Songs like Giddy Up by 1990s
Based on a tempo of (+/- 10%) and a similar genre
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Young Knives
Here Comes the Rumour Mill
134 bpm • G Maj • 03:34 • -4.43db
12% Popularity • 54% Danceability • 97% Energy • 60% Liveness
0% Instrumentalness • 70% Positiveness
12% Popularity • 54% Danceability • 97% Energy • 60% Liveness
0% Instrumentalness • 70% Positiveness
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Belle and Sebastian
White Collar Boy
134 bpm • C Maj • 03:20 • -4.25db
26% Popularity • 48% Danceability • 71% Energy • 21% Liveness
0% Instrumentalness • 65% Positiveness
26% Popularity • 48% Danceability • 71% Energy • 21% Liveness
0% Instrumentalness • 65% Positiveness
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The Thermals
Never Listen To Me
134 bpm • E Maj • 04:30 • -8.35db
25% Popularity • 67% Danceability • 69% Energy • 11% Liveness
10% Instrumentalness • 79% Positiveness
25% Popularity • 67% Danceability • 69% Energy • 11% Liveness
10% Instrumentalness • 79% Positiveness
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Yeti
Never Lose Your Sense Of Wonder
134 bpm • G# Maj • 02:58 • -10.09db
11% Popularity • 63% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
11% Popularity • 63% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
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Brendan Benson
What I'm Looking For
134 bpm • C Maj • 03:31 • -9db
27% Popularity • 52% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
27% Popularity • 52% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Hot Hot Heat
Get In Or Get Out
134 bpm • G Maj • 02:50 • -4.49db
26% Popularity • 41% Danceability • 90% Energy • 28% Liveness
0% Instrumentalness • 59% Positiveness
26% Popularity • 41% Danceability • 90% Energy • 28% Liveness
0% Instrumentalness • 59% Positiveness
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Jarvis Cocker
Angela
134 bpm • A Maj • 02:56 • -9.57db
14% Popularity • 49% Danceability • 71% Energy • 2% Liveness
0% Instrumentalness • 48% Positiveness
14% Popularity • 49% Danceability • 71% Energy • 2% Liveness
0% Instrumentalness • 48% Positiveness
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The Raveonettes
Bang!
134 bpm • A# Maj • 02:53 • -4.09db
24% Popularity • 57% Danceability • 94% Energy • 37% Liveness
0% Instrumentalness • 75% Positiveness
24% Popularity • 57% Danceability • 94% Energy • 37% Liveness
0% Instrumentalness • 75% Positiveness
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Louis XIV
Hey Teacher
133 bpm • C Maj • 03:42 • -4.61db
14% Popularity • 58% Danceability • 97% Energy • 72% Liveness
0% Instrumentalness • 19% Positiveness
14% Popularity • 58% Danceability • 97% Energy • 72% Liveness
0% Instrumentalness • 19% Positiveness
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Turbo Fruits
Get up Get on Down (Tonite)
133 bpm • D Maj • 03:01 • -4.33db
11% Popularity • 29% Danceability • 93% Energy • 31% Liveness
0% Instrumentalness • 21% Positiveness
11% Popularity • 29% Danceability • 93% Energy • 31% Liveness
0% Instrumentalness • 21% Positiveness
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1990s
Giddy Up
134 bpm • C# Maj • 02:42 • -4.73db
1% Popularity • 46% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
1% Popularity • 46% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Living Things
Bom Bom Bom
133 bpm • D Maj • 03:04 • -4.37db
14% Popularity • 56% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
14% Popularity • 56% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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The Features
There's A Million Ways To Sing The Blues
133 bpm • B min • 02:16 • -4.7db
10% Popularity • 44% Danceability • 94% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
10% Popularity • 44% Danceability • 94% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
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The Virgins
Radio Christiane - Demo Version
135 bpm • E Maj • 02:42 • -5.25db
13% Popularity • 78% Danceability • 53% Energy • 18% Liveness
28% Instrumentalness • 69% Positiveness
13% Popularity • 78% Danceability • 53% Energy • 18% Liveness
28% Instrumentalness • 69% Positiveness
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Young Knives
The Decision
133 bpm • D Maj • 03:24 • -5.39db
14% Popularity • 60% Danceability • 94% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
14% Popularity • 60% Danceability • 94% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
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Caesars
(I'm Gonna) Kick You Out
135 bpm • B min • 02:50 • -6db
25% Popularity • 46% Danceability • 88% Energy • 8% Liveness
2% Instrumentalness • 69% Positiveness
25% Popularity • 46% Danceability • 88% Energy • 8% Liveness
2% Instrumentalness • 69% Positiveness
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Phantom Planet
Do The Panic
133 bpm • C# min • 03:33 • -5db
40% Popularity • 63% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
40% Popularity • 63% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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The Thrills
Don't Steal Our Sun
135 bpm • G min • 02:50 • -4.46db
26% Popularity • 53% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
26% Popularity • 53% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Field Music
She Can Do What She Wants
135 bpm • E Maj • 02:37 • -6.74db
17% Popularity • 66% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
17% Popularity • 66% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Monster
God Knows My Name
133 bpm • C Maj • 02:04 • -5db
13% Popularity • 53% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
13% Popularity • 53% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Young Knives
Terra Firma
135 bpm • E Maj • 02:47 • -3.37db
19% Popularity • 51% Danceability • 91% Energy • 15% Liveness
1% Instrumentalness • 56% Positiveness
19% Popularity • 51% Danceability • 91% Energy • 15% Liveness
1% Instrumentalness • 56% Positiveness
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Pete And The Pirates
She Doesn't Belong to Me
135 bpm • D Maj • 01:59 • -4.11db
27% Popularity • 38% Danceability • 75% Energy • 52% Liveness
38% Instrumentalness • 38% Positiveness
27% Popularity • 38% Danceability • 75% Energy • 52% Liveness
38% Instrumentalness • 38% Positiveness
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Oranger
Crooked in the Weird of the Catacombs
136 bpm • B min • 04:05 • -5.98db
10% Popularity • 51% Danceability • 97% Energy • 8% Liveness
12% Instrumentalness • 90% Positiveness
10% Popularity • 51% Danceability • 97% Energy • 8% Liveness
12% Instrumentalness • 90% Positiveness
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The Thrills
Whatever Happened To Corey Haim
136 bpm • D# Maj • 03:34 • -4.57db
32% Popularity • 45% Danceability • 86% Energy • 10% Liveness
31% Instrumentalness • 52% Positiveness
32% Popularity • 45% Danceability • 86% Energy • 10% Liveness
31% Instrumentalness • 52% Positiveness
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The Thermals
Not Like Any Other Feeling
132 bpm • C# Maj • 03:34 • -8.3db
15% Popularity • 60% Danceability • 84% Energy • 26% Liveness
4% Instrumentalness • 74% Positiveness
15% Popularity • 60% Danceability • 84% Energy • 26% Liveness
4% Instrumentalness • 74% Positiveness
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The Raveonettes
That Great Love Sound
136 bpm • A# Maj • 03:15 • -4.25db
28% Popularity • 40% Danceability • 96% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
28% Popularity • 40% Danceability • 96% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
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Supergrass
Pumping on Your Stereo
132 bpm • D Maj • 03:20 • -4.79db
48% Popularity • 44% Danceability • 90% Energy • 84% Liveness
9% Instrumentalness • 24% Positiveness
48% Popularity • 44% Danceability • 90% Energy • 84% Liveness
9% Instrumentalness • 24% Positiveness
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Nada Surf
Happy Kid
136 bpm • B Maj • 04:10 • -5.03db
9% Popularity • 42% Danceability • 91% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
9% Popularity • 42% Danceability • 91% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
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Louis XIV
God Killed the Queen
132 bpm • C# Maj • 01:57 • -4.92db
37% Popularity • 70% Danceability • 56% Energy • 12% Liveness
7% Instrumentalness • 15% Positiveness
37% Popularity • 70% Danceability • 56% Energy • 12% Liveness
7% Instrumentalness • 15% Positiveness
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Tilly And The Wall
Pot Kettle Black
136 bpm • A Maj • 02:50 • -4.32db
3% Popularity • 58% Danceability • 92% Energy • 42% Liveness
0% Instrumentalness • 58% Positiveness
3% Popularity • 58% Danceability • 92% Energy • 42% Liveness
0% Instrumentalness • 58% Positiveness
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Hot Hot Heat
No, Not Now
136 bpm • A Maj • 02:31 • -5db
39% Popularity • 63% Danceability • 84% Energy • 23% Liveness
0% Instrumentalness • 97% Positiveness
39% Popularity • 63% Danceability • 84% Energy • 23% Liveness
0% Instrumentalness • 97% Positiveness
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1990s
Sparks
136 bpm • F min • 03:30 • -6.04db
2% Popularity • 38% Danceability • 57% Energy • 20% Liveness
0% Instrumentalness • 53% Positiveness
2% Popularity • 38% Danceability • 57% Energy • 20% Liveness
0% Instrumentalness • 53% Positiveness
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Sloan
Cheap Champagne
132 bpm • F min • 02:46 • -7.1db
9% Popularity • 74% Danceability • 84% Energy • 43% Liveness
1% Instrumentalness • 78% Positiveness
9% Popularity • 74% Danceability • 84% Energy • 43% Liveness
1% Instrumentalness • 78% Positiveness
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The Hives
Go Right Ahead
136 bpm • A min • 03:05 • -4.54db
14% Popularity • 48% Danceability • 96% Energy • 4% Liveness
0% Instrumentalness • 58% Positiveness
14% Popularity • 48% Danceability • 96% Energy • 4% Liveness
0% Instrumentalness • 58% Positiveness
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The Thrills
Santa Cruz (You're Not That Far)
132 bpm • C Maj • 04:13 • -3.55db
31% Popularity • 42% Danceability • 83% Energy • 44% Liveness
1% Instrumentalness • 53% Positiveness
31% Popularity • 42% Danceability • 83% Energy • 44% Liveness
1% Instrumentalness • 53% Positiveness
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The Electric Soft Parade
Empty At The End
132 bpm • A Maj • 03:01 • -6.89db
23% Popularity • 57% Danceability • 89% Energy • 66% Liveness
0% Instrumentalness • 30% Positiveness
23% Popularity • 57% Danceability • 89% Energy • 66% Liveness
0% Instrumentalness • 30% Positiveness
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Love As Laughter
Dirty Lives
131 bpm • D Maj • 03:06 • -5.03db
12% Popularity • 47% Danceability • 85% Energy • 33% Liveness
0% Instrumentalness • 86% Positiveness
12% Popularity • 47% Danceability • 85% Energy • 33% Liveness
0% Instrumentalness • 86% Positiveness
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The Cribs
Martell
137 bpm • A Maj • 02:57 • -3.95db
26% Popularity • 48% Danceability • 68% Energy • 34% Liveness
0% Instrumentalness • 75% Positiveness
26% Popularity • 48% Danceability • 68% Energy • 34% Liveness
0% Instrumentalness • 75% Positiveness
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Supergrass
Cheapskate
131 bpm • A Maj • 02:43 • -9.28db
28% Popularity • 52% Danceability • 84% Energy • 13% Liveness
73% Instrumentalness • 38% Positiveness
28% Popularity • 52% Danceability • 84% Energy • 13% Liveness
73% Instrumentalness • 38% Positiveness
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Louis XIV
Air Traffic Control
137 bpm • C Maj • 03:53 • -3.79db
17% Popularity • 41% Danceability • 66% Energy • 32% Liveness
0% Instrumentalness • 14% Positiveness
17% Popularity • 41% Danceability • 66% Energy • 32% Liveness
0% Instrumentalness • 14% Positiveness
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Franz Ferdinand
Shopping for Blood
137 bpm • A# Maj • 03:34 • -10.4db
22% Popularity • 58% Danceability • 62% Energy • 23% Liveness
84% Instrumentalness • 51% Positiveness
22% Popularity • 58% Danceability • 62% Energy • 23% Liveness
84% Instrumentalness • 51% Positiveness
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The Rakes
When Tom Cruise Cries
137 bpm • G# min • 04:48 • -10.08db
15% Popularity • 67% Danceability • 66% Energy • 21% Liveness
81% Instrumentalness • 31% Positiveness
15% Popularity • 67% Danceability • 66% Energy • 21% Liveness
81% Instrumentalness • 31% Positiveness
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Guided By Voices
Glad Girls
131 bpm • D Maj • 03:49 • -4.95db
34% Popularity • 40% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
34% Popularity • 40% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Dananananaykroyd
Black Wax
137 bpm • A Maj • 04:03 • -3.52db
24% Popularity • 52% Danceability • 94% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
24% Popularity • 52% Danceability • 94% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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Badly Drawn Boy
You Were Right
131 bpm • D Maj • 04:52 • -6db
32% Popularity • 57% Danceability • 79% Energy • 30% Liveness
0% Instrumentalness • 64% Positiveness
32% Popularity • 57% Danceability • 79% Energy • 30% Liveness
0% Instrumentalness • 64% Positiveness
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The Duke Spirit
Lassoo
137 bpm • D# Maj • 02:59 • -4.27db
17% Popularity • 39% Danceability • 95% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
17% Popularity • 39% Danceability • 95% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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The Coral
Goodbye
137 bpm • D Maj • 04:02 • -7db
28% Popularity • 30% Danceability • 81% Energy • 13% Liveness
36% Instrumentalness • 47% Positiveness
28% Popularity • 30% Danceability • 81% Energy • 13% Liveness
36% Instrumentalness • 47% Positiveness
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The Rakes
The Light from Your Mac
137 bpm • C Maj • 03:03 • -3.34db
21% Popularity • 69% Danceability • 79% Energy • 9% Liveness
1% Instrumentalness • 86% Positiveness
21% Popularity • 69% Danceability • 79% Energy • 9% Liveness
1% Instrumentalness • 86% Positiveness
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Art Brut
People in Love
131 bpm • A Maj • 03:00 • -3.37db
9% Popularity • 40% Danceability • 95% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
9% Popularity • 40% Danceability • 95% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Radio 4
Dance To The Underground
130 bpm • G Maj • 04:03 • -6.27db
27% Popularity • 67% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
27% Popularity • 67% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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The Go! Team
Doing It Right
137 bpm • D min • 03:23 • -1.38db
19% Popularity • 45% Danceability • 99% Energy • 32% Liveness
95% Instrumentalness • 66% Positiveness
19% Popularity • 45% Danceability • 99% Energy • 32% Liveness
95% Instrumentalness • 66% Positiveness
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The Duke Spirit
You Really Wake up the Love in Me
138 bpm • G Maj • 02:42 • -4.87db
14% Popularity • 51% Danceability • 90% Energy • 29% Liveness
0% Instrumentalness • 58% Positiveness
14% Popularity • 51% Danceability • 90% Energy • 29% Liveness
0% Instrumentalness • 58% Positiveness
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The Wolfmen
Better Days
138 bpm • D Maj • 03:08 • -5.34db
9% Popularity • 46% Danceability • 96% Energy • 11% Liveness
1% Instrumentalness • 46% Positiveness
9% Popularity • 46% Danceability • 96% Energy • 11% Liveness
1% Instrumentalness • 46% Positiveness
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Brakes
Heard About Your Band
138 bpm • E Maj • 01:31 • -4db
10% Popularity • 50% Danceability • 94% Energy • 13% Liveness
1% Instrumentalness • 40% Positiveness
10% Popularity • 50% Danceability • 94% Energy • 13% Liveness
1% Instrumentalness • 40% Positiveness
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Starlight Mints
Black Champagne
138 bpm • C Maj • 03:24 • -6db
13% Popularity • 74% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
13% Popularity • 74% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
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LCD Soundsystem
North American Scum - Radio Edit
138 bpm • A Maj • 03:47 • -3.66db
20% Popularity • 85% Danceability • 86% Energy • 15% Liveness
8% Instrumentalness • 67% Positiveness
20% Popularity • 85% Danceability • 86% Energy • 15% Liveness
8% Instrumentalness • 67% Positiveness
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Pete And The Pirates
Dry Wings
130 bpm • F Maj • 02:26 • -4.31db
11% Popularity • 44% Danceability • 92% Energy • 31% Liveness
22% Instrumentalness • 58% Positiveness
11% Popularity • 44% Danceability • 92% Energy • 31% Liveness
22% Instrumentalness • 58% Positiveness
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The Crimea
Lottery Winners on Acid
138 bpm • C Maj • 03:33 • -6.52db
13% Popularity • 51% Danceability • 76% Energy • 35% Liveness
0% Instrumentalness • 52% Positiveness
13% Popularity • 51% Danceability • 76% Energy • 35% Liveness
0% Instrumentalness • 52% Positiveness
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The Sleepy Jackson
Vampire Racecourse
130 bpm • D Maj • 03:10 • -3db
23% Popularity • 51% Danceability • 98% Energy • 28% Liveness
10% Instrumentalness • 62% Positiveness
23% Popularity • 51% Danceability • 98% Energy • 28% Liveness
10% Instrumentalness • 62% Positiveness
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The Polyphonic Spree
Running Away
138 bpm • F Maj • 03:33 • -6.22db
18% Popularity • 40% Danceability • 95% Energy • 31% Liveness
3% Instrumentalness • 22% Positiveness
18% Popularity • 40% Danceability • 95% Energy • 31% Liveness
3% Instrumentalness • 22% Positiveness
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OK Go
A Million Ways
130 bpm • E min • 03:13 • -4db
42% Popularity • 64% Danceability • 74% Energy • 11% Liveness
29% Instrumentalness • 54% Positiveness
42% Popularity • 64% Danceability • 74% Energy • 11% Liveness
29% Instrumentalness • 54% Positiveness
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Palma Violets
Step Up for the Cool Cats
130 bpm • F Maj • 03:08 • -5.14db
21% Popularity • 22% Danceability • 85% Energy • 10% Liveness
14% Instrumentalness • 24% Positiveness
21% Popularity • 22% Danceability • 85% Energy • 10% Liveness
14% Instrumentalness • 24% Positiveness
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Pete And The Pirates
Song for Today
130 bpm • C Maj • 04:06 • -6.6db
12% Popularity • 46% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
12% Popularity • 46% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Primal Scream
Dolls
138 bpm • A Maj • 03:58 • -2.42db
27% Popularity • 49% Danceability • 94% Energy • 33% Liveness
0% Instrumentalness • 57% Positiveness
27% Popularity • 49% Danceability • 94% Energy • 33% Liveness
0% Instrumentalness • 57% Positiveness
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Malachai
Snowflake
130 bpm • D Maj • 03:30 • -3.65db
31% Popularity • 72% Danceability • 73% Energy • 12% Liveness
21% Instrumentalness • 79% Positiveness
31% Popularity • 72% Danceability • 73% Energy • 12% Liveness
21% Instrumentalness • 79% Positiveness
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Hal
Play the Hits
139 bpm • E Maj • 03:21 • -4.07db
14% Popularity • 58% Danceability • 95% Energy • 33% Liveness
0% Instrumentalness • 88% Positiveness
14% Popularity • 58% Danceability • 95% Energy • 33% Liveness
0% Instrumentalness • 88% Positiveness
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The Cribs
Come on, Be a No-One
130 bpm • G Maj • 02:36 • -3.18db
26% Popularity • 42% Danceability • 93% Energy • 76% Liveness
0% Instrumentalness • 33% Positiveness
26% Popularity • 42% Danceability • 93% Energy • 76% Liveness
0% Instrumentalness • 33% Positiveness
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The Bees
Wash In The Rain
130 bpm • G Maj • 03:38 • -3.91db
23% Popularity • 44% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
23% Popularity • 44% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Shout Out Louds
The Comeback
129 bpm • C Maj • 02:48 • -3.59db
34% Popularity • 61% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
34% Popularity • 61% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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The Dead 60s
Loaded Gun
129 bpm • B min • 02:50 • -6.5db
19% Popularity • 59% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
19% Popularity • 59% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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Pete And The Pirates
Little Gun
139 bpm • A Maj • 02:02 • -5.81db
16% Popularity • 48% Danceability • 88% Energy • 17% Liveness
42% Instrumentalness • 64% Positiveness
16% Popularity • 48% Danceability • 88% Energy • 17% Liveness
42% Instrumentalness • 64% Positiveness
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Sea Power
Who's In Control
139 bpm • A Maj • 03:14 • -3.78db
18% Popularity • 45% Danceability • 95% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
18% Popularity • 45% Danceability • 95% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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We Are Scientists
Impatience
129 bpm • A Maj • 03:14 • -5.06db
17% Popularity • 45% Danceability • 93% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
17% Popularity • 45% Danceability • 93% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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The New Pornographers
Twin Cinema
129 bpm • D Maj • 02:59 • -3.41db
27% Popularity • 57% Danceability • 96% Energy • 2% Liveness
0% Instrumentalness • 67% Positiveness
27% Popularity • 57% Danceability • 96% Energy • 2% Liveness
0% Instrumentalness • 67% Positiveness
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Eels
Saturday Morning
129 bpm • A Maj • 02:53 • -3.24db
35% Popularity • 45% Danceability • 97% Energy • 23% Liveness
1% Instrumentalness • 46% Positiveness
35% Popularity • 45% Danceability • 97% Energy • 23% Liveness
1% Instrumentalness • 46% Positiveness
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The Apples In Stereo
Can You Feel It?
139 bpm • D Maj • 04:12 • -3.88db
11% Popularity • 28% Danceability • 90% Energy • 70% Liveness
0% Instrumentalness • 36% Positiveness
11% Popularity • 28% Danceability • 90% Energy • 70% Liveness
0% Instrumentalness • 36% Positiveness
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Pete And The Pirates
Things That Go Bump
139 bpm • C Maj • 03:36 • -6.64db
13% Popularity • 36% Danceability • 85% Energy • 12% Liveness
6% Instrumentalness • 38% Positiveness
13% Popularity • 36% Danceability • 85% Energy • 12% Liveness
6% Instrumentalness • 38% Positiveness
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Dogs Die In Hot Cars
Lounger
128 bpm • E Maj • 03:39 • -4db
16% Popularity • 58% Danceability • 94% Energy • 14% Liveness
0% Instrumentalness • 87% Positiveness
16% Popularity • 58% Danceability • 94% Energy • 14% Liveness
0% Instrumentalness • 87% Positiveness
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Larrikin Love
Edwould - Full Length Version
140 bpm • D Maj • 03:18 • -2db
11% Popularity • 34% Danceability • 96% Energy • 30% Liveness
0% Instrumentalness • 76% Positiveness
11% Popularity • 34% Danceability • 96% Energy • 30% Liveness
0% Instrumentalness • 76% Positiveness
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Young Knives
Weekends and Bleak Days (Hot Summer)
140 bpm • B min • 02:47 • -5db
20% Popularity • 60% Danceability • 89% Energy • 60% Liveness
0% Instrumentalness • 77% Positiveness
20% Popularity • 60% Danceability • 89% Energy • 60% Liveness
0% Instrumentalness • 77% Positiveness
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Scissors For Lefty
Mama Your Boys Will Find a Home
140 bpm • A# Maj • 03:57 • -6.24db
14% Popularity • 69% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
14% Popularity • 69% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
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Robbers On High Street
Spanish Teeth
140 bpm • C Maj • 03:33 • -4.91db
11% Popularity • 64% Danceability • 67% Energy • 31% Liveness
0% Instrumentalness • 61% Positiveness
11% Popularity • 64% Danceability • 67% Energy • 31% Liveness
0% Instrumentalness • 61% Positiveness
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Pete And The Pirates
Jennifer
140 bpm • B Maj • 03:13 • -3db
12% Popularity • 49% Danceability • 86% Energy • 18% Liveness
0% Instrumentalness • 63% Positiveness
12% Popularity • 49% Danceability • 86% Energy • 18% Liveness
0% Instrumentalness • 63% Positiveness
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The Fiery Furnaces
Tropical Ice-land
140 bpm • C# min • 03:25 • -5.66db
20% Popularity • 51% Danceability • 85% Energy • 66% Liveness
0% Instrumentalness • 61% Positiveness
20% Popularity • 51% Danceability • 85% Energy • 66% Liveness
0% Instrumentalness • 61% Positiveness
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The Dandy Warhols
Solid
128 bpm • G Maj • 03:08 • -4.71db
26% Popularity • 66% Danceability • 92% Energy • 29% Liveness
13% Instrumentalness • 65% Positiveness
26% Popularity • 66% Danceability • 92% Energy • 29% Liveness
13% Instrumentalness • 65% Positiveness
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Eels
What's a Fella Gotta Do
140 bpm • C Maj • 03:24 • -1.65db
24% Popularity • 63% Danceability • 96% Energy • 11% Liveness
27% Instrumentalness • 68% Positiveness
24% Popularity • 63% Danceability • 96% Energy • 11% Liveness
27% Instrumentalness • 68% Positiveness
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Super Furry Animals
(Drawing) Rings Around the World (2021 -...
128 bpm • B Maj • 03:29 • -6.38db
29% Popularity • 39% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
29% Popularity • 39% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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The Walkmen
Heartbreaker
128 bpm • C min • 03:15 • -5.76db
26% Popularity • 45% Danceability • 85% Energy • 14% Liveness
28% Instrumentalness • 39% Positiveness
26% Popularity • 45% Danceability • 85% Energy • 14% Liveness
28% Instrumentalness • 39% Positiveness
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Pete And The Pirates
Eyes Like Tar
140 bpm • C Maj • 02:51 • -8.61db
12% Popularity • 52% Danceability • 54% Energy • 7% Liveness
6% Instrumentalness • 10% Positiveness
12% Popularity • 52% Danceability • 54% Energy • 7% Liveness
6% Instrumentalness • 10% Positiveness
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Foreign Born
Into Your Dream
141 bpm • E min • 02:37 • -5.21db
19% Popularity • 44% Danceability • 94% Energy • 16% Liveness
53% Instrumentalness • 47% Positiveness
19% Popularity • 44% Danceability • 94% Energy • 16% Liveness
53% Instrumentalness • 47% Positiveness
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The Dandy Warhols
All The Money or The Simple Life Honey
128 bpm • E Maj • 04:29 • -5.31db
26% Popularity • 61% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
26% Popularity • 61% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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The Virgins
One Week of Danger
127 bpm • G Maj • 02:44 • -4.22db
26% Popularity • 56% Danceability • 88% Energy • 31% Liveness
0% Instrumentalness • 66% Positiveness
26% Popularity • 56% Danceability • 88% Energy • 31% Liveness
0% Instrumentalness • 66% Positiveness
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The Coral
I Remember When
141 bpm • B min • 03:38 • -7.87db
30% Popularity • 29% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
30% Popularity • 29% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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The Zutons
Always Right Behind You
141 bpm • F# min • 03:31 • -3.58db
26% Popularity • 34% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
26% Popularity • 34% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Graham Coxon
Spectacular
141 bpm • D Maj • 02:47 • -3.81db
19% Popularity • 59% Danceability • 90% Energy • 7% Liveness
16% Instrumentalness • 61% Positiveness
19% Popularity • 59% Danceability • 90% Energy • 7% Liveness
16% Instrumentalness • 61% Positiveness
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Primal Scream
Beautiful Future
141 bpm • A Maj • 05:09 • -4.47db
19% Popularity • 50% Danceability • 95% Energy • 18% Liveness
0% Instrumentalness • 86% Positiveness
19% Popularity • 50% Danceability • 95% Energy • 18% Liveness
0% Instrumentalness • 86% Positiveness
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The Electric Soft Parade
ThereÍs A Silence
127 bpm • E Maj • 02:52 • -6db
19% Popularity • 45% Danceability • 87% Energy • 30% Liveness
0% Instrumentalness • 49% Positiveness
19% Popularity • 45% Danceability • 87% Energy • 30% Liveness
0% Instrumentalness • 49% Positiveness
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The Virgins
Radio Christiane
141 bpm • A Maj • 02:42 • -4.91db
10% Popularity • 59% Danceability • 81% Energy • 9% Liveness
3% Instrumentalness • 81% Positiveness
10% Popularity • 59% Danceability • 81% Energy • 9% Liveness
3% Instrumentalness • 81% Positiveness
