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Ghost in the Shell
Songs like
Ghost in the Shell
by
Kenji Kawai
Based on a tempo of (+/- 10%) and a similar genre
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Gabriela Robin
Moon
68 bpm • C# min • 05:15 • -12.9db
28% Popularity • 17% Danceability • 44% Energy • 9% Liveness
4% Instrumentalness • 9% Positiveness
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Masahiko Sato
Andy Warhol
68 bpm • C Maj • 03:43 • -22.7db
23% Popularity • 19% Danceability • 19% Energy • 12% Liveness
91% Instrumentalness • 20% Positiveness
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Kenji Kawai
Ghost in the Shell
68 bpm • G min • 10:49 • -14.34db
14% Popularity • 12% Danceability • 19% Energy • 9% Liveness
68% Instrumentalness • 4% Positiveness
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Meredith Monk
Cow Song
68 bpm • E Maj • 02:19 • -34.37db
33% Popularity • 30% Danceability • 0% Energy • 6% Liveness
19% Instrumentalness • 79% Positiveness
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Caroline Shaw
Partita for 8 Singers: 3. Courante
69 bpm • G Maj • 08:59 • -16.07db
31% Popularity • 23% Danceability • 17% Energy • 11% Liveness
77% Instrumentalness • 5% Positiveness
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John Murphy
Frank's Death - Soldiers (Requiem in D M...
67 bpm • D min • 02:41 • -13.48db
33% Popularity • 6% Danceability • 10% Energy • 18% Liveness
94% Instrumentalness • 3% Positiveness
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Mowg
I Saw the Devil Piano
69 bpm • A min • 04:00 • -32.41db
18% Popularity • 56% Danceability • 0% Energy • 10% Liveness
96% Instrumentalness • 9% Positiveness
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Keaton Damir Akins
Kaifuku Suru Kizu (The Wound That Heals)
66 bpm • C Maj • 03:18 • -15.2db
8% Popularity • 19% Danceability • 5% Energy • 12% Liveness
92% Instrumentalness • 6% Positiveness
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Kenji Kawai
Tragedy
68 bpm • C min • 01:54 • -17.63db
4% Popularity • 17% Danceability • 19% Energy • 11% Liveness
99% Instrumentalness • 10% Positiveness
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Ichiko Hashimoto
12years
70 bpm • C Maj • 01:47 • -18db
24% Popularity • 12% Danceability • 18% Energy • 10% Liveness
73% Instrumentalness • 6% Positiveness
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Eliott Tordo Erhu
Berserk: Guts
70 bpm • E Maj • 03:37 • -18db
28% Popularity • 42% Danceability • 32% Energy • 16% Liveness
34% Instrumentalness • 12% Positiveness
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Evgueni Galperine
Aucun loup dans la bergerie
66 bpm • D# Maj • 01:44 • -17.1db
12% Popularity • 31% Danceability • 25% Energy • 11% Liveness
98% Instrumentalness • 3% Positiveness
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Bobby Krlic
Fire Temple
66 bpm • F# Maj • 09:34 • -10.98db
35% Popularity • 6% Danceability • 26% Energy • 6% Liveness
94% Instrumentalness • 3% Positiveness
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Éric Serra
Timecrash
66 bpm • F Maj • 01:49 • -10.15db
29% Popularity • 28% Danceability • 62% Energy • 9% Liveness
86% Instrumentalness • 8% Positiveness
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Kenji Kawai
Unified World
67 bpm • G min • 02:05 • -18.49db
4% Popularity • 38% Danceability • 27% Energy • 9% Liveness
94% Instrumentalness • 21% Positiveness
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Bruno Coulais
La fin du rêve
66 bpm • D# Maj • 04:18 • -22.44db
8% Popularity • 16% Danceability • 13% Energy • 51% Liveness
8% Instrumentalness • 4% Positiveness
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Yasuharu Takanasha
Hakanage
66 bpm • G min • 01:56 • -16.75db
11% Popularity • 16% Danceability • 16% Energy • 19% Liveness
16% Instrumentalness • 4% Positiveness
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Manga Star
A Requiem
70 bpm • C Maj • 02:38 • -5.47db
13% Popularity • 17% Danceability • 46% Energy • 17% Liveness
98% Instrumentalness • 3% Positiveness
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Toru Takemitsu
Tsurumaru's Flute / Azusa Castle in Ruin...
70 bpm • C Maj • 01:31 • -23.96db
10% Popularity • 25% Danceability • 4% Energy • 14% Liveness
83% Instrumentalness • 7% Positiveness
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Philip Glass
Koyaanisqatsi
65 bpm • A# Maj • 03:29 • -26.21db
42% Popularity • 21% Danceability • 4% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
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Kenji Kawai
Little Thoughts
69 bpm • G# Maj • 01:29 • -16.82db
24% Popularity • 16% Danceability • 51% Energy • 12% Liveness
55% Instrumentalness • 29% Positiveness
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Bruno Coulais
Microcosmos
65 bpm • D# Maj • 01:56 • -20.78db
19% Popularity • 18% Danceability • 19% Energy • 9% Liveness
63% Instrumentalness • 6% Positiveness
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MEMBERS OF ISRAEL
MYUNG Theme
71 bpm • F min • 05:01 • -20.91db
16% Popularity • 21% Danceability • 7% Energy • 8% Liveness
92% Instrumentalness • 6% Positiveness
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Jóhann Jóhannsson
Mandy Love Theme
65 bpm • G Maj • 04:38 • -21.87db
42% Popularity • 18% Danceability • 11% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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(K)NoW_NAME
EL CORAZON
72 bpm • C# min • 01:38 • -8.87db
22% Popularity • 20% Danceability • 60% Energy • 32% Liveness
3% Instrumentalness • 25% Positiveness
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Kazumasa Hashimoto
Tsuki no Hikari ~Arranged by kazumasa ha...
72 bpm • C# Maj • 06:17 • -23.99db
11% Popularity • 34% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 5% Positiveness
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Kenji Kawai
Agitation
67 bpm • F min • 02:08 • -19.7db
3% Popularity • 17% Danceability • 6% Energy • 9% Liveness
71% Instrumentalness • 10% Positiveness
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Jim Williams
End Credits: Finale Reprise
73 bpm • F Maj • 02:56 • -15.83db
16% Popularity • 13% Danceability • 20% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Freya Catherine
Koi no Yokushiryoku (Love Deterrence)
63 bpm • A min • 02:14 • -12.33db
31% Popularity • 37% Danceability • 17% Energy • 4% Liveness
84% Instrumentalness • 19% Positiveness
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Eduard Artemyev
Слушая Баха (Земля) - И�...
73 bpm • F min • 03:10 • -11.32db
21% Popularity • 18% Danceability • 18% Energy • 19% Liveness
98% Instrumentalness • 6% Positiveness
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Seungju Seo
Andataglia
63 bpm • G# min • 06:16 • -11.23db
11% Popularity • 10% Danceability • 51% Energy • 11% Liveness
96% Instrumentalness • 5% Positiveness
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SQÜRL
The Taste Of Blood
63 bpm • G# min • 05:48 • -10db
37% Popularity • 42% Danceability • 40% Energy • 13% Liveness
85% Instrumentalness • 14% Positiveness
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Kenji Kawai
JIBUN HE NO TOI
63 bpm • A min • 02:06 • -16.5db
13% Popularity • 46% Danceability • 26% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Kotaro Nakagawa
The Ruins as They Were
73 bpm • A Maj • 01:51 • -14.26db
30% Popularity • 22% Danceability • 21% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
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Matt Uelmen
Rogue
74 bpm • G min • 02:58 • -14.33db
39% Popularity • 10% Danceability • 24% Energy • 32% Liveness
94% Instrumentalness • 4% Positiveness
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OGRE Sound
Above The Euromechopolis
63 bpm • D Maj • 02:10 • -15.32db
43% Popularity • 43% Danceability • 44% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
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Akira Senju
四方の過去 - 母子
74 bpm • F min • 03:28 • -18.21db
9% Popularity • 19% Danceability • 5% Energy • 10% Liveness
88% Instrumentalness • 10% Positiveness
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Hiroe Yonekawa
Sakura Sakura
74 bpm • G min • 03:55 • -12.61db
26% Popularity • 42% Danceability • 29% Energy • 15% Liveness
90% Instrumentalness • 44% Positiveness
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Vasaria Project
Don't Look Behind
62 bpm • F Maj • 01:22 • -19.27db
40% Popularity • 20% Danceability • 10% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Shogo Kaida
91Days Main Theme
75 bpm • D min • 03:32 • -11.31db
10% Popularity • 10% Danceability • 27% Energy • 10% Liveness
80% Instrumentalness • 4% Positiveness
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風のオーケストラ
ディードリットのテーマ ~�...
75 bpm • A# Maj • 01:35 • -18.06db
15% Popularity • 21% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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ACN Music.
Shiroi Oka (Maromi No Theme)
75 bpm • D Maj • 01:32 • -12.63db
26% Popularity • 52% Danceability • 12% Energy • 9% Liveness
1% Instrumentalness • 36% Positiveness
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Massimo Scalieri
Music for the Funeral March of Queen Mar...
75 bpm • C# min • 02:19 • -14db
17% Popularity • 32% Danceability • 23% Energy • 14% Liveness
92% Instrumentalness • 11% Positiveness
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M.S.
A Clockwork Orange: Music for the Funera...
75 bpm • C# min • 02:20 • -14db
25% Popularity • 31% Danceability • 23% Energy • 12% Liveness
97% Instrumentalness • 10% Positiveness
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新居昭乃
金色の時 流れて
75 bpm • G Maj • 05:09 • -17db
13% Popularity • 14% Danceability • 27% Energy • 11% Liveness
73% Instrumentalness • 9% Positiveness
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Angelo Badalamenti
Audrey's Dance - Instrumental
75 bpm • G# Maj • 05:17 • -18db
42% Popularity • 50% Danceability • 15% Energy • 12% Liveness
66% Instrumentalness • 4% Positiveness
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Mickymar Productions Ltd
The Dreams Begin
75 bpm • B Maj • 03:16 • -17.74db
27% Popularity • 17% Danceability • 30% Energy • 12% Liveness
95% Instrumentalness • 11% Positiveness
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Kjartan Sveinsson
Teil I
61 bpm • C min • 08:03 • -12.71db
37% Popularity • 6% Danceability • 28% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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John Murphy
28 Theme
76 bpm • D min • 03:30 • -15.93db
44% Popularity • 49% Danceability • 19% Energy • 7% Liveness
89% Instrumentalness • 7% Positiveness
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Josh Lippi & The Overtimers
Trieste
76 bpm • F Maj • 01:37 • -18.52db
35% Popularity • 47% Danceability • 19% Energy • 15% Liveness
84% Instrumentalness • 29% Positiveness
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Jocelyn Pook
Backwards Priests
76 bpm • D min • 03:37 • -16db
33% Popularity • 18% Danceability • 16% Energy • 13% Liveness
28% Instrumentalness • 7% Positiveness
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Igorrr
Problème d'émotion
76 bpm • G# min • 04:38 • -7.64db
40% Popularity • 21% Danceability • 49% Energy • 6% Liveness
79% Instrumentalness • 9% Positiveness
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Jason Hill
Main Titles - Mindhunter
76 bpm • F# Maj • 03:14 • -29db
30% Popularity • 20% Danceability • 5% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Jonas Lefvert
Tristram Village (Diablo)
76 bpm • A min • 04:43 • -18.82db
9% Popularity • 47% Danceability • 15% Energy • 12% Liveness
91% Instrumentalness • 9% Positiveness
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John Murphy
Don Abandons Alice
76 bpm • D min • 02:56 • -13.03db
42% Popularity • 39% Danceability • 31% Energy • 8% Liveness
84% Instrumentalness • 4% Positiveness
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Trent Reznor and Atticus Ross
HOW THE WEST WAS REALLY WON
60 bpm • A min • 03:44 • -13db
29% Popularity • 19% Danceability • 36% Energy • 22% Liveness
85% Instrumentalness • 3% Positiveness
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Haruomi Hosono
エンド・テーマ「銀河鉄道の�...
77 bpm • B Maj • 04:14 • -14db
13% Popularity • 73% Danceability • 24% Energy • 11% Liveness
9% Instrumentalness • 54% Positiveness
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Hildur Guðnadóttir
Evacuation
77 bpm • D# min • 04:43 • -18.4db
28% Popularity • 15% Danceability • 24% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
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張衞帆
Left Alone (Ending Theme 2)
60 bpm • B min • 02:39 • -14.35db
17% Popularity • 40% Danceability • 14% Energy • 10% Liveness
71% Instrumentalness • 6% Positiveness
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Kenji Kawai
Calmness
77 bpm • B min • 01:16 • -18.93db
5% Popularity • 13% Danceability • 22% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
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György Ligeti
Lux Aeterna
77 bpm • D# Maj • 02:56 • -26.19db
10% Popularity • 17% Danceability • 7% Energy • 7% Liveness
98% Instrumentalness • 2% Positiveness
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花伦(Hualun)
离开
77 bpm • C# min • 01:49 • -9.07db
10% Popularity • 74% Danceability • 50% Energy • 11% Liveness
1% Instrumentalness • 63% Positiveness
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Origa
flashback memory plug
77 bpm • F min • 01:06 • -10.38db
30% Popularity • 18% Danceability • 39% Energy • 32% Liveness
0% Instrumentalness • 26% Positiveness
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Éric Serra
She Is Dead
78 bpm • D# Maj • 01:31 • -11.9db
26% Popularity • 14% Danceability • 27% Energy • 9% Liveness
85% Instrumentalness • 4% Positiveness
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Sea Power
Tiger King
78 bpm • F Maj • 05:15 • -20.31db
23% Popularity • 11% Danceability • 18% Energy • 10% Liveness
86% Instrumentalness • 5% Positiveness
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Masakatsu Takagi
primo
78 bpm • G# Maj • 07:11 • -22.94db
15% Popularity • 22% Danceability • 6% Energy • 11% Liveness
98% Instrumentalness • 12% Positiveness
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Jessica Curry
Counting the Atmospheres
59 bpm • D Maj • 07:10 • -18.13db
32% Popularity • 10% Danceability • 22% Energy • 11% Liveness
83% Instrumentalness • 3% Positiveness
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Ikuta Ryu
Sakura
78 bpm • G min • 03:10 • -11db
23% Popularity • 32% Danceability • 48% Energy • 16% Liveness
92% Instrumentalness • 57% Positiveness
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Bobby Krlic
Gassed
79 bpm • A Maj • 04:28 • -10db
29% Popularity • 7% Danceability • 41% Energy • 14% Liveness
96% Instrumentalness • 3% Positiveness
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新居昭乃
月からの祈りと共に
79 bpm • D Maj • 04:42 • -23.22db
14% Popularity • 23% Danceability • 8% Energy • 33% Liveness
87% Instrumentalness • 4% Positiveness
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David Wise
Aquatic Ambience
79 bpm • C min • 04:31 • -16db
27% Popularity • 28% Danceability • 23% Energy • 13% Liveness
82% Instrumentalness • 8% Positiveness
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Graham Reynolds
Little Blue Flowers
79 bpm • D Maj • 03:05 • -9db
8% Popularity • 8% Danceability • 35% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Yasuharu Takanasha
Kanashige
79 bpm • G min • 02:32 • -19.29db
15% Popularity • 20% Danceability • 17% Energy • 35% Liveness
88% Instrumentalness • 4% Positiveness
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Cristobal Tapia De Veer
Meditative Chaos
80 bpm • G Maj • 03:10 • -19.4db
24% Popularity • 12% Danceability • 4% Energy • 10% Liveness
97% Instrumentalness • 3% Positiveness
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Akira Ifukube
Japanese Rhapsody: I. Nocturne
79 bpm • B min • 08:01 • -32.18db
11% Popularity • 25% Danceability • 8% Energy • 10% Liveness
8% Instrumentalness • 23% Positiveness
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Ichiko Hashimoto
yume no tamago
80 bpm • D min • 04:09 • -9.4db
11% Popularity • 46% Danceability • 33% Energy • 27% Liveness
0% Instrumentalness • 12% Positiveness
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Jigoku Shoujo
Kumo to Rouba to Shoujori
80 bpm • E min • 02:29 • -16.88db
22% Popularity • 45% Danceability • 9% Energy • 8% Liveness
47% Instrumentalness • 26% Positiveness
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Gabriela Robin
覚醒
80 bpm • D Maj • 07:57 • -10.08db
12% Popularity • 59% Danceability • 52% Energy • 17% Liveness
62% Instrumentalness • 19% Positiveness
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Hiromitsu Agatsuma
草原の彼方
80 bpm • C min • 05:31 • -8db
27% Popularity • 62% Danceability • 27% Energy • 18% Liveness
74% Instrumentalness • 24% Positiveness
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Yugo Kanno
霧亥
80 bpm • B min • 02:39 • -15.5db
14% Popularity • 19% Danceability • 33% Energy • 32% Liveness
84% Instrumentalness • 10% Positiveness
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Cho Young-Wuk
Breathless
80 bpm • E min • 04:22 • -12db
23% Popularity • 20% Danceability • 44% Energy • 41% Liveness
40% Instrumentalness • 9% Positiveness
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Marcus Fjellström
LM-118
80 bpm • F# Maj • 04:05 • -20.55db
19% Popularity • 13% Danceability • 28% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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Jigoku Shoujo
Nagashi
80 bpm • F Maj • 02:10 • -13.29db
20% Popularity • 42% Danceability • 59% Energy • 13% Liveness
95% Instrumentalness • 19% Positiveness
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Fred Avril
Wolverine
80 bpm • B min • 01:20 • -15.92db
11% Popularity • 28% Danceability • 38% Energy • 39% Liveness
82% Instrumentalness • 14% Positiveness
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Mowg
Jooyeon's Theme - Version 2
80 bpm • A min • 01:04 • -14.68db
12% Popularity • 23% Danceability • 24% Energy • 10% Liveness
92% Instrumentalness • 13% Positiveness
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Kenji Kawai
Red
81 bpm • F min • 03:55 • -20.73db
10% Popularity • 37% Danceability • 23% Energy • 9% Liveness
86% Instrumentalness • 9% Positiveness
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Cho Young-Wuk
Somewhere In The Night
80 bpm • C# Maj • 01:29 • -13db
23% Popularity • 44% Danceability • 46% Energy • 35% Liveness
83% Instrumentalness • 32% Positiveness
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Samurai Jack
Her Spirit Lives On
81 bpm • D Maj • 00:58 • -14.71db
14% Popularity • 8% Danceability • 39% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Emi Evans
2+2=n
81 bpm • F Maj • 03:26 • -18.84db
19% Popularity • 8% Danceability • 16% Energy • 8% Liveness
76% Instrumentalness • 3% Positiveness
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Éric Serra
Cute Name
82 bpm • A min • 03:28 • -13.25db
24% Popularity • 9% Danceability • 62% Energy • 10% Liveness
88% Instrumentalness • 7% Positiveness
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阿保剛
GATE OF STEINER - symphonic ver.
82 bpm • F min • 04:51 • -12db
25% Popularity • 14% Danceability • 22% Energy • 8% Liveness
88% Instrumentalness • 7% Positiveness
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Kenji Kawai
IXTL
82 bpm • D Maj • 06:09 • -15.7db
17% Popularity • 70% Danceability • 30% Energy • 10% Liveness
95% Instrumentalness • 8% Positiveness
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Mark Korven
What Went We
82 bpm • G min • 01:58 • -23db
36% Popularity • 15% Danceability • 2% Energy • 9% Liveness
96% Instrumentalness • 6% Positiveness
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Cho Young-Wuk
The Count Of Monte Cristo
83 bpm • F min • 02:34 • -12.32db
21% Popularity • 17% Danceability • 18% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
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Vasaria Project
Clubbed to Death
83 bpm • G min • 01:40 • -16.95db
23% Popularity • 60% Danceability • 36% Energy • 10% Liveness
87% Instrumentalness • 59% Positiveness
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Rob
Samara
84 bpm • G min • 02:53 • -10.91db
8% Popularity • 18% Danceability • 39% Energy • 12% Liveness
95% Instrumentalness • 23% Positiveness
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Evgueni Galperine
Gagarine
84 bpm • A# min • 02:11 • -18.65db
18% Popularity • 40% Danceability • 8% Energy • 12% Liveness
94% Instrumentalness • 3% Positiveness
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Kenji Kawai
With Love
82 bpm • D min • 02:34 • -15.6db
19% Popularity • 23% Danceability • 20% Energy • 10% Liveness
34% Instrumentalness • 16% Positiveness
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久石 譲 アンサンブル
DEAD Suite [d.e.a.d.]
84 bpm • A Maj • 06:10 • -12.73db
8% Popularity • 28% Danceability • 36% Energy • 15% Liveness
42% Instrumentalness • 12% Positiveness
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Yugo Kanno
決戦
84 bpm • B min • 01:39 • -8.57db
8% Popularity • 22% Danceability • 39% Energy • 15% Liveness
92% Instrumentalness • 32% Positiveness
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Ghost in the Shell