Songs like Get To You by Trevor Jackson
Based on a tempo of (+/- 10%) and a similar genre
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Marzz
Cleopatra
134 bpm • B Maj • 03:20 • -5.81db
17% Popularity • 78% Danceability • 62% Energy • 19% Liveness
0% Instrumentalness • 71% Positiveness
17% Popularity • 78% Danceability • 62% Energy • 19% Liveness
0% Instrumentalness • 71% Positiveness
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Brent Ewing
Tuscan Leather
134 bpm • F# min • 02:54 • -5.31db
27% Popularity • 66% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
27% Popularity • 66% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Elliott Trent
Computer Love
134 bpm • A Maj • 03:06 • -7.47db
45% Popularity • 74% Danceability • 64% Energy • 21% Liveness
0% Instrumentalness • 48% Positiveness
45% Popularity • 74% Danceability • 64% Energy • 21% Liveness
0% Instrumentalness • 48% Positiveness
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Muni Long
Nekkid
134 bpm • C Maj • 03:01 • -8.78db
41% Popularity • 81% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
41% Popularity • 81% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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Janine
Laugh Now Cry Later
134 bpm • C Maj • 04:06 • -7.39db
36% Popularity • 49% Danceability • 54% Energy • 18% Liveness
0% Instrumentalness • 4% Positiveness
36% Popularity • 49% Danceability • 54% Energy • 18% Liveness
0% Instrumentalness • 4% Positiveness
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Reggie Becton
Listenin'
134 bpm • F min • 02:53 • -11.96db
35% Popularity • 67% Danceability • 39% Energy • 14% Liveness
1% Instrumentalness • 55% Positiveness
35% Popularity • 67% Danceability • 39% Energy • 14% Liveness
1% Instrumentalness • 55% Positiveness
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J.Howell
Talk
134 bpm • F# min • 04:06 • -4.46db
32% Popularity • 57% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 11% Positiveness
32% Popularity • 57% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 11% Positiveness
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Trevor Jackson
Get To You
134 bpm • A min • 02:37 • -9.59db
33% Popularity • 57% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
33% Popularity • 57% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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J. Holiday
Ride
134 bpm • D# min • 03:29 • -10db
25% Popularity • 45% Danceability • 51% Energy • 17% Liveness
0% Instrumentalness • 56% Positiveness
25% Popularity • 45% Danceability • 51% Energy • 17% Liveness
0% Instrumentalness • 56% Positiveness
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Perri Jones
Free
135 bpm • E min • 03:44 • -8db
44% Popularity • 56% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
44% Popularity • 56% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
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Liyah Katana
Always There
135 bpm • A# min • 02:41 • -6.49db
20% Popularity • 72% Danceability • 62% Energy • 21% Liveness
0% Instrumentalness • 42% Positiveness
20% Popularity • 72% Danceability • 62% Energy • 21% Liveness
0% Instrumentalness • 42% Positiveness
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Elijah Blake
Angles
135 bpm • A Maj • 03:00 • -8.13db
13% Popularity • 52% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
13% Popularity • 52% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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J.Howell
Talk
134 bpm • C# min • 04:07 • -4.35db
25% Popularity • 61% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 14% Positiveness
25% Popularity • 61% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 14% Positiveness
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Trevor Jackson
Puddles
135 bpm • C Maj • 03:10 • -9.61db
34% Popularity • 58% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
34% Popularity • 58% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
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Ginette Claudette
Love Me Back
133 bpm • A min • 03:40 • -7.46db
28% Popularity • 72% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
28% Popularity • 72% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Nija
In My Feelings
135 bpm • F Maj • 02:36 • -9.27db
38% Popularity • 65% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
38% Popularity • 65% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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Gallant
Third Eye Blind.
133 bpm • F# Maj • 03:42 • -5.84db
25% Popularity • 77% Danceability • 53% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
25% Popularity • 77% Danceability • 53% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
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Pink Sweat$
Waiting on You
135 bpm • F# min • 03:04 • -6.4db
45% Popularity • 62% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
45% Popularity • 62% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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ONE HOUSE
Love After Hurt
135 bpm • G# Maj • 02:38 • -10.02db
42% Popularity • 44% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
42% Popularity • 44% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Trevor Jackson
More
135 bpm • E min • 03:23 • -5.52db
23% Popularity • 72% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
23% Popularity • 72% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Nbdy
Believe Me
133 bpm • A min • 02:44 • -10.12db
31% Popularity • 46% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
31% Popularity • 46% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Leon Thomas
Beg
136 bpm • F# Maj • 03:33 • -4.63db
51% Popularity • 74% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
51% Popularity • 74% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Rhyon Brown
WEAKEND
132 bpm • F Maj • 03:23 • -6db
24% Popularity • 55% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
24% Popularity • 55% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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SiR
Fire
132 bpm • F Maj • 02:33 • -10.31db
58% Popularity • 68% Danceability • 44% Energy • 30% Liveness
0% Instrumentalness • 43% Positiveness
58% Popularity • 68% Danceability • 44% Energy • 30% Liveness
0% Instrumentalness • 43% Positiveness
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Nija
On Call
136 bpm • D Maj • 02:21 • -10.18db
32% Popularity • 65% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
32% Popularity • 65% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Trevor Jackson
STARCHASER
133 bpm • G min • 03:07 • -6.88db
13% Popularity • 73% Danceability • 57% Energy • 27% Liveness
0% Instrumentalness • 29% Positiveness
13% Popularity • 73% Danceability • 57% Energy • 27% Liveness
0% Instrumentalness • 29% Positiveness
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Kennedy Rd.
Still Luv
132 bpm • A# min • 02:47 • -11.17db
12% Popularity • 70% Danceability • 38% Energy • 10% Liveness
14% Instrumentalness • 31% Positiveness
12% Popularity • 70% Danceability • 38% Energy • 10% Liveness
14% Instrumentalness • 31% Positiveness
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Hylan Starr
Sweet Lady
132 bpm • C Maj • 04:28 • -11.02db
12% Popularity • 72% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
12% Popularity • 72% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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OG Parker
Rain Down
136 bpm • C# Maj • 03:53 • -4.16db
36% Popularity • 53% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 6% Positiveness
36% Popularity • 53% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 6% Positiveness
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Northside Rocky
We Need Trust
132 bpm • C# min • 03:12 • -11.65db
23% Popularity • 68% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
23% Popularity • 68% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Nija
Finesse
132 bpm • F Maj • 02:53 • -8.36db
38% Popularity • 80% Danceability • 49% Energy • 26% Liveness
0% Instrumentalness • 35% Positiveness
38% Popularity • 80% Danceability • 49% Energy • 26% Liveness
0% Instrumentalness • 35% Positiveness
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Mayila
Phases
132 bpm • G# min • 02:58 • -6.72db
15% Popularity • 64% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 34% Positiveness
15% Popularity • 64% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 34% Positiveness
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Trevor Jackson
Rolling Stone
133 bpm • D# min • 02:09 • -6.91db
20% Popularity • 54% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
20% Popularity • 54% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Dee Gatti
Clear My Mind
136 bpm • B min • 02:34 • -8db
33% Popularity • 61% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
33% Popularity • 61% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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J.Howell
Love You In The Morning (L.U.I.M)
137 bpm • C Maj • 03:47 • -6.42db
29% Popularity • 48% Danceability • 57% Energy • 33% Liveness
0% Instrumentalness • 18% Positiveness
29% Popularity • 48% Danceability • 57% Energy • 33% Liveness
0% Instrumentalness • 18% Positiveness
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Chiae
Get To The Bag
137 bpm • C# Maj • 02:20 • -5.42db
29% Popularity • 65% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
29% Popularity • 65% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Marzz
Rain Freestyle
137 bpm • E min • 02:51 • -7.16db
22% Popularity • 50% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
22% Popularity • 50% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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Rosemarie
Henny Talk
138 bpm • B min • 03:18 • -7db
36% Popularity • 51% Danceability • 55% Energy • 31% Liveness
0% Instrumentalness • 46% Positiveness
36% Popularity • 51% Danceability • 55% Energy • 31% Liveness
0% Instrumentalness • 46% Positiveness
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Trevor Jackson
Like I Do
136 bpm • C min • 03:41 • -6.26db
23% Popularity • 65% Danceability • 52% Energy • 90% Liveness
0% Instrumentalness • 49% Positiveness
23% Popularity • 65% Danceability • 52% Energy • 90% Liveness
0% Instrumentalness • 49% Positiveness
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Louis Gold
Quarantine Bae Remix
138 bpm • G# Maj • 03:31 • -5.03db
10% Popularity • 61% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 53% Positiveness
10% Popularity • 61% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 53% Positiveness
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J.Howell
Hard Days
137 bpm • B Maj • 02:35 • -5.51db
27% Popularity • 43% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
27% Popularity • 43% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Jake & Papa
Spell It In Diamonds
138 bpm • C min • 03:30 • -5.75db
18% Popularity • 70% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
18% Popularity • 70% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Elijah Blake
Sky Blue
130 bpm • D# min • 03:13 • -7db
34% Popularity • 68% Danceability • 56% Energy • 32% Liveness
0% Instrumentalness • 48% Positiveness
34% Popularity • 68% Danceability • 56% Energy • 32% Liveness
0% Instrumentalness • 48% Positiveness
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Romeyo Wilson
For Now
130 bpm • A min • 02:46 • -8.43db
35% Popularity • 48% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
35% Popularity • 48% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Leven Kali
MADE 4 U
138 bpm • F# Maj • 03:14 • -8.34db
38% Popularity • 65% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
38% Popularity • 65% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Trevor Jackson
Broken Hearted
130 bpm • C# min • 03:13 • -4.23db
15% Popularity • 48% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
15% Popularity • 48% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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B. Smyth
Too Many Reasons
130 bpm • F min • 03:17 • -6.6db
34% Popularity • 57% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
34% Popularity • 57% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Savannah Ré
24hrs
130 bpm • A# Maj • 03:22 • -11.06db
38% Popularity • 68% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
38% Popularity • 68% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Maeta
Press Play
130 bpm • G# min • 02:49 • -8db
35% Popularity • 62% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
35% Popularity • 62% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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Rico Love
Whole Lotta Sex
138 bpm • F# Maj • 03:44 • -9db
24% Popularity • 70% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
24% Popularity • 70% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Amal Marie
Know Me
130 bpm • F# Maj • 03:36 • -8db
17% Popularity • 50% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
17% Popularity • 50% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Damar Jackson
Stretch
130 bpm • C# min • 02:58 • -7.94db
13% Popularity • 44% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
13% Popularity • 44% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Mario
Luxury Love
129 bpm • D Maj • 02:42 • -5.58db
32% Popularity • 66% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
32% Popularity • 66% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Golde
Friendz
129 bpm • C# Maj • 03:47 • -7.54db
1% Popularity • 35% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
1% Popularity • 35% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Larissa Lambert
80/20 Rule
129 bpm • G# min • 02:58 • -8.92db
40% Popularity • 51% Danceability • 53% Energy • 22% Liveness
0% Instrumentalness • 30% Positiveness
40% Popularity • 51% Danceability • 53% Energy • 22% Liveness
0% Instrumentalness • 30% Positiveness
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Jayla Darden
Onto Something
139 bpm • F# min • 03:16 • -7.88db
47% Popularity • 83% Danceability • 44% Energy • 9% Liveness
15% Instrumentalness • 38% Positiveness
47% Popularity • 83% Danceability • 44% Energy • 9% Liveness
15% Instrumentalness • 38% Positiveness
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Jazmine Sullivan
Tragic
139 bpm • E min • 03:25 • -4.44db
43% Popularity • 64% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 45% Positiveness
43% Popularity • 64% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 45% Positiveness
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Will Gittens
Zodiac
139 bpm • F# min • 02:34 • -8.05db
34% Popularity • 78% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
34% Popularity • 78% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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Muni Long
IMU
129 bpm • G# Maj • 03:08 • -6.58db
38% Popularity • 79% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
38% Popularity • 79% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Nija
Rare
140 bpm • E min • 03:06 • -11db
31% Popularity • 60% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
31% Popularity • 60% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Mightbeleo
Back & Forth
140 bpm • C# min • 02:11 • -16db
28% Popularity • 59% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
28% Popularity • 59% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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PHABO
LNF
140 bpm • E min • 02:59 • -5.78db
39% Popularity • 67% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
39% Popularity • 67% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Jazmine Sullivan
On It
128 bpm • C# min • 03:25 • -6.7db
53% Popularity • 42% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
53% Popularity • 42% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Elliott Trent
One Friend
140 bpm • D min • 02:33 • -8.1db
49% Popularity • 68% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
49% Popularity • 68% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Neen Bowen
Right On Time
140 bpm • G Maj • 02:34 • -18db
20% Popularity • 79% Danceability • 21% Energy • 36% Liveness
0% Instrumentalness • 26% Positiveness
20% Popularity • 79% Danceability • 21% Energy • 36% Liveness
0% Instrumentalness • 26% Positiveness
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Solo Lucci
Dream Doll
140 bpm • D Maj • 03:09 • -8.88db
0% Popularity • 73% Danceability • 53% Energy • 23% Liveness
0% Instrumentalness • 19% Positiveness
0% Popularity • 73% Danceability • 53% Energy • 23% Liveness
0% Instrumentalness • 19% Positiveness
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Devon Culture
PRO
140 bpm • F# min • 02:30 • -9db
22% Popularity • 58% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
22% Popularity • 58% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
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Ashanti
235 (2:35 I Want You)
140 bpm • B min • 03:51 • -5.86db
41% Popularity • 61% Danceability • 68% Energy • 30% Liveness
0% Instrumentalness • 21% Positiveness
41% Popularity • 61% Danceability • 68% Energy • 30% Liveness
0% Instrumentalness • 21% Positiveness
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Trevor Jackson
OuttaMyWay
140 bpm • G min • 02:50 • -5.84db
13% Popularity • 62% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
13% Popularity • 62% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Leven Kali
1 On 1
140 bpm • C# Maj • 04:35 • -5.64db
37% Popularity • 66% Danceability • 66% Energy • 27% Liveness
0% Instrumentalness • 39% Positiveness
37% Popularity • 66% Danceability • 66% Energy • 27% Liveness
0% Instrumentalness • 39% Positiveness
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Maurice Moore
it's on you
140 bpm • C Maj • 02:34 • -10.49db
12% Popularity • 62% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
12% Popularity • 62% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Rome Flynn
Drunk with You
140 bpm • C min • 02:18 • -7.11db
20% Popularity • 69% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
20% Popularity • 69% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Romeyo Wilson
Sex You Up
140 bpm • A min • 02:44 • -10.39db
34% Popularity • 50% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
34% Popularity • 50% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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DAVESTATEOFMIND
Even If
140 bpm • C Maj • 03:51 • -9.3db
20% Popularity • 62% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
20% Popularity • 62% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
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Trevor Jackson
Back Problems
140 bpm • A# min • 02:47 • -6.91db
23% Popularity • 64% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
23% Popularity • 64% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Elliott Trent
Wasn't Love
140 bpm • G# min • 03:31 • -6.76db
30% Popularity • 64% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
30% Popularity • 64% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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Gemaine
Lay It Down
128 bpm • F min • 03:00 • -8.66db
7% Popularity • 61% Danceability • 44% Energy • 35% Liveness
0% Instrumentalness • 32% Positiveness
7% Popularity • 61% Danceability • 44% Energy • 35% Liveness
0% Instrumentalness • 32% Positiveness
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SHRETA
Got It Like That
128 bpm • B min • 03:03 • -7.94db
20% Popularity • 61% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
20% Popularity • 61% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Nija
Ease My Mind (Come Over)
140 bpm • F min • 02:46 • -8.64db
39% Popularity • 70% Danceability • 53% Energy • 17% Liveness
0% Instrumentalness • 79% Positiveness
39% Popularity • 70% Danceability • 53% Energy • 17% Liveness
0% Instrumentalness • 79% Positiveness
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Josh Levi
VICES
128 bpm • B min • 03:03 • -7db
41% Popularity • 69% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
41% Popularity • 69% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
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Trevor Jackson
Warning
140 bpm • F# min • 02:38 • -5db
24% Popularity • 81% Danceability • 74% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
24% Popularity • 81% Danceability • 74% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
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Perri Jones
Issues
128 bpm • G min • 03:09 • -9.59db
27% Popularity • 67% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
27% Popularity • 67% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
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Jermaine Elliott
ALL YOU
128 bpm • A Maj • 02:49 • -6.2db
11% Popularity • 82% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
11% Popularity • 82% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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Baby B
Slow
141 bpm • G# min • 04:59 • -8.42db
18% Popularity • 40% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
18% Popularity • 40% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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SprngBrk
Pride
141 bpm • C# Maj • 03:01 • -6db
18% Popularity • 75% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
18% Popularity • 75% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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GABI
Yeah, I Said It
127 bpm • G Maj • 02:26 • -8.79db
36% Popularity • 42% Danceability • 56% Energy • 39% Liveness
0% Instrumentalness • 16% Positiveness
36% Popularity • 42% Danceability • 56% Energy • 39% Liveness
0% Instrumentalness • 16% Positiveness
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Trevor Jackson
Lituationship
140 bpm • F Maj • 02:24 • -6.74db
15% Popularity • 47% Danceability • 56% Energy • 27% Liveness
0% Instrumentalness • 41% Positiveness
15% Popularity • 47% Danceability • 56% Energy • 27% Liveness
0% Instrumentalness • 41% Positiveness
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Gallant
Comeback.
127 bpm • G Maj • 03:03 • -7.16db
29% Popularity • 57% Danceability • 56% Energy • 70% Liveness
0% Instrumentalness • 56% Positiveness
29% Popularity • 57% Danceability • 56% Energy • 70% Liveness
0% Instrumentalness • 56% Positiveness
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Giveon
Lie Again
127 bpm • G Maj • 03:02 • -9.32db
63% Popularity • 58% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 17% Positiveness
63% Popularity • 58% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 17% Positiveness
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Muni Long
Pain
127 bpm • C# min • 02:33 • -5db
55% Popularity • 67% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
55% Popularity • 67% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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Savannah Ré
Fiji
142 bpm • G Maj • 02:25 • -9.49db
28% Popularity • 81% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
28% Popularity • 81% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Jermaine Elliott
Risky
126 bpm • G# Maj • 03:02 • -8.05db
21% Popularity • 75% Danceability • 53% Energy • 32% Liveness
0% Instrumentalness • 63% Positiveness
21% Popularity • 75% Danceability • 53% Energy • 32% Liveness
0% Instrumentalness • 63% Positiveness
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Trevor Jackson
Show Me Diamonds
140 bpm • G min • 02:45 • -5db
26% Popularity • 49% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
26% Popularity • 49% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Elliott Trent
Alone
126 bpm • C Maj • 02:53 • -11db
30% Popularity • 68% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
30% Popularity • 68% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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Samaria
Out The Way
126 bpm • B min • 02:35 • -6.52db
43% Popularity • 76% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
43% Popularity • 76% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Muni Long
Thot Thoughts
142 bpm • D# Maj • 03:34 • -7db
35% Popularity • 85% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
35% Popularity • 85% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
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Chiae
Falling in Love
126 bpm • F# min • 02:05 • -11.6db
30% Popularity • 77% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
30% Popularity • 77% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
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Jawan x Tiffany
To Myself
126 bpm • A# Maj • 03:44 • -5.45db
17% Popularity • 62% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
17% Popularity • 62% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
