Songs like German Dance in G Major, K. 605 by Philharmonia Orchestra
Based on a tempo of (+/- 10%) and a similar genre
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Olivia Rodrigo
lacy
77 bpm • D# Maj • 02:57 • -7.63db
79% Popularity • 46% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
79% Popularity • 46% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Laufey
California and Me
77 bpm • E Maj • 03:36 • -11.8db
65% Popularity • 32% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
65% Popularity • 32% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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The Crane Wives
The Moon Will Sing
77 bpm • C# min • 03:40 • -8.3db
67% Popularity • 49% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
67% Popularity • 49% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Radiohead
No Surprises
76 bpm • F Maj • 03:49 • -10.65db
83% Popularity • 26% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
83% Popularity • 26% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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grentperez
Clementine
77 bpm • A# Maj • 04:05 • -8.82db
62% Popularity • 58% Danceability • 41% Energy • 24% Liveness
0% Instrumentalness • 34% Positiveness
62% Popularity • 58% Danceability • 41% Energy • 24% Liveness
0% Instrumentalness • 34% Positiveness
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Joanna Wang
Alice in Wonderland
76 bpm • C Maj • 04:18 • -9.21db
46% Popularity • 16% Danceability • 34% Energy • 11% Liveness
51% Instrumentalness • 15% Positiveness
46% Popularity • 16% Danceability • 34% Energy • 11% Liveness
51% Instrumentalness • 15% Positiveness
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Mitski
Liquid Smooth
76 bpm • G min • 02:49 • -9.47db
76% Popularity • 42% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
76% Popularity • 42% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
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Laufey
Let You Break My Heart Again
77 bpm • D Maj • 04:29 • -15.13db
78% Popularity • 30% Danceability • 14% Energy • 11% Liveness
11% Instrumentalness • 12% Positiveness
78% Popularity • 30% Danceability • 14% Energy • 11% Liveness
11% Instrumentalness • 12% Positiveness
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The Walters
I Love You So
76 bpm • A# Maj • 02:40 • -4.89db
89% Popularity • 57% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
89% Popularity • 57% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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SZA
Open Arms
78 bpm • A Maj • 03:59 • -7.61db
82% Popularity • 43% Danceability • 59% Energy • 15% Liveness
1% Instrumentalness • 24% Positiveness
82% Popularity • 43% Danceability • 59% Energy • 15% Liveness
1% Instrumentalness • 24% Positiveness
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Lana Del Rey
Norman fucking Rockwell
78 bpm • F Maj • 04:08 • -12.65db
76% Popularity • 22% Danceability • 20% Energy • 9% Liveness
6% Instrumentalness • 14% Positiveness
76% Popularity • 22% Danceability • 20% Energy • 9% Liveness
6% Instrumentalness • 14% Positiveness
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Billie Eilish
What Was I Made For? [From The Motion Pi...
78 bpm • C Maj • 03:42 • -17.67db
91% Popularity • 44% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
91% Popularity • 44% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Yehezkel Raz
Ballerina
76 bpm • D# Maj • 01:11 • -35.71db
76% Popularity • 38% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 43% Positiveness
76% Popularity • 38% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 43% Positiveness
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Laufey
Promise
76 bpm • F Maj • 03:54 • -16.55db
78% Popularity • 26% Danceability • 11% Energy • 6% Liveness
0% Instrumentalness • 9% Positiveness
78% Popularity • 26% Danceability • 11% Energy • 6% Liveness
0% Instrumentalness • 9% Positiveness
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Mac DeMarco
For the First Time
76 bpm • F min • 03:02 • -10.47db
83% Popularity • 55% Danceability • 53% Energy • 18% Liveness
1% Instrumentalness • 52% Positiveness
83% Popularity • 55% Danceability • 53% Energy • 18% Liveness
1% Instrumentalness • 52% Positiveness
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Sergei Rachmaninoff
Piano Concerto No. 2 in C Minor, Op. 18:...
79 bpm • C min • 09:59 • -22.25db
51% Popularity • 12% Danceability • 11% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
51% Popularity • 12% Danceability • 11% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
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Tyler, The Creator
See You Again
79 bpm • F# Maj • 03:00 • -9.22db
89% Popularity • 56% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
89% Popularity • 56% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Cigarettes After Sex
Sunsetz
75 bpm • F Maj • 03:35 • -9.4db
84% Popularity • 40% Danceability • 48% Energy • 10% Liveness
80% Instrumentalness • 13% Positiveness
84% Popularity • 40% Danceability • 48% Energy • 10% Liveness
80% Instrumentalness • 13% Positiveness
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Daniel Caesar
Best Part
75 bpm • G Maj • 03:29 • -10.21db
85% Popularity • 52% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
85% Popularity • 52% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Joe Hisaishi
One Summer Day
79 bpm • C Maj • 03:09 • -15.96db
66% Popularity • 41% Danceability • 20% Energy • 10% Liveness
89% Instrumentalness • 6% Positiveness
66% Popularity • 41% Danceability • 20% Energy • 10% Liveness
89% Instrumentalness • 6% Positiveness
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Park Bird
If I Could Ride a Bike
75 bpm • C# Maj • 03:23 • -10.43db
58% Popularity • 45% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
58% Popularity • 45% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Laufey
Goddess
79 bpm • F Maj • 04:27 • -13db
52% Popularity • 37% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
52% Popularity • 37% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Madds Buckley
The Red Means I Love You
79 bpm • D Maj • 03:53 • -12db
68% Popularity • 28% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
68% Popularity • 28% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
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NIKI
Every Summertime
79 bpm • F# Maj • 03:35 • -4.23db
76% Popularity • 63% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
76% Popularity • 63% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Dominic Fike
Mama's Boy
79 bpm • A Maj • 02:35 • -7.55db
75% Popularity • 81% Danceability • 35% Energy • 19% Liveness
71% Instrumentalness • 60% Positiveness
75% Popularity • 81% Danceability • 35% Energy • 19% Liveness
71% Instrumentalness • 60% Positiveness
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Lana Del Rey
How to disappear
79 bpm • A Maj • 03:48 • -11.79db
74% Popularity • 54% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 6% Positiveness
74% Popularity • 54% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 6% Positiveness
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Aphex Twin
QKThr
79 bpm • C# Maj • 01:27 • -26.12db
74% Popularity • 45% Danceability • 2% Energy • 13% Liveness
77% Instrumentalness • 6% Positiveness
74% Popularity • 45% Danceability • 2% Energy • 13% Liveness
77% Instrumentalness • 6% Positiveness
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Vacations
Telephones
75 bpm • D Maj • 03:32 • -9.27db
81% Popularity • 53% Danceability • 45% Energy • 11% Liveness
3% Instrumentalness • 18% Positiveness
81% Popularity • 53% Danceability • 45% Energy • 11% Liveness
3% Instrumentalness • 18% Positiveness
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Duster
Inside Out
79 bpm • A Maj • 02:21 • -9.66db
77% Popularity • 55% Danceability • 46% Energy • 10% Liveness
97% Instrumentalness • 65% Positiveness
77% Popularity • 55% Danceability • 46% Energy • 10% Liveness
97% Instrumentalness • 65% Positiveness
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Nathaniel Constantin
A Piece of You
75 bpm • D# Maj • 03:57 • -7.44db
70% Popularity • 48% Danceability • 53% Energy • 11% Liveness
2% Instrumentalness • 22% Positiveness
70% Popularity • 48% Danceability • 53% Energy • 11% Liveness
2% Instrumentalness • 22% Positiveness
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Taylor Swift
But Daddy I Love Him
79 bpm • E Maj • 05:40 • -7.64db
84% Popularity • 41% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
84% Popularity • 41% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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alex_g_offline
Break
79 bpm • A Maj • 02:57 • -14.24db
75% Popularity • 47% Danceability • 45% Energy • 12% Liveness
86% Instrumentalness • 48% Positiveness
75% Popularity • 47% Danceability • 45% Energy • 12% Liveness
86% Instrumentalness • 48% Positiveness
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JVKE
this is what autumn feels like
79 bpm • D# Maj • 03:39 • -7.42db
69% Popularity • 24% Danceability • 44% Energy • 17% Liveness
43% Instrumentalness • 16% Positiveness
69% Popularity • 24% Danceability • 44% Energy • 17% Liveness
43% Instrumentalness • 16% Positiveness
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wave to earth
light
80 bpm • B Maj • 03:45 • -7db
73% Popularity • 42% Danceability • 62% Energy • 12% Liveness
4% Instrumentalness • 73% Positiveness
73% Popularity • 42% Danceability • 62% Energy • 12% Liveness
4% Instrumentalness • 73% Positiveness
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Kitty Kallen
Its Been a Long, Long Time
74 bpm • C Maj • 03:24 • -11.65db
49% Popularity • 27% Danceability • 18% Energy • 17% Liveness
1% Instrumentalness • 42% Positiveness
49% Popularity • 27% Danceability • 18% Energy • 17% Liveness
1% Instrumentalness • 42% Positiveness
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Billie Eilish
listen before i go
80 bpm • C Maj • 04:02 • -23.02db
76% Popularity • 32% Danceability • 6% Energy • 39% Liveness
0% Instrumentalness • 8% Positiveness
76% Popularity • 32% Danceability • 6% Energy • 39% Liveness
0% Instrumentalness • 8% Positiveness
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Rex Orange County
Pluto Projector
80 bpm • F Maj • 04:27 • -11.2db
76% Popularity • 38% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
76% Popularity • 38% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Faye Webster
Jonny
80 bpm • F# Maj • 03:46 • -12db
66% Popularity • 61% Danceability • 23% Energy • 11% Liveness
2% Instrumentalness • 27% Positiveness
66% Popularity • 61% Danceability • 23% Energy • 11% Liveness
2% Instrumentalness • 27% Positiveness
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Vacations
Young
80 bpm • G Maj • 03:09 • -4.07db
81% Popularity • 50% Danceability • 81% Energy • 6% Liveness
1% Instrumentalness • 59% Positiveness
81% Popularity • 50% Danceability • 81% Energy • 6% Liveness
1% Instrumentalness • 59% Positiveness
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Steven Universe
Escapism
80 bpm • C Maj • 02:01 • -17db
67% Popularity • 48% Danceability • 8% Energy • 10% Liveness
1% Instrumentalness • 31% Positiveness
67% Popularity • 48% Danceability • 8% Energy • 10% Liveness
1% Instrumentalness • 31% Positiveness
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The Neighbourhood
Baby Came Home 2 / Valentines
74 bpm • D min • 06:30 • -9.75db
67% Popularity • 21% Danceability • 50% Energy • 77% Liveness
0% Instrumentalness • 11% Positiveness
67% Popularity • 21% Danceability • 50% Energy • 77% Liveness
0% Instrumentalness • 11% Positiveness
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Adele
Chasing Pavements
80 bpm • F min • 03:30 • -6.09db
74% Popularity • 62% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
74% Popularity • 62% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Daniel Caesar
Get You
74 bpm • E min • 04:38 • -8.53db
83% Popularity • 66% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
83% Popularity • 66% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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Matt Maltese
Everyone Adores You (at least I do)
74 bpm • F Maj • 03:23 • -9.04db
74% Popularity • 60% Danceability • 43% Energy • 10% Liveness
10% Instrumentalness • 11% Positiveness
74% Popularity • 60% Danceability • 43% Energy • 10% Liveness
10% Instrumentalness • 11% Positiveness
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Laufey
It Could Happen To You
81 bpm • D Maj • 02:07 • -10.76db
55% Popularity • 68% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
55% Popularity • 68% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Dmitri Shostakovich
Festive Overture Op.96
80 bpm • A Maj • 05:48 • -14.49db
14% Popularity • 33% Danceability • 39% Energy • 14% Liveness
90% Instrumentalness • 33% Positiveness
14% Popularity • 33% Danceability • 39% Energy • 14% Liveness
90% Instrumentalness • 33% Positiveness
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Pyotr Ilyich Tchaikovsky
Swan Lake (Suite), Op. 20a, TH. 219: I. ...
74 bpm • E min • 03:03 • -16db
55% Popularity • 13% Danceability • 20% Energy • 12% Liveness
92% Instrumentalness • 5% Positiveness
55% Popularity • 13% Danceability • 20% Energy • 12% Liveness
92% Instrumentalness • 5% Positiveness
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Lamp
For Lovers
74 bpm • G Maj • 01:15 • -17.89db
66% Popularity • 56% Danceability • 5% Energy • 12% Liveness
83% Instrumentalness • 59% Positiveness
66% Popularity • 56% Danceability • 5% Energy • 12% Liveness
83% Instrumentalness • 59% Positiveness
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Alex G
Treehouse
73 bpm • G min • 02:38 • -19.49db
76% Popularity • 61% Danceability • 20% Energy • 11% Liveness
32% Instrumentalness • 14% Positiveness
76% Popularity • 61% Danceability • 20% Energy • 11% Liveness
32% Instrumentalness • 14% Positiveness
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Mild High Club
Homage
73 bpm • F Maj • 02:57 • -8.17db
76% Popularity • 55% Danceability • 46% Energy • 32% Liveness
0% Instrumentalness • 42% Positiveness
76% Popularity • 55% Danceability • 46% Energy • 32% Liveness
0% Instrumentalness • 42% Positiveness
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Vitamin String Quartet
Howl's Moving Castle - Merry-Go-Round of...
73 bpm • D min • 03:04 • -13.82db
57% Popularity • 26% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
57% Popularity • 26% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
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Erik Satie
Gymnopédie No. 1
73 bpm • G Maj • 03:25 • -36.86db
71% Popularity • 47% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 36% Positiveness
71% Popularity • 47% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 36% Positiveness
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Omar Apollo
Evergreen (You Didn’t Deserve Me At Al...
82 bpm • A Maj • 03:36 • -10.4db
77% Popularity • 70% Danceability • 34% Energy • 11% Liveness
1% Instrumentalness • 31% Positiveness
77% Popularity • 70% Danceability • 34% Energy • 11% Liveness
1% Instrumentalness • 31% Positiveness
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Billie Eilish
Halley's Comet
72 bpm • C# min • 03:54 • -16.73db
77% Popularity • 40% Danceability • 16% Energy • 34% Liveness
1% Instrumentalness • 4% Positiveness
77% Popularity • 40% Danceability • 16% Energy • 34% Liveness
1% Instrumentalness • 4% Positiveness
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Mitski
I Bet on Losing Dogs
82 bpm • A Maj • 02:50 • -9.56db
80% Popularity • 40% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
80% Popularity • 40% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Vansire
From the Subway Train
72 bpm • F min • 00:57 • -10.28db
79% Popularity • 39% Danceability • 43% Energy • 22% Liveness
2% Instrumentalness • 10% Positiveness
79% Popularity • 39% Danceability • 43% Energy • 22% Liveness
2% Instrumentalness • 10% Positiveness
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ç…§äº•é †æ”¿
If I Am With You
82 bpm • C Maj • 02:26 • -13.33db
64% Popularity • 34% Danceability • 28% Energy • 12% Liveness
92% Instrumentalness • 13% Positiveness
64% Popularity • 34% Danceability • 28% Energy • 12% Liveness
92% Instrumentalness • 13% Positiveness
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keshi
UNDERSTAND
82 bpm • F Maj • 02:30 • -13.86db
77% Popularity • 38% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
77% Popularity • 38% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Vundabar
Alien Blues
82 bpm • D# Maj • 02:35 • -5.09db
81% Popularity • 47% Danceability • 76% Energy • 9% Liveness
91% Instrumentalness • 43% Positiveness
81% Popularity • 47% Danceability • 76% Energy • 9% Liveness
91% Instrumentalness • 43% Positiveness
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Genevieve Stokes
Habits
82 bpm • A Maj • 02:14 • -9.47db
69% Popularity • 66% Danceability • 29% Energy • 35% Liveness
0% Instrumentalness • 44% Positiveness
69% Popularity • 66% Danceability • 29% Energy • 35% Liveness
0% Instrumentalness • 44% Positiveness
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Laufey
Valentine
83 bpm • D# Maj • 02:48 • -13.07db
79% Popularity • 47% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
79% Popularity • 47% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Austin Farwell
New Home
72 bpm • F Maj • 02:06 • -22.79db
71% Popularity • 38% Danceability • 1% Energy • 12% Liveness
87% Instrumentalness • 20% Positiveness
71% Popularity • 38% Danceability • 1% Energy • 12% Liveness
87% Instrumentalness • 20% Positiveness
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Mitski
Heaven
72 bpm • D Maj • 03:44 • -11.85db
65% Popularity • 30% Danceability • 30% Energy • 12% Liveness
25% Instrumentalness • 33% Positiveness
65% Popularity • 30% Danceability • 30% Energy • 12% Liveness
25% Instrumentalness • 33% Positiveness
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Joe Hisaishi
Merry-Go-Round of Life - from 'Howl's Mo...
72 bpm • G min • 05:11 • -12.57db
69% Popularity • 24% Danceability • 29% Energy • 12% Liveness
64% Instrumentalness • 18% Positiveness
69% Popularity • 24% Danceability • 29% Energy • 12% Liveness
64% Instrumentalness • 18% Positiveness
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William Walton
Henry V - Suite (arr. Mathieson): IV. To...
71 bpm • C Maj • 01:40 • -32.65db
35% Popularity • 16% Danceability • 2% Energy • 7% Liveness
99% Instrumentalness • 6% Positiveness
35% Popularity • 16% Danceability • 2% Energy • 7% Liveness
99% Instrumentalness • 6% Positiveness
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Jack Stauber's Micropop
Cupid
83 bpm • D# Maj • 03:40 • -6.61db
67% Popularity • 57% Danceability • 51% Energy • 42% Liveness
81% Instrumentalness • 44% Positiveness
67% Popularity • 57% Danceability • 51% Energy • 42% Liveness
81% Instrumentalness • 44% Positiveness
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Billie Eilish
The 30th
83 bpm • G Maj • 03:36 • -14.4db
73% Popularity • 39% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
73% Popularity • 39% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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grentperez
Absence of You
71 bpm • G Maj • 03:14 • -9.74db
60% Popularity • 43% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
60% Popularity • 43% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Faye Webster
In A Good Way
71 bpm • A Maj • 03:44 • -8.84db
72% Popularity • 59% Danceability • 29% Energy • 21% Liveness
3% Instrumentalness • 30% Positiveness
72% Popularity • 59% Danceability • 29% Energy • 21% Liveness
3% Instrumentalness • 30% Positiveness
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Joe Hisaishi
The Flower Garden
71 bpm • C min • 02:58 • -17.6db
67% Popularity • 10% Danceability • 18% Energy • 10% Liveness
89% Instrumentalness • 9% Positiveness
67% Popularity • 10% Danceability • 18% Energy • 10% Liveness
89% Instrumentalness • 9% Positiveness
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jagger finn
Vas
71 bpm • C Maj • 01:30 • -10.65db
72% Popularity • 51% Danceability • 42% Energy • 13% Liveness
85% Instrumentalness • 42% Positiveness
72% Popularity • 51% Danceability • 42% Energy • 13% Liveness
85% Instrumentalness • 42% Positiveness
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Ruggero Leoncavallo
Pagliacci / Act 1: "Recitar!...Vesti la ...
83 bpm • E Maj • 04:08 • -17db
48% Popularity • 18% Danceability • 20% Energy • 19% Liveness
1% Instrumentalness • 4% Positiveness
48% Popularity • 18% Danceability • 20% Energy • 19% Liveness
1% Instrumentalness • 4% Positiveness
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Taylor Swift
How Did It End?
84 bpm • C Maj • 03:58 • -8.89db
86% Popularity • 48% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
86% Popularity • 48% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Adrianne Lenker
anything
84 bpm • D# Maj • 03:22 • -12.95db
74% Popularity • 39% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
74% Popularity • 39% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Celeste
Strange
71 bpm • D Maj • 04:15 • -9.88db
71% Popularity • 29% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
71% Popularity • 29% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Emile Mosseri
Jacob and the Stone
84 bpm • C# Maj • 01:38 • -18db
74% Popularity • 19% Danceability • 17% Energy • 12% Liveness
94% Instrumentalness • 10% Positiveness
74% Popularity • 19% Danceability • 17% Energy • 12% Liveness
94% Instrumentalness • 10% Positiveness
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Lana Del Rey
Happiness is a butterfly
70 bpm • D Maj • 04:32 • -10.99db
77% Popularity • 47% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
77% Popularity • 47% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Piero Piccioni
Easy Lovers
70 bpm • C min • 03:45 • -13.95db
62% Popularity • 34% Danceability • 33% Energy • 12% Liveness
42% Instrumentalness • 18% Positiveness
62% Popularity • 34% Danceability • 33% Energy • 12% Liveness
42% Instrumentalness • 18% Positiveness
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Daniel Caesar
Loose
70 bpm • C# Maj • 03:05 • -15.82db
76% Popularity • 20% Danceability • 16% Energy • 14% Liveness
1% Instrumentalness • 5% Positiveness
76% Popularity • 20% Danceability • 16% Energy • 14% Liveness
1% Instrumentalness • 5% Positiveness
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Franz Lehár
Die lustige Witwe (The Merry Widow) (200...
85 bpm • G Maj • 02:28 • -20.48db
35% Popularity • 21% Danceability • 8% Energy • 18% Liveness
1% Instrumentalness • 6% Positiveness
35% Popularity • 21% Danceability • 8% Energy • 18% Liveness
1% Instrumentalness • 6% Positiveness
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Mitski
A Pearl
85 bpm • G# Maj • 02:36 • -4.04db
74% Popularity • 30% Danceability • 64% Energy • 11% Liveness
2% Instrumentalness • 22% Positiveness
74% Popularity • 30% Danceability • 64% Energy • 11% Liveness
2% Instrumentalness • 22% Positiveness
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Ariana Grande
intro (end of the world)
85 bpm • A# Maj • 01:32 • -9.49db
90% Popularity • 50% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
90% Popularity • 50% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
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Austin Farwell
New Home (Slowed)
70 bpm • B Maj • 02:54 • -27.72db
69% Popularity • 36% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 12% Positiveness
69% Popularity • 36% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 12% Positiveness
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Carl Davis
Pride and Prejudice Suite: III. Elizabet...
85 bpm • E Maj • 06:30 • -16db
31% Popularity • 21% Danceability • 12% Energy • 9% Liveness
65% Instrumentalness • 4% Positiveness
31% Popularity • 21% Danceability • 12% Energy • 9% Liveness
65% Instrumentalness • 4% Positiveness
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Pietro Mascagni
Mascagni: Cavalleria rusticana: Intermez...
85 bpm • F Maj • 03:43 • -17.55db
41% Popularity • 10% Danceability • 12% Energy • 41% Liveness
89% Instrumentalness • 4% Positiveness
41% Popularity • 10% Danceability • 12% Energy • 41% Liveness
89% Instrumentalness • 4% Positiveness
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Tommaso Giordani
Caro mio ben
85 bpm • F Maj • 03:03 • -17.81db
24% Popularity • 14% Danceability • 14% Energy • 38% Liveness
1% Instrumentalness • 13% Positiveness
24% Popularity • 14% Danceability • 14% Energy • 38% Liveness
1% Instrumentalness • 13% Positiveness
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Matt Maltese
Intolewd
85 bpm • G min • 01:19 • -16.99db
76% Popularity • 76% Danceability • 20% Energy • 10% Liveness
19% Instrumentalness • 64% Positiveness
76% Popularity • 76% Danceability • 20% Energy • 10% Liveness
19% Instrumentalness • 64% Positiveness
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Vittorio Monti
Monti: Csárdás
85 bpm • D Maj • 04:49 • -21.94db
27% Popularity • 27% Danceability • 13% Energy • 8% Liveness
60% Instrumentalness • 18% Positiveness
27% Popularity • 27% Danceability • 13% Energy • 8% Liveness
60% Instrumentalness • 18% Positiveness
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JAEHYUN
Try Again
86 bpm • D min • 02:58 • -7.82db
74% Popularity • 44% Danceability • 35% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness
74% Popularity • 44% Danceability • 35% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness
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Adventure Time
Everything Stays
85 bpm • G Maj • 01:35 • -17.59db
69% Popularity • 48% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
69% Popularity • 48% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Lucy Dacus
Night Shift
86 bpm • A Maj • 06:31 • -7.89db
69% Popularity • 48% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
69% Popularity • 48% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Herb Alpert & The Tijuana Brass
Ladyfingers
86 bpm • G# Maj • 02:46 • -13.19db
62% Popularity • 37% Danceability • 35% Energy • 17% Liveness
94% Instrumentalness • 56% Positiveness
62% Popularity • 37% Danceability • 35% Energy • 17% Liveness
94% Instrumentalness • 56% Positiveness
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Claude Debussy
Clair De Lune
87 bpm • C# Maj • 05:06 • -18.24db
58% Popularity • 20% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
58% Popularity • 20% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Leith Ross
We'll Never Have Sex
87 bpm • D Maj • 01:40 • -16.37db
67% Popularity • 43% Danceability • 10% Energy • 12% Liveness
1% Instrumentalness • 28% Positiveness
67% Popularity • 43% Danceability • 10% Energy • 12% Liveness
1% Instrumentalness • 28% Positiveness
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Kholby Wardell
Noel's Lament
87 bpm • A min • 04:59 • -13.72db
65% Popularity • 38% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
65% Popularity • 38% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Piero Piccioni
Luna, amore e no
87 bpm • D# Maj • 02:02 • -13.99db
57% Popularity • 17% Danceability • 26% Energy • 29% Liveness
93% Instrumentalness • 19% Positiveness
57% Popularity • 17% Danceability • 26% Energy • 29% Liveness
93% Instrumentalness • 19% Positiveness
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Henry Mancini
Moon River
87 bpm • A# Maj • 02:05 • -19.77db
56% Popularity • 32% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
56% Popularity • 32% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Bruno Major
Places We Won't Walk
88 bpm • D# Maj • 02:49 • -16db
61% Popularity • 39% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
61% Popularity • 39% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
