.2db
0% Popularity • 30% Danceability • 0% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
0% Popularity • 30% Danceability • 0% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
► Preview
Orion King
Intend
151 bpm • C# Maj • 02:59 • -19.28db
14% Popularity • 43% Danceability • 21% Energy • 28% Liveness
90% Instrumentalness • 18% Positiveness
14% Popularity • 43% Danceability • 21% Energy • 28% Liveness
90% Instrumentalness • 18% Positiveness
► Preview
Jean Sibelius
Symphony No. 5 in E-flat major, Op. 82: ...
129 bpm • G Maj • 09:26 • -26.97db
11% Popularity • 22% Danceability • 3% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
11% Popularity • 22% Danceability • 3% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Sanseti Sabaru
Ravi
151 bpm • D min • 02:10 • -33.62db
15% Popularity • 14% Danceability • 2% Energy • 7% Liveness
91% Instrumentalness • 9% Positiveness
15% Popularity • 14% Danceability • 2% Energy • 7% Liveness
91% Instrumentalness • 9% Positiveness
► Preview
Giuseppe Verdi
Verdi: Rigoletto, Act 3: "La donna è mo...
129 bpm • B Maj • 03:20 • -20.23db
20% Popularity • 30% Danceability • 19% Energy • 35% Liveness
81% Instrumentalness • 42% Positiveness
20% Popularity • 30% Danceability • 19% Energy • 35% Liveness
81% Instrumentalness • 42% Positiveness
► Preview
Gustav Holst
St. Paul's Suite, Op. 29, No. 2: I. Jig
129 bpm • C Maj • 03:44 • -18.17db
12% Popularity • 31% Danceability • 14% Energy • 11% Liveness
91% Instrumentalness • 22% Positiveness
12% Popularity • 31% Danceability • 14% Energy • 11% Liveness
91% Instrumentalness • 22% Positiveness
► Preview
Godfrey Ridout
George III His Lament: VI. Marziale (Liv...
132 bpm • F Maj • 03:32 • -20.82db
0% Popularity • 24% Danceability • 18% Energy • 33% Liveness
97% Instrumentalness • 28% Positiveness
0% Popularity • 24% Danceability • 18% Energy • 33% Liveness
97% Instrumentalness • 28% Positiveness
► Preview
Béla Bartók
The Wooden Prince, Sz. 60 (Final Version...
129 bpm • G Maj • 04:11 • -13.56db
23% Popularity • 45% Danceability • 37% Energy • 62% Liveness
82% Instrumentalness • 24% Positiveness
23% Popularity • 45% Danceability • 37% Energy • 62% Liveness
82% Instrumentalness • 24% Positiveness
► Preview
Franz Schubert
Mass No. 2 in G Major, D. 167: VI. Agnus...
129 bpm • G Maj • 05:50 • -28.55db
7% Popularity • 23% Danceability • 4% Energy • 10% Liveness
5% Instrumentalness • 4% Positiveness
7% Popularity • 23% Danceability • 4% Energy • 10% Liveness
5% Instrumentalness • 4% Positiveness
► Preview
Edvard Grieg
二つの悲しき旋律: 第2曲: 過�...
128 bpm • G Maj • 04:37 • -21.22db
10% Popularity • 17% Danceability • 9% Energy • 23% Liveness
85% Instrumentalness • 4% Positiveness
10% Popularity • 17% Danceability • 9% Energy • 23% Liveness
85% Instrumentalness • 4% Positiveness
► Preview
Paul Creston
Saxophone Concerto, Op. 26 (Version for ...
154 bpm • D Maj • 06:00 • -18.49db
8% Popularity • 28% Danceability • 21% Energy • 15% Liveness
88% Instrumentalness • 33% Positiveness
8% Popularity • 28% Danceability • 21% Energy • 15% Liveness
88% Instrumentalness • 33% Positiveness
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Gustav Holst
A Fugal Concerto, Op. 40: II. Adagio
128 bpm • D Maj • 03:10 • -28.77db
20% Popularity • 18% Danceability • 4% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
20% Popularity • 18% Danceability • 4% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Godfrey Ridout
No Mean City: Scenes from Childhood: I. ...
128 bpm • A# Maj • 04:45 • -27.14db
0% Popularity • 32% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
0% Popularity • 32% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Ferdinand David
Trombone Concertino in E-flat Major, Op....
127 bpm • D# Maj • 01:00 • -14.56db
16% Popularity • 32% Danceability • 32% Energy • 15% Liveness
92% Instrumentalness • 33% Positiveness
16% Popularity • 32% Danceability • 32% Energy • 15% Liveness
92% Instrumentalness • 33% Positiveness
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Felix Klieser
Hedwig's Theme
154 bpm • A min • 04:11 • -22.51db
24% Popularity • 27% Danceability • 7% Energy • 6% Liveness
7% Instrumentalness • 12% Positiveness
24% Popularity • 27% Danceability • 7% Energy • 6% Liveness
7% Instrumentalness • 12% Positiveness
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Juan Pablo Fernández Ramos
Las tres culturas: 3. Los pasos de Jehov...
127 bpm • D min • 04:08 • -33.21db
10% Popularity • 21% Danceability • 1% Energy • 8% Liveness
58% Instrumentalness • 7% Positiveness
10% Popularity • 21% Danceability • 1% Energy • 8% Liveness
58% Instrumentalness • 7% Positiveness
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Johannes Brahms
Six Canonic Studies, Op. 56: No. 1, Con ...
126 bpm • C Maj • 03:04 • -32.3db
15% Popularity • 17% Danceability • 1% Energy • 9% Liveness
74% Instrumentalness • 7% Positiveness
15% Popularity • 17% Danceability • 1% Energy • 9% Liveness
74% Instrumentalness • 7% Positiveness
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Igor Stravinsky
Petrushka, K012 (1947 Version), Pt. 1, "...
126 bpm • D min • 07:51 • -21.11db
7% Popularity • 39% Danceability • 13% Energy • 64% Liveness
29% Instrumentalness • 7% Positiveness
7% Popularity • 39% Danceability • 13% Energy • 64% Liveness
29% Instrumentalness • 7% Positiveness
► Preview
Godfrey Ridout
Cantiones mysticae: No. 1. Wilt Thou Lov...
131 bpm • G# Maj • 05:48 • -24.06db
0% Popularity • 22% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
0% Popularity • 22% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Ferdinand David
Trombone Concertino in E-flat Major, Op....
127 bpm • D# Maj • 01:01 • -15.36db
20% Popularity • 25% Danceability • 23% Energy • 62% Liveness
85% Instrumentalness • 19% Positiveness
20% Popularity • 25% Danceability • 23% Energy • 62% Liveness
85% Instrumentalness • 19% Positiveness
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Fela Sowande
African Suite: V. Akinla
125 bpm • C Maj • 03:20 • -23.59db
16% Popularity • 46% Danceability • 14% Energy • 11% Liveness
90% Instrumentalness • 36% Positiveness
16% Popularity • 46% Danceability • 14% Energy • 11% Liveness
90% Instrumentalness • 36% Positiveness
► Preview
Andre Kostelanetz & His Orchestra
Serenade
125 bpm • A Maj • 02:35 • -19.57db
10% Popularity • 21% Danceability • 16% Energy • 6% Liveness
91% Instrumentalness • 7% Positiveness
10% Popularity • 21% Danceability • 16% Energy • 6% Liveness
91% Instrumentalness • 7% Positiveness
► Preview
Mieczysław Weinberg
The Passenger, Op. 97: Vorspiel
125 bpm • F# min • 02:46 • -23.06db
7% Popularity • 38% Danceability • 18% Energy • 11% Liveness
88% Instrumentalness • 22% Positiveness
7% Popularity • 38% Danceability • 18% Energy • 11% Liveness
88% Instrumentalness • 22% Positiveness
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Gustav Holst
St. Paul's Suite, Op. 29, No. 2: IV. Fin...
124 bpm • C Maj • 04:14 • -19.9db
11% Popularity • 23% Danceability • 17% Energy • 6% Liveness
91% Instrumentalness • 18% Positiveness
11% Popularity • 23% Danceability • 17% Energy • 6% Liveness
91% Instrumentalness • 18% Positiveness
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Godfrey Ridout
Tafelmusik: II. Finale
128 bpm • D min • 03:16 • -18.6db
0% Popularity • 48% Danceability • 23% Energy • 9% Liveness
82% Instrumentalness • 49% Positiveness
0% Popularity • 48% Danceability • 23% Energy • 9% Liveness
82% Instrumentalness • 49% Positiveness
► Preview
Benjamin Britten
The Young Person's Guide to the Orchestr...
124 bpm • B Maj • 04:01 • -26.85db
18% Popularity • 31% Danceability • 2% Energy • 12% Liveness
85% Instrumentalness • 4% Positiveness
18% Popularity • 31% Danceability • 2% Energy • 12% Liveness
85% Instrumentalness • 4% Positiveness
► Preview
Huang Haihuai
Horse Race (Arr. for Orchestra by Tom Ya...
125 bpm • G Maj • 02:08 • -18.77db
20% Popularity • 32% Danceability • 19% Energy • 11% Liveness
69% Instrumentalness • 40% Positiveness
20% Popularity • 32% Danceability • 19% Energy • 11% Liveness
69% Instrumentalness • 40% Positiveness
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Manu Martin
Lim Fantasy of Companionship for Piano a...
124 bpm • C Maj • 01:27 • -13.32db
9% Popularity • 46% Danceability • 40% Energy • 11% Liveness
96% Instrumentalness • 20% Positiveness
9% Popularity • 46% Danceability • 40% Energy • 11% Liveness
96% Instrumentalness • 20% Positiveness
► Preview
Anatoly Lyadov
8 Russian Folksongs, Op.58: 5. Legend of...
124 bpm • D min • 01:30 • -27.25db
10% Popularity • 31% Danceability • 5% Energy • 4% Liveness
75% Instrumentalness • 7% Positiveness
10% Popularity • 31% Danceability • 5% Energy • 4% Liveness
75% Instrumentalness • 7% Positiveness
► Preview
Edward Elgar
Elgar: Variations on an Original Theme, ...
123 bpm • G Maj • 05:35 • -15.99db
1% Popularity • 23% Danceability • 28% Energy • 12% Liveness
92% Instrumentalness • 20% Positiveness
1% Popularity • 23% Danceability • 28% Energy • 12% Liveness
92% Instrumentalness • 20% Positiveness
► Preview
Godfrey Ridout
Ave Maria
125 bpm • B Maj • 02:42 • -31.33db
1% Popularity • 21% Danceability • 3% Energy • 10% Liveness
76% Instrumentalness • 3% Positiveness
1% Popularity • 21% Danceability • 3% Energy • 10% Liveness
76% Instrumentalness • 3% Positiveness
► Preview
Franz Schmidt
Notre Dame, Op. 2: Intermezzo. Sehr zur�...
123 bpm • C# Maj • 03:38 • -24.31db
7% Popularity • 17% Danceability • 10% Energy • 18% Liveness
94% Instrumentalness • 4% Positiveness
7% Popularity • 17% Danceability • 10% Energy • 18% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Antonín Dvořák
String Quartet No. 5, Op. 9: II. Andante...
122 bpm • G# Maj • 08:07 • -23.11db
8% Popularity • 19% Danceability • 8% Energy • 9% Liveness
87% Instrumentalness • 6% Positiveness
8% Popularity • 19% Danceability • 8% Energy • 9% Liveness
87% Instrumentalness • 6% Positiveness
► Preview
Nikos Skalkottas
5 Greek Dances, AK 11b (Arr. for String ...
160 bpm • G min • 02:11 • -20.19db
17% Popularity • 33% Danceability • 22% Energy • 26% Liveness
92% Instrumentalness • 72% Positiveness
17% Popularity • 33% Danceability • 22% Energy • 26% Liveness
92% Instrumentalness • 72% Positiveness
► Preview
Maurice Ravel
Ravel: Miroirs, M. 43: IV. Alborada del ...
123 bpm • D Maj • 08:12 • -20.57db
2% Popularity • 31% Danceability • 6% Energy • 8% Liveness
41% Instrumentalness • 9% Positiveness
2% Popularity • 31% Danceability • 6% Energy • 8% Liveness
41% Instrumentalness • 9% Positiveness
