Songs like Get Ready by Rare Earth
Based on a tempo of (+/- 10%) and a similar genre
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Atomic Rooster
Black Snake
127 bpm • G# Maj • 05:57 • -16.32db
12% Popularity • 75% Danceability • 38% Energy • 18% Liveness
12% Instrumentalness • 38% Positiveness
12% Popularity • 75% Danceability • 38% Energy • 18% Liveness
12% Instrumentalness • 38% Positiveness
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Paul McCartney
Mrs. Vandebilt - 2010 Remaster
127 bpm • A Maj • 04:39 • -8.63db
48% Popularity • 70% Danceability • 64% Energy • 30% Liveness
3% Instrumentalness • 75% Positiveness
48% Popularity • 70% Danceability • 64% Energy • 30% Liveness
3% Instrumentalness • 75% Positiveness
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Mother's Finest
Piece of the Rock
127 bpm • A Maj • 03:23 • -7.53db
30% Popularity • 71% Danceability • 85% Energy • 19% Liveness
0% Instrumentalness • 52% Positiveness
30% Popularity • 71% Danceability • 85% Energy • 19% Liveness
0% Instrumentalness • 52% Positiveness
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Rare Earth
Get Ready
127 bpm • C Maj • 21:32 • -5.84db
42% Popularity • 41% Danceability • 87% Energy • 83% Liveness
53% Instrumentalness • 65% Positiveness
42% Popularity • 41% Danceability • 87% Energy • 83% Liveness
53% Instrumentalness • 65% Positiveness
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Deep Purple
Woman From Tokyo - Remastered 2000
127 bpm • D Maj • 05:51 • -8.42db
49% Popularity • 55% Danceability • 64% Energy • 12% Liveness
1% Instrumentalness • 41% Positiveness
49% Popularity • 55% Danceability • 64% Energy • 12% Liveness
1% Instrumentalness • 41% Positiveness
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Steve Winwood
Night Train
127 bpm • A min • 07:48 • -7db
35% Popularity • 69% Danceability • 74% Energy • 10% Liveness
6% Instrumentalness • 85% Positiveness
35% Popularity • 69% Danceability • 74% Energy • 10% Liveness
6% Instrumentalness • 85% Positiveness
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Creedence Clearwater Revival
Commotion
127 bpm • D Maj • 02:44 • -8db
54% Popularity • 71% Danceability • 66% Energy • 18% Liveness
2% Instrumentalness • 80% Positiveness
54% Popularity • 71% Danceability • 66% Energy • 18% Liveness
2% Instrumentalness • 80% Positiveness
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The Guess Who
No Time
128 bpm • C Maj • 03:49 • -6.35db
48% Popularity • 48% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 59% Positiveness
48% Popularity • 48% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 59% Positiveness
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Blood, Sweat & Tears
And When I Die
128 bpm • A Maj • 04:04 • -10.73db
45% Popularity • 63% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
45% Popularity • 63% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
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John Lennon
Whatever Gets You Thru The Night - Remas...
126 bpm • D Maj • 03:27 • -9.16db
50% Popularity • 57% Danceability • 85% Energy • 54% Liveness
58% Instrumentalness • 76% Positiveness
50% Popularity • 57% Danceability • 85% Energy • 54% Liveness
58% Instrumentalness • 76% Positiveness
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Deep Purple
Child in Time - 1995 Remaster
128 bpm • A min • 10:13 • -9.3db
56% Popularity • 34% Danceability • 50% Energy • 11% Liveness
45% Instrumentalness • 36% Positiveness
56% Popularity • 34% Danceability • 50% Energy • 11% Liveness
45% Instrumentalness • 36% Positiveness
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Bad Company
Can't Get Enough - 2015 Remaster
126 bpm • C Maj • 04:16 • -9.88db
56% Popularity • 64% Danceability • 69% Energy • 7% Liveness
23% Instrumentalness • 77% Positiveness
56% Popularity • 64% Danceability • 69% Energy • 7% Liveness
23% Instrumentalness • 77% Positiveness
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Steppenwolf
Rock Me
126 bpm • F Maj • 03:38 • -12.39db
37% Popularity • 60% Danceability • 85% Energy • 32% Liveness
1% Instrumentalness • 84% Positiveness
37% Popularity • 60% Danceability • 85% Energy • 32% Liveness
1% Instrumentalness • 84% Positiveness
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Shocking Blue
Venus
128 bpm • B min • 03:07 • -6.47db
65% Popularity • 69% Danceability • 76% Energy • 8% Liveness
3% Instrumentalness • 96% Positiveness
65% Popularity • 69% Danceability • 76% Energy • 8% Liveness
3% Instrumentalness • 96% Positiveness
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Sly & The Family Stone
Dance to the Music
128 bpm • G Maj • 02:59 • -11.11db
58% Popularity • 70% Danceability • 53% Energy • 91% Liveness
0% Instrumentalness • 77% Positiveness
58% Popularity • 70% Danceability • 53% Energy • 91% Liveness
0% Instrumentalness • 77% Positiveness
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Rare Earth
Someone To Love
126 bpm • D Maj • 03:47 • -7.8db
13% Popularity • 41% Danceability • 66% Energy • 40% Liveness
1% Instrumentalness • 83% Positiveness
13% Popularity • 41% Danceability • 66% Energy • 40% Liveness
1% Instrumentalness • 83% Positiveness
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Deep Purple
Strange Kind of Woman - 2002 Remaster
126 bpm • B min • 03:51 • -9.06db
38% Popularity • 58% Danceability • 82% Energy • 37% Liveness
35% Instrumentalness • 80% Positiveness
38% Popularity • 58% Danceability • 82% Energy • 37% Liveness
35% Instrumentalness • 80% Positiveness
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The Chambers Brothers
Time Has Come Today
128 bpm • D Maj • 11:03 • -15.56db
11% Popularity • 43% Danceability • 54% Energy • 6% Liveness
69% Instrumentalness • 34% Positiveness
11% Popularity • 43% Danceability • 54% Energy • 6% Liveness
69% Instrumentalness • 34% Positiveness
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Creedence Clearwater Revival
Susie Q
128 bpm • A min • 04:34 • -13.59db
63% Popularity • 65% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 95% Positiveness
63% Popularity • 65% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 95% Positiveness
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Them
Gloria - Mono Version
128 bpm • A Maj • 02:39 • -6.76db
38% Popularity • 62% Danceability • 94% Energy • 18% Liveness
1% Instrumentalness • 60% Positiveness
38% Popularity • 62% Danceability • 94% Energy • 18% Liveness
1% Instrumentalness • 60% Positiveness
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Los Bravos
Black is Black
128 bpm • D Maj • 02:56 • -6.96db
48% Popularity • 60% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
48% Popularity • 60% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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Emerson, Lake & Palmer
Karn Evil 9 1st Impression, Pt. 2 (2014 ...
128 bpm • C# Maj • 04:45 • -9.08db
46% Popularity • 38% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
46% Popularity • 38% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Blues Image
Ride Captain Ride
126 bpm • D Maj • 03:45 • -12db
50% Popularity • 55% Danceability • 66% Energy • 12% Liveness
1% Instrumentalness • 65% Positiveness
50% Popularity • 55% Danceability • 66% Energy • 12% Liveness
1% Instrumentalness • 65% Positiveness
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Derek & The Dominos
Why Does Love Got To Be So Sad?
126 bpm • A# Maj • 04:41 • -4.91db
38% Popularity • 38% Danceability • 96% Energy • 29% Liveness
0% Instrumentalness • 30% Positiveness
38% Popularity • 38% Danceability • 96% Energy • 29% Liveness
0% Instrumentalness • 30% Positiveness
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Golden Earring
Silver Ships
125 bpm • C min • 05:41 • -10.28db
12% Popularity • 43% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
12% Popularity • 43% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
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Mink DeVille
Spanish Stroll
129 bpm • E Maj • 03:39 • -15.04db
47% Popularity • 75% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 95% Positiveness
47% Popularity • 75% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 95% Positiveness
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The Moody Blues
Gemini Dream
129 bpm • A# Maj • 04:09 • -7.51db
39% Popularity • 65% Danceability • 85% Energy • 11% Liveness
2% Instrumentalness • 97% Positiveness
39% Popularity • 65% Danceability • 85% Energy • 11% Liveness
2% Instrumentalness • 97% Positiveness
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Richie Havens
Freedom
125 bpm • F# min • 05:47 • -8.17db
40% Popularity • 51% Danceability • 70% Energy • 35% Liveness
25% Instrumentalness • 35% Positiveness
40% Popularity • 51% Danceability • 70% Energy • 35% Liveness
25% Instrumentalness • 35% Positiveness
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Procol Harum
Conquistador - 2009 Remaster
125 bpm • F min • 02:38 • -6.42db
44% Popularity • 44% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
44% Popularity • 44% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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lighthouse
One Fine Morning
129 bpm • B min • 05:19 • -9.65db
35% Popularity • 35% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
35% Popularity • 35% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Yes
Owner of a Lonely Heart
125 bpm • G Maj • 04:28 • -5.98db
70% Popularity • 74% Danceability • 80% Energy • 26% Liveness
0% Instrumentalness • 89% Positiveness
70% Popularity • 74% Danceability • 80% Energy • 26% Liveness
0% Instrumentalness • 89% Positiveness
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Paul McCartney
Band On The Run - 2010 Remaster
125 bpm • G Maj • 05:13 • -8.81db
72% Popularity • 48% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
72% Popularity • 48% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Them
Gloria - Stereo Version
129 bpm • A Maj • 02:36 • -10.43db
59% Popularity • 64% Danceability • 70% Energy • 10% Liveness
1% Instrumentalness • 72% Positiveness
59% Popularity • 64% Danceability • 70% Energy • 10% Liveness
1% Instrumentalness • 72% Positiveness
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Peter Frampton
Jumping Jack Flash
125 bpm • D Maj • 05:20 • -8.3db
30% Popularity • 57% Danceability • 73% Energy • 8% Liveness
62% Instrumentalness • 78% Positiveness
30% Popularity • 57% Danceability • 73% Energy • 8% Liveness
62% Instrumentalness • 78% Positiveness
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Steve Winwood
While You See A Chance
129 bpm • D Maj • 05:12 • -8.29db
56% Popularity • 60% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
56% Popularity • 60% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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Robin Trower
Too Rolling Stoned - 2007 Remaster
125 bpm • A# min • 07:31 • -9db
44% Popularity • 53% Danceability • 62% Energy • 10% Liveness
47% Instrumentalness • 37% Positiveness
44% Popularity • 53% Danceability • 62% Energy • 10% Liveness
47% Instrumentalness • 37% Positiveness
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Quicksilver Messenger Service
Pride Of Man
125 bpm • A min • 04:08 • -13db
35% Popularity • 63% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
35% Popularity • 63% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Creedence Clearwater Revival
Walking On The Water
125 bpm • D Maj • 04:38 • -8.59db
43% Popularity • 41% Danceability • 74% Energy • 23% Liveness
58% Instrumentalness • 46% Positiveness
43% Popularity • 41% Danceability • 74% Energy • 23% Liveness
58% Instrumentalness • 46% Positiveness
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Canned Heat
On The Road Again
129 bpm • A Maj • 04:56 • -13.02db
42% Popularity • 55% Danceability • 40% Energy • 30% Liveness
1% Instrumentalness • 23% Positiveness
42% Popularity • 55% Danceability • 40% Energy • 30% Liveness
1% Instrumentalness • 23% Positiveness
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Steely Dan
Do It Again
125 bpm • D min • 05:57 • -15.18db
71% Popularity • 66% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
71% Popularity • 66% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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Jethro Tull
Locomotive Breath
125 bpm • B min • 04:26 • -13.11db
58% Popularity • 68% Danceability • 53% Energy • 6% Liveness
1% Instrumentalness • 35% Positiveness
58% Popularity • 68% Danceability • 53% Energy • 6% Liveness
1% Instrumentalness • 35% Positiveness
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Rare Earth
Hey Big Brother - Single Version
124 bpm • D Maj • 04:43 • -7.81db
25% Popularity • 54% Danceability • 82% Energy • 26% Liveness
0% Instrumentalness • 89% Positiveness
25% Popularity • 54% Danceability • 82% Energy • 26% Liveness
0% Instrumentalness • 89% Positiveness
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Blood, Sweat & Tears
More and More
125 bpm • C# min • 03:03 • -6.33db
26% Popularity • 52% Danceability • 80% Energy • 26% Liveness
0% Instrumentalness • 64% Positiveness
26% Popularity • 52% Danceability • 80% Energy • 26% Liveness
0% Instrumentalness • 64% Positiveness
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Creedence Clearwater Revival
Suzie Q
130 bpm • E min • 08:37 • -11.39db
54% Popularity • 44% Danceability • 62% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
54% Popularity • 44% Danceability • 62% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
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The Edgar Winter Group
Free Ride
124 bpm • D Maj • 03:07 • -11.93db
46% Popularity • 67% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 81% Positiveness
46% Popularity • 67% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 81% Positiveness
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Barrabas
Woman
124 bpm • G Maj • 05:04 • -13.71db
28% Popularity • 70% Danceability • 60% Energy • 5% Liveness
1% Instrumentalness • 84% Positiveness
28% Popularity • 70% Danceability • 60% Energy • 5% Liveness
1% Instrumentalness • 84% Positiveness
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Peter Frampton
Show Me The Way
130 bpm • A min • 04:05 • -13db
32% Popularity • 80% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
32% Popularity • 80% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Rare Earth
Big Brother
124 bpm • A Maj • 05:14 • -6.13db
13% Popularity • 64% Danceability • 84% Energy • 33% Liveness
0% Instrumentalness • 65% Positiveness
13% Popularity • 64% Danceability • 84% Energy • 33% Liveness
0% Instrumentalness • 65% Positiveness
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Blood, Sweat & Tears
Smiling Phases
130 bpm • C Maj • 05:09 • -8.86db
27% Popularity • 53% Danceability • 60% Energy • 57% Liveness
0% Instrumentalness • 72% Positiveness
27% Popularity • 53% Danceability • 60% Energy • 57% Liveness
0% Instrumentalness • 72% Positiveness
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Ted Nugent
Hey Baby
130 bpm • A Maj • 04:01 • -6db
43% Popularity • 64% Danceability • 96% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
43% Popularity • 64% Danceability • 96% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
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The Guess Who
Shakin' All Over
124 bpm • A Maj • 02:43 • -8.82db
46% Popularity • 64% Danceability • 86% Energy • 51% Liveness
2% Instrumentalness • 96% Positiveness
46% Popularity • 64% Danceability • 86% Energy • 51% Liveness
2% Instrumentalness • 96% Positiveness
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Iron Butterfly
Are You Happy
131 bpm • A Maj • 04:30 • -9db
26% Popularity • 40% Danceability • 75% Energy • 32% Liveness
1% Instrumentalness • 72% Positiveness
26% Popularity • 40% Danceability • 75% Energy • 32% Liveness
1% Instrumentalness • 72% Positiveness
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Peter Frampton
Show Me The Way
130 bpm • D Maj • 04:03 • -7.72db
67% Popularity • 70% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
67% Popularity • 70% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Jefferson Airplane
Tobacco Road
124 bpm • E Maj • 03:27 • -10db
39% Popularity • 49% Danceability • 57% Energy • 14% Liveness
1% Instrumentalness • 50% Positiveness
39% Popularity • 49% Danceability • 57% Energy • 14% Liveness
1% Instrumentalness • 50% Positiveness
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The Beatles
Get Back
124 bpm • G Maj • 02:05 • -9.44db
44% Popularity • 63% Danceability • 79% Energy • 19% Liveness
7% Instrumentalness • 27% Positiveness
44% Popularity • 63% Danceability • 79% Energy • 19% Liveness
7% Instrumentalness • 27% Positiveness
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The Byrds
Eight Miles High
131 bpm • A Maj • 03:34 • -10.49db
50% Popularity • 36% Danceability • 77% Energy • 50% Liveness
14% Instrumentalness • 37% Positiveness
50% Popularity • 36% Danceability • 77% Energy • 50% Liveness
14% Instrumentalness • 37% Positiveness
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Genesis
Abacab - 2007 Remaster
131 bpm • C Maj • 06:58 • -9.25db
49% Popularity • 70% Danceability • 69% Energy • 8% Liveness
33% Instrumentalness • 18% Positiveness
49% Popularity • 70% Danceability • 69% Energy • 8% Liveness
33% Instrumentalness • 18% Positiveness
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Golden Earring
She Flies On Strange Wings
131 bpm • E Maj • 07:22 • -8.1db
29% Popularity • 32% Danceability • 70% Energy • 11% Liveness
4% Instrumentalness • 25% Positiveness
29% Popularity • 32% Danceability • 70% Energy • 11% Liveness
4% Instrumentalness • 25% Positiveness
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Creedence Clearwater Revival
(Wish I Could) Hideaway
131 bpm • C Maj • 03:43 • -9.91db
49% Popularity • 62% Danceability • 36% Energy • 12% Liveness
25% Instrumentalness • 26% Positiveness
49% Popularity • 62% Danceability • 36% Energy • 12% Liveness
25% Instrumentalness • 26% Positiveness
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Ringo Starr
It Don't Come Easy
123 bpm • G Maj • 03:04 • -11.72db
54% Popularity • 61% Danceability • 62% Energy • 28% Liveness
0% Instrumentalness • 69% Positiveness
54% Popularity • 61% Danceability • 62% Energy • 28% Liveness
0% Instrumentalness • 69% Positiveness
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The Beatles
Get Back - Remastered 2009
123 bpm • D Maj • 03:09 • -9.84db
69% Popularity • 76% Danceability • 59% Energy • 61% Liveness
1% Instrumentalness • 33% Positiveness
69% Popularity • 76% Danceability • 59% Energy • 61% Liveness
1% Instrumentalness • 33% Positiveness
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Humble Pie
Hot 'N' Nasty
131 bpm • C Maj • 03:21 • -15.78db
35% Popularity • 57% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
35% Popularity • 57% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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The Chambers Brothers
Time Has Come Today
123 bpm • D Maj • 04:50 • -11.91db
50% Popularity • 53% Danceability • 51% Energy • 7% Liveness
9% Instrumentalness • 44% Positiveness
50% Popularity • 53% Danceability • 51% Energy • 7% Liveness
9% Instrumentalness • 44% Positiveness
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Steve Miller Band
Jet Airliner
123 bpm • F Maj • 04:25 • -12.92db
55% Popularity • 58% Danceability • 62% Energy • 33% Liveness
0% Instrumentalness • 93% Positiveness
55% Popularity • 58% Danceability • 62% Energy • 33% Liveness
0% Instrumentalness • 93% Positiveness
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Robin Trower
The Fool and Me - 2007 Remaster
123 bpm • A min • 03:55 • -8.03db
40% Popularity • 41% Danceability • 77% Energy • 27% Liveness
35% Instrumentalness • 78% Positiveness
40% Popularity • 41% Danceability • 77% Energy • 27% Liveness
35% Instrumentalness • 78% Positiveness
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Jethro Tull
Teacher - Single Mix; 2001 Remaster
123 bpm • E min • 03:47 • -8db
49% Popularity • 65% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
49% Popularity • 65% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
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Rare Earth
Papa Was A Rolling Stone
123 bpm • G Maj • 07:01 • -9.41db
21% Popularity • 73% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
21% Popularity • 73% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
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Dave Mason
All Along the Watchtower
123 bpm • E min • 04:03 • -8.58db
32% Popularity • 36% Danceability • 87% Energy • 64% Liveness
0% Instrumentalness • 78% Positiveness
32% Popularity • 36% Danceability • 87% Energy • 64% Liveness
0% Instrumentalness • 78% Positiveness
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Paul Revere & The Raiders
Indian Reservation (The Lament of the Ch...
132 bpm • D Maj • 02:51 • -13db
45% Popularity • 64% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
45% Popularity • 64% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Steve Miller Band
Swingtown
131 bpm • A# Maj • 03:29 • -11.89db
52% Popularity • 67% Danceability • 67% Energy • 28% Liveness
1% Instrumentalness • 71% Positiveness
52% Popularity • 67% Danceability • 67% Energy • 28% Liveness
1% Instrumentalness • 71% Positiveness
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Atomic Rooster
Devil's Answer
132 bpm • F Maj • 03:27 • -9.8db
23% Popularity • 60% Danceability • 53% Energy • 30% Liveness
0% Instrumentalness • 60% Positiveness
23% Popularity • 60% Danceability • 53% Energy • 30% Liveness
0% Instrumentalness • 60% Positiveness
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Jethro Tull
Aqualung
123 bpm • G min • 06:36 • -11.89db
60% Popularity • 48% Danceability • 48% Energy • 9% Liveness
3% Instrumentalness • 66% Positiveness
60% Popularity • 48% Danceability • 48% Energy • 9% Liveness
3% Instrumentalness • 66% Positiveness
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Rare Earth
Train To Nowhere
122 bpm • G Maj • 03:24 • -9.3db
17% Popularity • 59% Danceability • 68% Energy • 32% Liveness
2% Instrumentalness • 79% Positiveness
17% Popularity • 59% Danceability • 68% Energy • 32% Liveness
2% Instrumentalness • 79% Positiveness
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The Alan Parsons Project
Games People Play
132 bpm • B min • 04:23 • -10.53db
57% Popularity • 72% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
57% Popularity • 72% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Robin Trower
Day of the Eagle - 2007 Remaster
132 bpm • F# min • 05:02 • -8db
43% Popularity • 39% Danceability • 77% Energy • 32% Liveness
5% Instrumentalness • 56% Positiveness
43% Popularity • 39% Danceability • 77% Energy • 32% Liveness
5% Instrumentalness • 56% Positiveness
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Traffic
Paper Sun
132 bpm • D Maj • 04:15 • -12.16db
30% Popularity • 47% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
30% Popularity • 47% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Emerson, Lake & Palmer
From the Beginning
132 bpm • E min • 04:16 • -18.22db
55% Popularity • 64% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
55% Popularity • 64% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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The Yardbirds
Shapes of Things - 2015 Remaster
132 bpm • C Maj • 02:25 • -9.22db
41% Popularity • 43% Danceability • 82% Energy • 10% Liveness
1% Instrumentalness • 38% Positiveness
41% Popularity • 43% Danceability • 82% Energy • 10% Liveness
1% Instrumentalness • 38% Positiveness
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John Mayall
Room To Move
132 bpm • C# Maj • 05:02 • -8.53db
36% Popularity • 76% Danceability • 93% Energy • 94% Liveness
43% Instrumentalness • 70% Positiveness
36% Popularity • 76% Danceability • 93% Energy • 94% Liveness
43% Instrumentalness • 70% Positiveness
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Peter Frampton
Show Me The Way - Live
132 bpm • D Maj • 04:32 • -4db
50% Popularity • 56% Danceability • 94% Energy • 94% Liveness
0% Instrumentalness • 45% Positiveness
50% Popularity • 56% Danceability • 94% Energy • 94% Liveness
0% Instrumentalness • 45% Positiveness
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Golden Earring
Are You Receiving Me
133 bpm • C# min • 09:32 • -8db
21% Popularity • 46% Danceability • 65% Energy • 8% Liveness
1% Instrumentalness • 32% Positiveness
21% Popularity • 46% Danceability • 65% Energy • 8% Liveness
1% Instrumentalness • 32% Positiveness
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Pink Floyd
Arnold Layne
133 bpm • D Maj • 02:56 • -9.33db
39% Popularity • 31% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
39% Popularity • 31% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Emerson, Lake & Palmer
From the Beginning (New Stereo Mix)
132 bpm • E min • 04:17 • -16.54db
46% Popularity • 60% Danceability • 20% Energy • 13% Liveness
3% Instrumentalness • 29% Positiveness
46% Popularity • 60% Danceability • 20% Energy • 13% Liveness
3% Instrumentalness • 29% Positiveness
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Robin Trower
Caledonia
133 bpm • F min • 03:42 • -8db
34% Popularity • 48% Danceability • 91% Energy • 22% Liveness
0% Instrumentalness • 67% Positiveness
34% Popularity • 48% Danceability • 91% Energy • 22% Liveness
0% Instrumentalness • 67% Positiveness
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Donovan
Sunshine Superman
133 bpm • C# Maj • 03:15 • -7.24db
55% Popularity • 63% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
55% Popularity • 63% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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The Temptations
Papa Was A Rollin' Stone - Single Versio...
121 bpm • A# min • 06:59 • -13.51db
65% Popularity • 82% Danceability • 40% Energy • 5% Liveness
5% Instrumentalness • 90% Positiveness
65% Popularity • 82% Danceability • 40% Energy • 5% Liveness
5% Instrumentalness • 90% Positiveness
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Sniff 'n' The Tears
Driver's Seat
133 bpm • B min • 04:00 • -7.19db
59% Popularity • 75% Danceability • 80% Energy • 21% Liveness
6% Instrumentalness • 97% Positiveness
59% Popularity • 75% Danceability • 80% Energy • 21% Liveness
6% Instrumentalness • 97% Positiveness
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Janis Joplin
Move Over
133 bpm • C Maj • 03:43 • -10.34db
54% Popularity • 71% Danceability • 50% Energy • 7% Liveness
1% Instrumentalness • 92% Positiveness
54% Popularity • 71% Danceability • 50% Energy • 7% Liveness
1% Instrumentalness • 92% Positiveness
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The Who
I Can See For Miles - Mono Version
133 bpm • A Maj • 04:07 • -6.49db
49% Popularity • 34% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
49% Popularity • 34% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Rare Earth
Hey, Big Brother - Live In Concert, US/1...
121 bpm • D Maj • 07:25 • -11.09db
13% Popularity • 41% Danceability • 84% Energy • 96% Liveness
1% Instrumentalness • 63% Positiveness
13% Popularity • 41% Danceability • 84% Energy • 96% Liveness
1% Instrumentalness • 63% Positiveness
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Humble Pie
Live With Me
121 bpm • G min • 07:54 • -8db
34% Popularity • 34% Danceability • 54% Energy • 17% Liveness
1% Instrumentalness • 50% Positiveness
34% Popularity • 34% Danceability • 54% Energy • 17% Liveness
1% Instrumentalness • 50% Positiveness
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T. Rex
Bang A Gong (Get It On) (Electric Versio...
121 bpm • A Maj • 04:44 • -6.91db
45% Popularity • 79% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
45% Popularity • 79% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Sniff 'n' The Tears
Driver's Seat - 12" Version
133 bpm • G Maj • 05:48 • -7.94db
39% Popularity • 79% Danceability • 73% Energy • 9% Liveness
14% Instrumentalness • 98% Positiveness
39% Popularity • 79% Danceability • 73% Energy • 9% Liveness
14% Instrumentalness • 98% Positiveness
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The Jimmy Castor Bunch
Troglodyte (Cave Man)
133 bpm • F Maj • 03:37 • -14.23db
28% Popularity • 80% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
28% Popularity • 80% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Dire Straits
Water Of Love
121 bpm • G Maj • 05:25 • -12.96db
62% Popularity • 82% Danceability • 55% Energy • 19% Liveness
1% Instrumentalness • 94% Positiveness
62% Popularity • 82% Danceability • 55% Energy • 19% Liveness
1% Instrumentalness • 94% Positiveness
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Rare Earth
Under God's Light
121 bpm • D# Maj • 04:51 • -7.27db
10% Popularity • 54% Danceability • 75% Energy • 16% Liveness
0% Instrumentalness • 87% Positiveness
10% Popularity • 54% Danceability • 75% Energy • 16% Liveness
0% Instrumentalness • 87% Positiveness
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Humble Pie
Stone Cold Fever
121 bpm • A Maj • 04:09 • -9.47db
30% Popularity • 38% Danceability • 69% Energy • 52% Liveness
2% Instrumentalness • 46% Positiveness
30% Popularity • 38% Danceability • 69% Energy • 52% Liveness
2% Instrumentalness • 46% Positiveness
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Iron Butterfly
Flowers and Beads
121 bpm • F Maj • 03:09 • -9.87db
28% Popularity • 56% Danceability • 49% Energy • 37% Liveness
0% Instrumentalness • 56% Positiveness
28% Popularity • 56% Danceability • 49% Energy • 37% Liveness
0% Instrumentalness • 56% Positiveness
