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Germination
Songs like
Germination
by
Ryuichi Sakamoto
Based on a tempo of (+/- 10%) and a similar genre
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Alexandre Desplat
Meeting Daisy
80 bpm • D Maj • 01:21 • -21.21db
29% Popularity • 31% Danceability • 5% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Clint Mansell
The Painter On His Way To Work On The Ro...
80 bpm • C# Maj • 03:48 • -22.53db
20% Popularity • 33% Danceability • 3% Energy • 6% Liveness
85% Instrumentalness • 4% Positiveness
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The City of Prague Philharmonic Orchestra
The Harvest
80 bpm • C Maj • 02:56 • -16.53db
18% Popularity • 9% Danceability • 19% Energy • 13% Liveness
86% Instrumentalness • 4% Positiveness
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Justin Hurwitz
Engagement Party
80 bpm • D# Maj • 01:27 • -22.61db
60% Popularity • 40% Danceability • 7% Energy • 11% Liveness
91% Instrumentalness • 33% Positiveness
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Franz Schubert
Minuet in A major, D. 334
80 bpm • A Maj • 03:21 • -32.13db
11% Popularity • 30% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 20% Positiveness
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Ryuichi Sakamoto
Germination
80 bpm • D Maj • 02:09 • -25.88db
32% Popularity • 39% Danceability • 3% Energy • 7% Liveness
72% Instrumentalness • 26% Positiveness
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Daniel Blumberg
Tallie
80 bpm • A# Maj • 03:18 • -22.64db
14% Popularity • 9% Danceability • 4% Energy • 11% Liveness
81% Instrumentalness • 6% Positiveness
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Camille Saint-Saëns
Carnival of the Animals, R. 125: Aquariu...
81 bpm • A min • 02:01 • -31.36db
50% Popularity • 28% Danceability • 4% Energy • 10% Liveness
98% Instrumentalness • 13% Positiveness
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Abel Korzeniowski
The Field
81 bpm • B min • 02:50 • -24.24db
32% Popularity • 21% Danceability • 12% Energy • 35% Liveness
89% Instrumentalness • 4% Positiveness
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Jonny Greenwood
Phantom Thread II
79 bpm • E min • 03:54 • -16.19db
29% Popularity • 37% Danceability • 7% Energy • 8% Liveness
28% Instrumentalness • 14% Positiveness
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David Motion
The Maze
79 bpm • C Maj • 04:30 • -13.52db
22% Popularity • 37% Danceability • 37% Energy • 10% Liveness
9% Instrumentalness • 7% Positiveness
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조영욱과 THE SOUNDTRACKINGS
She’s Beautiful, Quite the Charmer
81 bpm • A min • 01:57 • -15.64db
25% Popularity • 35% Danceability • 7% Energy • 12% Liveness
78% Instrumentalness • 11% Positiveness
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Rousseau
Arabesque No. 1
81 bpm • F# min • 04:49 • -26db
45% Popularity • 32% Danceability • 4% Energy • 9% Liveness
89% Instrumentalness • 12% Positiveness
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Emile Mosseri
Find It Every Time
81 bpm • G# Maj • 02:03 • -16.39db
36% Popularity • 32% Danceability • 20% Energy • 11% Liveness
85% Instrumentalness • 11% Positiveness
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Franz Liszt
Étude de Concert in D Flat Major, S144 ...
79 bpm • C# Maj • 05:59 • -17.57db
30% Popularity • 22% Danceability • 13% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Jonny Greenwood
Phantom Thread I
79 bpm • E min • 03:35 • -18.66db
30% Popularity • 10% Danceability • 16% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
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Trevor Gureckis
Currents - Solo Piano
79 bpm • B min • 03:21 • -19.99db
8% Popularity • 14% Danceability • 25% Energy • 10% Liveness
89% Instrumentalness • 13% Positiveness
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Sergei Rachmaninoff
Piano Concerto No. 2 in C Minor, Op. 18:...
79 bpm • C min • 09:59 • -22.25db
51% Popularity • 12% Danceability • 11% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
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Jon Brion
Reconcile
81 bpm • F Maj • 01:24 • -22.59db
48% Popularity • 19% Danceability • 14% Energy • 6% Liveness
87% Instrumentalness • 6% Positiveness
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Emile Mosseri
Outro
79 bpm • C# Maj • 02:53 • -17.16db
41% Popularity • 8% Danceability • 14% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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Elmer Bernstein
First Visit
78 bpm • A min • 02:26 • -21.93db
19% Popularity • 21% Danceability • 6% Energy • 8% Liveness
80% Instrumentalness • 4% Positiveness
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Randy Newman
New House
78 bpm • F min • 01:32 • -16db
20% Popularity • 28% Danceability • 14% Energy • 7% Liveness
47% Instrumentalness • 11% Positiveness
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Ryuichi Sakamoto
Bolerish
82 bpm • F Maj • 06:10 • -21.48db
19% Popularity • 32% Danceability • 4% Energy • 10% Liveness
95% Instrumentalness • 7% Positiveness
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조영욱과 THE SOUNDTRACKINGS
It was Wrong to Come Here
82 bpm • C Maj • 01:30 • -11.22db
24% Popularity • 23% Danceability • 30% Energy • 12% Liveness
93% Instrumentalness • 10% Positiveness
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Gustav Mahler
Symphony No. 5 In C Sharp Minor: 4. Adag...
82 bpm • F Maj • 10:45 • -27.86db
37% Popularity • 14% Danceability • 2% Energy • 10% Liveness
83% Instrumentalness • 3% Positiveness
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Adrian Johnston
Brideshead Revisited: No. 24, Always Sum...
78 bpm • A# Maj • 02:29 • -25db
35% Popularity • 34% Danceability • 9% Energy • 14% Liveness
92% Instrumentalness • 10% Positiveness
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Frédéric Chopin
Prelude, Op. 28, No. 4
82 bpm • A min • 02:47 • -26.12db
32% Popularity • 27% Danceability • 0% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
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Randy Newman
Last Critique
78 bpm • C Maj • 01:41 • -18db
25% Popularity • 33% Danceability • 5% Energy • 15% Liveness
92% Instrumentalness • 15% Positiveness
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Richard Wagner
Tristan & Isolde: Einleitung
82 bpm • C Maj • 10:49 • -27db
24% Popularity • 18% Danceability • 4% Energy • 9% Liveness
58% Instrumentalness • 3% Positiveness
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Daniel Hart
Whatever Hour You Woke
78 bpm • A min • 02:25 • -12.99db
22% Popularity • 12% Danceability • 23% Energy • 15% Liveness
88% Instrumentalness • 6% Positiveness
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Pyotr Ilyich Tchaikovsky
None but the lonely heart, Op. 6, No. 6
82 bpm • D# min • 03:19 • -14.97db
42% Popularity • 15% Danceability • 19% Energy • 16% Liveness
75% Instrumentalness • 4% Positiveness
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Francis Poulenc
Trois mouvements perpétuels, FP 14: I. ...
78 bpm • A# Maj • 01:13 • -23db
21% Popularity • 45% Danceability • 12% Energy • 12% Liveness
94% Instrumentalness • 29% Positiveness
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London Music Works
Eternal Sunshine Of The Spotless Mind
82 bpm • F min • 02:16 • -19.73db
33% Popularity • 28% Danceability • 9% Energy • 10% Liveness
94% Instrumentalness • 26% Positiveness
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Ryuichi Sakamoto
Koji's Aria
82 bpm • C min • 02:05 • -21.89db
15% Popularity • 17% Danceability • 9% Energy • 15% Liveness
90% Instrumentalness • 4% Positiveness
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Jonny Greenwood
Sandalwood II
82 bpm • C Maj • 03:42 • -15db
29% Popularity • 11% Danceability • 14% Energy • 20% Liveness
87% Instrumentalness • 4% Positiveness
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Daniel Hart
The Secret In The Wall
82 bpm • C Maj • 04:11 • -14.29db
31% Popularity • 18% Danceability • 6% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Brussels Philharmonic
Puppet Love
78 bpm • A min • 01:42 • -15db
22% Popularity • 30% Danceability • 14% Energy • 12% Liveness
76% Instrumentalness • 4% Positiveness
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daigoro789
Gymnopédie no.1 for Piano & Violin
82 bpm • G Maj • 03:52 • -26db
24% Popularity • 14% Danceability • 3% Energy • 8% Liveness
1% Instrumentalness • 7% Positiveness
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Ottorino Respighi
6 Pezzi, P. 44: No. 6. Internmezzo-seren...
83 bpm • A Maj • 02:26 • -32.62db
56% Popularity • 27% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 8% Positiveness
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Ryuichi Sakamoto
Snake Eyes Main Theme - Long Version / F...
78 bpm • D min • 05:26 • -13.41db
15% Popularity • 12% Danceability • 29% Energy • 13% Liveness
73% Instrumentalness • 6% Positiveness
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Bobby Krlic
The House that Hårga Built
78 bpm • F# Maj • 03:33 • -14.49db
32% Popularity • 8% Danceability • 22% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
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Elmer Bernstein
The Age of Innocence
78 bpm • C min • 04:36 • -10db
24% Popularity • 16% Danceability • 34% Energy • 17% Liveness
87% Instrumentalness • 10% Positiveness
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Jonny Greenwood
Partita In Five For Two Organs
78 bpm • E min • 01:57 • -27.07db
31% Popularity • 36% Danceability • 6% Energy • 11% Liveness
75% Instrumentalness • 5% Positiveness
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Abel Korzeniowski
The Field - Alternate Version
83 bpm • B min • 02:46 • -27.28db
30% Popularity • 17% Danceability • 8% Energy • 31% Liveness
96% Instrumentalness • 3% Positiveness
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Gustav Holst
The Planets, Op. 32: II. Venus, the Brin...
83 bpm • G# Maj • 08:20 • -37db
37% Popularity • 8% Danceability • 0% Energy • 11% Liveness
1% Instrumentalness • 3% Positiveness
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Cyril Scott
Two Pieces, Op. 47: 1. Lotus Land
77 bpm • D# min • 04:15 • -29db
22% Popularity • 29% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Alphonse Hasselmans
La source in F Major, Op. 44
83 bpm • F Maj • 03:59 • -19db
15% Popularity • 26% Danceability • 14% Energy • 11% Liveness
93% Instrumentalness • 9% Positiveness
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Christophe Bukudjian
Les 5 easy piece pour piano solo
83 bpm • A min • 01:13 • -25.02db
22% Popularity • 52% Danceability • 3% Energy • 8% Liveness
92% Instrumentalness • 37% Positiveness
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Ryuichi Sakamoto
The Last Emperor - Live at 東京オペ�...
77 bpm • G Maj • 06:54 • -18.96db
23% Popularity • 18% Danceability • 17% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
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Adagio
Gayane Ballet Suite (Adagio)
83 bpm • G# Maj • 05:17 • -25db
12% Popularity • 9% Danceability • 7% Energy • 30% Liveness
95% Instrumentalness • 3% Positiveness
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Emile Pandolfi
Once Upon a Dream
77 bpm • G# Maj • 03:55 • -18db
48% Popularity • 29% Danceability • 14% Energy • 16% Liveness
87% Instrumentalness • 22% Positiveness
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Alberto Iglesias
La cueva de Paterna
83 bpm • G# min • 02:32 • -18db
8% Popularity • 29% Danceability • 17% Energy • 12% Liveness
91% Instrumentalness • 8% Positiveness
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Johann Sebastian Bach
Capriccio in B Flat Major, BWV 992
77 bpm • C min • 11:54 • -22.87db
25% Popularity • 33% Danceability • 12% Energy • 70% Liveness
90% Instrumentalness • 10% Positiveness
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Justin Hurwitz
Docking Waltz
77 bpm • D Maj • 03:22 • -21db
35% Popularity • 22% Danceability • 8% Energy • 7% Liveness
98% Instrumentalness • 4% Positiveness
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Jonny Greenwood
The Tailor of Fitzrovia
83 bpm • D# Maj • 02:30 • -20.68db
30% Popularity • 8% Danceability • 12% Energy • 27% Liveness
96% Instrumentalness • 5% Positiveness
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Piero Piccioni
Amore che nasce
83 bpm • F# min • 02:56 • -22db
44% Popularity • 8% Danceability • 17% Energy • 17% Liveness
95% Instrumentalness • 7% Positiveness
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Dario Marianelli
Yes!
84 bpm • C min • 02:01 • -15db
43% Popularity • 15% Danceability • 24% Energy • 11% Liveness
81% Instrumentalness • 3% Positiveness
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Richard Wagner
Das Rheingold: Prelude
77 bpm • G# Maj • 05:31 • -28.79db
27% Popularity • 11% Danceability • 5% Energy • 22% Liveness
95% Instrumentalness • 3% Positiveness
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Ryuichi Sakamoto
Small Hope
84 bpm • E Maj • 04:59 • -23.6db
13% Popularity • 9% Danceability • 6% Energy • 14% Liveness
84% Instrumentalness • 4% Positiveness
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Maki Namekawa
Suite from Dracula - I. Dracula
76 bpm • F min • 01:06 • -20.76db
17% Popularity • 35% Danceability • 5% Energy • 9% Liveness
95% Instrumentalness • 20% Positiveness
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Ari Posner
Unrequited Love
84 bpm • G min • 02:30 • -25db
45% Popularity • 22% Danceability • 5% Energy • 13% Liveness
86% Instrumentalness • 8% Positiveness
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Alma Deutscher
Siren Sounds Waltz: I. Introduction
76 bpm • A Maj • 02:32 • -31db
25% Popularity • 20% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 13% Positiveness
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Arvo Pärt
Spiegel im Spiegel, for Cello & Piano
84 bpm • F Maj • 09:33 • -39.22db
37% Popularity • 23% Danceability • 0% Energy • 5% Liveness
87% Instrumentalness • 4% Positiveness
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Richard Wagner
Tristan & Isolde: Das Wiedersehen
84 bpm • G Maj • 05:20 • -21.62db
9% Popularity • 19% Danceability • 22% Energy • 14% Liveness
89% Instrumentalness • 6% Positiveness
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Jon Brion
Ok
84 bpm • D Maj • 02:37 • -21.32db
25% Popularity • 10% Danceability • 8% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
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Ryuichi Sakamoto
Yae No Sakura Opening Theme
84 bpm • B min • 03:03 • -11.56db
14% Popularity • 19% Danceability • 27% Energy • 32% Liveness
84% Instrumentalness • 6% Positiveness
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Randy Newman
Sgt. Pepper Shoelaces
84 bpm • C Maj • 01:07 • -22db
29% Popularity • 54% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 50% Positiveness
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Germaine Tailleferre
Pas trop vite
76 bpm • C# min • 01:35 • -32db
40% Popularity • 33% Danceability • 1% Energy • 17% Liveness
96% Instrumentalness • 9% Positiveness
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Evergreen Symphony Orchestra
La Bayadere, Act III: 39. "Entrance of t...
76 bpm • D Maj • 08:03 • -32.83db
30% Popularity • 8% Danceability • 1% Energy • 9% Liveness
63% Instrumentalness • 4% Positiveness
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Emile Mosseri
Our Love
76 bpm • D# Maj • 02:05 • -22db
51% Popularity • 29% Danceability • 8% Energy • 11% Liveness
97% Instrumentalness • 18% Positiveness
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Jon Brion
Piano Two
76 bpm • C min • 01:40 • -35.78db
25% Popularity • 22% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 13% Positiveness
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Ryuichi Sakamoto
Raindrops
76 bpm • G min • 03:24 • -32.92db
20% Popularity • 56% Danceability • 0% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Le Carnaval des Animaux, R. 125: XIII. L...
84 bpm • G Maj • 02:33 • -35.36db
42% Popularity • 18% Danceability • 1% Energy • 10% Liveness
39% Instrumentalness • 5% Positiveness
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Clint Mansell
The New Season
76 bpm • F Maj • 02:39 • -29.4db
23% Popularity • 8% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Franz Liszt
Trois études de concert in D-Flat Major...
76 bpm • C# Maj • 05:26 • -27.08db
33% Popularity • 23% Danceability • 5% Energy • 22% Liveness
90% Instrumentalness • 3% Positiveness
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Francis Poulenc
Nocturne No. 7 in Eb Major, FP. 56
76 bpm • F min • 02:04 • -28db
35% Popularity • 36% Danceability • 5% Energy • 15% Liveness
96% Instrumentalness • 15% Positiveness
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Jon Brion
Row
76 bpm • B Maj • 00:59 • -19.03db
45% Popularity • 63% Danceability • 15% Energy • 11% Liveness
94% Instrumentalness • 20% Positiveness
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Maurice Ravel
Miroirs: III. Une barque sur l'océan
76 bpm • D Maj • 07:08 • -27.02db
57% Popularity • 17% Danceability • 5% Energy • 8% Liveness
91% Instrumentalness • 3% Positiveness
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Elmer Bernstein
Passage Of Time
76 bpm • B min • 02:40 • -10.92db
19% Popularity • 11% Danceability • 31% Energy • 13% Liveness
88% Instrumentalness • 11% Positiveness
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조영욱과 THE SOUNDTRACKINGS
You are My Baby Miss
85 bpm • F min • 01:12 • -17db
25% Popularity • 17% Danceability • 14% Energy • 14% Liveness
90% Instrumentalness • 12% Positiveness
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César Frank
Sonate for Violin and Piano in a Major f...
85 bpm • F# min • 07:05 • -24.97db
20% Popularity • 19% Danceability • 3% Energy • 7% Liveness
84% Instrumentalness • 4% Positiveness
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Belle Chen
A Small Cafe in Nice
85 bpm • C Maj • 01:21 • -33.43db
9% Popularity • 37% Danceability • 6% Energy • 25% Liveness
0% Instrumentalness • 63% Positiveness
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Erik Satie Ensemble
Jazzopedie
75 bpm • G Maj • 03:11 • -24.91db
25% Popularity • 76% Danceability • 3% Energy • 11% Liveness
96% Instrumentalness • 9% Positiveness
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Ennio Morricone
The Falls - For Cello and Orchestra
75 bpm • G Maj • 03:22 • -26.87db
33% Popularity • 7% Danceability • 4% Energy • 14% Liveness
88% Instrumentalness • 4% Positiveness
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Alexandre Desplat
Morning Tears
75 bpm • D# min • 01:50 • -37.13db
28% Popularity • 19% Danceability • 0% Energy • 9% Liveness
98% Instrumentalness • 6% Positiveness
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Adrian Johnston
Brideshead Revisited: No. 1, Sebastian
85 bpm • D# Maj • 02:11 • -23.06db
28% Popularity • 19% Danceability • 10% Energy • 13% Liveness
91% Instrumentalness • 6% Positiveness
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Jonny Greenwood
Phantom Thread III
85 bpm • A Maj • 02:20 • -11.64db
27% Popularity • 9% Danceability • 35% Energy • 18% Liveness
79% Instrumentalness • 6% Positiveness
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Camille Saint-Saëns
Le carnaval des animaux: Saint-Saens - C...
75 bpm • F# Maj • 02:48 • -36.73db
46% Popularity • 18% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 14% Positiveness
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Samuel Barber
String Quartet, Op. 11: II. Adagio
85 bpm • A# min • 08:49 • -24db
22% Popularity • 17% Danceability • 7% Energy • 23% Liveness
71% Instrumentalness • 3% Positiveness
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Elmer Bernstein
Roses Montage
85 bpm • C min • 01:16 • -10.47db
39% Popularity • 21% Danceability • 37% Energy • 14% Liveness
58% Instrumentalness • 15% Positiveness
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Tatiana Lisovskaya
The Bluefield
85 bpm • F# Maj • 02:08 • -16.15db
18% Popularity • 55% Danceability • 5% Energy • 11% Liveness
66% Instrumentalness • 4% Positiveness
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Frederick Delius
Three Piano Preludes: No. 2
75 bpm • A Maj • 01:08 • -35.57db
38% Popularity • 6% Danceability • 6% Energy • 9% Liveness
84% Instrumentalness • 5% Positiveness
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Ryuichi Sakamoto
Bibo No Aozora
75 bpm • C Maj • 06:36 • -20.24db
37% Popularity • 41% Danceability • 6% Energy • 14% Liveness
78% Instrumentalness • 11% Positiveness
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Sergei Rachmaninoff
Piano Concerto No. 2 in C Minor, Op. 18:...
75 bpm • E Maj • 10:55 • -28.56db
38% Popularity • 11% Danceability • 2% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
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Yann Tiersen
La maison
75 bpm • A min • 02:03 • -13.14db
41% Popularity • 24% Danceability • 19% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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The City of Prague Philharmonic Orchestra
Credits - Tristan and Isolde
86 bpm • A Maj • 08:08 • -21db
19% Popularity • 9% Danceability • 11% Energy • 9% Liveness
85% Instrumentalness • 3% Positiveness
► Preview
Trevor Gureckis
Beautiful Things
75 bpm • F# min • 03:13 • -16db
17% Popularity • 19% Danceability • 24% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Valentin Hadjadj
Remi’s Concert
75 bpm • E min • 04:12 • -20.49db
26% Popularity • 16% Danceability • 11% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Ryuichi Sakamoto
Opus
75 bpm • C Maj • 05:04 • -17.27db
21% Popularity • 50% Danceability • 10% Energy • 13% Liveness
88% Instrumentalness • 16% Positiveness
► Preview
Bernard Herrmann
Love Music
75 bpm • C Maj • 06:44 • -23db
14% Popularity • 7% Danceability • 5% Energy • 21% Liveness
86% Instrumentalness • 3% Positiveness
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Germination