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Getting Good
Songs like
Getting Good
by
Lauren Alaina
Based on a tempo of (+/- 10%) and a similar genre
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Jake Owen
I Was Jack (You Were Diane)
94 bpm • F# Maj • 03:07 • -3.54db
61% Popularity • 60% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 55% Positiveness
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Luke Bryan
Down To One
94 bpm • G# Maj • 03:41 • -4.11db
55% Popularity • 62% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Priscilla Block
I Bet You Wanna Know
94 bpm • G min • 02:39 • -5db
44% Popularity • 57% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Lauren Alaina
Getting Good
94 bpm • B Maj • 03:20 • -5.45db
43% Popularity • 53% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Russell Dickerson
Every Little Thing
94 bpm • C# Maj • 03:10 • -4.66db
62% Popularity • 64% Danceability • 85% Energy • 4% Liveness
0% Instrumentalness • 86% Positiveness
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Thomas Rhett
Death Row
93 bpm • D Maj • 03:51 • -7.64db
46% Popularity • 32% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Sugarland
Mother
95 bpm • C# Maj • 03:48 • -6db
45% Popularity • 56% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 29% Positiveness
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Adam Doleac
Famous
95 bpm • G Maj • 03:06 • -5.58db
47% Popularity • 60% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Dylan Scott
My Girl
95 bpm • C# Maj • 03:17 • -7.25db
68% Popularity • 65% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Lauren Alaina
Getting Good
94 bpm • B Maj • 03:21 • -5.18db
27% Popularity • 39% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Jordan Davis
Lose You
95 bpm • F# Maj • 03:23 • -6db
59% Popularity • 65% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Thomas Rhett
That Old Truck
93 bpm • C# Maj • 03:32 • -7.25db
45% Popularity • 60% Danceability • 64% Energy • 19% Liveness
0% Instrumentalness • 63% Positiveness
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Dan + Shay
All To Myself
95 bpm • C# Maj • 02:49 • -4.62db
63% Popularity • 65% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Adam Doleac
Coulda Loved You Longer
93 bpm • B Maj • 02:56 • -6.41db
43% Popularity • 64% Danceability • 62% Energy • 50% Liveness
0% Instrumentalness • 73% Positiveness
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Tyler Rich
Rather Be Us
95 bpm • B Maj • 03:20 • -6.61db
33% Popularity • 66% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Morgan Evans
Love Is Real
95 bpm • D# Maj • 02:42 • -5.09db
47% Popularity • 64% Danceability • 73% Energy • 20% Liveness
0% Instrumentalness • 71% Positiveness
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Trisha Yearwood
Shallow (The Duet with Garth Brooks and ...
95 bpm • F Maj • 03:41 • -7.88db
48% Popularity • 36% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Kenny Chesney
Tip of My Tongue
95 bpm • F Maj • 03:19 • -5.6db
48% Popularity • 67% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
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Maren Morris
I Could Use a Love Song
92 bpm • F# Maj • 03:16 • -6.47db
63% Popularity • 64% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Lee Brice
One Of Them Girls
96 bpm • E Maj • 03:08 • -6.08db
73% Popularity • 64% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
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Brett Young
Here Tonight
96 bpm • B Maj • 03:36 • -5db
58% Popularity • 52% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Miranda Lambert
Automatic
96 bpm • A# Maj • 04:07 • -6.21db
61% Popularity • 59% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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Chris Janson
Good Vibes
92 bpm • C Maj • 02:45 • -2.77db
62% Popularity • 58% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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Chris Young
Losing Sleep
92 bpm • C# Maj • 02:58 • -5.7db
55% Popularity • 58% Danceability • 62% Energy • 39% Liveness
0% Instrumentalness • 63% Positiveness
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Lauren Alaina
Goodbye Street
96 bpm • G Maj • 02:54 • -6.99db
18% Popularity • 58% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Lee Brice
I Don't Dance
92 bpm • C# Maj • 03:41 • -7.74db
66% Popularity • 59% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Kane Brown
Lose It
92 bpm • E min • 02:58 • -4.97db
62% Popularity • 55% Danceability • 85% Energy • 25% Liveness
0% Instrumentalness • 44% Positiveness
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Seaforth
Talk About
97 bpm • E Maj • 02:46 • -5.07db
40% Popularity • 64% Danceability • 73% Energy • 2% Liveness
0% Instrumentalness • 80% Positiveness
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Thomas Rhett
Want It Again
91 bpm • A Maj • 02:52 • -9.14db
60% Popularity • 49% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Brooks & Dunn
Ain't Nothing 'Bout You - with Brett You...
97 bpm • G# min • 04:01 • -6db
48% Popularity • 68% Danceability • 75% Energy • 36% Liveness
0% Instrumentalness • 77% Positiveness
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Lauren Alaina
If The World Was A Small Town
97 bpm • F# Maj • 02:54 • -4.78db
26% Popularity • 64% Danceability • 70% Energy • 34% Liveness
0% Instrumentalness • 44% Positiveness
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Lee Brice
Memory I Don't Mess With
92 bpm • F# min • 03:00 • -7.61db
65% Popularity • 62% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Kane Brown
Homesick
97 bpm • G# Maj • 03:25 • -8.82db
63% Popularity • 70% Danceability • 50% Energy • 23% Liveness
0% Instrumentalness • 41% Positiveness
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Sophia Scott
Beauty In the Flaws
91 bpm • C# Maj • 03:44 • -5db
38% Popularity • 56% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Reba McEntire
Consider Me Gone
97 bpm • G# Maj • 03:40 • -4db
57% Popularity • 58% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Maddie & Tae
Trying On Rings
91 bpm • G Maj • 03:05 • -7.45db
43% Popularity • 60% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Maren Morris
80s Mercedes
91 bpm • A Maj • 03:31 • -5.41db
59% Popularity • 48% Danceability • 83% Energy • 28% Liveness
0% Instrumentalness • 66% Positiveness
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Thomas Rhett
Be A Light
98 bpm • C Maj • 02:53 • -6.69db
42% Popularity • 51% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Canaan Smith
Always And Forever
98 bpm • A# Maj • 02:54 • -6.36db
43% Popularity • 65% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Sam Hunt
23
98 bpm • D# Maj • 02:59 • -5.14db
67% Popularity • 64% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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Eli Young Band
Love Ain't
98 bpm • B Maj • 03:07 • -4.67db
63% Popularity • 60% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Billy Currington
Do I Make You Wanna
90 bpm • A Maj • 03:54 • -5.43db
64% Popularity • 55% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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Tim McGraw
Undivided
90 bpm • A# Maj • 02:57 • -4.75db
50% Popularity • 58% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 41% Positiveness
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Kane Brown
Cool Again
90 bpm • E Maj • 02:44 • -5.5db
53% Popularity • 61% Danceability • 74% Energy • 36% Liveness
0% Instrumentalness • 77% Positiveness
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Miranda Lambert
Settling Down
90 bpm • F# min • 03:17 • -5.8db
56% Popularity • 64% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Luke Bryan
One Margarita
90 bpm • A Maj • 03:13 • -4.87db
68% Popularity • 64% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
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Parmalee
Just the Way
90 bpm • A Maj • 03:13 • -3.34db
69% Popularity • 54% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 78% Positiveness
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Jo Dee Messina
I'm Alright
98 bpm • C Maj • 03:19 • -7.75db
61% Popularity • 68% Danceability • 73% Energy • 19% Liveness
0% Instrumentalness • 59% Positiveness
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Tyler Rich
Feels Like Home
90 bpm • F Maj • 03:20 • -4db
35% Popularity • 36% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Gabby Barrett
The Good Ones
90 bpm • D Maj • 03:35 • -5.02db
71% Popularity • 52% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Tenille Townes
Girl Who Didn't Care
90 bpm • E Maj • 03:12 • -4.85db
43% Popularity • 60% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
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Brett Eldredge
Gabrielle
99 bpm • A# Maj • 03:36 • -6.72db
48% Popularity • 71% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Eric Church
Hell Of A View
99 bpm • F Maj • 02:55 • -6.76db
71% Popularity • 69% Danceability • 59% Energy • 11% Liveness
1% Instrumentalness • 92% Positiveness
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Callista Clark
It’s ‘Cause I Am
99 bpm • A# min • 02:46 • -5db
36% Popularity • 73% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Lauren Alaina
Same Story, Different Saturday Night
99 bpm • F Maj • 03:20 • -3.75db
23% Popularity • 63% Danceability • 70% Energy • 25% Liveness
0% Instrumentalness • 75% Positiveness
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Trisha Yearwood
Georgia Rain
99 bpm • A# Maj • 05:11 • -5.72db
38% Popularity • 52% Danceability • 44% Energy • 19% Liveness
0% Instrumentalness • 14% Positiveness
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Florida Georgia Line
Blessings
89 bpm • E Maj • 03:18 • -6db
56% Popularity • 47% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Morgan Evans
Kiss Somebody
89 bpm • F# Maj • 03:33 • -7db
60% Popularity • 57% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 53% Positiveness
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Logan Mize
Grew Apart
89 bpm • G Maj • 02:49 • -7.74db
60% Popularity • 62% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Brett Young
Sleep Without You
89 bpm • F min • 03:07 • -6db
60% Popularity • 63% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Brett Eldredge
The Long Way
89 bpm • A# Maj • 03:28 • -8db
54% Popularity • 49% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Lauren Alaina
Ladies In The '90s
100 bpm • G Maj • 03:45 • -3db
51% Popularity • 64% Danceability • 88% Energy • 34% Liveness
0% Instrumentalness • 55% Positiveness
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Roman Alexander
Between You & Me
100 bpm • E Maj • 02:49 • -8.23db
34% Popularity • 63% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Maddie & Tae
Friends Don't
100 bpm • G Maj • 03:08 • -5.95db
59% Popularity • 53% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
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Abby Anderson
We Go Together Like
100 bpm • B Maj • 02:43 • -5.32db
38% Popularity • 62% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
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Jordan Davis
Take It From Me
100 bpm • A# Maj • 02:54 • -3.14db
69% Popularity • 59% Danceability • 89% Energy • 35% Liveness
0% Instrumentalness • 67% Positiveness
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Kane Brown
One Mississippi
100 bpm • C Maj • 03:34 • -5.81db
57% Popularity • 46% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 57% Positiveness
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Logan Mize
Better Off Gone
100 bpm • F min • 03:02 • -7.42db
55% Popularity • 67% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Roman Alexander
Between You & Me
100 bpm • E Maj • 02:49 • -7.65db
49% Popularity • 63% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Lauren Alaina
Seen You In Your Hometown
100 bpm • G# Maj • 03:18 • -5.29db
26% Popularity • 64% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Erin Kinsey
I Ain't Crazy
100 bpm • C Maj • 02:56 • -4.18db
48% Popularity • 56% Danceability • 84% Energy • 34% Liveness
0% Instrumentalness • 59% Positiveness
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Maren Morris
A Song for Everything
100 bpm • C# Maj • 03:14 • -7.86db
40% Popularity • 58% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Mitchell Tenpenny
Alcohol You Later
100 bpm • G# Maj • 03:06 • -7db
51% Popularity • 67% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Sara Evans
Born to Fly
100 bpm • C# Maj • 05:36 • -9.31db
54% Popularity • 61% Danceability • 66% Energy • 6% Liveness
2% Instrumentalness • 56% Positiveness
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Walker Hayes
Don't Let Her
88 bpm • E Maj • 03:13 • -5.22db
50% Popularity • 71% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Lauren Alaina
Somebody Else's Problem
88 bpm • B Maj • 03:25 • -6.11db
26% Popularity • 68% Danceability • 72% Energy • 27% Liveness
0% Instrumentalness • 90% Positiveness
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Dustin Lynch
I'd Be Jealous Too
101 bpm • C Maj • 03:05 • -5.36db
53% Popularity • 72% Danceability • 72% Energy • 47% Liveness
0% Instrumentalness • 54% Positiveness
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Thomas Rhett
Life Changes
88 bpm • G Maj • 03:10 • -4.37db
61% Popularity • 69% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 81% Positiveness
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Tim McGraw
Humble And Kind
101 bpm • B Maj • 04:19 • -7.31db
69% Popularity • 36% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Seaforth
Love That
102 bpm • C min • 03:10 • -6db
34% Popularity • 58% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 45% Positiveness
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Payton Smith
Like I Knew You Would
102 bpm • D Maj • 03:02 • -5db
32% Popularity • 64% Danceability • 93% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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Chris Young
Famous Friends
102 bpm • F# Maj • 02:46 • -2.92db
67% Popularity • 54% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 70% Positiveness
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Dustin Lynch
Love Me Or Leave Me Alone
102 bpm • A Maj • 04:05 • -7.67db
43% Popularity • 51% Danceability • 44% Energy • 36% Liveness
0% Instrumentalness • 27% Positiveness
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The Shires
Lightning Strikes
102 bpm • E Maj • 02:53 • -5.56db
30% Popularity • 62% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Old Dominion
Hotel Key
102 bpm • B Maj • 02:46 • -5.09db
66% Popularity • 76% Danceability • 87% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
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Sugarland
Something More
102 bpm • E Maj • 03:36 • -4db
53% Popularity • 61% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Cole Swindell
Break Up in the End
86 bpm • C# Maj • 03:19 • -8db
60% Popularity • 51% Danceability • 37% Energy • 27% Liveness
0% Instrumentalness • 26% Positiveness
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Tim McGraw
I Called Mama
86 bpm • D Maj • 03:32 • -7.05db
48% Popularity • 50% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
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Chris Lane
Ain't Even Met You Yet
86 bpm • E Maj • 03:00 • -6.69db
37% Popularity • 44% Danceability • 69% Energy • 10% Liveness
1% Instrumentalness • 37% Positiveness
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Dan + Shay
Tequila
86 bpm • B Maj • 03:16 • -5.73db
71% Popularity • 49% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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High Valley
River's Still Running
86 bpm • C Maj • 03:09 • -5.66db
40% Popularity • 54% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Seth Ennis
Call Your Mama
86 bpm • F# Maj • 03:16 • -7.93db
38% Popularity • 63% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Brooks & Dunn
Neon Moon - with Kacey Musgraves
103 bpm • D# Maj • 04:38 • -7.62db
63% Popularity • 64% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
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Ryan Hurd
Every Other Memory
103 bpm • C Maj • 03:39 • -7db
43% Popularity • 63% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Thomas Rhett
Marry Me
85 bpm • D# Maj • 03:25 • -8.63db
66% Popularity • 33% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Tenille Townes
Holding Out for the One
85 bpm • F# Maj • 03:14 • -3.48db
29% Popularity • 60% Danceability • 77% Energy • 36% Liveness
0% Instrumentalness • 79% Positiveness
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Brett Eldredge
Good Day
85 bpm • A# Maj • 03:25 • -7.27db
52% Popularity • 51% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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Dan + Shay
Glad You Exist
104 bpm • B Maj • 02:24 • -8.04db
61% Popularity • 74% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Hannah Ellis
Us
104 bpm • F Maj • 03:04 • -5.42db
32% Popularity • 63% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Jordan Davis
Ruin My Weekend
104 bpm • E Maj • 02:41 • -4.25db
55% Popularity • 66% Danceability • 88% Energy • 32% Liveness
0% Instrumentalness • 85% Positiveness
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Getting Good