Songs like Gimme Some Truth by Kula Shaker
Based on a tempo of (+/- 10%) and a similar genre
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Peter Gabriel
Panopticom - Dark-Side Mix
140 bpm • C# min • 05:16 • -6.53db
37% Popularity • 69% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
37% Popularity • 69% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
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Ash
Race the Night
140 bpm • C Maj • 04:04 • -3.97db
27% Popularity • 40% Danceability • 87% Energy • 19% Liveness
0% Instrumentalness • 54% Positiveness
27% Popularity • 40% Danceability • 87% Energy • 19% Liveness
0% Instrumentalness • 54% Positiveness
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The Alarm
The Returning
140 bpm • G min • 03:44 • -7.38db
9% Popularity • 57% Danceability • 86% Energy • 5% Liveness
0% Instrumentalness • 67% Positiveness
9% Popularity • 57% Danceability • 86% Energy • 5% Liveness
0% Instrumentalness • 67% Positiveness
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Curse of Lono
Let Your Love Rain Down On Me
140 bpm • G Maj • 04:26 • -12.04db
16% Popularity • 62% Danceability • 53% Energy • 12% Liveness
92% Instrumentalness • 25% Positiveness
16% Popularity • 62% Danceability • 53% Energy • 12% Liveness
92% Instrumentalness • 25% Positiveness
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Iggy Pop
The Regency
140 bpm • C Maj • 05:42 • -4.52db
22% Popularity • 48% Danceability • 92% Energy • 11% Liveness
3% Instrumentalness • 34% Positiveness
22% Popularity • 48% Danceability • 92% Energy • 11% Liveness
3% Instrumentalness • 34% Positiveness
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Cast
Alright
140 bpm • C# Maj • 03:37 • -8db
48% Popularity • 40% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
48% Popularity • 40% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
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Peter Gabriel
Panopticom - Bright Side Mix
140 bpm • C# min • 05:16 • -6.78db
46% Popularity • 68% Danceability • 80% Energy • 22% Liveness
0% Instrumentalness • 45% Positiveness
46% Popularity • 68% Danceability • 80% Energy • 22% Liveness
0% Instrumentalness • 45% Positiveness
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The Afghan Whigs
Every Little Thing She Does Is Magic
140 bpm • A min • 04:54 • -16.69db
22% Popularity • 57% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
22% Popularity • 57% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Urge Overkill
Freedom!
140 bpm • F# min • 03:04 • -4.94db
9% Popularity • 53% Danceability • 95% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
9% Popularity • 53% Danceability • 95% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
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Kula Shaker
Gimme Some Truth
140 bpm • A Maj • 03:01 • -6.73db
19% Popularity • 49% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
19% Popularity • 49% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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The Coral
Faraway Worlds
140 bpm • D min • 03:51 • -7.13db
28% Popularity • 52% Danceability • 68% Energy • 82% Liveness
0% Instrumentalness • 37% Positiveness
28% Popularity • 52% Danceability • 68% Energy • 82% Liveness
0% Instrumentalness • 37% Positiveness
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Dodgy
Grassman
139 bpm • C Maj • 07:05 • -10db
13% Popularity • 26% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
13% Popularity • 26% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
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The Bluetones
Bluetonic
139 bpm • C Maj • 04:08 • -6.94db
38% Popularity • 28% Danceability • 90% Energy • 9% Liveness
31% Instrumentalness • 29% Positiveness
38% Popularity • 28% Danceability • 90% Energy • 9% Liveness
31% Instrumentalness • 29% Positiveness
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The House of Love
Dice Are Rolling
139 bpm • E min • 02:54 • -5.8db
11% Popularity • 57% Danceability • 84% Energy • 21% Liveness
0% Instrumentalness • 68% Positiveness
11% Popularity • 57% Danceability • 84% Energy • 21% Liveness
0% Instrumentalness • 68% Positiveness
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The Church
No Other You
141 bpm • G# min • 04:10 • -8.09db
17% Popularity • 43% Danceability • 64% Energy • 18% Liveness
3% Instrumentalness • 16% Positiveness
17% Popularity • 43% Danceability • 64% Energy • 18% Liveness
3% Instrumentalness • 16% Positiveness
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The Wild Things
Lay on Take Off
139 bpm • F Maj • 04:10 • -5.41db
11% Popularity • 55% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
11% Popularity • 55% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Greg Dulli
A Crime
139 bpm • B min • 05:00 • -10.04db
11% Popularity • 57% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
11% Popularity • 57% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Dodgy
Water Under The Bridge
139 bpm • G Maj • 03:43 • -9db
18% Popularity • 44% Danceability • 91% Energy • 23% Liveness
0% Instrumentalness • 48% Positiveness
18% Popularity • 44% Danceability • 91% Energy • 23% Liveness
0% Instrumentalness • 48% Positiveness
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Cast
Free Me
139 bpm • F# Maj • 04:42 • -7db
29% Popularity • 27% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
29% Popularity • 27% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
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Teenage Fanclub
Foreign Land
142 bpm • A Maj • 03:54 • -8.59db
28% Popularity • 46% Danceability • 68% Energy • 7% Liveness
30% Instrumentalness • 78% Positiveness
28% Popularity • 46% Danceability • 68% Energy • 7% Liveness
30% Instrumentalness • 78% Positiveness
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Supergrass
Grace
142 bpm • D Maj • 02:29 • -4.05db
37% Popularity • 38% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
37% Popularity • 38% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Belle and Sebastian
Give A Little Time
138 bpm • D Maj • 03:23 • -4.92db
32% Popularity • 51% Danceability • 84% Energy • 33% Liveness
0% Instrumentalness • 73% Positiveness
32% Popularity • 51% Danceability • 84% Energy • 33% Liveness
0% Instrumentalness • 73% Positiveness
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The WAEVE
Someone Up There
142 bpm • F Maj • 02:40 • -8.55db
18% Popularity • 59% Danceability • 77% Energy • 20% Liveness
93% Instrumentalness • 80% Positiveness
18% Popularity • 59% Danceability • 77% Energy • 20% Liveness
93% Instrumentalness • 80% Positiveness
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Dodgy
Lovebirds
138 bpm • A Maj • 03:56 • -11db
15% Popularity • 45% Danceability • 82% Energy • 28% Liveness
0% Instrumentalness • 44% Positiveness
15% Popularity • 45% Danceability • 82% Energy • 28% Liveness
0% Instrumentalness • 44% Positiveness
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Midnight Oil
Lost At Sea
138 bpm • D Maj • 04:45 • -6.17db
18% Popularity • 65% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
18% Popularity • 65% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
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Del Amitri
Nation of Caners
138 bpm • A Maj • 07:39 • -8.86db
13% Popularity • 49% Danceability • 68% Energy • 27% Liveness
10% Instrumentalness • 88% Positiveness
13% Popularity • 49% Danceability • 68% Energy • 27% Liveness
10% Instrumentalness • 88% Positiveness
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Supergrass
Time
138 bpm • A Maj • 03:10 • -8.4db
32% Popularity • 59% Danceability • 55% Energy • 10% Liveness
52% Instrumentalness • 62% Positiveness
32% Popularity • 59% Danceability • 55% Energy • 10% Liveness
52% Instrumentalness • 62% Positiveness
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Elastica
Waking Up
138 bpm • A min • 03:15 • -4db
43% Popularity • 46% Danceability • 97% Energy • 6% Liveness
52% Instrumentalness • 56% Positiveness
43% Popularity • 46% Danceability • 97% Energy • 6% Liveness
52% Instrumentalness • 56% Positiveness
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Half Man Half Biscuit
I'm Getting Buried in the Morning
143 bpm • D Maj • 02:30 • -4.7db
19% Popularity • 40% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
19% Popularity • 40% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Simple Minds
Act of Love
137 bpm • C Maj • 04:02 • -6.3db
37% Popularity • 51% Danceability • 86% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
37% Popularity • 51% Danceability • 86% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
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Urge Overkill
A Necessary Evil
137 bpm • G# Maj • 03:14 • -5.02db
12% Popularity • 63% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
12% Popularity • 63% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Belle and Sebastian
A Bit of Previous
143 bpm • C Maj • 03:49 • -6.23db
24% Popularity • 46% Danceability • 83% Energy • 35% Liveness
0% Instrumentalness • 76% Positiveness
24% Popularity • 46% Danceability • 83% Energy • 35% Liveness
0% Instrumentalness • 76% Positiveness
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Ocean Colour Scene
Travellers Tune
137 bpm • G# Maj • 03:40 • -6db
43% Popularity • 52% Danceability • 92% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
43% Popularity • 52% Danceability • 92% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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Dodgy
Staying Out For The Summer
144 bpm • G Maj • 03:12 • -6.23db
47% Popularity • 37% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
47% Popularity • 37% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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The Bluetones
Never Going Nowhere
144 bpm • F Maj • 04:13 • -7db
22% Popularity • 71% Danceability • 67% Energy • 5% Liveness
1% Instrumentalness • 91% Positiveness
22% Popularity • 71% Danceability • 67% Energy • 5% Liveness
1% Instrumentalness • 91% Positiveness
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Hugh Cornwell
When I Was A Young Man
144 bpm • E Maj • 03:13 • -5db
12% Popularity • 55% Danceability • 78% Energy • 11% Liveness
7% Instrumentalness • 56% Positiveness
12% Popularity • 55% Danceability • 78% Energy • 11% Liveness
7% Instrumentalness • 56% Positiveness
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Tribes
Hard Pill
144 bpm • D# Maj • 03:58 • -5.85db
14% Popularity • 39% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
14% Popularity • 39% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Belle and Sebastian
Juliet Naked
136 bpm • D min • 03:22 • -8.53db
32% Popularity • 62% Danceability • 52% Energy • 36% Liveness
0% Instrumentalness • 62% Positiveness
32% Popularity • 62% Danceability • 52% Energy • 36% Liveness
0% Instrumentalness • 62% Positiveness
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The Silencers
Western Swing
136 bpm • D# min • 04:18 • -7.37db
19% Popularity • 60% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
19% Popularity • 60% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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The Coral
Change Your Mind
136 bpm • G Maj • 03:07 • -5.9db
31% Popularity • 52% Danceability • 91% Energy • 25% Liveness
0% Instrumentalness • 73% Positiveness
31% Popularity • 52% Danceability • 91% Energy • 25% Liveness
0% Instrumentalness • 73% Positiveness
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Shed Seven
Throwaways
136 bpm • A Maj • 06:11 • -6.09db
33% Popularity • 42% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
33% Popularity • 42% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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The View
Shovel in His Hands
136 bpm • C Maj • 03:47 • -5.48db
25% Popularity • 54% Danceability • 88% Energy • 32% Liveness
0% Instrumentalness • 66% Positiveness
25% Popularity • 54% Danceability • 88% Energy • 32% Liveness
0% Instrumentalness • 66% Positiveness
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The Lightning Seeds
Walk Another Mile
136 bpm • D Maj • 02:43 • -7.97db
14% Popularity • 66% Danceability • 89% Energy • 35% Liveness
3% Instrumentalness • 96% Positiveness
14% Popularity • 66% Danceability • 89% Energy • 35% Liveness
3% Instrumentalness • 96% Positiveness
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Belle and Sebastian
Unnecessary Drama
144 bpm • A# Maj • 04:16 • -4.59db
26% Popularity • 46% Danceability • 89% Energy • 38% Liveness
0% Instrumentalness • 61% Positiveness
26% Popularity • 46% Danceability • 89% Energy • 38% Liveness
0% Instrumentalness • 61% Positiveness
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Calexico
Rambler
136 bpm • G Maj • 02:33 • -7.69db
3% Popularity • 47% Danceability • 85% Energy • 26% Liveness
93% Instrumentalness • 51% Positiveness
3% Popularity • 47% Danceability • 85% Energy • 26% Liveness
93% Instrumentalness • 51% Positiveness
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The Hanging Stars
I Don't Want to Feel so Bad Anymore
136 bpm • D Maj • 02:58 • -7.4db
12% Popularity • 36% Danceability • 56% Energy • 28% Liveness
0% Instrumentalness • 49% Positiveness
12% Popularity • 36% Danceability • 56% Energy • 28% Liveness
0% Instrumentalness • 49% Positiveness
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The Kills
The Good Ones - The Tchad Blake Mix 2022
135 bpm • C# min • 03:28 • -7.67db
16% Popularity • 74% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
16% Popularity • 74% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Dr. Feelgood
Mary Ann
136 bpm • A Maj • 03:11 • -5.5db
9% Popularity • 53% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 79% Positiveness
9% Popularity • 53% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 79% Positiveness
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Gaz Coombes
Long Live The Strange
135 bpm • E min • 04:36 • -7.21db
11% Popularity • 29% Danceability • 82% Energy • 63% Liveness
0% Instrumentalness • 40% Positiveness
11% Popularity • 29% Danceability • 82% Energy • 63% Liveness
0% Instrumentalness • 40% Positiveness
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Belle and Sebastian
When We Were Very Young
136 bpm • G# Maj • 03:52 • -6.74db
34% Popularity • 71% Danceability • 68% Energy • 33% Liveness
0% Instrumentalness • 95% Positiveness
34% Popularity • 71% Danceability • 68% Energy • 33% Liveness
0% Instrumentalness • 95% Positiveness
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Supergrass
Just Dropped In (To See What My Conditio...
145 bpm • D# Maj • 02:44 • -6.85db
17% Popularity • 44% Danceability • 83% Energy • 21% Liveness
6% Instrumentalness • 74% Positiveness
17% Popularity • 44% Danceability • 83% Energy • 21% Liveness
6% Instrumentalness • 74% Positiveness
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dEUS
Must Have Been New
135 bpm • G min • 03:46 • -5.91db
31% Popularity • 52% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
31% Popularity • 52% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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Kula Shaker
2 STYX
135 bpm • C# min • 03:47 • -6.41db
16% Popularity • 49% Danceability • 89% Energy • 18% Liveness
0% Instrumentalness • 18% Positiveness
16% Popularity • 49% Danceability • 89% Energy • 18% Liveness
0% Instrumentalness • 18% Positiveness
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Sleeper
Inbetweener
135 bpm • F Maj • 03:19 • -7.61db
42% Popularity • 42% Danceability • 90% Energy • 80% Liveness
0% Instrumentalness • 80% Positiveness
42% Popularity • 42% Danceability • 90% Energy • 80% Liveness
0% Instrumentalness • 80% Positiveness
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Hallo Venray
Jazz
135 bpm • C Maj • 04:26 • -11.48db
8% Popularity • 39% Danceability • 66% Energy • 38% Liveness
36% Instrumentalness • 54% Positiveness
8% Popularity • 39% Danceability • 66% Energy • 38% Liveness
36% Instrumentalness • 54% Positiveness
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Standin' Man
Colour Of Money
134 bpm • A Maj • 03:24 • -7.41db
8% Popularity • 37% Danceability • 88% Energy • 24% Liveness
0% Instrumentalness • 24% Positiveness
8% Popularity • 37% Danceability • 88% Energy • 24% Liveness
0% Instrumentalness • 24% Positiveness
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Supergrass
Alright
146 bpm • E min • 03:00 • -4.81db
76% Popularity • 47% Danceability • 96% Energy • 30% Liveness
20% Instrumentalness • 70% Positiveness
76% Popularity • 47% Danceability • 96% Energy • 30% Liveness
20% Instrumentalness • 70% Positiveness
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Beck
Old Man
146 bpm • G Maj • 03:28 • -8db
38% Popularity • 63% Danceability • 44% Energy • 38% Liveness
0% Instrumentalness • 50% Positiveness
38% Popularity • 63% Danceability • 44% Energy • 38% Liveness
0% Instrumentalness • 50% Positiveness
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Del Amitri
Lips of London
134 bpm • C Maj • 03:48 • -6.66db
18% Popularity • 57% Danceability • 92% Energy • 32% Liveness
21% Instrumentalness • 78% Positiveness
18% Popularity • 57% Danceability • 92% Energy • 32% Liveness
21% Instrumentalness • 78% Positiveness
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Kula Shaker
Rational Man
134 bpm • G Maj • 03:09 • -5.49db
30% Popularity • 40% Danceability • 84% Energy • 8% Liveness
2% Instrumentalness • 58% Positiveness
30% Popularity • 40% Danceability • 84% Energy • 8% Liveness
2% Instrumentalness • 58% Positiveness
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The Coral
Take Me Back To The Summertime
134 bpm • B min • 03:10 • -6.7db
14% Popularity • 79% Danceability • 96% Energy • 25% Liveness
8% Instrumentalness • 98% Positiveness
14% Popularity • 79% Danceability • 96% Energy • 25% Liveness
8% Instrumentalness • 98% Positiveness
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Shed Seven
Kissing California
134 bpm • G Maj • 04:13 • -5.51db
36% Popularity • 48% Danceability • 97% Energy • 79% Liveness
0% Instrumentalness • 75% Positiveness
36% Popularity • 48% Danceability • 97% Energy • 79% Liveness
0% Instrumentalness • 75% Positiveness
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The Lightning Seeds
Emily Smiles
134 bpm • A Maj • 03:34 • -6.75db
25% Popularity • 52% Danceability • 78% Energy • 34% Liveness
0% Instrumentalness • 70% Positiveness
25% Popularity • 52% Danceability • 78% Energy • 34% Liveness
0% Instrumentalness • 70% Positiveness
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Liela Moss
Vanishing Shadows
134 bpm • A min • 03:36 • -7.26db
45% Popularity • 62% Danceability • 74% Energy • 23% Liveness
0% Instrumentalness • 24% Positiveness
45% Popularity • 62% Danceability • 74% Energy • 23% Liveness
0% Instrumentalness • 24% Positiveness
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Sandfly
Hey Georgia
146 bpm • D Maj • 05:35 • -8.33db
10% Popularity • 46% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
10% Popularity • 46% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Echo & the Bunnymen
I Want to Be There (When You Come)
134 bpm • E Maj • 03:39 • -5.21db
18% Popularity • 46% Danceability • 95% Energy • 19% Liveness
1% Instrumentalness • 45% Positiveness
18% Popularity • 46% Danceability • 95% Energy • 19% Liveness
1% Instrumentalness • 45% Positiveness
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The Wedding Present
We Should Be Together
147 bpm • B Maj • 03:38 • -8.44db
18% Popularity • 50% Danceability • 68% Energy • 11% Liveness
18% Instrumentalness • 56% Positiveness
18% Popularity • 50% Danceability • 68% Energy • 11% Liveness
18% Instrumentalness • 56% Positiveness
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The Bad Ends
All Your Friends Are Dying
134 bpm • B min • 04:25 • -3.88db
3% Popularity • 46% Danceability • 90% Energy • 36% Liveness
0% Instrumentalness • 66% Positiveness
3% Popularity • 46% Danceability • 90% Energy • 36% Liveness
0% Instrumentalness • 66% Positiveness
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Yard Act
Tiny Dancer
147 bpm • C Maj • 03:53 • -9.76db
31% Popularity • 56% Danceability • 77% Energy • 7% Liveness
1% Instrumentalness • 77% Positiveness
31% Popularity • 56% Danceability • 77% Energy • 7% Liveness
1% Instrumentalness • 77% Positiveness
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Dexys Midnight Runners
All In All (This One Last Wild Waltz) - ...
147 bpm • B min • 04:16 • -6.62db
14% Popularity • 41% Danceability • 63% Energy • 28% Liveness
0% Instrumentalness • 62% Positiveness
14% Popularity • 41% Danceability • 63% Energy • 28% Liveness
0% Instrumentalness • 62% Positiveness
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The House of Love
Light Of The Morning
133 bpm • E Maj • 03:10 • -4.31db
8% Popularity • 48% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
8% Popularity • 48% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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Kula Shaker
Gaslighting
133 bpm • C Maj • 04:06 • -5.34db
36% Popularity • 58% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
36% Popularity • 58% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Sleeper
We Should Be Together
133 bpm • F# Maj • 03:45 • -9.16db
14% Popularity • 60% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
14% Popularity • 60% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
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Gaz Coombes
Dance On
133 bpm • C# Maj • 05:05 • -6.76db
25% Popularity • 51% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
25% Popularity • 51% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Cast
The Rain That Falls
133 bpm • C# Maj • 04:29 • -4.53db
30% Popularity • 42% Danceability • 94% Energy • 21% Liveness
0% Instrumentalness • 68% Positiveness
30% Popularity • 42% Danceability • 94% Energy • 21% Liveness
0% Instrumentalness • 68% Positiveness
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Dodgy
Grassman
133 bpm • C Maj • 06:17 • -9db
36% Popularity • 26% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
36% Popularity • 26% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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The Dream Syndicate
Hard to Say Goodbye
148 bpm • E Maj • 05:07 • -8.28db
8% Popularity • 39% Danceability • 53% Energy • 15% Liveness
1% Instrumentalness • 20% Positiveness
8% Popularity • 39% Danceability • 53% Energy • 15% Liveness
1% Instrumentalness • 20% Positiveness
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Brendan Benson
People Grow Apart
148 bpm • F Maj • 04:15 • -5.95db
12% Popularity • 55% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
12% Popularity • 55% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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DeWolff
Gilded (Ruin of Love)
132 bpm • C min • 04:11 • -11.31db
17% Popularity • 40% Danceability • 37% Energy • 10% Liveness
1% Instrumentalness • 45% Positiveness
17% Popularity • 40% Danceability • 37% Energy • 10% Liveness
1% Instrumentalness • 45% Positiveness
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Billy Nomates
vertigo
132 bpm • C# Maj • 02:45 • -7.92db
24% Popularity • 81% Danceability • 76% Energy • 22% Liveness
22% Instrumentalness • 88% Positiveness
24% Popularity • 81% Danceability • 76% Energy • 22% Liveness
22% Instrumentalness • 88% Positiveness
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CVC
Good Morning Vietnam - Single Mix
132 bpm • F# min • 03:31 • -4.68db
29% Popularity • 51% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
29% Popularity • 51% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Supergrass
Pumping on Your Stereo
132 bpm • D Maj • 03:20 • -4.79db
48% Popularity • 44% Danceability • 90% Energy • 84% Liveness
9% Instrumentalness • 24% Positiveness
48% Popularity • 44% Danceability • 90% Energy • 84% Liveness
9% Instrumentalness • 24% Positiveness
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The Bad Ends
Mile Marker 29
149 bpm • A# Maj • 03:42 • -6.02db
3% Popularity • 51% Danceability • 66% Energy • 37% Liveness
0% Instrumentalness • 59% Positiveness
3% Popularity • 51% Danceability • 66% Energy • 37% Liveness
0% Instrumentalness • 59% Positiveness
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The Alarm
Forwards
132 bpm • A# min • 04:04 • -7.87db
12% Popularity • 52% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
12% Popularity • 52% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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The Long Ryders
September November Sometime
149 bpm • A min • 03:26 • -4.73db
13% Popularity • 52% Danceability • 87% Energy • 22% Liveness
0% Instrumentalness • 90% Positiveness
13% Popularity • 52% Danceability • 87% Energy • 22% Liveness
0% Instrumentalness • 90% Positiveness
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Cast
Love You Like I Do
149 bpm • D# min • 04:22 • -4.48db
29% Popularity • 33% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 73% Positiveness
29% Popularity • 33% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 73% Positiveness
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Midnight Oil
Nobody's Child
149 bpm • G Maj • 04:27 • -3.68db
21% Popularity • 40% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
21% Popularity • 40% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Bell X1
Haint Blue
131 bpm • B min • 05:05 • -8.35db
27% Popularity • 54% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 29% Positiveness
27% Popularity • 54% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 29% Positiveness
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The Wedding Present
A Song From Under The Floorboards
149 bpm • D Maj • 03:28 • -8.24db
7% Popularity • 42% Danceability • 80% Energy • 38% Liveness
88% Instrumentalness • 65% Positiveness
7% Popularity • 42% Danceability • 80% Energy • 38% Liveness
88% Instrumentalness • 65% Positiveness
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The La's
There She Goes - Liz Kershaw 31/05/88
131 bpm • F# Maj • 02:36 • -4.21db
32% Popularity • 49% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
32% Popularity • 49% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
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Ocean Colour Scene
Mechanical Wonder
131 bpm • A Maj • 04:31 • -7db
32% Popularity • 53% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
32% Popularity • 53% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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DeWolff
Counterfeit Love
131 bpm • F Maj • 04:37 • -11db
18% Popularity • 45% Danceability • 62% Energy • 51% Liveness
0% Instrumentalness • 57% Positiveness
18% Popularity • 45% Danceability • 62% Energy • 51% Liveness
0% Instrumentalness • 57% Positiveness
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Kula Shaker
Mystical Machine Gun
150 bpm • D Maj • 05:41 • -9.97db
33% Popularity • 42% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
33% Popularity • 42% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Belle and Sebastian
When You're Not With Me
131 bpm • C# Maj • 04:42 • -6.64db
28% Popularity • 75% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
28% Popularity • 75% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
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T. Rex
Children of The Revolution (BBC, August ...
131 bpm • E min • 02:24 • -6.11db
3% Popularity • 46% Danceability • 74% Energy • 40% Liveness
0% Instrumentalness • 68% Positiveness
3% Popularity • 46% Danceability • 74% Energy • 40% Liveness
0% Instrumentalness • 68% Positiveness
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The Wedding Present
We All Came From The Sea
131 bpm • A Maj • 04:33 • -8.69db
11% Popularity • 62% Danceability • 68% Energy • 47% Liveness
16% Instrumentalness • 81% Positiveness
11% Popularity • 62% Danceability • 68% Energy • 47% Liveness
16% Instrumentalness • 81% Positiveness
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Hoodoo Gurus
My Imaginary Friend
131 bpm • C Maj • 04:08 • -5.29db
19% Popularity • 55% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
19% Popularity • 55% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Supergrass
Sun Hits the Sky
150 bpm • A# Maj • 04:55 • -6.91db
46% Popularity • 37% Danceability • 94% Energy • 10% Liveness
50% Instrumentalness • 34% Positiveness
46% Popularity • 37% Danceability • 94% Energy • 10% Liveness
50% Instrumentalness • 34% Positiveness
