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Ghost I
Songs like
Ghost I
by
Fernando Velázquez
Based on a tempo of (+/- 10%) and a similar genre
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Bernard Herrmann
The Reception
81 bpm • E min • 03:15 • -22.8db
4% Popularity • 12% Danceability • 8% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Joseph Trapanese
I'm Here for the Killers
81 bpm • D Maj • 02:16 • -20.06db
16% Popularity • 31% Danceability • 28% Energy • 31% Liveness
65% Instrumentalness • 7% Positiveness
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Fernando Velázquez
I Desperately Need Your Help
81 bpm • A# Maj • 00:54 • -21.77db
15% Popularity • 21% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 8% Positiveness
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Anne Dudley
A Seam of Ironstone
81 bpm • D min • 01:30 • -10.82db
26% Popularity • 21% Danceability • 23% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Daniel Pemberton
Edge Of A Cliff
81 bpm • C Maj • 01:40 • -23.51db
21% Popularity • 23% Danceability • 7% Energy • 27% Liveness
68% Instrumentalness • 3% Positiveness
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Natalie Holt
Aix-En-Provence, 1549
81 bpm • C min • 02:34 • -22.19db
26% Popularity • 8% Danceability • 4% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
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Nathan Johnson
The Thrombey Estate
81 bpm • G min • 01:37 • -22.46db
35% Popularity • 22% Danceability • 6% Energy • 8% Liveness
43% Instrumentalness • 4% Positiveness
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Kevin Kiner
Anakin and Padmé
81 bpm • G min • 01:48 • -14.36db
47% Popularity • 16% Danceability • 24% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
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Fernando Velázquez
Ghost I
81 bpm • C Maj • 01:41 • -23.56db
14% Popularity • 13% Danceability • 6% Energy • 28% Liveness
96% Instrumentalness • 3% Positiveness
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Bear McCreary
Perilous Whisperings
81 bpm • D# Maj • 02:41 • -18.87db
32% Popularity • 16% Danceability • 20% Energy • 12% Liveness
94% Instrumentalness • 3% Positiveness
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Rupert Gregson-Williams
Amazons Of Themyscira
80 bpm • E min • 06:47 • -21db
39% Popularity • 8% Danceability • 22% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Thomas Newman
The Boche
80 bpm • G min • 03:21 • -41.95db
28% Popularity • 18% Danceability • 1% Energy • 11% Liveness
48% Instrumentalness • 3% Positiveness
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Joseph Trapanese
Tolya and Tamar
82 bpm • D Maj • 02:14 • -16.4db
19% Popularity • 22% Danceability • 36% Energy • 8% Liveness
70% Instrumentalness • 18% Positiveness
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Rob Lane
Hunith's Letter to Gaius
80 bpm • A Maj • 01:40 • -21.13db
29% Popularity • 22% Danceability • 10% Energy • 9% Liveness
23% Instrumentalness • 3% Positiveness
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Fernando Velázquez
Edith's Theme
81 bpm • G min • 01:56 • -14.8db
42% Popularity • 22% Danceability • 15% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
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Howard Shore
The Woodland Realm - Extended Version
80 bpm • A# Maj • 05:14 • -20.28db
31% Popularity • 16% Danceability • 14% Energy • 10% Liveness
78% Instrumentalness • 4% Positiveness
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Harald Kloser
Sea Of Sand
82 bpm • C# Maj • 02:41 • -13.85db
39% Popularity • 15% Danceability • 39% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Rachel Portman
You Already Loved Me
80 bpm • D min • 01:35 • -29.19db
17% Popularity • 18% Danceability • 1% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
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Stephen Warbeck
The Letter
82 bpm • D Maj • 01:18 • -21.08db
45% Popularity • 17% Danceability • 17% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Mychael Danna
A Little Bit of Faith
82 bpm • C Maj • 01:09 • -24db
41% Popularity • 13% Danceability • 6% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Rupert Gregson-Williams
Mary is Dead
82 bpm • C Maj • 01:45 • -25.76db
29% Popularity • 8% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
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Craig Armstrong
Bathsheba and Oak Unite
82 bpm • G Maj • 01:35 • -17.66db
47% Popularity • 17% Danceability • 21% Energy • 32% Liveness
88% Instrumentalness • 4% Positiveness
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Rohan Stevenson
Morgana's Hatred of Uther
80 bpm • G# min • 02:12 • -27.63db
14% Popularity • 7% Danceability • 5% Energy • 14% Liveness
97% Instrumentalness • 3% Positiveness
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Nathan Johnson
The Dumbest Car Chase of All Time
82 bpm • D Maj • 02:56 • -10.77db
20% Popularity • 30% Danceability • 42% Energy • 11% Liveness
68% Instrumentalness • 4% Positiveness
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Roque Baños
Arriving Nickerson's Lair
82 bpm • C min • 02:51 • -25.13db
17% Popularity • 12% Danceability • 9% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
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Michael Giacchino
The Ecstasy of the Bold
80 bpm • A# Maj • 01:57 • -19.09db
21% Popularity • 31% Danceability • 15% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
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Fernando Velázquez
The Machine / The Box
80 bpm • F Maj • 01:28 • -15.89db
11% Popularity • 19% Danceability • 25% Energy • 64% Liveness
88% Instrumentalness • 14% Positiveness
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Samuel Sim
A New Crown
80 bpm • B min • 04:54 • -17.32db
12% Popularity • 35% Danceability • 31% Energy • 29% Liveness
95% Instrumentalness • 13% Positiveness
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Christian Henson
Maria's Sacrifice
80 bpm • G Maj • 02:06 • -19db
41% Popularity • 18% Danceability • 28% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
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Torin Borrowdale
Exploring Keyhouse
80 bpm • C min • 01:39 • -29.56db
17% Popularity • 49% Danceability • 10% Energy • 10% Liveness
81% Instrumentalness • 34% Positiveness
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Rupert Gregson-Williams
Margaret Calls Elizabeth
80 bpm • D Maj • 04:01 • -25.54db
28% Popularity • 17% Danceability • 9% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
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William Ross
End Credit
80 bpm • A# min • 04:02 • -16db
28% Popularity • 13% Danceability • 14% Energy • 12% Liveness
97% Instrumentalness • 4% Positiveness
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Fernando Velázquez
After the Ghost
80 bpm • C min • 00:36 • -14.18db
17% Popularity • 17% Danceability • 21% Energy • 12% Liveness
89% Instrumentalness • 3% Positiveness
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Harald Kloser
Body Heat
83 bpm • A min • 01:50 • -27.42db
28% Popularity • 8% Danceability • 7% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
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Bernard Herrmann
Greta - Film Version
79 bpm • C# Maj • 01:42 • -26.25db
7% Popularity • 15% Danceability • 1% Energy • 9% Liveness
86% Instrumentalness • 3% Positiveness
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Marc Streitenfeld
Robin Speaks
79 bpm • D Maj • 02:33 • -19.82db
45% Popularity • 7% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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Carlos Rafael Rivera
Kentucky State Championship 1963
79 bpm • A min • 01:12 • -21.53db
55% Popularity • 38% Danceability • 24% Energy • 6% Liveness
96% Instrumentalness • 27% Positiveness
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John Ottman
Shattered Life
83 bpm • E min • 02:54 • -22.22db
13% Popularity • 14% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
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Fernando Velázquez
Lucille & Showdown
80 bpm • C# Maj • 10:46 • -17db
9% Popularity • 8% Danceability • 19% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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Pinar Toprak
High Score
83 bpm • A min • 02:35 • -33.32db
34% Popularity • 8% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Marco Beltrami
Kids Bonfire
79 bpm • D min • 01:36 • -16.36db
19% Popularity • 19% Danceability • 21% Energy • 12% Liveness
90% Instrumentalness • 6% Positiveness
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William Ross
Saying Goodbye
79 bpm • F Maj • 05:26 • -23.4db
30% Popularity • 16% Danceability • 5% Energy • 11% Liveness
61% Instrumentalness • 3% Positiveness
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Bear McCreary
Scherzo for Violin and Swords
83 bpm • E min • 01:52 • -13db
34% Popularity • 37% Danceability • 34% Energy • 5% Liveness
68% Instrumentalness • 20% Positiveness
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Murray Gold
Turn Left
83 bpm • G Maj • 02:21 • -20.43db
24% Popularity • 24% Danceability • 13% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
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Fernando Velázquez
Ghost II
80 bpm • A# min • 00:51 • -13.86db
11% Popularity • 20% Danceability • 49% Energy • 12% Liveness
85% Instrumentalness • 5% Positiveness
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Joseph Trapanese
Just Ask
83 bpm • G Maj • 05:32 • -20.07db
23% Popularity • 31% Danceability • 30% Energy • 11% Liveness
80% Instrumentalness • 8% Positiveness
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John Ottman
Just a Dream
83 bpm • G min • 01:15 • -42.45db
30% Popularity • 21% Danceability • 0% Energy • 12% Liveness
99% Instrumentalness • 7% Positiveness
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Thomas Newman
Come Back to Us
79 bpm • G min • 05:39 • -30.22db
53% Popularity • 7% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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David Buckley
Even a Nightmare Can Dream
79 bpm • G min • 03:22 • -23.08db
21% Popularity • 14% Danceability • 6% Energy • 6% Liveness
82% Instrumentalness • 3% Positiveness
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Howard Shore
The Asylum
83 bpm • E min • 03:54 • -16.34db
22% Popularity • 8% Danceability • 17% Energy • 11% Liveness
81% Instrumentalness • 3% Positiveness
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Fernando Velázquez
You Are Awake
79 bpm • C Maj • 01:40 • -31.56db
11% Popularity • 17% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 3% Positiveness
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Harald Kloser
10,000 BC/End Credits
84 bpm • E min • 02:55 • -12.92db
36% Popularity • 9% Danceability • 53% Energy • 9% Liveness
61% Instrumentalness • 15% Positiveness
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Joseph Trapanese
Follow
79 bpm • D min • 07:29 • -23db
24% Popularity • 15% Danceability • 14% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Martin Tillman
The Ferry
84 bpm • E Maj • 03:15 • -17.78db
15% Popularity • 8% Danceability • 35% Energy • 10% Liveness
72% Instrumentalness • 4% Positiveness
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Thomas Wander
You Stay in England
78 bpm • G Maj • 01:08 • -23db
34% Popularity • 17% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
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Thomas Newman
The Rapids
78 bpm • A min • 01:29 • -28.83db
27% Popularity • 20% Danceability • 2% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Fernando Velázquez
I'm Here
84 bpm • C Maj • 03:02 • -15.69db
24% Popularity • 16% Danceability • 18% Energy • 11% Liveness
37% Instrumentalness • 4% Positiveness
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Harald Kloser
Goodbyes
78 bpm • A# min • 01:13 • -28.09db
18% Popularity • 16% Danceability • 6% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Joseph Trapanese
A Message
79 bpm • A min • 05:46 • -26.28db
19% Popularity • 9% Danceability • 5% Energy • 11% Liveness
84% Instrumentalness • 3% Positiveness
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Natalie Holt
God of Outcasts
84 bpm • A# Maj • 02:53 • -18.3db
21% Popularity • 16% Danceability • 15% Energy • 10% Liveness
84% Instrumentalness • 3% Positiveness
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Dario Marianelli
Someone Loves Us
84 bpm • E Maj • 01:56 • -27db
53% Popularity • 18% Danceability • 1% Energy • 8% Liveness
85% Instrumentalness • 4% Positiveness
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Marc Streitenfeld
Walter's Burial
78 bpm • G min • 03:04 • -22db
49% Popularity • 7% Danceability • 6% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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Nicholas Hooper
Inferi in the Firestorm
84 bpm • F Maj • 01:53 • -17.36db
39% Popularity • 21% Danceability • 46% Energy • 9% Liveness
87% Instrumentalness • 3% Positiveness
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William Ross
A King's Sadness
84 bpm • C min • 02:00 • -36.4db
57% Popularity • 18% Danceability • 1% Energy • 6% Liveness
96% Instrumentalness • 4% Positiveness
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Murray Gold
The Enigma Of River Song
84 bpm • D min • 03:59 • -11.35db
23% Popularity • 9% Danceability • 23% Energy • 11% Liveness
52% Instrumentalness • 4% Positiveness
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Fernando Velázquez
You Didn't Drink Your Tea
78 bpm • E min • 00:58 • -23.98db
12% Popularity • 20% Danceability • 6% Energy • 11% Liveness
56% Instrumentalness • 3% Positiveness
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Joseph Trapanese
Court Demonstration
78 bpm • G# Maj • 03:09 • -21db
32% Popularity • 18% Danceability • 5% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
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Michael Giacchino
Guardians of the Whills Suite
85 bpm • A min • 02:52 • -17db
38% Popularity • 10% Danceability • 19% Energy • 30% Liveness
90% Instrumentalness • 4% Positiveness
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Clinton Shorter
Heading Home
85 bpm • D min • 01:14 • -17.33db
35% Popularity • 27% Danceability • 18% Energy • 18% Liveness
88% Instrumentalness • 9% Positiveness
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Daniel Pemberton
Story Of The Dark Crystal
78 bpm • D Maj • 03:11 • -25.1db
19% Popularity • 16% Danceability • 4% Energy • 12% Liveness
67% Instrumentalness • 3% Positiveness
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Rohan Stevenson
Lancelot Leaves
85 bpm • A# min • 01:55 • -20.15db
37% Popularity • 9% Danceability • 6% Energy • 10% Liveness
50% Instrumentalness • 3% Positiveness
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Craig Armstrong
Hollow in the Ferns
85 bpm • D min • 03:38 • -17.3db
48% Popularity • 22% Danceability • 14% Energy • 12% Liveness
86% Instrumentalness • 5% Positiveness
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John Ottman
Like a Fire
85 bpm • G min • 04:24 • -14.1db
22% Popularity • 10% Danceability • 25% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Fernando Velázquez
Credits
85 bpm • C min • 04:11 • -13db
24% Popularity • 20% Danceability • 25% Energy • 9% Liveness
88% Instrumentalness • 6% Positiveness
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Martin Phipps
Andrei
77 bpm • C Maj • 03:19 • -20.13db
37% Popularity • 10% Danceability • 6% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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William Ross
I Will Do What I Must
77 bpm • C# Maj • 02:48 • -13db
36% Popularity • 10% Danceability • 60% Energy • 10% Liveness
98% Instrumentalness • 5% Positiveness
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David Buckley
There Is Hope
85 bpm • G min • 04:25 • -23db
19% Popularity • 9% Danceability • 8% Energy • 7% Liveness
75% Instrumentalness • 3% Positiveness
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Murray Gold
The Impossible Astronaut
85 bpm • A min • 03:15 • -21.84db
25% Popularity • 18% Danceability • 12% Energy • 20% Liveness
96% Instrumentalness • 8% Positiveness
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Ilan Eshkeri
Return To Ako
77 bpm • G Maj • 02:23 • -21.98db
44% Popularity • 12% Danceability • 11% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
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Stephen Warbeck
The Shells
85 bpm • G min • 02:18 • -18.67db
44% Popularity • 9% Danceability • 10% Energy • 20% Liveness
91% Instrumentalness • 4% Positiveness
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Nathan Johnson
Harlan's Plan
85 bpm • D Maj • 03:15 • -19.17db
26% Popularity • 22% Danceability • 15% Energy • 11% Liveness
79% Instrumentalness • 4% Positiveness
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Bernard Herrmann
The Balcony
77 bpm • E min • 01:12 • -27.19db
13% Popularity • 13% Danceability • 1% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
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Natalie Holt
Stop
77 bpm • D Maj • 03:17 • -16.47db
23% Popularity • 11% Danceability • 26% Energy • 6% Liveness
92% Instrumentalness • 4% Positiveness
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Mark Isham
Hospital
77 bpm • A Maj • 01:07 • -26db
38% Popularity • 20% Danceability • 6% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Sonya Belousova
I'm the One with the Wishes
86 bpm • B min • 07:33 • -12.21db
22% Popularity • 9% Danceability • 59% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Clinton Shorter
Hostage
77 bpm • A Maj • 03:13 • -26.39db
28% Popularity • 7% Danceability • 7% Energy • 12% Liveness
87% Instrumentalness • 3% Positiveness
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Rohan Stevenson
Infiltrate the Citadel
86 bpm • C min • 07:19 • -14.69db
11% Popularity • 11% Danceability • 39% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
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Christophe Beck
Reborn
86 bpm • G Maj • 01:21 • -18.98db
21% Popularity • 20% Danceability • 12% Energy • 6% Liveness
57% Instrumentalness • 4% Positiveness
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Joseph Trapanese
Brother
76 bpm • B Maj • 01:47 • -22.01db
18% Popularity • 18% Danceability • 12% Energy • 9% Liveness
70% Instrumentalness • 4% Positiveness
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Nicholas Hooper
Possession
76 bpm • C# Maj • 03:18 • -18.98db
39% Popularity • 10% Danceability • 10% Energy • 15% Liveness
97% Instrumentalness • 3% Positiveness
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Pinar Toprak
Dreams
86 bpm • A min • 01:03 • -18db
57% Popularity • 23% Danceability • 18% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
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Christian Henson
Back Where It All Began
86 bpm • E min • 01:39 • -19.54db
30% Popularity • 21% Danceability • 14% Energy • 12% Liveness
74% Instrumentalness • 4% Positiveness
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Bear McCreary
The Broken Line
86 bpm • F Maj • 05:55 • -21.98db
25% Popularity • 14% Danceability • 17% Energy • 18% Liveness
97% Instrumentalness • 3% Positiveness
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Trevor Morris
Hallway Vampires
86 bpm • E Maj • 01:59 • -22.58db
16% Popularity • 18% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Joseba Beristain
Elcano y Shamar
86 bpm • D Maj • 01:11 • -12.89db
4% Popularity • 9% Danceability • 32% Energy • 14% Liveness
91% Instrumentalness • 6% Positiveness
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Kevin Kiner
It's Over Now
76 bpm • G Maj • 01:54 • -8db
39% Popularity • 18% Danceability • 40% Energy • 13% Liveness
87% Instrumentalness • 5% Positiveness
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Nicholas Hooper
The Sirius Deception
87 bpm • G Maj • 02:34 • -19.37db
38% Popularity • 14% Danceability • 23% Energy • 12% Liveness
82% Instrumentalness • 9% Positiveness
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Mike Higham
Arrival at the Island
76 bpm • C min • 02:26 • -20.16db
20% Popularity • 18% Danceability • 19% Energy • 11% Liveness
88% Instrumentalness • 2% Positiveness
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Mychael Danna
Wish I Could Spend The Day With You
75 bpm • E Maj • 01:46 • -28.43db
50% Popularity • 15% Danceability • 2% Energy • 14% Liveness
98% Instrumentalness • 4% Positiveness
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Alan Silvestri
No More Surprises
75 bpm • G Maj • 04:03 • -30.99db
22% Popularity • 7% Danceability • 1% Energy • 9% Liveness
79% Instrumentalness • 3% Positiveness
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Ghost I