Songs like Gibson Girl by Ethel Cain
Based on a tempo of (+/- 10%) and a similar genre
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Phoebe Bridgers
Motion Sickness
107 bpm • C# Maj • 03:49 • -9.02db
76% Popularity • 65% Danceability • 55% Energy • 8% Liveness
4% Instrumentalness • 62% Positiveness
76% Popularity • 65% Danceability • 55% Energy • 8% Liveness
4% Instrumentalness • 62% Positiveness
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Ethel Cain
Hard Times
107 bpm • A# Maj • 05:03 • -10.64db
58% Popularity • 49% Danceability • 36% Energy • 27% Liveness
1% Instrumentalness • 15% Positiveness
58% Popularity • 49% Danceability • 36% Energy • 27% Liveness
1% Instrumentalness • 15% Positiveness
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Chappell Roan
Pink Pony Club
107 bpm • F# Maj • 04:18 • -6.16db
68% Popularity • 62% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
68% Popularity • 62% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Japanese Breakfast
Boyish
107 bpm • D Maj • 03:33 • -7.46db
54% Popularity • 23% Danceability • 46% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
54% Popularity • 23% Danceability • 46% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
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Big Thief
Mythological Beauty
107 bpm • A# Maj • 05:06 • -9db
57% Popularity • 63% Danceability • 58% Energy • 12% Liveness
21% Instrumentalness • 47% Positiveness
57% Popularity • 63% Danceability • 58% Energy • 12% Liveness
21% Instrumentalness • 47% Positiveness
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Leith Ross
To Me
107 bpm • G Maj • 03:57 • -19.35db
40% Popularity • 45% Danceability • 9% Energy • 11% Liveness
3% Instrumentalness • 29% Positiveness
40% Popularity • 45% Danceability • 9% Energy • 11% Liveness
3% Instrumentalness • 29% Positiveness
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The Japanese House
Touching Yourself
108 bpm • D# Maj • 03:01 • -5.99db
66% Popularity • 71% Danceability • 68% Energy • 23% Liveness
0% Instrumentalness • 93% Positiveness
66% Popularity • 71% Danceability • 68% Energy • 23% Liveness
0% Instrumentalness • 93% Positiveness
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Sarah Kinsley
What Was Mine
108 bpm • E Maj • 03:14 • -6.25db
33% Popularity • 53% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
33% Popularity • 53% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Lunko
Posing in Bondage
108 bpm • A# min • 02:07 • -8.73db
36% Popularity • 79% Danceability • 64% Energy • 8% Liveness
82% Instrumentalness • 65% Positiveness
36% Popularity • 79% Danceability • 64% Energy • 8% Liveness
82% Instrumentalness • 65% Positiveness
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Adrianne Lenker
Ruined
109 bpm • F Maj • 04:32 • -12.45db
54% Popularity • 40% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
54% Popularity • 40% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Big Thief
Simulation Swarm
105 bpm • C# Maj • 04:12 • -9db
66% Popularity • 70% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
66% Popularity • 70% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Clairo
Bags
105 bpm • C# Maj • 04:20 • -7.69db
78% Popularity • 74% Danceability • 55% Energy • 12% Liveness
38% Instrumentalness • 87% Positiveness
78% Popularity • 74% Danceability • 55% Energy • 12% Liveness
38% Instrumentalness • 87% Positiveness
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Lucy Dacus
Nonbeliever
109 bpm • D Maj • 03:40 • -6.79db
47% Popularity • 36% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
47% Popularity • 36% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Japanese Breakfast
Posing In Bondage
105 bpm • C# Maj • 04:04 • -7.53db
46% Popularity • 58% Danceability • 65% Energy • 12% Liveness
6% Instrumentalness • 20% Positiveness
46% Popularity • 58% Danceability • 65% Energy • 12% Liveness
6% Instrumentalness • 20% Positiveness
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Weyes Blood
Hearts Aglow
109 bpm • A Maj • 05:49 • -8.66db
43% Popularity • 42% Danceability • 50% Energy • 10% Liveness
26% Instrumentalness • 12% Positiveness
43% Popularity • 42% Danceability • 50% Energy • 10% Liveness
26% Instrumentalness • 12% Positiveness
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Nicole Dollanganger
Dogwood
105 bpm • F min • 02:47 • -10.84db
33% Popularity • 67% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
33% Popularity • 67% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Leith Ross
Too Much Time In My House Alone
105 bpm • B Maj • 04:04 • -11.14db
38% Popularity • 39% Danceability • 53% Energy • 9% Liveness
4% Instrumentalness • 51% Positiveness
38% Popularity • 39% Danceability • 53% Energy • 9% Liveness
4% Instrumentalness • 51% Positiveness
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Ethel Cain
Family Tree (Intro)
105 bpm • E Maj • 03:41 • -9.38db
57% Popularity • 26% Danceability • 57% Energy • 14% Liveness
5% Instrumentalness • 9% Positiveness
57% Popularity • 26% Danceability • 57% Energy • 14% Liveness
5% Instrumentalness • 9% Positiveness
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Maya Hawke
Thérèse
104 bpm • A min • 03:27 • -12db
52% Popularity • 62% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
52% Popularity • 62% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Japanese Breakfast
The Woman That Loves You
110 bpm • F# min • 02:24 • -6db
40% Popularity • 52% Danceability • 77% Energy • 10% Liveness
61% Instrumentalness • 32% Positiveness
40% Popularity • 52% Danceability • 77% Energy • 10% Liveness
61% Instrumentalness • 32% Positiveness
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Weyes Blood
Mirror Forever
110 bpm • C Maj • 05:05 • -11db
44% Popularity • 36% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
44% Popularity • 36% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
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Nicole Dollanganger
American Tradition
110 bpm • F# min • 03:54 • -4.63db
32% Popularity • 45% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
32% Popularity • 45% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
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Babygirl
I Wish I Never Met You
110 bpm • C# Maj • 03:31 • -9.15db
54% Popularity • 82% Danceability • 49% Energy • 15% Liveness
4% Instrumentalness • 91% Positiveness
54% Popularity • 82% Danceability • 49% Energy • 15% Liveness
4% Instrumentalness • 91% Positiveness
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Ethel Cain
Knuckle Velvet
104 bpm • E Maj • 03:22 • -10db
51% Popularity • 47% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
51% Popularity • 47% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Fiona Apple
Valentine
110 bpm • D Maj • 03:32 • -15.67db
52% Popularity • 51% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
52% Popularity • 51% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Japanese Breakfast
The Body Is a Blade
110 bpm • G Maj • 03:40 • -6db
44% Popularity • 52% Danceability • 72% Energy • 16% Liveness
15% Instrumentalness • 39% Positiveness
44% Popularity • 52% Danceability • 72% Energy • 16% Liveness
15% Instrumentalness • 39% Positiveness
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Caroline Polachek
Bunny Is A Rider
110 bpm • F# min • 03:13 • -7db
59% Popularity • 80% Danceability • 66% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
59% Popularity • 80% Danceability • 66% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
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Chappell Roan
After Midnight
110 bpm • F Maj • 03:24 • -3.84db
66% Popularity • 71% Danceability • 89% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
66% Popularity • 71% Danceability • 89% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
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Vyva Melinkolya
222
104 bpm • A Maj • 06:48 • -8.89db
23% Popularity • 16% Danceability • 47% Energy • 52% Liveness
93% Instrumentalness • 7% Positiveness
23% Popularity • 16% Danceability • 47% Energy • 52% Liveness
93% Instrumentalness • 7% Positiveness
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Ethel Cain
Televangelism
110 bpm • B Maj • 03:03 • -16.62db
53% Popularity • 27% Danceability • 15% Energy • 12% Liveness
93% Instrumentalness • 10% Positiveness
53% Popularity • 27% Danceability • 15% Energy • 12% Liveness
93% Instrumentalness • 10% Positiveness
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1017 ALYX 9SM
Famous Last Words (An Ode to Eaters)
110 bpm • C Maj • 03:22 • -13.32db
40% Popularity • 39% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
40% Popularity • 39% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Japanese Breakfast
Be Sweet
110 bpm • D min • 03:15 • -5.82db
63% Popularity • 65% Danceability • 88% Energy • 32% Liveness
0% Instrumentalness • 62% Positiveness
63% Popularity • 65% Danceability • 88% Energy • 32% Liveness
0% Instrumentalness • 62% Positiveness
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Leith Ross
Coming Back to Me
110 bpm • D Maj • 03:57 • -19db
43% Popularity • 42% Danceability • 8% Energy • 70% Liveness
0% Instrumentalness • 7% Positiveness
43% Popularity • 42% Danceability • 8% Energy • 70% Liveness
0% Instrumentalness • 7% Positiveness
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Florence + The Machine
The Bomb
111 bpm • B Maj • 02:44 • -8.68db
59% Popularity • 63% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
59% Popularity • 63% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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boygenius
Powers
111 bpm • G Maj • 04:14 • -14.62db
53% Popularity • 48% Danceability • 20% Energy • 11% Liveness
2% Instrumentalness • 18% Positiveness
53% Popularity • 48% Danceability • 20% Energy • 11% Liveness
2% Instrumentalness • 18% Positiveness
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Ethel Cain
Unpunishable
110 bpm • C Maj • 04:21 • -8.06db
48% Popularity • 41% Danceability • 41% Energy • 13% Liveness
2% Instrumentalness • 9% Positiveness
48% Popularity • 41% Danceability • 41% Energy • 13% Liveness
2% Instrumentalness • 9% Positiveness
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The Last Dinner Party
Burn Alive
111 bpm • A# Maj • 03:21 • -5.33db
64% Popularity • 60% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
64% Popularity • 60% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Pearly Drops
I Cry While You Sleep
111 bpm • A# min • 03:24 • -9db
35% Popularity • 67% Danceability • 59% Energy • 15% Liveness
51% Instrumentalness • 25% Positiveness
35% Popularity • 67% Danceability • 59% Energy • 15% Liveness
51% Instrumentalness • 25% Positiveness
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Clairo
Amoeba
111 bpm • F# Maj • 03:48 • -11.52db
72% Popularity • 74% Danceability • 49% Energy • 10% Liveness
4% Instrumentalness • 71% Positiveness
72% Popularity • 74% Danceability • 49% Energy • 10% Liveness
4% Instrumentalness • 71% Positiveness
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quinnie
promised
103 bpm • C# Maj • 03:58 • -6.51db
45% Popularity • 39% Danceability • 58% Energy • 6% Liveness
4% Instrumentalness • 72% Positiveness
45% Popularity • 39% Danceability • 58% Energy • 6% Liveness
4% Instrumentalness • 72% Positiveness
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Mitski
Pink in the Night
103 bpm • D Maj • 02:16 • -9.64db
66% Popularity • 21% Danceability • 41% Energy • 30% Liveness
0% Instrumentalness • 11% Positiveness
66% Popularity • 21% Danceability • 41% Energy • 30% Liveness
0% Instrumentalness • 11% Positiveness
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Ethel Cain
Gibson Girl
104 bpm • D Maj • 05:42 • -9.17db
58% Popularity • 29% Danceability • 43% Energy • 11% Liveness
6% Instrumentalness • 10% Positiveness
58% Popularity • 29% Danceability • 43% Energy • 11% Liveness
6% Instrumentalness • 10% Positiveness
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Haley Blais
Survivor's Guilt
103 bpm • B Maj • 03:30 • -10.8db
40% Popularity • 77% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
40% Popularity • 77% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Sarah Kinsley
The Giver
111 bpm • D Maj • 03:47 • -10.99db
52% Popularity • 44% Danceability • 18% Energy • 12% Liveness
2% Instrumentalness • 9% Positiveness
52% Popularity • 44% Danceability • 18% Energy • 12% Liveness
2% Instrumentalness • 9% Positiveness
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Skullcrusher
Building a Swing
102 bpm • F Maj • 03:36 • -8.81db
30% Popularity • 36% Danceability • 52% Energy • 25% Liveness
25% Instrumentalness • 19% Positiveness
30% Popularity • 36% Danceability • 52% Energy • 25% Liveness
25% Instrumentalness • 19% Positiveness
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Clairo
Alewife
103 bpm • D# Maj • 03:33 • -13.29db
59% Popularity • 43% Danceability • 33% Energy • 10% Liveness
5% Instrumentalness • 26% Positiveness
59% Popularity • 43% Danceability • 33% Energy • 10% Liveness
5% Instrumentalness • 26% Positiveness
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Phoebe Bridgers
I Know The End
112 bpm • C# Maj • 05:44 • -10.27db
73% Popularity • 32% Danceability • 32% Energy • 23% Liveness
2% Instrumentalness • 26% Positiveness
73% Popularity • 32% Danceability • 32% Energy • 23% Liveness
2% Instrumentalness • 26% Positiveness
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Ethel Cain
Sun Bleached Flies
103 bpm • E Maj • 07:36 • -10db
62% Popularity • 27% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
62% Popularity • 27% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Haley Blais
Be Your Own Muse
112 bpm • D Maj • 04:01 • -7.88db
38% Popularity • 44% Danceability • 48% Energy • 6% Liveness
11% Instrumentalness • 34% Positiveness
38% Popularity • 44% Danceability • 48% Energy • 6% Liveness
11% Instrumentalness • 34% Positiveness
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Caroline Polachek
So Hot You're Hurting My Feelings
112 bpm • F# Maj • 03:03 • -4.97db
66% Popularity • 80% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
66% Popularity • 80% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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boygenius
Black Hole
112 bpm • C Maj • 02:21 • -12.1db
58% Popularity • 72% Danceability • 44% Energy • 11% Liveness
4% Instrumentalness • 27% Positiveness
58% Popularity • 72% Danceability • 44% Energy • 11% Liveness
4% Instrumentalness • 27% Positiveness
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Ha Vay
Moon Girl
112 bpm • B min • 03:26 • -7.91db
43% Popularity • 66% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
43% Popularity • 66% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
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Searows
I have more than enough
112 bpm • D# Maj • 05:28 • -14.48db
54% Popularity • 42% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
54% Popularity • 42% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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Ethel Cain
Strangers
102 bpm • C Maj • 05:44 • -8.93db
64% Popularity • 37% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
64% Popularity • 37% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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The Last Dinner Party
Sinner
102 bpm • C Maj • 02:56 • -4.79db
68% Popularity • 59% Danceability • 81% Energy • 9% Liveness
1% Instrumentalness • 37% Positiveness
68% Popularity • 59% Danceability • 81% Energy • 9% Liveness
1% Instrumentalness • 37% Positiveness
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Florence + The Machine
Girls Against God
102 bpm • E Maj • 04:40 • -10.95db
54% Popularity • 61% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
54% Popularity • 61% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
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Taylor Swift
Nothing New (Taylor’s Version)
102 bpm • C Maj • 04:18 • -9.46db
75% Popularity • 61% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
75% Popularity • 61% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
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Phoebe Bridgers
Georgia
102 bpm • D Maj • 04:07 • -11.88db
62% Popularity • 48% Danceability • 44% Energy • 10% Liveness
1% Instrumentalness • 29% Positiveness
62% Popularity • 48% Danceability • 44% Energy • 10% Liveness
1% Instrumentalness • 29% Positiveness
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quinnie
touch tank
102 bpm • E Maj • 02:59 • -7db
66% Popularity • 67% Danceability • 50% Energy • 43% Liveness
0% Instrumentalness • 48% Positiveness
66% Popularity • 67% Danceability • 50% Energy • 43% Liveness
0% Instrumentalness • 48% Positiveness
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The Japanese House
Indexical reminder of a morning well spe...
102 bpm • D Maj • 04:43 • -12.69db
53% Popularity • 62% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
53% Popularity • 62% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Adrianne Lenker
ingydar
113 bpm • A# min • 04:08 • -16db
58% Popularity • 65% Danceability • 28% Energy • 21% Liveness
0% Instrumentalness • 51% Positiveness
58% Popularity • 65% Danceability • 28% Energy • 21% Liveness
0% Instrumentalness • 51% Positiveness
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Skullcrusher
You are my House
102 bpm • C Maj • 03:08 • -11db
34% Popularity • 32% Danceability • 49% Energy • 28% Liveness
0% Instrumentalness • 27% Positiveness
34% Popularity • 32% Danceability • 49% Energy • 28% Liveness
0% Instrumentalness • 27% Positiveness
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The Last Dinner Party
Nothing Matters
101 bpm • D Maj • 03:02 • -5.1db
77% Popularity • 59% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
77% Popularity • 59% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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Suki Waterhouse
Bullshit on the Internet
113 bpm • A# Maj • 02:47 • -8.48db
51% Popularity • 68% Danceability • 66% Energy • 36% Liveness
0% Instrumentalness • 53% Positiveness
51% Popularity • 68% Danceability • 66% Energy • 36% Liveness
0% Instrumentalness • 53% Positiveness
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Caroline Polachek
Pang
101 bpm • B Maj • 03:33 • -8.34db
49% Popularity • 71% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
49% Popularity • 71% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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quinnie
popcorn & juice
114 bpm • B Maj • 01:45 • -12.56db
30% Popularity • 48% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
30% Popularity • 48% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Leith Ross
I'd Have to Think About It
101 bpm • F Maj • 02:30 • -14db
57% Popularity • 51% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
57% Popularity • 51% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Lana Del Rey
Black Bathing Suit
114 bpm • B Maj • 05:18 • -11.61db
60% Popularity • 42% Danceability • 38% Energy • 37% Liveness
0% Instrumentalness • 28% Positiveness
60% Popularity • 42% Danceability • 38% Energy • 37% Liveness
0% Instrumentalness • 28% Positiveness
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Phoebe Bridgers
Garden Song
100 bpm • C Maj • 03:39 • -16.65db
66% Popularity • 43% Danceability • 27% Energy • 11% Liveness
1% Instrumentalness • 17% Positiveness
66% Popularity • 43% Danceability • 27% Energy • 11% Liveness
1% Instrumentalness • 17% Positiveness
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Lucy Dacus
Cartwheel
100 bpm • C Maj • 03:24 • -12.81db
46% Popularity • 61% Danceability • 29% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
46% Popularity • 61% Danceability • 29% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
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Ethel Cain
Michelle Pfeiffer
100 bpm • E Maj • 04:31 • -7.32db
50% Popularity • 34% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
50% Popularity • 34% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
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Caroline Polachek
Pretty In Possible
100 bpm • C# Maj • 03:36 • -9.36db
55% Popularity • 71% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
55% Popularity • 71% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Dora Jar
Quiver
100 bpm • E min • 03:23 • -10db
30% Popularity • 73% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
30% Popularity • 73% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
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Lana Del Rey
For Free
114 bpm • F Maj • 04:11 • -13.38db
54% Popularity • 50% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
54% Popularity • 50% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Ha Vay
ohmygod
100 bpm • F Maj • 02:44 • -7.83db
34% Popularity • 63% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 39% Positiveness
34% Popularity • 63% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 39% Positiveness
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Nicole Dollanganger
Moonlite
100 bpm • E min • 03:48 • -15.03db
31% Popularity • 37% Danceability • 23% Energy • 10% Liveness
7% Instrumentalness • 14% Positiveness
31% Popularity • 37% Danceability • 23% Energy • 10% Liveness
7% Instrumentalness • 14% Positiveness
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Ethel Cain
Thoroughfare
100 bpm • A Maj • 09:27 • -11db
57% Popularity • 55% Danceability • 26% Energy • 23% Liveness
0% Instrumentalness • 17% Positiveness
57% Popularity • 55% Danceability • 26% Energy • 23% Liveness
0% Instrumentalness • 17% Positiveness
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Maya Hawke
To Love a Boy
100 bpm • D# min • 02:17 • -13.56db
52% Popularity • 68% Danceability • 20% Energy • 9% Liveness
2% Instrumentalness • 34% Positiveness
52% Popularity • 68% Danceability • 20% Energy • 9% Liveness
2% Instrumentalness • 34% Positiveness
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Haley Heynderickx
The Bug Collector
100 bpm • A# Maj • 03:48 • -9.71db
70% Popularity • 54% Danceability • 42% Energy • 10% Liveness
33% Instrumentalness • 53% Positiveness
70% Popularity • 54% Danceability • 42% Energy • 10% Liveness
33% Instrumentalness • 53% Positiveness
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Flower Face
Paper Doll
100 bpm • C min • 04:19 • -12.39db
38% Popularity • 31% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
38% Popularity • 31% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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The Japanese House
Boyhood
115 bpm • F Maj • 03:09 • -9.06db
58% Popularity • 61% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
58% Popularity • 61% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Rachel Chinouriri
All I Ever Asked
115 bpm • F Maj • 03:35 • -7.53db
60% Popularity • 91% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
60% Popularity • 91% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
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Ethel Cain
Head in the Wall
115 bpm • D# Maj • 06:41 • -4.39db
47% Popularity • 27% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
47% Popularity • 27% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Maya Hawke
Mermaid Bar
115 bpm • E Maj • 03:36 • -11.9db
36% Popularity • 57% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
36% Popularity • 57% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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hemlocke springs
going...going...GONE!
115 bpm • G Maj • 02:37 • -6.76db
39% Popularity • 80% Danceability • 65% Energy • 9% Liveness
30% Instrumentalness • 82% Positiveness
39% Popularity • 80% Danceability • 65% Energy • 9% Liveness
30% Instrumentalness • 82% Positiveness
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Flower Face
Bad Astrology
115 bpm • G min • 04:17 • -8db
40% Popularity • 52% Danceability • 75% Energy • 10% Liveness
13% Instrumentalness • 42% Positiveness
40% Popularity • 52% Danceability • 75% Energy • 10% Liveness
13% Instrumentalness • 42% Positiveness
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Sarah Kinsley
Cypress
115 bpm • E Maj • 04:12 • -8db
36% Popularity • 56% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
36% Popularity • 56% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
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Lomelda
Nervous Driver
116 bpm • A# Maj • 02:24 • -20db
48% Popularity • 62% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
48% Popularity • 62% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Ethel Cain
August Underground
116 bpm • E min • 03:40 • -16.06db
51% Popularity • 18% Danceability • 11% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
51% Popularity • 18% Danceability • 11% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Nicole Dollanganger
Angels of Porn II
99 bpm • G# Maj • 03:23 • -6db
41% Popularity • 20% Danceability • 50% Energy • 12% Liveness
22% Instrumentalness • 4% Positiveness
41% Popularity • 20% Danceability • 50% Energy • 12% Liveness
22% Instrumentalness • 4% Positiveness
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Japanese Breakfast
In Hell
116 bpm • E Maj • 02:38 • -7db
44% Popularity • 59% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
44% Popularity • 59% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Lana Del Rey
Candy Necklace
116 bpm • B min • 05:14 • -16.43db
64% Popularity • 34% Danceability • 14% Energy • 9% Liveness
1% Instrumentalness • 8% Positiveness
64% Popularity • 34% Danceability • 14% Energy • 9% Liveness
1% Instrumentalness • 8% Positiveness
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FKA twigs
cellophane
98 bpm • D Maj • 03:24 • -11.86db
58% Popularity • 43% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
58% Popularity • 43% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Phoebe Bridgers
That Funny Feeling
117 bpm • E Maj • 06:40 • -11db
64% Popularity • 52% Danceability • 30% Energy • 36% Liveness
0% Instrumentalness • 46% Positiveness
64% Popularity • 52% Danceability • 30% Energy • 36% Liveness
0% Instrumentalness • 46% Positiveness
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YAH WAV
one winged angel
98 bpm • D Maj • 03:43 • -7.29db
22% Popularity • 27% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 9% Positiveness
22% Popularity • 27% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 9% Positiveness
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quinnie
better
98 bpm • C Maj • 04:54 • -11.07db
31% Popularity • 56% Danceability • 40% Energy • 17% Liveness
3% Instrumentalness • 28% Positiveness
31% Popularity • 56% Danceability • 40% Energy • 17% Liveness
3% Instrumentalness • 28% Positiveness
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Japanese Breakfast
Posing For Cars
116 bpm • G Maj • 06:38 • -9.11db
47% Popularity • 30% Danceability • 27% Energy • 13% Liveness
5% Instrumentalness • 13% Positiveness
47% Popularity • 30% Danceability • 27% Energy • 13% Liveness
5% Instrumentalness • 13% Positiveness
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Daughter
To Rage
98 bpm • D Maj • 04:45 • -10.6db
44% Popularity • 54% Danceability • 60% Energy • 21% Liveness
65% Instrumentalness • 35% Positiveness
44% Popularity • 54% Danceability • 60% Energy • 21% Liveness
65% Instrumentalness • 35% Positiveness
