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Ghost Town
Songs like
Ghost Town
by
Benson Boone
Based on a tempo of (+/- 10%) and a similar genre
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Jared Benjamin
meant to be
174 bpm • C min • 02:39 • -8.41db
61% Popularity • 64% Danceability • 52% Energy • 40% Liveness
0% Instrumentalness • 46% Positiveness
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Dermot Kennedy
Power Over Me
174 bpm • A min • 03:26 • -4.23db
68% Popularity • 42% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Benson Boone
Ghost Town
174 bpm • C Maj • 03:13 • -10.06db
55% Popularity • 39% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Ryan Mack
Overwhelmed (Ryan Mack Remix)
174 bpm • C min • 01:43 • -8.75db
75% Popularity • 66% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Coldplay
Yellow
173 bpm • B Maj • 04:26 • -7.23db
89% Popularity • 43% Danceability • 66% Energy • 23% Liveness
0% Instrumentalness • 28% Positiveness
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Alec Benjamin
If We Have Each Other
173 bpm • A# min • 03:01 • -5.57db
77% Popularity • 66% Danceability • 58% Energy • 30% Liveness
0% Instrumentalness • 86% Positiveness
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Jared Benjamin
Doomsday
174 bpm • A min • 02:28 • -4.57db
62% Popularity • 71% Danceability • 76% Energy • 33% Liveness
0% Instrumentalness • 74% Positiveness
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Zach Bryan
Something in the Orange
175 bpm • E min • 03:48 • -12.15db
88% Popularity • 37% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Noah Kahan
Call Your Mom
172 bpm • C Maj • 04:38 • -12db
73% Popularity • 48% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Olivia Rodrigo
favorite crime
173 bpm • A Maj • 02:32 • -10.5db
84% Popularity • 37% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
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Stephen Sanchez
High
176 bpm • F# min • 02:41 • -7.83db
81% Popularity • 41% Danceability • 68% Energy • 27% Liveness
0% Instrumentalness • 40% Positiveness
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Calum Scott
You Are The Reason
171 bpm • A# Maj • 03:24 • -7.7db
79% Popularity • 33% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Caleb Hearn
1000 reasons
172 bpm • B Maj • 02:34 • -11.46db
63% Popularity • 64% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Hozier
Work Song
178 bpm • A# Maj • 03:49 • -7.69db
76% Popularity • 43% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Noah Kahan
Call Your Mom
172 bpm • C Maj • 04:38 • -11.37db
67% Popularity • 44% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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SZA
Saturn
178 bpm • C# Maj • 03:06 • -6.83db
92% Popularity • 41% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Avery Anna
Make It Look Easy
170 bpm • F# Maj • 02:32 • -4.17db
64% Popularity • 37% Danceability • 69% Energy • 35% Liveness
0% Instrumentalness • 40% Positiveness
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Henry Moodie
pick up the phone
178 bpm • D# Maj • 02:25 • -5.07db
66% Popularity • 54% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
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Benson Boone
Sugar Sweet
170 bpm • D Maj • 02:49 • -2.95db
71% Popularity • 54% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
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Rosa Linn
SNAP
170 bpm • C Maj • 02:59 • -8.2db
85% Popularity • 56% Danceability • 64% Energy • 45% Liveness
0% Instrumentalness • 52% Positiveness
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Taylor Swift
Cruel Summer
170 bpm • A Maj • 02:58 • -5.71db
96% Popularity • 55% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Kenya Grace
Strangers
170 bpm • B min • 02:52 • -8.31db
65% Popularity • 63% Danceability • 52% Energy • 22% Liveness
0% Instrumentalness • 42% Positiveness
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ILLENIUM
All That Really Matters
170 bpm • C# Maj • 04:04 • -5db
72% Popularity • 35% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Noah Kahan
Homesick
170 bpm • F# Maj • 03:14 • -6db
75% Popularity • 50% Danceability • 64% Energy • 31% Liveness
0% Instrumentalness • 43% Positiveness
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Thomas Day
I Don't Wanna Leave Just Yet
178 bpm • G Maj • 03:05 • -7.32db
47% Popularity • 41% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Post Malone
Chemical
170 bpm • D Maj • 03:04 • -4.91db
82% Popularity • 50% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Lewis Capaldi
Pointless
169 bpm • E Maj • 03:51 • -4.03db
71% Popularity • 34% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Olivia Rodrigo
happier
169 bpm • F# Maj • 02:55 • -9.72db
84% Popularity • 40% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Austin Giorgio
You Put a Spell on Me
180 bpm • B min • 02:37 • -6.83db
40% Popularity • 52% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Noah Kahan
You’re Gonna Go Far
170 bpm • G Maj • 04:46 • -9.64db
79% Popularity • 59% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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We Three
Daydreams
180 bpm • G Maj • 04:29 • -4.28db
55% Popularity • 44% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Ryan Mack
Only Human
180 bpm • G min • 02:15 • -7.09db
66% Popularity • 71% Danceability • 51% Energy • 5% Liveness
0% Instrumentalness • 67% Positiveness
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Jessica Baio
20 something
180 bpm • A# Maj • 02:40 • -3.55db
56% Popularity • 58% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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Olivia Rodrigo
1 step forward, 3 steps back
169 bpm • D Maj • 02:43 • -12.63db
80% Popularity • 47% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Madison Beer
Reckless
180 bpm • D# Maj • 03:23 • -6.64db
73% Popularity • 39% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Noah Kahan
Homesick
170 bpm • F# Maj • 03:14 • -6.44db
76% Popularity • 46% Danceability • 63% Energy • 34% Liveness
0% Instrumentalness • 39% Positiveness
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Sadie Jean
WYD Now?
181 bpm • C# Maj • 02:24 • -10.99db
69% Popularity • 38% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Benson Boone
Slow It Down
181 bpm • G# Maj • 02:41 • -4.68db
62% Popularity • 43% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Jessica Baio
he loves me, he loves me not
180 bpm • F min • 02:37 • -7.18db
57% Popularity • 49% Danceability • 67% Energy • 54% Liveness
0% Instrumentalness • 37% Positiveness
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Olivia Rodrigo
deja vu
181 bpm • D Maj • 03:35 • -7.22db
86% Popularity • 44% Danceability • 61% Energy • 37% Liveness
0% Instrumentalness • 18% Positiveness
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Natalie Jane
Do or Die
182 bpm • G Maj • 02:30 • -5.79db
60% Popularity • 45% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
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Noah Kahan
Everywhere, Everything
180 bpm • B Maj • 04:17 • -9.76db
68% Popularity • 41% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Mackenzy Mackay
Venus
166 bpm • C Maj • 02:37 • -12.77db
64% Popularity • 56% Danceability • 47% Energy • 35% Liveness
0% Instrumentalness • 58% Positiveness
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Benson Boone
There She Goes
166 bpm • C Maj • 03:24 • -4.65db
58% Popularity • 32% Danceability • 68% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
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Dermot Kennedy
Lucky
166 bpm • D# Maj • 05:38 • -7.17db
54% Popularity • 48% Danceability • 68% Energy • 35% Liveness
0% Instrumentalness • 44% Positiveness
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Tom Odell
Black Friday
165 bpm • F# Maj • 03:41 • -12.4db
71% Popularity • 48% Danceability • 20% Energy • 10% Liveness
6% Instrumentalness • 20% Positiveness
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Matt Hansen
break my bones
183 bpm • E Maj • 02:49 • -9.28db
67% Popularity • 42% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Victor Ray
Stay For A While
165 bpm • F# min • 03:09 • -10.03db
66% Popularity • 56% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Nessa Barrett
die first
183 bpm • G# min • 02:57 • -6.73db
67% Popularity • 44% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Myles Smith
My Home - Acoustic
184 bpm • G min • 03:44 • -6.65db
55% Popularity • 42% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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X Ambassadors
Deep End
184 bpm • E min • 03:01 • -6.35db
52% Popularity • 35% Danceability • 65% Energy • 13% Liveness
1% Instrumentalness • 20% Positiveness
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Shawn Mendes
WHAT THE HELL ARE WE DYING FOR ?
184 bpm • C# Maj • 03:49 • -7.83db
60% Popularity • 44% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 29% Positiveness
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Benson Boone
Drunk In My Mind
184 bpm • G# Maj • 03:47 • -5.09db
59% Popularity • 44% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Henry Moodie
you were there for me
164 bpm • F# Maj • 03:15 • -4.4db
64% Popularity • 57% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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Ruth B.
28 with Dean Lewis - Sped Up
186 bpm • D# Maj • 02:44 • -8.84db
58% Popularity • 48% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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Dean Lewis
Hurtless
163 bpm • C Maj • 03:00 • -6db
69% Popularity • 37% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Olivia Rodrigo
stranger
186 bpm • C Maj • 03:12 • -4.9db
80% Popularity • 45% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Thomas Day
MASOCHIST
162 bpm • E Maj • 02:44 • -4.09db
45% Popularity • 56% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
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Benson Boone
In The Stars - Jean Tonique Remix
186 bpm • G min • 03:03 • -3.81db
42% Popularity • 49% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
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Tors
Happy Enough
162 bpm • F# min • 03:22 • -5.66db
54% Popularity • 42% Danceability • 83% Energy • 23% Liveness
0% Instrumentalness • 38% Positiveness
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Jamie Miller
It Is What It Is
162 bpm • E Maj • 02:05 • -5.62db
68% Popularity • 69% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Kodaline
All I Want
187 bpm • C Maj • 05:05 • -9.73db
80% Popularity • 19% Danceability • 41% Energy • 8% Liveness
15% Instrumentalness • 16% Positiveness
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Olivia Rodrigo
get him back!
162 bpm • F Maj • 03:31 • -5.72db
82% Popularity • 55% Danceability • 85% Energy • 61% Liveness
0% Instrumentalness • 74% Positiveness
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Jessica Baio
trust issues
161 bpm • A Maj • 02:14 • -9db
66% Popularity • 59% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Mark Ambor
Good To Be (Acoustic)
188 bpm • E Maj • 02:22 • -10.17db
55% Popularity • 54% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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Cian Ducrot
Everyone Who Falls In Love (Has Someone ...
160 bpm • F# min • 02:36 • -6.11db
50% Popularity • 37% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Tate McRae
she's all i wanna be
160 bpm • D min • 03:27 • -5.32db
78% Popularity • 60% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Djo
End of Beginning
160 bpm • D Maj • 02:39 • -7.64db
98% Popularity • 69% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
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Benson Boone
ROOM FOR 2
160 bpm • D Maj • 02:31 • -5.64db
69% Popularity • 59% Danceability • 50% Energy • 33% Liveness
0% Instrumentalness • 28% Positiveness
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Teddy Swims
Lose Control
160 bpm • A Maj • 03:30 • -4.41db
93% Popularity • 56% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Tors
Only For You
160 bpm • A# Maj • 03:23 • -8.29db
56% Popularity • 59% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Natalie Jane
Tattoos
160 bpm • E min • 02:45 • -6.19db
66% Popularity • 47% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Alexander Stewart
blame's on me
159 bpm • C# min • 02:18 • -17.12db
71% Popularity • 31% Danceability • 12% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
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Dermot Kennedy
Two Hearts
159 bpm • C Maj • 04:06 • -8.45db
55% Popularity • 45% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Benson Boone
Coffee Cake
160 bpm • D Maj • 03:06 • -4.96db
64% Popularity • 53% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
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Tate McRae
grave
158 bpm • F Maj • 03:13 • -8.06db
69% Popularity • 52% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Dean Lewis
Waves
157 bpm • B min • 04:00 • -7.19db
75% Popularity • 52% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
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Cian Ducrot
I'll Be Waiting
156 bpm • C# Maj • 02:52 • -4.11db
70% Popularity • 52% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Alex Warren
Give You Love
155 bpm • C# Maj • 03:03 • -4.09db
55% Popularity • 59% Danceability • 72% Energy • 19% Liveness
0% Instrumentalness • 52% Positiveness
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Cat Burns
know that you're not alone
155 bpm • D Maj • 02:56 • -2.78db
61% Popularity • 68% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 85% Positiveness
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Conan Gray
Family Line
154 bpm • F# Maj • 03:36 • -8.15db
74% Popularity • 33% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Justin Bieber
Ghost
154 bpm • D Maj • 02:33 • -5.57db
87% Popularity • 60% Danceability • 74% Energy • 42% Liveness
0% Instrumentalness • 44% Positiveness
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MAX
STUPID IN LOVE
153 bpm • G# min • 02:53 • -5.3db
74% Popularity • 66% Danceability • 70% Energy • 38% Liveness
0% Instrumentalness • 59% Positiveness
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Clinton Kane
BITTERSWEET
152 bpm • C# min • 02:38 • -5.35db
51% Popularity • 59% Danceability • 79% Energy • 26% Liveness
0% Instrumentalness • 23% Positiveness
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Liam Payne
Teardrops
152 bpm • C Maj • 02:54 • -3.81db
65% Popularity • 50% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Jenna Raine
Lovesick
152 bpm • C# Maj • 02:31 • -5.73db
59% Popularity • 59% Danceability • 73% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
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Artemas
i like the way you kiss me
152 bpm • B Maj • 02:22 • -4.26db
94% Popularity • 60% Danceability • 95% Energy • 8% Liveness
1% Instrumentalness • 75% Positiveness
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Alec Benjamin
Let Me Down Slowly
150 bpm • C# min • 02:49 • -5.71db
86% Popularity • 65% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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elijah woods
24/7, 365
150 bpm • F# Maj • 02:47 • -7.28db
77% Popularity • 66% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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GRAHAM
Cheap Cologne
150 bpm • C Maj • 02:11 • -6.59db
63% Popularity • 61% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Benson Boone
My Greatest Fear
150 bpm • C# Maj • 03:33 • -6.27db
58% Popularity • 52% Danceability • 61% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
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5 Seconds of Summer
Ghost Of You
150 bpm • A# Maj • 03:17 • -4.82db
71% Popularity • 46% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
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Matt Hansen
better off without me
150 bpm • C Maj • 02:50 • -7db
73% Popularity • 62% Danceability • 47% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
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Munn
can you hear me?
150 bpm • D Maj • 03:05 • -7.83db
63% Popularity • 65% Danceability • 58% Energy • 34% Liveness
0% Instrumentalness • 38% Positiveness
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Alexander Stewart
Halo
150 bpm • D Maj • 02:41 • -7.21db
63% Popularity • 47% Danceability • 53% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
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gavn!
one day you're gone
150 bpm • D Maj • 02:51 • -13.35db
54% Popularity • 45% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Stephen Sanchez
Until I Found You
202 bpm • A# Maj • 02:56 • -6db
79% Popularity • 35% Danceability • 50% Energy • 19% Liveness
0% Instrumentalness • 19% Positiveness
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Benson Boone
Before You
203 bpm • G# min • 03:07 • -7.11db
74% Popularity • 27% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Jessie Murph
Son of a Bitch
149 bpm • D min • 02:35 • -7.51db
72% Popularity • 60% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Michael Marcagi
Scared To Start
148 bpm • G Maj • 02:39 • -11.26db
91% Popularity • 53% Danceability • 55% Energy • 40% Liveness
0% Instrumentalness • 44% Positiveness
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Ghost Town