Songs like Gethsemane by Drew Sarich
Based on a tempo of (+/- 10%) and a similar genre
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Moritz Schneider
Weisst du noch?
74 bpm • D min • 06:19 • -14.88db
11% Popularity • 25% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
11% Popularity • 25% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Sherman Edwards
1776: Momma Look Sharp
74 bpm • G# Maj • 03:24 • -23db
20% Popularity • 22% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
20% Popularity • 22% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Drew Sarich
Gethsemane
74 bpm • G# Maj • 06:31 • -5.9db
18% Popularity • 23% Danceability • 69% Energy • 71% Liveness
0% Instrumentalness • 17% Positiveness
18% Popularity • 23% Danceability • 69% Energy • 71% Liveness
0% Instrumentalness • 17% Positiveness
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Ciara Renée
The Man I Know
74 bpm • A Maj • 03:14 • -8db
14% Popularity • 34% Danceability • 25% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
14% Popularity • 34% Danceability • 25% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
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Heather Headley
Easy As Life
73 bpm • G# Maj • 04:13 • -8.52db
33% Popularity • 48% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
33% Popularity • 48% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Tam Mutu
Who Is She?
73 bpm • C Maj • 02:44 • -10.79db
8% Popularity • 29% Danceability • 39% Energy • 32% Liveness
0% Instrumentalness • 26% Positiveness
8% Popularity • 29% Danceability • 39% Energy • 32% Liveness
0% Instrumentalness • 26% Positiveness
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Brent Barrett
The Grand Parade / Some Have, Some Have ...
75 bpm • C# Maj • 08:18 • -12db
9% Popularity • 34% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
9% Popularity • 34% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
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Uwe Kröger
Roseanne
73 bpm • A# min • 03:35 • -11.46db
7% Popularity • 32% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
7% Popularity • 32% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Caroline Vasicek
I Don´t Know How To Love Him
73 bpm • D Maj • 04:32 • -10.19db
14% Popularity • 47% Danceability • 38% Energy • 69% Liveness
0% Instrumentalness • 32% Positiveness
14% Popularity • 47% Danceability • 38% Energy • 69% Liveness
0% Instrumentalness • 32% Positiveness
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Sunday In The Park With George 2017 Broadway Company
Sunday
75 bpm • G Maj • 04:40 • -10.1db
24% Popularity • 14% Danceability • 26% Energy • 36% Liveness
0% Instrumentalness • 9% Positiveness
24% Popularity • 14% Danceability • 26% Energy • 36% Liveness
0% Instrumentalness • 9% Positiveness
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John Hickok
Another Pyramid
73 bpm • F Maj • 03:35 • -7.9db
29% Popularity • 62% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
29% Popularity • 62% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Maya Hakvoort
Gold Von Den Sternen
75 bpm • C Maj • 03:29 • -12db
16% Popularity • 47% Danceability • 30% Energy • 72% Liveness
0% Instrumentalness • 29% Positiveness
16% Popularity • 47% Danceability • 30% Energy • 72% Liveness
0% Instrumentalness • 29% Positiveness
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Original Cast Linz
Du
73 bpm • E min • 03:45 • -12db
13% Popularity • 26% Danceability • 21% Energy • 17% Liveness
0% Instrumentalness • 14% Positiveness
13% Popularity • 26% Danceability • 21% Energy • 17% Liveness
0% Instrumentalness • 14% Positiveness
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Moritz Schneider
Ich schütze dich
73 bpm • B Maj • 03:54 • -11.78db
9% Popularity • 20% Danceability • 28% Energy • 82% Liveness
0% Instrumentalness • 15% Positiveness
9% Popularity • 20% Danceability • 28% Energy • 82% Liveness
0% Instrumentalness • 15% Positiveness
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Caroline Vasicek
Could We Start Again, Please?
73 bpm • D Maj • 02:43 • -7.96db
9% Popularity • 48% Danceability • 49% Energy • 88% Liveness
0% Instrumentalness • 25% Positiveness
9% Popularity • 48% Danceability • 49% Energy • 88% Liveness
0% Instrumentalness • 25% Positiveness
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Isabel Dörfler
Du wirst niemals eine Lady
75 bpm • F Maj • 05:17 • -9db
17% Popularity • 51% Danceability • 59% Energy • 62% Liveness
0% Instrumentalness • 64% Positiveness
17% Popularity • 51% Danceability • 59% Energy • 62% Liveness
0% Instrumentalness • 64% Positiveness
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Johnny Depp
Pretty Women - Highlights Version
76 bpm • D min • 04:07 • -14.38db
23% Popularity • 27% Danceability • 20% Energy • 14% Liveness
1% Instrumentalness • 22% Positiveness
23% Popularity • 27% Danceability • 20% Energy • 14% Liveness
1% Instrumentalness • 22% Positiveness
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Marie Antoinette (Original Soundtrack)
Blind vom Licht der vielen Kerzen - MARI...
75 bpm • D min • 03:48 • -6.1db
28% Popularity • 34% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
28% Popularity • 34% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Stephen Sondheim
The Little Things You Do Together
76 bpm • G Maj • 03:51 • -10.96db
27% Popularity • 57% Danceability • 25% Energy • 65% Liveness
0% Instrumentalness • 56% Positiveness
27% Popularity • 57% Danceability • 25% Energy • 65% Liveness
0% Instrumentalness • 56% Positiveness
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Sylvester LeVay
Dich kennen heisst dich lieben
72 bpm • G Maj • 04:18 • -11.43db
20% Popularity • 32% Danceability • 27% Energy • 66% Liveness
0% Instrumentalness • 8% Positiveness
20% Popularity • 32% Danceability • 27% Energy • 66% Liveness
0% Instrumentalness • 8% Positiveness
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The Scarlet Pimpernel
I'll Forget You
76 bpm • C# min • 03:29 • -13.96db
15% Popularity • 26% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
15% Popularity • 26% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
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Douglas Sills
She Was There
76 bpm • B Maj • 03:07 • -11db
21% Popularity • 32% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
21% Popularity • 32% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
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Cast Recording
All Grown Up
76 bpm • C# min • 04:11 • -11.46db
28% Popularity • 41% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
28% Popularity • 41% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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Solea Pfeiffer
She's Not Me
76 bpm • A min • 03:32 • -8.41db
11% Popularity • 30% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
11% Popularity • 30% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Maury Yeston
I Thought That I Could Live
72 bpm • F Maj • 04:04 • -9db
7% Popularity • 38% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
7% Popularity • 38% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Matthew Cammelle
Live With Somebody You Love
76 bpm • A Maj • 03:42 • -12db
14% Popularity • 24% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
14% Popularity • 24% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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James Barbour
The Longer I Live
76 bpm • D# min • 02:49 • -8.2db
22% Popularity • 25% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
22% Popularity • 25% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
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Lora Lee Gayer
It Comes as No Surprise
72 bpm • A Maj • 03:41 • -11.37db
8% Popularity • 34% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
8% Popularity • 34% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
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Sylvester LeVay
Ich bin, ich bin Musik
76 bpm • G Maj • 03:33 • -10db
27% Popularity • 35% Danceability • 58% Energy • 70% Liveness
0% Instrumentalness • 30% Positiveness
27% Popularity • 35% Danceability • 58% Energy • 70% Liveness
0% Instrumentalness • 30% Positiveness
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Hadley Fraser
Beyond the Door
77 bpm • G# min • 03:00 • -8db
23% Popularity • 27% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
23% Popularity • 27% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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Jubiläumscast Wien 2012
Die Schatten werden länger
77 bpm • D# min • 01:45 • -14db
30% Popularity • 26% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
30% Popularity • 26% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
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Jekyll & Hyde Cast Ensemble
Once Upon a Dream - Jekyll
71 bpm • G# Maj • 02:25 • -16.98db
25% Popularity • 40% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 11% Positiveness
25% Popularity • 40% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 11% Positiveness
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Wietske van Tongeren, Susan Rigvava-Dumas
Mrs. de Winter bin ich
77 bpm • F# Maj • 02:30 • -6db
20% Popularity • 53% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
20% Popularity • 53% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Audra McDonald
Your Daddy's Son
77 bpm • G# min • 03:42 • -12.81db
29% Popularity • 32% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
29% Popularity • 32% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Ana Milva Gomes
Irland
77 bpm • C# Maj • 03:35 • -14db
15% Popularity • 38% Danceability • 30% Energy • 69% Liveness
0% Instrumentalness • 19% Positiveness
15% Popularity • 38% Danceability • 30% Energy • 69% Liveness
0% Instrumentalness • 19% Positiveness
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Ricky Allan
All We Dreamed & More
77 bpm • G Maj • 03:01 • -10.4db
11% Popularity • 40% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
11% Popularity • 40% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Milica Jovanović
Mein Lied
71 bpm • B min • 05:26 • -11.65db
10% Popularity • 45% Danceability • 29% Energy • 19% Liveness
0% Instrumentalness • 40% Positiveness
10% Popularity • 45% Danceability • 29% Energy • 19% Liveness
0% Instrumentalness • 40% Positiveness
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Hugh Jackman
Who Am I?
78 bpm • G# Maj • 02:37 • -13.18db
41% Popularity • 37% Danceability • 30% Energy • 19% Liveness
0% Instrumentalness • 18% Positiveness
41% Popularity • 37% Danceability • 30% Energy • 19% Liveness
0% Instrumentalness • 18% Positiveness
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Boris Pfeifer
Lass dich nicht erwischen
78 bpm • F min • 02:32 • -9.48db
0% Popularity • 54% Danceability • 61% Energy • 66% Liveness
0% Instrumentalness • 38% Positiveness
0% Popularity • 54% Danceability • 61% Energy • 66% Liveness
0% Instrumentalness • 38% Positiveness
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Miss Saigon Original Cast
Bui Doi - Live
79 bpm • G# Maj • 03:52 • -11db
36% Popularity • 32% Danceability • 33% Energy • 78% Liveness
0% Instrumentalness • 33% Positiveness
36% Popularity • 32% Danceability • 33% Energy • 78% Liveness
0% Instrumentalness • 33% Positiveness
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Ana Milva Gomes
Erinnerung (Live)
77 bpm • F min • 07:22 • -12.35db
9% Popularity • 26% Danceability • 21% Energy • 36% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 26% Danceability • 21% Energy • 36% Liveness
0% Instrumentalness • 4% Positiveness
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Roger Allam
Javert's Suicide: Soliloquy
79 bpm • F Maj • 03:39 • -10.31db
34% Popularity • 33% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
34% Popularity • 33% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Oedo Kuipers
Unheilbar verliebt
79 bpm • A min • 03:54 • -11.16db
8% Popularity • 27% Danceability • 30% Energy • 68% Liveness
0% Instrumentalness • 14% Positiveness
8% Popularity • 27% Danceability • 30% Energy • 68% Liveness
0% Instrumentalness • 14% Positiveness
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Russell Crowe
Stars
70 bpm • C# Maj • 02:45 • -15.86db
45% Popularity • 26% Danceability • 12% Energy • 47% Liveness
0% Instrumentalness • 23% Positiveness
45% Popularity • 26% Danceability • 12% Energy • 47% Liveness
0% Instrumentalness • 23% Positiveness
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Moritz Schneider
Liebe endet nie
79 bpm • B Maj • 05:06 • -11db
12% Popularity • 17% Danceability • 25% Energy • 32% Liveness
0% Instrumentalness • 9% Positiveness
12% Popularity • 17% Danceability • 25% Energy • 32% Liveness
0% Instrumentalness • 9% Positiveness
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Stephen Sondheim
Company
79 bpm • D Maj • 04:37 • -6db
33% Popularity • 58% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
33% Popularity • 58% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
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Douglas Sills
Prayer
79 bpm • A min • 03:34 • -9.28db
23% Popularity • 24% Danceability • 34% Energy • 52% Liveness
1% Instrumentalness • 10% Positiveness
23% Popularity • 24% Danceability • 34% Energy • 52% Liveness
1% Instrumentalness • 10% Positiveness
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Josh Groban
Dust and Ashes
79 bpm • D# Maj • 06:24 • -9.91db
41% Popularity • 34% Danceability • 36% Energy • 50% Liveness
0% Instrumentalness • 20% Positiveness
41% Popularity • 34% Danceability • 36% Energy • 50% Liveness
0% Instrumentalness • 20% Positiveness
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Oedo Kuipers
Besser sein, als ich bin
79 bpm • C Maj • 03:13 • -8db
17% Popularity • 29% Danceability • 57% Energy • 73% Liveness
0% Instrumentalness • 26% Positiveness
17% Popularity • 29% Danceability • 57% Energy • 73% Liveness
0% Instrumentalness • 26% Positiveness
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Annemieke van Dam
Ein Neuer Tag
79 bpm • B min • 04:06 • -9db
15% Popularity • 20% Danceability • 32% Energy • 19% Liveness
0% Instrumentalness • 13% Positiveness
15% Popularity • 20% Danceability • 32% Energy • 19% Liveness
0% Instrumentalness • 13% Positiveness
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Les Misérables Cast
Epilogue
79 bpm • E Maj • 08:24 • -20.45db
38% Popularity • 27% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
38% Popularity • 27% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Lea Michele
Mama Who Bore Me - Original Broadway Cas...
69 bpm • D Maj • 02:20 • -10db
47% Popularity • 32% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
47% Popularity • 32% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
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Chita Rivera
Kiss Of The Spider Woman
79 bpm • F# min • 02:32 • -14db
28% Popularity • 42% Danceability • 17% Energy • 41% Liveness
0% Instrumentalness • 51% Positiveness
28% Popularity • 42% Danceability • 17% Energy • 41% Liveness
0% Instrumentalness • 51% Positiveness
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Andy Karl
Adrian - Rocky Broadway Cast Recording
80 bpm • D# Maj • 01:41 • -14.69db
8% Popularity • 36% Danceability • 16% Energy • 19% Liveness
0% Instrumentalness • 30% Positiveness
8% Popularity • 36% Danceability • 16% Energy • 19% Liveness
0% Instrumentalness • 30% Positiveness
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Josh Groban
The Great Comet of 1812
69 bpm • D Maj • 05:02 • -11.8db
34% Popularity • 34% Danceability • 22% Energy • 13% Liveness
1% Instrumentalness • 5% Positiveness
34% Popularity • 34% Danceability • 22% Energy • 13% Liveness
1% Instrumentalness • 5% Positiveness
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Jeremy Jordan
Rise or Fall / Act I Finale
80 bpm • A Maj • 05:00 • -6.33db
20% Popularity • 30% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
20% Popularity • 30% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Marie Antoinette (Original Soundtrack)
Warum muss ich sein, was ich nicht bin?
80 bpm • F# Maj • 02:57 • -10db
11% Popularity • 30% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
11% Popularity • 30% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Musical Tenors
Limelight
80 bpm • A# Maj • 05:39 • -7.39db
8% Popularity • 36% Danceability • 41% Energy • 37% Liveness
0% Instrumentalness • 20% Positiveness
8% Popularity • 36% Danceability • 41% Energy • 37% Liveness
0% Instrumentalness • 20% Positiveness
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Moritz Schneider
Vergiss es!
80 bpm • D min • 06:22 • -8.74db
10% Popularity • 52% Danceability • 59% Energy • 93% Liveness
0% Instrumentalness • 39% Positiveness
10% Popularity • 52% Danceability • 59% Energy • 93% Liveness
0% Instrumentalness • 39% Positiveness
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Rebecca Naomi Jones
Murder Ballad
80 bpm • C# min • 04:15 • -9.53db
18% Popularity • 66% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
18% Popularity • 66% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Drew Sarich
Poor Jerusalem
68 bpm • D# Maj • 01:59 • -17.18db
10% Popularity • 30% Danceability • 14% Energy • 19% Liveness
0% Instrumentalness • 23% Positiveness
10% Popularity • 30% Danceability • 14% Energy • 19% Liveness
0% Instrumentalness • 23% Positiveness
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Patrick Page
Why We Build the Wall
80 bpm • F Maj • 04:00 • -7.19db
33% Popularity • 56% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 32% Positiveness
33% Popularity • 56% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 32% Positiveness
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Solea Pfeiffer
Catch the Moon
68 bpm • C Maj • 03:25 • -6.83db
9% Popularity • 39% Danceability • 44% Energy • 34% Liveness
0% Instrumentalness • 14% Positiveness
9% Popularity • 39% Danceability • 44% Energy • 34% Liveness
0% Instrumentalness • 14% Positiveness
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Aaron Tveit
There's a World
80 bpm • A# Maj • 01:34 • -19.08db
32% Popularity • 33% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
32% Popularity • 33% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Matthew James Thomas
Morning Glow
81 bpm • C# Maj • 04:16 • -7.86db
37% Popularity • 19% Danceability • 33% Energy • 28% Liveness
0% Instrumentalness • 22% Positiveness
37% Popularity • 19% Danceability • 33% Energy • 28% Liveness
0% Instrumentalness • 22% Positiveness
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Kerstin Ibald
Was ist nur los mit ihm?
81 bpm • C min • 02:45 • -8db
16% Popularity • 38% Danceability • 31% Energy • 17% Liveness
0% Instrumentalness • 11% Positiveness
16% Popularity • 38% Danceability • 31% Energy • 17% Liveness
0% Instrumentalness • 11% Positiveness
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Alexander Di Capri
Pilate And Christ
80 bpm • G min • 02:43 • -6.18db
7% Popularity • 48% Danceability • 54% Energy • 43% Liveness
0% Instrumentalness • 20% Positiveness
7% Popularity • 48% Danceability • 54% Energy • 43% Liveness
0% Instrumentalness • 20% Positiveness
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Christine Andreas
Only Love
81 bpm • G# Maj • 04:08 • -11.22db
21% Popularity • 23% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
21% Popularity • 23% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
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Matt Rawle
Martin Guerre
81 bpm • D Maj • 02:55 • -15.12db
14% Popularity • 47% Danceability • 29% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
14% Popularity • 47% Danceability • 29% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
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Killian Donnelly
Soul of a Man
81 bpm • C Maj • 03:26 • -11db
25% Popularity • 51% Danceability • 59% Energy • 70% Liveness
0% Instrumentalness • 46% Positiveness
25% Popularity • 51% Danceability • 59% Energy • 70% Liveness
0% Instrumentalness • 46% Positiveness
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John Cameron Mitchell
Winter's on the Wing
81 bpm • G Maj • 02:33 • -12.48db
25% Popularity • 46% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
25% Popularity • 46% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Hugh Jackman
Valjean's Soliloquy
68 bpm • G# Maj • 03:18 • -14.56db
40% Popularity • 36% Danceability • 27% Energy • 26% Liveness
0% Instrumentalness • 28% Positiveness
40% Popularity • 36% Danceability • 27% Energy • 26% Liveness
0% Instrumentalness • 28% Positiveness
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Drew Sarich
Hosanna
81 bpm • G Maj • 03:05 • -5.83db
9% Popularity • 44% Danceability • 78% Energy • 78% Liveness
0% Instrumentalness • 29% Positiveness
9% Popularity • 44% Danceability • 78% Energy • 78% Liveness
0% Instrumentalness • 29% Positiveness
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Lea Michele
Whispering - Original Broadway Cast Reco...
81 bpm • E min • 03:35 • -16.06db
33% Popularity • 36% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
33% Popularity • 36% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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Maria Friedman
Look At Me
81 bpm • C# Maj • 03:58 • -14db
16% Popularity • 32% Danceability • 23% Energy • 20% Liveness
0% Instrumentalness • 18% Positiveness
16% Popularity • 32% Danceability • 23% Energy • 20% Liveness
0% Instrumentalness • 18% Positiveness
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Tam Mutu
Now
82 bpm • D# Maj • 04:15 • -12.97db
10% Popularity • 28% Danceability • 18% Energy • 21% Liveness
0% Instrumentalness • 15% Positiveness
10% Popularity • 28% Danceability • 18% Energy • 21% Liveness
0% Instrumentalness • 15% Positiveness
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Brian Stokes Mitchell
The Impossible Dream (The Quest)
82 bpm • A Maj • 03:53 • -9.28db
37% Popularity • 39% Danceability • 32% Energy • 8% Liveness
1% Instrumentalness • 28% Positiveness
37% Popularity • 39% Danceability • 32% Energy • 8% Liveness
1% Instrumentalness • 28% Positiveness
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Robert Lonsdale
Fight the Fight
82 bpm • E Maj • 02:40 • -7db
14% Popularity • 46% Danceability • 63% Energy • 72% Liveness
0% Instrumentalness • 52% Positiveness
14% Popularity • 46% Danceability • 63% Energy • 72% Liveness
0% Instrumentalness • 52% Positiveness
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Liam Tamne
A Very Good Day
82 bpm • B min • 03:51 • -14.37db
6% Popularity • 40% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
6% Popularity • 40% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
► Preview
James Royal Valcq
The Colors of Paradise
82 bpm • E min • 04:09 • -7.61db
13% Popularity • 41% Danceability • 25% Energy • 36% Liveness
0% Instrumentalness • 27% Positiveness
13% Popularity • 41% Danceability • 25% Energy • 36% Liveness
0% Instrumentalness • 27% Positiveness
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Sylvester LeVay
Wie wird man seinen Schatten los?
82 bpm • D# min • 04:23 • -8.08db
32% Popularity • 32% Danceability • 59% Energy • 70% Liveness
0% Instrumentalness • 24% Positiveness
32% Popularity • 32% Danceability • 59% Energy • 70% Liveness
0% Instrumentalness • 24% Positiveness
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Jekyll, Edward Hyde
First Transformation
66 bpm • E min • 03:51 • -13.97db
25% Popularity • 33% Danceability • 18% Energy • 29% Liveness
0% Instrumentalness • 7% Positiveness
25% Popularity • 33% Danceability • 18% Energy • 29% Liveness
0% Instrumentalness • 7% Positiveness
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Lisa Antoni
Ich fühle keine Liebe
82 bpm • G# Maj • 02:36 • -8db
16% Popularity • 48% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
16% Popularity • 48% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Sierra Boggess
Tonight
83 bpm • C min • 04:22 • -10.55db
12% Popularity • 22% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
12% Popularity • 22% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
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Marie Antoinette (Original Soundtrack)
Jenseits aller Schmerzen
83 bpm • G# min • 02:11 • -6db
20% Popularity • 25% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
20% Popularity • 25% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Douglas Sills
Into the Fire
83 bpm • D Maj • 03:50 • -11db
27% Popularity • 35% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
27% Popularity • 35% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Brian Stokes Mitchell
Make Them Hear You
83 bpm • E Maj • 02:47 • -12.83db
14% Popularity • 36% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
14% Popularity • 36% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Jubiläumscast Wien 2012
Alle Fragen sind gestellt
83 bpm • A# Maj • 02:17 • -9.94db
28% Popularity • 20% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
28% Popularity • 20% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Walter Lochmann
Mozart: Wie wird man seinen Schatten los...
83 bpm • B Maj • 04:02 • -6db
18% Popularity • 33% Danceability • 60% Energy • 37% Liveness
0% Instrumentalness • 21% Positiveness
18% Popularity • 33% Danceability • 60% Energy • 37% Liveness
0% Instrumentalness • 21% Positiveness
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Louise Dearman
Lost in Translations
83 bpm • D# Maj • 04:56 • -7.08db
13% Popularity • 34% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
13% Popularity • 34% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Brent Carver
Leo's Statement: It's hard to speak my h...
83 bpm • A Maj • 02:44 • -15.81db
22% Popularity • 30% Danceability • 12% Energy • 9% Liveness
2% Instrumentalness • 11% Positiveness
22% Popularity • 30% Danceability • 12% Energy • 9% Liveness
2% Instrumentalness • 11% Positiveness
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Ricky Allan
The Cold, Hard, Ground
83 bpm • A min • 03:41 • -10.88db
17% Popularity • 32% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 11% Positiveness
17% Popularity • 32% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 11% Positiveness
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Maury Yeston
We'll Meet Tomorrow
66 bpm • E Maj • 02:26 • -13.07db
23% Popularity • 26% Danceability • 30% Energy • 34% Liveness
0% Instrumentalness • 17% Positiveness
23% Popularity • 26% Danceability • 30% Energy • 34% Liveness
0% Instrumentalness • 17% Positiveness
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Cast Recording
Once Upon A Time
83 bpm • E min • 02:11 • -16.71db
24% Popularity • 35% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
24% Popularity • 35% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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Utterson, Jekyll, Emma, Sir Danvers
Your Work--And Nothing More
83 bpm • G min • 02:47 • -9.98db
25% Popularity • 26% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
25% Popularity • 26% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Adam Pascal
Enchantment Passing Through - Broadway C...
83 bpm • A Maj • 03:18 • -12.55db
28% Popularity • 39% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
28% Popularity • 39% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Valerie Link
Zeit in einer Flasche
84 bpm • F min • 06:39 • -12.74db
17% Popularity • 41% Danceability • 37% Energy • 61% Liveness
0% Instrumentalness • 23% Positiveness
17% Popularity • 41% Danceability • 37% Energy • 61% Liveness
0% Instrumentalness • 23% Positiveness
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Iain Glen
Tell Me To Go
84 bpm • A# Maj • 04:35 • -17.29db
13% Popularity • 26% Danceability • 12% Energy • 18% Liveness
0% Instrumentalness • 14% Positiveness
13% Popularity • 26% Danceability • 12% Energy • 18% Liveness
0% Instrumentalness • 14% Positiveness
