Songs like GIANT STEPS by Gonzalo Rubalcaba
Based on a tempo of (+/- 10%) and a similar genre
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Gianluca Vigliar
Satellite's Highway - Studio
86 bpm • E min • 08:13 • -10.37db
10% Popularity • 46% Danceability • 51% Energy • 30% Liveness
84% Instrumentalness • 37% Positiveness
10% Popularity • 46% Danceability • 51% Energy • 30% Liveness
84% Instrumentalness • 37% Positiveness
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Eric Legnini
Introspection #3
86 bpm • C min • 01:14 • -12.61db
41% Popularity • 49% Danceability • 24% Energy • 14% Liveness
95% Instrumentalness • 32% Positiveness
41% Popularity • 49% Danceability • 24% Energy • 14% Liveness
95% Instrumentalness • 32% Positiveness
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Aldo Romano
Lontano
87 bpm • E min • 04:26 • -18.04db
35% Popularity • 41% Danceability • 22% Energy • 9% Liveness
46% Instrumentalness • 20% Positiveness
35% Popularity • 41% Danceability • 22% Energy • 9% Liveness
46% Instrumentalness • 20% Positiveness
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Baptiste Herbin
Nao Me Deixe
85 bpm • E min • 07:04 • -7db
11% Popularity • 43% Danceability • 64% Energy • 12% Liveness
73% Instrumentalness • 46% Positiveness
11% Popularity • 43% Danceability • 64% Energy • 12% Liveness
73% Instrumentalness • 46% Positiveness
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Ron Carter
Quite Place
87 bpm • C Maj • 04:45 • -19.23db
16% Popularity • 61% Danceability • 15% Energy • 18% Liveness
86% Instrumentalness • 14% Positiveness
16% Popularity • 61% Danceability • 15% Energy • 18% Liveness
86% Instrumentalness • 14% Positiveness
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Antonio Adolfo
Heart of Brazil
87 bpm • G# Maj • 05:38 • -13.66db
9% Popularity • 67% Danceability • 31% Energy • 10% Liveness
91% Instrumentalness • 38% Positiveness
9% Popularity • 67% Danceability • 31% Energy • 10% Liveness
91% Instrumentalness • 38% Positiveness
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John Di Martino's Romantic Jazz Trio
Lover's Temptation - Waltz No. 7 in C sh...
85 bpm • F# min • 04:13 • -10.56db
8% Popularity • 30% Danceability • 48% Energy • 10% Liveness
75% Instrumentalness • 32% Positiveness
8% Popularity • 30% Danceability • 48% Energy • 10% Liveness
75% Instrumentalness • 32% Positiveness
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Gonzalo Rubalcaba
Here's That Rainy Day
87 bpm • G Maj • 09:34 • -33.63db
12% Popularity • 28% Danceability • 1% Energy • 8% Liveness
36% Instrumentalness • 7% Positiveness
12% Popularity • 28% Danceability • 1% Energy • 8% Liveness
36% Instrumentalness • 7% Positiveness
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Esperanza Fernández
Poupurri De Zambras : “Carcelero Carce...
84 bpm • D# Maj • 11:00 • -10.52db
2% Popularity • 41% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
2% Popularity • 41% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Daniel Karlsson Trio
Liberty
88 bpm • F min • 05:58 • -25.76db
10% Popularity • 36% Danceability • 4% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
10% Popularity • 36% Danceability • 4% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Hayden Powell
Improvisation #6
88 bpm • D Maj • 01:04 • -12.99db
28% Popularity • 72% Danceability • 30% Energy • 36% Liveness
88% Instrumentalness • 60% Positiveness
28% Popularity • 72% Danceability • 30% Energy • 36% Liveness
88% Instrumentalness • 60% Positiveness
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Miguel Zenón
Caballo Viejo
84 bpm • D min • 08:01 • -18.4db
11% Popularity • 51% Danceability • 6% Energy • 8% Liveness
84% Instrumentalness • 33% Positiveness
11% Popularity • 51% Danceability • 6% Energy • 8% Liveness
84% Instrumentalness • 33% Positiveness
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Anat Fort Trio
It's Your Song
88 bpm • A Maj • 04:16 • -22.4db
30% Popularity • 42% Danceability • 24% Energy • 9% Liveness
95% Instrumentalness • 50% Positiveness
30% Popularity • 42% Danceability • 24% Energy • 9% Liveness
95% Instrumentalness • 50% Positiveness
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Roque Martinez
Embrujado
88 bpm • G Maj • 01:51 • -12.04db
8% Popularity • 33% Danceability • 10% Energy • 10% Liveness
35% Instrumentalness • 21% Positiveness
8% Popularity • 33% Danceability • 10% Energy • 10% Liveness
35% Instrumentalness • 21% Positiveness
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Carlos Aguirre
Palabras para Nombrarte
84 bpm • A# Maj • 07:07 • -22.28db
20% Popularity • 31% Danceability • 13% Energy • 11% Liveness
92% Instrumentalness • 18% Positiveness
20% Popularity • 31% Danceability • 13% Energy • 11% Liveness
92% Instrumentalness • 18% Positiveness
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Bebo Valdés Trío
Route 66
88 bpm • F Maj • 05:07 • -20.96db
13% Popularity • 57% Danceability • 18% Energy • 10% Liveness
90% Instrumentalness • 51% Positiveness
13% Popularity • 57% Danceability • 18% Energy • 10% Liveness
90% Instrumentalness • 51% Positiveness
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Anna Maria Jopek
Besame Mucho
88 bpm • C min • 04:23 • -27.33db
12% Popularity • 40% Danceability • 2% Energy • 13% Liveness
77% Instrumentalness • 15% Positiveness
12% Popularity • 40% Danceability • 2% Energy • 13% Liveness
77% Instrumentalness • 15% Positiveness
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Marcin Wasilewski
Sister's Song
88 bpm • C# Maj • 05:57 • -17db
14% Popularity • 46% Danceability • 26% Energy • 8% Liveness
70% Instrumentalness • 23% Positiveness
14% Popularity • 46% Danceability • 26% Energy • 8% Liveness
70% Instrumentalness • 23% Positiveness
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Branford Marsalis Quartet
The Lonely Swan
89 bpm • E min • 09:05 • -16.25db
23% Popularity • 54% Danceability • 23% Energy • 9% Liveness
87% Instrumentalness • 21% Positiveness
23% Popularity • 54% Danceability • 23% Energy • 9% Liveness
87% Instrumentalness • 21% Positiveness
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Sant Andreu Jazz Band
Mood Indigo
88 bpm • G Maj • 04:38 • -7.79db
11% Popularity • 54% Danceability • 46% Energy • 64% Liveness
0% Instrumentalness • 22% Positiveness
11% Popularity • 54% Danceability • 46% Energy • 64% Liveness
0% Instrumentalness • 22% Positiveness
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Gonzalo Rubalcaba
Someone To Watch Over Me
89 bpm • C Maj • 04:22 • -23.65db
8% Popularity • 46% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
8% Popularity • 46% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
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Csaba Toth Bagi
Kiara's Dream - Acoustic
83 bpm • G Maj • 06:08 • -14.54db
1% Popularity • 48% Danceability • 23% Energy • 9% Liveness
94% Instrumentalness • 28% Positiveness
1% Popularity • 48% Danceability • 23% Energy • 9% Liveness
94% Instrumentalness • 28% Positiveness
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Bobo Stenson Trio
Oleo De Mujer Con Sombrero
83 bpm • D Maj • 08:30 • -23.58db
18% Popularity • 46% Danceability • 12% Energy • 11% Liveness
78% Instrumentalness • 14% Positiveness
18% Popularity • 46% Danceability • 12% Energy • 11% Liveness
78% Instrumentalness • 14% Positiveness
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Aaron Parks
Find The Way
83 bpm • C min • 05:58 • -24.6db
14% Popularity • 29% Danceability • 11% Energy • 14% Liveness
87% Instrumentalness • 15% Positiveness
14% Popularity • 29% Danceability • 11% Energy • 14% Liveness
87% Instrumentalness • 15% Positiveness
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Alex Sipiagin
Next Stop - Tsukiji
89 bpm • A Maj • 08:35 • -13.63db
7% Popularity • 38% Danceability • 44% Energy • 7% Liveness
11% Instrumentalness • 53% Positiveness
7% Popularity • 38% Danceability • 44% Energy • 7% Liveness
11% Instrumentalness • 53% Positiveness
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Scott Hamilton
My Little Anna
89 bpm • C Maj • 04:01 • -12.22db
14% Popularity • 57% Danceability • 33% Energy • 12% Liveness
33% Instrumentalness • 57% Positiveness
14% Popularity • 57% Danceability • 33% Energy • 12% Liveness
33% Instrumentalness • 57% Positiveness
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Søren Bebe Trio
Echoes II
83 bpm • A# min • 04:08 • -19db
29% Popularity • 35% Danceability • 30% Energy • 11% Liveness
70% Instrumentalness • 21% Positiveness
29% Popularity • 35% Danceability • 30% Energy • 11% Liveness
70% Instrumentalness • 21% Positiveness
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Ray Brown Trio
Exactly Like You
83 bpm • F min • 05:45 • -19.68db
30% Popularity • 70% Danceability • 23% Energy • 8% Liveness
10% Instrumentalness • 49% Positiveness
30% Popularity • 70% Danceability • 23% Energy • 8% Liveness
10% Instrumentalness • 49% Positiveness
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Bobo Stenson Trio
Oktoberhavet
83 bpm • G Maj • 05:52 • -22.16db
32% Popularity • 48% Danceability • 17% Energy • 8% Liveness
89% Instrumentalness • 42% Positiveness
32% Popularity • 48% Danceability • 17% Energy • 8% Liveness
89% Instrumentalness • 42% Positiveness
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Ingrid Jensen
Higher Grounds
90 bpm • F min • 05:46 • -19db
23% Popularity • 39% Danceability • 22% Energy • 11% Liveness
1% Instrumentalness • 29% Positiveness
23% Popularity • 39% Danceability • 22% Energy • 11% Liveness
1% Instrumentalness • 29% Positiveness
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Dominick Farinacci
Soldier's Things
90 bpm • D min • 05:36 • -19db
11% Popularity • 43% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 10% Positiveness
11% Popularity • 43% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 10% Positiveness
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Manu Katché
Introducción
90 bpm • D Maj • 02:20 • -14.34db
26% Popularity • 80% Danceability • 33% Energy • 12% Liveness
62% Instrumentalness • 48% Positiveness
26% Popularity • 80% Danceability • 33% Energy • 12% Liveness
62% Instrumentalness • 48% Positiveness
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Alan Broadbent Trio
Clifford Notes
90 bpm • C min • 08:46 • -13.26db
33% Popularity • 62% Danceability • 32% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
33% Popularity • 62% Danceability • 32% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
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Fred Nardin Trio
One Finger Snap
82 bpm • G# Maj • 04:27 • -11.14db
19% Popularity • 31% Danceability • 57% Energy • 33% Liveness
91% Instrumentalness • 63% Positiveness
19% Popularity • 31% Danceability • 57% Energy • 33% Liveness
91% Instrumentalness • 63% Positiveness
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Roberto Fonseca
Stone of Hope
90 bpm • C Maj • 04:08 • -15.98db
15% Popularity • 69% Danceability • 36% Energy • 9% Liveness
85% Instrumentalness • 57% Positiveness
15% Popularity • 69% Danceability • 36% Energy • 9% Liveness
85% Instrumentalness • 57% Positiveness
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The Chick Corea New Trio
Past, Present & Futures
82 bpm • C min • 09:38 • -19.31db
9% Popularity • 31% Danceability • 29% Energy • 6% Liveness
89% Instrumentalness • 13% Positiveness
9% Popularity • 31% Danceability • 29% Energy • 6% Liveness
89% Instrumentalness • 13% Positiveness
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Gonzalo Rubalcaba
Santo Canto
82 bpm • G min • 07:57 • -14.75db
1% Popularity • 40% Danceability • 34% Energy • 10% Liveness
83% Instrumentalness • 14% Positiveness
1% Popularity • 40% Danceability • 34% Energy • 10% Liveness
83% Instrumentalness • 14% Positiveness
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The Art Farmer Quartet
Petite Belle
90 bpm • G min • 04:05 • -17db
13% Popularity • 46% Danceability • 30% Energy • 20% Liveness
92% Instrumentalness • 47% Positiveness
13% Popularity • 46% Danceability • 30% Energy • 20% Liveness
92% Instrumentalness • 47% Positiveness
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Carlos Henriquez
9 O'clock Bomba
90 bpm • B min • 05:38 • -9.61db
8% Popularity • 47% Danceability • 49% Energy • 10% Liveness
70% Instrumentalness • 44% Positiveness
8% Popularity • 47% Danceability • 49% Energy • 10% Liveness
70% Instrumentalness • 44% Positiveness
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Camille Thurman
Kindred Minds
82 bpm • D Maj • 05:46 • -12.07db
8% Popularity • 61% Danceability • 30% Energy • 11% Liveness
85% Instrumentalness • 21% Positiveness
8% Popularity • 61% Danceability • 30% Energy • 11% Liveness
85% Instrumentalness • 21% Positiveness
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Jon Secada
Tú Me Acostumbraste
82 bpm • D# Maj • 04:57 • -13.63db
5% Popularity • 41% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
5% Popularity • 41% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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David Tixier Trio
Nutra
91 bpm • A# min • 06:00 • -11.72db
17% Popularity • 47% Danceability • 61% Energy • 10% Liveness
88% Instrumentalness • 56% Positiveness
17% Popularity • 47% Danceability • 61% Energy • 10% Liveness
88% Instrumentalness • 56% Positiveness
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Marcin Wasilewski Trio
Glimmer Of Hope
81 bpm • F# Maj • 05:43 • -25db
15% Popularity • 28% Danceability • 12% Energy • 36% Liveness
94% Instrumentalness • 6% Positiveness
15% Popularity • 28% Danceability • 12% Energy • 36% Liveness
94% Instrumentalness • 6% Positiveness
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Triosence
Taurus Line
91 bpm • F Maj • 04:47 • -15.86db
10% Popularity • 51% Danceability • 51% Energy • 8% Liveness
84% Instrumentalness • 67% Positiveness
10% Popularity • 51% Danceability • 51% Energy • 8% Liveness
84% Instrumentalness • 67% Positiveness
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Carla Bley
Two Banana
81 bpm • D min • 06:37 • -13.17db
9% Popularity • 43% Danceability • 26% Energy • 11% Liveness
74% Instrumentalness • 16% Positiveness
9% Popularity • 43% Danceability • 26% Energy • 11% Liveness
74% Instrumentalness • 16% Positiveness
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The Monty Alexander Trio
We've Only Just Begun
91 bpm • G Maj • 05:51 • -19.06db
10% Popularity • 47% Danceability • 26% Energy • 68% Liveness
82% Instrumentalness • 23% Positiveness
10% Popularity • 47% Danceability • 26% Energy • 68% Liveness
82% Instrumentalness • 23% Positiveness
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Gonzalo Rubalcaba
First Song
81 bpm • F min • 06:03 • -18.55db
7% Popularity • 43% Danceability • 18% Energy • 15% Liveness
32% Instrumentalness • 18% Positiveness
7% Popularity • 43% Danceability • 18% Energy • 15% Liveness
32% Instrumentalness • 18% Positiveness
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Claude Bolling
Suite for Flute and Jazz Piano Trio: Sen...
81 bpm • G# Maj • 08:41 • -19.91db
17% Popularity • 34% Danceability • 16% Energy • 12% Liveness
95% Instrumentalness • 19% Positiveness
17% Popularity • 34% Danceability • 16% Energy • 12% Liveness
95% Instrumentalness • 19% Positiveness
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Karlos Boes Quartet
Who's Got to Do It
91 bpm • F Maj • 04:27 • -8.54db
13% Popularity • 61% Danceability • 51% Energy • 14% Liveness
79% Instrumentalness • 47% Positiveness
13% Popularity • 61% Danceability • 51% Energy • 14% Liveness
79% Instrumentalness • 47% Positiveness
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Brad Mehldau Trio
These Foolish Things (Remind Me of You)
81 bpm • D# Maj • 06:00 • -17.65db
26% Popularity • 44% Danceability • 13% Energy • 10% Liveness
93% Instrumentalness • 18% Positiveness
26% Popularity • 44% Danceability • 13% Energy • 10% Liveness
93% Instrumentalness • 18% Positiveness
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Freddie Hubbard
Body And Soul
91 bpm • C# Maj • 06:29 • -17.48db
29% Popularity • 41% Danceability • 10% Energy • 11% Liveness
93% Instrumentalness • 13% Positiveness
29% Popularity • 41% Danceability • 10% Energy • 11% Liveness
93% Instrumentalness • 13% Positiveness
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Roxana Amed
Last Happy Hour
91 bpm • C# Maj • 05:50 • -15.27db
19% Popularity • 28% Danceability • 24% Energy • 11% Liveness
9% Instrumentalness • 4% Positiveness
19% Popularity • 28% Danceability • 24% Energy • 11% Liveness
9% Instrumentalness • 4% Positiveness
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Will Vinson
Upside
91 bpm • A# Maj • 05:46 • -10.06db
15% Popularity • 58% Danceability • 47% Energy • 14% Liveness
58% Instrumentalness • 37% Positiveness
15% Popularity • 58% Danceability • 47% Energy • 14% Liveness
58% Instrumentalness • 37% Positiveness
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Harold López-Nussa
Conga Total / El Cumbanchero
81 bpm • A min • 03:39 • -11.78db
18% Popularity • 35% Danceability • 66% Energy • 10% Liveness
85% Instrumentalness • 67% Positiveness
18% Popularity • 35% Danceability • 66% Energy • 10% Liveness
85% Instrumentalness • 67% Positiveness
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Carlos Henriquez
Cuchifrito
81 bpm • G Maj • 07:34 • -10.2db
29% Popularity • 55% Danceability • 54% Energy • 11% Liveness
85% Instrumentalness • 65% Positiveness
29% Popularity • 55% Danceability • 54% Energy • 11% Liveness
85% Instrumentalness • 65% Positiveness
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Marshall Gilkes
Part II: Up and Down
91 bpm • F Maj • 05:06 • -15.59db
9% Popularity • 54% Danceability • 24% Energy • 13% Liveness
95% Instrumentalness • 18% Positiveness
9% Popularity • 54% Danceability • 24% Energy • 13% Liveness
95% Instrumentalness • 18% Positiveness
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Eddie Palmieri
La Gitana
81 bpm • G min • 07:15 • -12.29db
18% Popularity • 42% Danceability • 31% Energy • 11% Liveness
85% Instrumentalness • 16% Positiveness
18% Popularity • 42% Danceability • 31% Energy • 11% Liveness
85% Instrumentalness • 16% Positiveness
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Michel Portal
Summer Swing
92 bpm • A min • 02:17 • -17.75db
35% Popularity • 58% Danceability • 12% Energy • 10% Liveness
86% Instrumentalness • 42% Positiveness
35% Popularity • 58% Danceability • 12% Energy • 10% Liveness
86% Instrumentalness • 42% Positiveness
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Enrico Rava Quintet
Tribe
92 bpm • F min • 05:00 • -18.47db
8% Popularity • 57% Danceability • 24% Energy • 10% Liveness
90% Instrumentalness • 37% Positiveness
8% Popularity • 57% Danceability • 24% Energy • 10% Liveness
90% Instrumentalness • 37% Positiveness
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Bebo Valdés Trío
El Marañon
92 bpm • C Maj • 03:17 • -23.79db
19% Popularity • 53% Danceability • 16% Energy • 11% Liveness
91% Instrumentalness • 76% Positiveness
19% Popularity • 53% Danceability • 16% Energy • 11% Liveness
91% Instrumentalness • 76% Positiveness
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Marcin Wasilewski Trio
Actual Proof
92 bpm • A# min • 06:05 • -19.64db
10% Popularity • 36% Danceability • 32% Energy • 10% Liveness
91% Instrumentalness • 18% Positiveness
10% Popularity • 36% Danceability • 32% Energy • 10% Liveness
91% Instrumentalness • 18% Positiveness
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Ferenc Snétberger
Cou Cou
92 bpm • G Maj • 02:55 • -22db
31% Popularity • 56% Danceability • 31% Energy • 15% Liveness
92% Instrumentalness • 16% Positiveness
31% Popularity • 56% Danceability • 31% Energy • 15% Liveness
92% Instrumentalness • 16% Positiveness
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Brad Mehldau Trio
I Concentrate on You
92 bpm • F min • 07:20 • -14db
26% Popularity • 49% Danceability • 30% Energy • 10% Liveness
91% Instrumentalness • 29% Positiveness
26% Popularity • 49% Danceability • 30% Energy • 10% Liveness
91% Instrumentalness • 29% Positiveness
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Eric Legnini
Introspection #2
92 bpm • C min • 01:29 • -16db
42% Popularity • 48% Danceability • 14% Energy • 13% Liveness
94% Instrumentalness • 37% Positiveness
42% Popularity • 48% Danceability • 14% Energy • 13% Liveness
94% Instrumentalness • 37% Positiveness
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Aldo Romano
Webb
80 bpm • G Maj • 03:17 • -13.35db
26% Popularity • 56% Danceability • 47% Energy • 30% Liveness
3% Instrumentalness • 40% Positiveness
26% Popularity • 56% Danceability • 47% Energy • 30% Liveness
3% Instrumentalness • 40% Positiveness
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Jan Lundgren Trio
Med ögon känsliga för grönt
93 bpm • D# Maj • 04:45 • -16.14db
12% Popularity • 33% Danceability • 29% Energy • 15% Liveness
92% Instrumentalness • 19% Positiveness
12% Popularity • 33% Danceability • 29% Energy • 15% Liveness
92% Instrumentalness • 19% Positiveness
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Ron Carter
Lagrimas Negras
80 bpm • C Maj • 06:51 • -14.65db
22% Popularity • 42% Danceability • 37% Energy • 8% Liveness
92% Instrumentalness • 70% Positiveness
22% Popularity • 42% Danceability • 37% Energy • 8% Liveness
92% Instrumentalness • 70% Positiveness
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Joel Hierrezuelo
Si Tu Supieras
93 bpm • A min • 06:00 • -14.53db
25% Popularity • 40% Danceability • 38% Energy • 9% Liveness
86% Instrumentalness • 31% Positiveness
25% Popularity • 40% Danceability • 38% Energy • 9% Liveness
86% Instrumentalness • 31% Positiveness
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Joshua Edelman
Eguzkitza Breakfast
80 bpm • F min • 05:44 • -11.03db
14% Popularity • 64% Danceability • 66% Energy • 11% Liveness
95% Instrumentalness • 82% Positiveness
14% Popularity • 64% Danceability • 66% Energy • 11% Liveness
95% Instrumentalness • 82% Positiveness
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Jon Secada
Me Faltabas Tú
80 bpm • F Maj • 03:33 • -10.28db
5% Popularity • 37% Danceability • 28% Energy • 20% Liveness
0% Instrumentalness • 24% Positiveness
5% Popularity • 37% Danceability • 28% Energy • 20% Liveness
0% Instrumentalness • 24% Positiveness
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Brad Mehldau Trio
Almost Like Being in Love
80 bpm • C# Maj • 05:41 • -15.88db
19% Popularity • 30% Danceability • 39% Energy • 11% Liveness
79% Instrumentalness • 51% Positiveness
19% Popularity • 30% Danceability • 39% Energy • 11% Liveness
79% Instrumentalness • 51% Positiveness
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Hilton Ruiz
Seven Steps To Heaven
80 bpm • F Maj • 02:11 • -13db
26% Popularity • 37% Danceability • 52% Energy • 12% Liveness
40% Instrumentalness • 65% Positiveness
26% Popularity • 37% Danceability • 52% Energy • 12% Liveness
40% Instrumentalness • 65% Positiveness
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Yoko Miwa Trio
Think of One
93 bpm • F min • 08:03 • -12.5db
6% Popularity • 43% Danceability • 47% Energy • 15% Liveness
90% Instrumentalness • 28% Positiveness
6% Popularity • 43% Danceability • 47% Energy • 15% Liveness
90% Instrumentalness • 28% Positiveness
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Branford Marsalis Quartet
Conversation Among the Ruins
79 bpm • G min • 08:46 • -11.66db
21% Popularity • 42% Danceability • 33% Energy • 9% Liveness
57% Instrumentalness • 10% Positiveness
21% Popularity • 42% Danceability • 33% Energy • 9% Liveness
57% Instrumentalness • 10% Positiveness
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Beangel
Nada
93 bpm • G Maj • 04:38 • -9.91db
2% Popularity • 38% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
2% Popularity • 38% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Melissa Aldana
Pasos
94 bpm • C Maj • 07:18 • -9.38db
8% Popularity • 44% Danceability • 47% Energy • 20% Liveness
1% Instrumentalness • 25% Positiveness
8% Popularity • 44% Danceability • 47% Energy • 20% Liveness
1% Instrumentalness • 25% Positiveness
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Brad Mehldau Trio
Seymour Reads the Constitution
93 bpm • F# min • 08:03 • -15db
35% Popularity • 59% Danceability • 28% Energy • 10% Liveness
78% Instrumentalness • 39% Positiveness
35% Popularity • 59% Danceability • 28% Energy • 10% Liveness
78% Instrumentalness • 39% Positiveness
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Oregon
Catching Up
94 bpm • E min • 08:15 • -12.49db
14% Popularity • 55% Danceability • 34% Energy • 7% Liveness
89% Instrumentalness • 49% Positiveness
14% Popularity • 55% Danceability • 34% Energy • 7% Liveness
89% Instrumentalness • 49% Positiveness
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Carlos Henriquez
My Isla Bonita
79 bpm • F Maj • 04:22 • -16.69db
14% Popularity • 57% Danceability • 12% Energy • 8% Liveness
93% Instrumentalness • 46% Positiveness
14% Popularity • 57% Danceability • 12% Energy • 8% Liveness
93% Instrumentalness • 46% Positiveness
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Miguel Zenón
El Negro Bembón
94 bpm • F Maj • 08:16 • -8.64db
19% Popularity • 48% Danceability • 71% Energy • 11% Liveness
81% Instrumentalness • 87% Positiveness
19% Popularity • 48% Danceability • 71% Energy • 11% Liveness
81% Instrumentalness • 87% Positiveness
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Trio X of Sweden
Träumerei
94 bpm • F Maj • 06:20 • -16db
22% Popularity • 50% Danceability • 44% Energy • 11% Liveness
90% Instrumentalness • 39% Positiveness
22% Popularity • 50% Danceability • 44% Energy • 11% Liveness
90% Instrumentalness • 39% Positiveness
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Melissa Aldana
Alegria
79 bpm • F min • 05:11 • -14.57db
11% Popularity • 32% Danceability • 32% Energy • 8% Liveness
5% Instrumentalness • 35% Positiveness
11% Popularity • 32% Danceability • 32% Energy • 8% Liveness
5% Instrumentalness • 35% Positiveness
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Esperanza Fernández
Tu Me Sabes Comprender
79 bpm • D# Maj • 04:55 • -12.43db
1% Popularity • 47% Danceability • 15% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
1% Popularity • 47% Danceability • 15% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
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Gonzalo Rubalcaba
Joao
79 bpm • C min • 06:29 • -29.53db
3% Popularity • 33% Danceability • 2% Energy • 10% Liveness
74% Instrumentalness • 5% Positiveness
3% Popularity • 33% Danceability • 2% Energy • 10% Liveness
74% Instrumentalness • 5% Positiveness
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Carlos Henriquez
Al Fin Te Vi
79 bpm • A# Maj • 03:10 • -13.07db
18% Popularity • 63% Danceability • 14% Energy • 22% Liveness
94% Instrumentalness • 88% Positiveness
18% Popularity • 63% Danceability • 14% Energy • 22% Liveness
94% Instrumentalness • 88% Positiveness
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Sammy Figueroa
Tu Serás Mía
94 bpm • F Maj • 06:37 • -13.3db
1% Popularity • 50% Danceability • 49% Energy • 14% Liveness
86% Instrumentalness • 40% Positiveness
1% Popularity • 50% Danceability • 49% Energy • 14% Liveness
86% Instrumentalness • 40% Positiveness
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Joshua Redman Quartet
Sweet Sorrow
79 bpm • G min • 08:43 • -16.33db
34% Popularity • 53% Danceability • 7% Energy • 12% Liveness
70% Instrumentalness • 29% Positiveness
34% Popularity • 53% Danceability • 7% Energy • 12% Liveness
70% Instrumentalness • 29% Positiveness
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Kenny Barron, Dave Holland & Daniel Humair
Quiet Times
94 bpm • G# Maj • 05:32 • -29.76db
13% Popularity • 38% Danceability • 5% Energy • 12% Liveness
87% Instrumentalness • 9% Positiveness
13% Popularity • 38% Danceability • 5% Energy • 12% Liveness
87% Instrumentalness • 9% Positiveness
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Mark Turner
I Loves You Porgy
95 bpm • C Maj • 05:42 • -16.72db
11% Popularity • 40% Danceability • 9% Energy • 9% Liveness
35% Instrumentalness • 25% Positiveness
11% Popularity • 40% Danceability • 9% Energy • 9% Liveness
35% Instrumentalness • 25% Positiveness
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Gonzalo Rubalcaba
Chelsea Bridge
79 bpm • B Maj • 04:42 • -23.96db
9% Popularity • 49% Danceability • 6% Energy • 11% Liveness
86% Instrumentalness • 18% Positiveness
9% Popularity • 49% Danceability • 6% Energy • 11% Liveness
86% Instrumentalness • 18% Positiveness
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Lynne Arriale Trio
Passion
95 bpm • E Maj • 04:21 • -16.16db
20% Popularity • 26% Danceability • 40% Energy • 10% Liveness
94% Instrumentalness • 43% Positiveness
20% Popularity • 26% Danceability • 40% Energy • 10% Liveness
94% Instrumentalness • 43% Positiveness
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Tom Harrell
Tom' S Soul
78 bpm • C# Maj • 07:25 • -14.74db
17% Popularity • 42% Danceability • 25% Energy • 11% Liveness
85% Instrumentalness • 20% Positiveness
17% Popularity • 42% Danceability • 25% Energy • 11% Liveness
85% Instrumentalness • 20% Positiveness
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Fred Nardin Trio
Memory of T.
95 bpm • C# Maj • 06:12 • -12.66db
14% Popularity • 51% Danceability • 41% Energy • 9% Liveness
89% Instrumentalness • 41% Positiveness
14% Popularity • 51% Danceability • 41% Energy • 9% Liveness
89% Instrumentalness • 41% Positiveness
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Pierrick Pédron
Si tu vois ma mere
78 bpm • A# Maj • 05:58 • -15.57db
5% Popularity • 47% Danceability • 8% Energy • 10% Liveness
69% Instrumentalness • 22% Positiveness
5% Popularity • 47% Danceability • 8% Energy • 10% Liveness
69% Instrumentalness • 22% Positiveness
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Charlie Haden
My Love And I
95 bpm • A min • 11:54 • -25.87db
21% Popularity • 37% Danceability • 2% Energy • 69% Liveness
93% Instrumentalness • 17% Positiveness
21% Popularity • 37% Danceability • 2% Energy • 69% Liveness
93% Instrumentalness • 17% Positiveness
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Snorre Kirk
18th & Vine
95 bpm • A# Maj • 02:36 • -11.57db
19% Popularity • 72% Danceability • 37% Energy • 11% Liveness
2% Instrumentalness • 88% Positiveness
19% Popularity • 72% Danceability • 37% Energy • 11% Liveness
2% Instrumentalness • 88% Positiveness
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Cedar Walton
Sixth Avenue
78 bpm • A# Maj • 03:51 • -21.06db
37% Popularity • 35% Danceability • 13% Energy • 16% Liveness
93% Instrumentalness • 23% Positiveness
37% Popularity • 35% Danceability • 13% Energy • 16% Liveness
93% Instrumentalness • 23% Positiveness
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Diego Urcola
El Brujo (to Hermeto Pascoal)
95 bpm • B Maj • 05:45 • -16.11db
15% Popularity • 58% Danceability • 38% Energy • 8% Liveness
94% Instrumentalness • 74% Positiveness
15% Popularity • 58% Danceability • 38% Energy • 8% Liveness
94% Instrumentalness • 74% Positiveness