Songs like Gimme some Lovin' by The Blues Brothers
Based on a tempo of (+/- 10%) and a similar genre
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Chris Kenner
I Like It Like That - Pt. 1
144 bpm • F Maj • 02:00 • -12db
28% Popularity • 58% Danceability • 54% Energy • 22% Liveness
0% Instrumentalness • 81% Positiveness
28% Popularity • 58% Danceability • 54% Energy • 22% Liveness
0% Instrumentalness • 81% Positiveness
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The Georgia Satellites
Hippy Hippy Shake
144 bpm • E Maj • 01:47 • -5.14db
41% Popularity • 29% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 85% Positiveness
41% Popularity • 29% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 85% Positiveness
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Clarence Clemons
Paradise By the C
144 bpm • C Maj • 03:11 • -4.4db
20% Popularity • 40% Danceability • 96% Energy • 81% Liveness
10% Instrumentalness • 45% Positiveness
20% Popularity • 40% Danceability • 96% Energy • 81% Liveness
10% Instrumentalness • 45% Positiveness
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The Blues Brothers
Gimme Some Lovin'
144 bpm • A Maj • 03:07 • -5.93db
51% Popularity • 58% Danceability • 96% Energy • 16% Liveness
9% Instrumentalness • 78% Positiveness
51% Popularity • 58% Danceability • 96% Energy • 16% Liveness
9% Instrumentalness • 78% Positiveness
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The Beach Boys
I Get Around (Mono)
144 bpm • A min • 02:14 • -7.81db
66% Popularity • 39% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
66% Popularity • 39% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
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The Boomtown Rats
I Don't Like Mondays
144 bpm • B Maj • 04:19 • -6.87db
62% Popularity • 46% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
62% Popularity • 46% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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James Brown & The Famous Flames
I Got You (I Feel Good)
143 bpm • G Maj • 02:45 • -8.78db
71% Popularity • 61% Danceability • 49% Energy • 29% Liveness
0% Instrumentalness • 70% Positiveness
71% Popularity • 61% Danceability • 49% Energy • 29% Liveness
0% Instrumentalness • 70% Positiveness
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Lee Dorsey
Working in the Coal Mine
143 bpm • A# Maj • 02:49 • -9.06db
37% Popularity • 76% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
37% Popularity • 76% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
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Buddy Guy
Damn Right, I've Got the Blues
146 bpm • D Maj • 04:31 • -5.64db
54% Popularity • 35% Danceability • 92% Energy • 31% Liveness
6% Instrumentalness • 53% Positiveness
54% Popularity • 35% Danceability • 92% Energy • 31% Liveness
6% Instrumentalness • 53% Positiveness
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The Blues Brothers
Do You Love Me: Mother Popcorn (You Got ...
145 bpm • D Maj • 02:54 • -6.66db
35% Popularity • 66% Danceability • 94% Energy • 98% Liveness
0% Instrumentalness • 53% Positiveness
35% Popularity • 66% Danceability • 94% Energy • 98% Liveness
0% Instrumentalness • 53% Positiveness
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The Beatles
Back In The U.S.S.R. - Remastered 2009
142 bpm • A Maj • 02:43 • -7.46db
61% Popularity • 48% Danceability • 97% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
61% Popularity • 48% Danceability • 97% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
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Robert Palmer
Bad Case Of Loving You (Doctor, Doctor)
146 bpm • E Maj • 03:15 • -9db
63% Popularity • 67% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
63% Popularity • 67% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Steppenwolf
Born To Be Wild
146 bpm • D Maj • 03:30 • -12.41db
74% Popularity • 44% Danceability • 71% Energy • 22% Liveness
54% Instrumentalness • 53% Positiveness
74% Popularity • 44% Danceability • 71% Energy • 22% Liveness
54% Instrumentalness • 53% Positiveness
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Howlin' Wolf
Smokestack Lightnin'
146 bpm • A min • 03:08 • -16db
63% Popularity • 66% Danceability • 34% Energy • 26% Liveness
0% Instrumentalness • 59% Positiveness
63% Popularity • 66% Danceability • 34% Energy • 26% Liveness
0% Instrumentalness • 59% Positiveness
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The Doobie Brothers
China Grove
146 bpm • A Maj • 03:15 • -8.45db
65% Popularity • 62% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
65% Popularity • 62% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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The Blues Brothers
Guilty
146 bpm • A Maj • 03:40 • -15.56db
25% Popularity • 46% Danceability • 27% Energy • 99% Liveness
0% Instrumentalness • 32% Positiveness
25% Popularity • 46% Danceability • 27% Energy • 99% Liveness
0% Instrumentalness • 32% Positiveness
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The Jeff Healey Band
I'm Tore Down
146 bpm • F min • 04:25 • -8.62db
34% Popularity • 33% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
34% Popularity • 33% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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The Bus Boys
New Shoes
142 bpm • E Maj • 03:52 • -4.92db
21% Popularity • 52% Danceability • 96% Energy • 67% Liveness
0% Instrumentalness • 36% Positiveness
21% Popularity • 52% Danceability • 96% Energy • 67% Liveness
0% Instrumentalness • 36% Positiveness
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Dire Straits
Once Upon A Time In The West
147 bpm • A min • 05:24 • -11.86db
61% Popularity • 68% Danceability • 66% Energy • 11% Liveness
2% Instrumentalness • 90% Positiveness
61% Popularity • 68% Danceability • 66% Energy • 11% Liveness
2% Instrumentalness • 90% Positiveness
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Marc Shaiman
Hound Dog - Big Mama Thornton
147 bpm • D# min • 02:51 • -15db
41% Popularity • 60% Danceability • 35% Energy • 35% Liveness
0% Instrumentalness • 89% Positiveness
41% Popularity • 60% Danceability • 35% Energy • 35% Liveness
0% Instrumentalness • 89% Positiveness
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Sonny Boy Williamson II
Checkin' Up On My Baby - Single Version
141 bpm • G Maj • 01:57 • -6.17db
42% Popularity • 55% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
42% Popularity • 55% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
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The Blues Brothers
Excusez Moi Mon Cherie - 45 Version
146 bpm • C Maj • 02:41 • -12.39db
30% Popularity • 58% Danceability • 70% Energy • 95% Liveness
0% Instrumentalness • 88% Positiveness
30% Popularity • 58% Danceability • 70% Energy • 95% Liveness
0% Instrumentalness • 88% Positiveness
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Traveling Wilburys
Runaway
147 bpm • A Maj • 02:30 • -3.64db
58% Popularity • 49% Danceability • 91% Energy • 9% Liveness
13% Instrumentalness • 70% Positiveness
58% Popularity • 49% Danceability • 91% Energy • 9% Liveness
13% Instrumentalness • 70% Positiveness
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Huey Lewis & The News
Hip To Be Square
141 bpm • A Maj • 04:05 • -11.09db
63% Popularity • 67% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
63% Popularity • 67% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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The Yardbirds
Heart Full of Soul - 2015 Remaster
141 bpm • A min • 02:27 • -9.74db
53% Popularity • 49% Danceability • 67% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
53% Popularity • 49% Danceability • 67% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
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The Knack
My Sharona
147 bpm • C Maj • 04:55 • -9.56db
73% Popularity • 59% Danceability • 70% Energy • 3% Liveness
0% Instrumentalness • 90% Positiveness
73% Popularity • 59% Danceability • 70% Energy • 3% Liveness
0% Instrumentalness • 90% Positiveness
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Bob Seger
Katmandu
140 bpm • A Maj • 06:07 • -3.87db
43% Popularity • 62% Danceability • 94% Energy • 28% Liveness
0% Instrumentalness • 94% Positiveness
43% Popularity • 62% Danceability • 94% Energy • 28% Liveness
0% Instrumentalness • 94% Positiveness
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The Blues Brothers
Rubber Biscuit - Live
141 bpm • A# Maj • 02:48 • -9.64db
39% Popularity • 56% Danceability • 74% Energy • 73% Liveness
0% Instrumentalness • 67% Positiveness
39% Popularity • 56% Danceability • 74% Energy • 73% Liveness
0% Instrumentalness • 67% Positiveness
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Bobby Darin
Splish Splash
148 bpm • C Maj • 02:11 • -2db
58% Popularity • 64% Danceability • 94% Energy • 37% Liveness
0% Instrumentalness • 96% Positiveness
58% Popularity • 64% Danceability • 94% Energy • 37% Liveness
0% Instrumentalness • 96% Positiveness
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Jan & Dean
Surf City
148 bpm • G# Maj • 02:27 • -12.87db
50% Popularity • 53% Danceability • 81% Energy • 23% Liveness
0% Instrumentalness • 96% Positiveness
50% Popularity • 53% Danceability • 81% Energy • 23% Liveness
0% Instrumentalness • 96% Positiveness
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The Police
De Do Do Do, De Da Da Da
148 bpm • A Maj • 04:07 • -8.88db
65% Popularity • 78% Danceability • 52% Energy • 24% Liveness
6% Instrumentalness • 86% Positiveness
65% Popularity • 78% Danceability • 52% Energy • 24% Liveness
6% Instrumentalness • 86% Positiveness
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Supertramp
Dreamer
148 bpm • F Maj • 03:33 • -14.11db
61% Popularity • 66% Danceability • 41% Energy • 8% Liveness
4% Instrumentalness • 83% Positiveness
61% Popularity • 66% Danceability • 41% Energy • 8% Liveness
4% Instrumentalness • 83% Positiveness
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Dire Straits
Lady Writer
148 bpm • C# min • 03:44 • -8.6db
70% Popularity • 63% Danceability • 81% Energy • 7% Liveness
61% Instrumentalness • 96% Positiveness
70% Popularity • 63% Danceability • 81% Energy • 7% Liveness
61% Instrumentalness • 96% Positiveness
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The Blues Brothers
I Don't Know - Live
140 bpm • C Maj • 04:11 • -9.01db
27% Popularity • 55% Danceability • 62% Energy • 37% Liveness
0% Instrumentalness • 61% Positiveness
27% Popularity • 55% Danceability • 62% Energy • 37% Liveness
0% Instrumentalness • 61% Positiveness
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Jim Croce
Bad, Bad Leroy Brown
148 bpm • G Maj • 02:59 • -10.74db
73% Popularity • 70% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
73% Popularity • 70% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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Sam The Sham & The Pharaohs
Wooly Bully
140 bpm • G Maj • 02:21 • -9.38db
54% Popularity • 53% Danceability • 70% Energy • 28% Liveness
0% Instrumentalness • 50% Positiveness
54% Popularity • 53% Danceability • 70% Energy • 28% Liveness
0% Instrumentalness • 50% Positiveness
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The Police
Don't Stand So Close To Me
140 bpm • D Maj • 04:02 • -9.41db
73% Popularity • 80% Danceability • 51% Energy • 4% Liveness
0% Instrumentalness • 52% Positiveness
73% Popularity • 80% Danceability • 51% Energy • 4% Liveness
0% Instrumentalness • 52% Positiveness
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Buddy Holly
Peggy Sue
148 bpm • A Maj • 02:30 • -8.13db
56% Popularity • 68% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
56% Popularity • 68% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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George Harrison
Got My Mind Set on You
149 bpm • E Maj • 03:54 • -7.16db
74% Popularity • 76% Danceability • 85% Energy • 49% Liveness
0% Instrumentalness • 96% Positiveness
74% Popularity • 76% Danceability • 85% Energy • 49% Liveness
0% Instrumentalness • 96% Positiveness
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The Blues Brothers
Messin With The Kid - Live
140 bpm • B min • 03:23 • -9.14db
13% Popularity • 41% Danceability • 78% Energy • 98% Liveness
0% Instrumentalness • 78% Positiveness
13% Popularity • 41% Danceability • 78% Energy • 98% Liveness
0% Instrumentalness • 78% Positiveness
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The Who
I Can't Explain - Mono Version
139 bpm • A Maj • 02:05 • -4.96db
53% Popularity • 57% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
53% Popularity • 57% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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Dire Straits
Industrial Disease
150 bpm • A Maj • 05:48 • -9.17db
50% Popularity • 61% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
50% Popularity • 61% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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The Isley Brothers
Shout, Pts. 1 & 2
139 bpm • A# Maj • 04:28 • -7.43db
58% Popularity • 49% Danceability • 87% Energy • 88% Liveness
0% Instrumentalness • 42% Positiveness
58% Popularity • 49% Danceability • 87% Energy • 88% Liveness
0% Instrumentalness • 42% Positiveness
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Slade
Cum on Feel the Noize
138 bpm • G Maj • 04:24 • -4.58db
55% Popularity • 40% Danceability • 87% Energy • 21% Liveness
81% Instrumentalness • 57% Positiveness
55% Popularity • 40% Danceability • 87% Energy • 21% Liveness
81% Instrumentalness • 57% Positiveness
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The Contours
Do You Love Me - Mono Single
150 bpm • F Maj • 02:52 • -7db
68% Popularity • 60% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
68% Popularity • 60% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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The Blues Brothers
The Old Landmark
149 bpm • D min • 02:58 • -8.32db
44% Popularity • 44% Danceability • 92% Energy • 84% Liveness
0% Instrumentalness • 62% Positiveness
44% Popularity • 44% Danceability • 92% Energy • 84% Liveness
0% Instrumentalness • 62% Positiveness
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The Beatles
A Hard Day's Night - Remastered 2009
139 bpm • C Maj • 02:34 • -6.48db
68% Popularity • 59% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
68% Popularity • 59% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Dire Straits
Tunnel Of Love
138 bpm • F Maj • 08:09 • -7.88db
61% Popularity • 49% Danceability • 79% Energy • 22% Liveness
1% Instrumentalness • 62% Positiveness
61% Popularity • 49% Danceability • 79% Energy • 22% Liveness
1% Instrumentalness • 62% Positiveness
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The Kinks
You Really Got Me
137 bpm • G# Maj • 02:13 • -3.82db
73% Popularity • 57% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
73% Popularity • 57% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Booker T. & the M.G.'s
Green Onions
137 bpm • A# Maj • 02:56 • -8.74db
71% Popularity • 82% Danceability • 51% Energy • 9% Liveness
95% Instrumentalness • 91% Positiveness
71% Popularity • 82% Danceability • 51% Energy • 9% Liveness
95% Instrumentalness • 91% Positiveness
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Sharon Riley
John The Revelator
137 bpm • F min • 03:53 • -4.22db
30% Popularity • 50% Danceability • 88% Energy • 59% Liveness
0% Instrumentalness • 75% Positiveness
30% Popularity • 50% Danceability • 88% Energy • 59% Liveness
0% Instrumentalness • 75% Positiveness
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The Blues Brothers
Hey Bartender - Live
149 bpm • G min • 02:57 • -7db
37% Popularity • 52% Danceability • 93% Energy • 98% Liveness
0% Instrumentalness • 53% Positiveness
37% Popularity • 52% Danceability • 93% Energy • 98% Liveness
0% Instrumentalness • 53% Positiveness
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The Beatles
Day Tripper - Remastered 2009
138 bpm • F# min • 02:49 • -10.55db
64% Popularity • 64% Danceability • 72% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
64% Popularity • 64% Danceability • 72% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
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Monty Python
Meaning Of Life
137 bpm • G Maj • 02:17 • -10.31db
30% Popularity • 60% Danceability • 67% Energy • 24% Liveness
0% Instrumentalness • 73% Positiveness
30% Popularity • 60% Danceability • 67% Energy • 24% Liveness
0% Instrumentalness • 73% Positiveness
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The Kinks
Lola (2020 Stereo Remaster)
151 bpm • A Maj • 04:01 • -4.6db
69% Popularity • 46% Danceability • 89% Energy • 7% Liveness
48% Instrumentalness • 93% Positiveness
69% Popularity • 46% Danceability • 89% Energy • 7% Liveness
48% Instrumentalness • 93% Positiveness
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Frank Zappa
Bobby Brown Goes Down
137 bpm • C Maj • 02:49 • -10.25db
54% Popularity • 59% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
54% Popularity • 59% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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AC/DC
It's a Long Way to the Top (If You Wanna...
136 bpm • D# Maj • 05:01 • -3.55db
73% Popularity • 46% Danceability • 86% Energy • 6% Liveness
5% Instrumentalness • 53% Positiveness
73% Popularity • 46% Danceability • 86% Energy • 6% Liveness
5% Instrumentalness • 53% Positiveness
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The Blues Brothers
I Got Everything I Need (Almost) - Live
138 bpm • F# min • 02:51 • -9.26db
28% Popularity • 50% Danceability • 84% Energy • 96% Liveness
8% Instrumentalness • 74% Positiveness
28% Popularity • 50% Danceability • 84% Energy • 96% Liveness
8% Instrumentalness • 74% Positiveness
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Buddy Holly
Everyday
136 bpm • D# Maj • 02:09 • -12.56db
65% Popularity • 75% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
65% Popularity • 75% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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T. Rex
20th Century Boy - Remaster
135 bpm • A Maj • 03:38 • -6.12db
50% Popularity • 43% Danceability • 95% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
50% Popularity • 43% Danceability • 95% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
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The Kinks
All Day and All of the Night
136 bpm • G Maj • 02:22 • -5.06db
68% Popularity • 56% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 71% Positiveness
68% Popularity • 56% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 71% Positiveness
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Jack Mack
True Lovin' Woman
135 bpm • E Maj • 04:06 • -9.64db
13% Popularity • 72% Danceability • 47% Energy • 45% Liveness
0% Instrumentalness • 76% Positiveness
13% Popularity • 72% Danceability • 47% Energy • 45% Liveness
0% Instrumentalness • 76% Positiveness
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The Commitments
Show Me
154 bpm • C Maj • 02:55 • -5.6db
30% Popularity • 63% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
30% Popularity • 63% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
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The Blues Brothers
Can't Turn You Loose
152 bpm • C Maj • 02:24 • -5db
34% Popularity • 77% Danceability • 84% Energy • 7% Liveness
90% Instrumentalness • 93% Positiveness
34% Popularity • 77% Danceability • 84% Energy • 7% Liveness
90% Instrumentalness • 93% Positiveness
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Queen
Tie Your Mother Down - Remastered 2011
135 bpm • D Maj • 04:47 • -5.59db
54% Popularity • 33% Danceability • 89% Energy • 37% Liveness
0% Instrumentalness • 20% Positiveness
54% Popularity • 33% Danceability • 89% Energy • 37% Liveness
0% Instrumentalness • 20% Positiveness
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The Bus Boys
Boys Are Back In Town
154 bpm • G Maj • 03:13 • -5.39db
35% Popularity • 53% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
35% Popularity • 53% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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The Who
Won't Get Fooled Again - Original Album ...
135 bpm • D Maj • 08:31 • -6.23db
65% Popularity • 69% Danceability • 92% Energy • 8% Liveness
27% Instrumentalness • 22% Positiveness
65% Popularity • 69% Danceability • 92% Energy • 8% Liveness
27% Instrumentalness • 22% Positiveness
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Deep Purple
Black Night - 1995 Remaster
135 bpm • A Maj • 03:29 • -8.89db
55% Popularity • 51% Danceability • 89% Energy • 9% Liveness
36% Instrumentalness • 83% Positiveness
55% Popularity • 51% Danceability • 89% Energy • 9% Liveness
36% Instrumentalness • 83% Positiveness
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Wings
Live And Let Die - 2018 Remaster
154 bpm • G Maj • 03:12 • -12.57db
66% Popularity • 39% Danceability • 38% Energy • 14% Liveness
1% Instrumentalness • 12% Positiveness
66% Popularity • 39% Danceability • 38% Energy • 14% Liveness
1% Instrumentalness • 12% Positiveness
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The Blues Brothers
Messin' with the Kid - Live
135 bpm • F# min • 02:54 • -8.06db
31% Popularity • 61% Danceability • 80% Energy • 70% Liveness
0% Instrumentalness • 84% Positiveness
31% Popularity • 61% Danceability • 80% Energy • 70% Liveness
0% Instrumentalness • 84% Positiveness
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Booker T. & the M.G.'s
Time Is Tight
135 bpm • A min • 03:15 • -14.6db
49% Popularity • 77% Danceability • 43% Energy • 10% Liveness
89% Instrumentalness • 96% Positiveness
49% Popularity • 77% Danceability • 43% Energy • 10% Liveness
89% Instrumentalness • 96% Positiveness
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Alice Cooper
School's Out
134 bpm • F Maj • 03:30 • -9.14db
68% Popularity • 29% Danceability • 74% Energy • 68% Liveness
12% Instrumentalness • 35% Positiveness
68% Popularity • 29% Danceability • 74% Energy • 68% Liveness
12% Instrumentalness • 35% Positiveness
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Dire Straits
Money For Nothing
134 bpm • D min • 08:24 • -6.82db
71% Popularity • 64% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
71% Popularity • 64% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
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The Police
Roxanne
134 bpm • C Maj • 03:11 • -8.91db
80% Popularity • 62% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
80% Popularity • 62% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
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Freddie King
Hide Away
134 bpm • A Maj • 02:37 • -11db
38% Popularity • 64% Danceability • 66% Energy • 14% Liveness
20% Instrumentalness • 86% Positiveness
38% Popularity • 64% Danceability • 66% Energy • 14% Liveness
20% Instrumentalness • 86% Positiveness
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The Blues Brothers
Messin' With the Kid - Live Version
135 bpm • F# min • 03:35 • -7.89db
15% Popularity • 59% Danceability • 74% Energy • 70% Liveness
0% Instrumentalness • 73% Positiveness
15% Popularity • 59% Danceability • 74% Energy • 70% Liveness
0% Instrumentalness • 73% Positiveness
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The Shadows
Apache
134 bpm • A min • 02:54 • -12.99db
55% Popularity • 60% Danceability • 45% Energy • 10% Liveness
93% Instrumentalness • 78% Positiveness
55% Popularity • 60% Danceability • 45% Energy • 10% Liveness
93% Instrumentalness • 78% Positiveness
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The Beach Boys
Good Vibrations - Remastered 2001
133 bpm • A# min • 03:39 • -7.67db
70% Popularity • 40% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
70% Popularity • 40% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Suzi Quatro
Can the Can
133 bpm • A# min • 03:34 • -6.01db
51% Popularity • 64% Danceability • 83% Energy • 42% Liveness
91% Instrumentalness • 59% Positiveness
51% Popularity • 64% Danceability • 83% Energy • 42% Liveness
91% Instrumentalness • 59% Positiveness
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Hugh Laurie
You Don't Know My Mind
133 bpm • C Maj • 03:39 • -5.86db
37% Popularity • 69% Danceability • 83% Energy • 26% Liveness
0% Instrumentalness • 89% Positiveness
37% Popularity • 69% Danceability • 83% Energy • 26% Liveness
0% Instrumentalness • 89% Positiveness
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Janis Joplin
Move Over
133 bpm • C Maj • 03:43 • -10.34db
55% Popularity • 71% Danceability • 50% Energy • 7% Liveness
1% Instrumentalness • 92% Positiveness
55% Popularity • 71% Danceability • 50% Energy • 7% Liveness
1% Instrumentalness • 92% Positiveness
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The Blues Brothers
Green Onions
155 bpm • A# min • 05:47 • -8.25db
38% Popularity • 48% Danceability • 83% Energy • 96% Liveness
0% Instrumentalness • 76% Positiveness
38% Popularity • 48% Danceability • 83% Energy • 96% Liveness
0% Instrumentalness • 76% Positiveness
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Buchanan Brothers
Son of a Lovin' Man
133 bpm • B min • 02:56 • -5.89db
43% Popularity • 66% Danceability • 83% Energy • 31% Liveness
0% Instrumentalness • 84% Positiveness
43% Popularity • 66% Danceability • 83% Energy • 31% Liveness
0% Instrumentalness • 84% Positiveness
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The Beach Boys
Fun, Fun, Fun (Mono)
156 bpm • D# Maj • 02:18 • -6.31db
57% Popularity • 52% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
57% Popularity • 52% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
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Eddie Cochran
Summertime Blues
156 bpm • B min • 01:59 • -8.63db
62% Popularity • 71% Danceability • 89% Energy • 18% Liveness
18% Instrumentalness • 95% Positiveness
62% Popularity • 71% Danceability • 89% Energy • 18% Liveness
18% Instrumentalness • 95% Positiveness
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The Who
Who Are You
156 bpm • A Maj • 06:21 • -11.41db
66% Popularity • 65% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
66% Popularity • 65% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
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John Mayall
Room To Move
132 bpm • C# Maj • 05:16 • -11.69db
10% Popularity • 78% Danceability • 90% Energy • 98% Liveness
50% Instrumentalness • 76% Positiveness
10% Popularity • 78% Danceability • 90% Energy • 98% Liveness
50% Instrumentalness • 76% Positiveness
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Jefferson Airplane
Somebody to Love
132 bpm • E Maj • 02:54 • -9.3db
69% Popularity • 50% Danceability • 58% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
69% Popularity • 50% Danceability • 58% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
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Chubby Checker
The Twist
157 bpm • E Maj • 02:35 • -5.68db
63% Popularity • 57% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 85% Positiveness
63% Popularity • 57% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 85% Positiveness
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The Proclaimers
I'm Gonna Be (500 Miles)
132 bpm • E Maj • 03:39 • -5.18db
76% Popularity • 85% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
76% Popularity • 85% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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Bo Diddley
Road Runner
132 bpm • E Maj • 02:47 • -10.37db
40% Popularity • 54% Danceability • 78% Energy • 35% Liveness
0% Instrumentalness • 96% Positiveness
40% Popularity • 54% Danceability • 78% Energy • 35% Liveness
0% Instrumentalness • 96% Positiveness
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Chuck Berry
You Never Can Tell
157 bpm • G Maj • 02:41 • -9.52db
73% Popularity • 52% Danceability • 85% Energy • 22% Liveness
0% Instrumentalness • 88% Positiveness
73% Popularity • 52% Danceability • 85% Energy • 22% Liveness
0% Instrumentalness • 88% Positiveness
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John Mayall
Room To Move
132 bpm • C# Maj • 05:02 • -8.53db
36% Popularity • 76% Danceability • 93% Energy • 94% Liveness
43% Instrumentalness • 70% Positiveness
36% Popularity • 76% Danceability • 93% Energy • 94% Liveness
43% Instrumentalness • 70% Positiveness
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Cream
Crossroads - Live
132 bpm • G Maj • 04:18 • -11.32db
56% Popularity • 39% Danceability • 76% Energy • 88% Liveness
4% Instrumentalness • 84% Positiveness
56% Popularity • 39% Danceability • 76% Energy • 88% Liveness
4% Instrumentalness • 84% Positiveness
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Ohio Express
Yummy Yummy Yummy
131 bpm • C Maj • 02:22 • -8db
36% Popularity • 74% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
36% Popularity • 74% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
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Albert Collins
T-Bone Shuffle
131 bpm • B Maj • 04:55 • -9.88db
50% Popularity • 54% Danceability • 70% Energy • 8% Liveness
19% Instrumentalness • 77% Positiveness
50% Popularity • 54% Danceability • 70% Energy • 8% Liveness
19% Instrumentalness • 77% Positiveness
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Little Walter
My Babe
158 bpm • F Maj • 02:42 • -10.57db
59% Popularity • 68% Danceability • 33% Energy • 32% Liveness
0% Instrumentalness • 87% Positiveness
59% Popularity • 68% Danceability • 33% Energy • 32% Liveness
0% Instrumentalness • 87% Positiveness
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Wilko Johnson
I Keep It To Myself
158 bpm • A Maj • 03:22 • -2db
30% Popularity • 42% Danceability • 96% Energy • 19% Liveness
25% Instrumentalness • 87% Positiveness
30% Popularity • 42% Danceability • 96% Energy • 19% Liveness
25% Instrumentalness • 87% Positiveness