Songs like Ginseng Love by Wendell Harrison
Based on a tempo of (+/- 10%) and a similar genre
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Wendell Harrison
Winter
96 bpm • G Maj • 06:40 • -4.93db
18% Popularity • 28% Danceability • 44% Energy • 28% Liveness
23% Instrumentalness • 17% Positiveness
18% Popularity • 28% Danceability • 44% Energy • 28% Liveness
23% Instrumentalness • 17% Positiveness
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Maryn E. Coote
I Don't Have to Cry
96 bpm • F min • 06:14 • -9.17db
15% Popularity • 67% Danceability • 45% Energy • 10% Liveness
2% Instrumentalness • 82% Positiveness
15% Popularity • 67% Danceability • 45% Energy • 10% Liveness
2% Instrumentalness • 82% Positiveness
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Bobby Wright
Everyone Should Have His Day
96 bpm • C# Maj • 02:41 • -18.69db
28% Popularity • 49% Danceability • 16% Energy • 13% Liveness
7% Instrumentalness • 17% Positiveness
28% Popularity • 49% Danceability • 16% Energy • 13% Liveness
7% Instrumentalness • 17% Positiveness
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Jorge Darden
Alone Again
96 bpm • D# Maj • 04:03 • -12.2db
7% Popularity • 68% Danceability • 63% Energy • 10% Liveness
87% Instrumentalness • 82% Positiveness
7% Popularity • 68% Danceability • 63% Energy • 10% Liveness
87% Instrumentalness • 82% Positiveness
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Chuck Senrick
Drop a Dime
97 bpm • C Maj • 02:13 • -16.2db
16% Popularity • 69% Danceability • 46% Energy • 10% Liveness
53% Instrumentalness • 38% Positiveness
16% Popularity • 69% Danceability • 46% Energy • 10% Liveness
53% Instrumentalness • 38% Positiveness
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Cortex
Hannibal March
97 bpm • A# min • 03:46 • -8.19db
27% Popularity • 67% Danceability • 57% Energy • 38% Liveness
46% Instrumentalness • 78% Positiveness
27% Popularity • 67% Danceability • 57% Energy • 38% Liveness
46% Instrumentalness • 78% Positiveness
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Wendell Harrison
Ginseng Love
96 bpm • G Maj • 04:06 • -3.45db
19% Popularity • 48% Danceability • 95% Energy • 26% Liveness
0% Instrumentalness • 62% Positiveness
19% Popularity • 48% Danceability • 95% Energy • 26% Liveness
0% Instrumentalness • 62% Positiveness
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Apples
Time For Me To Go
97 bpm • F Maj • 04:26 • -16.26db
17% Popularity • 64% Danceability • 47% Energy • 11% Liveness
28% Instrumentalness • 64% Positiveness
17% Popularity • 64% Danceability • 47% Energy • 11% Liveness
28% Instrumentalness • 64% Positiveness
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24 Carat Black
You're Slipping Away
95 bpm • A min • 05:45 • -12.94db
24% Popularity • 69% Danceability • 49% Energy • 10% Liveness
86% Instrumentalness • 88% Positiveness
24% Popularity • 69% Danceability • 49% Energy • 10% Liveness
86% Instrumentalness • 88% Positiveness
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Alice Coltrane
Spiritual Eternal
95 bpm • E Maj • 02:56 • -10db
29% Popularity • 18% Danceability • 35% Energy • 16% Liveness
76% Instrumentalness • 31% Positiveness
29% Popularity • 18% Danceability • 35% Energy • 16% Liveness
76% Instrumentalness • 31% Positiveness
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Chuck Senrick
The Duke Is Gone
95 bpm • A min • 01:39 • -17.65db
34% Popularity • 66% Danceability • 36% Energy • 10% Liveness
76% Instrumentalness • 26% Positiveness
34% Popularity • 66% Danceability • 36% Energy • 10% Liveness
76% Instrumentalness • 26% Positiveness
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Blue Eyed Soul
Ain't No Weight
95 bpm • C Maj • 02:46 • -10db
18% Popularity • 22% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
18% Popularity • 22% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Wendell Harrison
Tomorrow
97 bpm • F Maj • 06:22 • -14.94db
0% Popularity • 50% Danceability • 36% Energy • 30% Liveness
0% Instrumentalness • 61% Positiveness
0% Popularity • 50% Danceability • 36% Energy • 30% Liveness
0% Instrumentalness • 61% Positiveness
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Charles Stepney
No Credit For This
97 bpm • G# Maj • 03:29 • -16.05db
16% Popularity • 67% Danceability • 37% Energy • 10% Liveness
92% Instrumentalness • 50% Positiveness
16% Popularity • 67% Danceability • 37% Energy • 10% Liveness
92% Instrumentalness • 50% Positiveness
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Gábor Szabó
Magic Mystic Faces
95 bpm • E min • 05:22 • -13.03db
12% Popularity • 55% Danceability • 50% Energy • 9% Liveness
74% Instrumentalness • 61% Positiveness
12% Popularity • 55% Danceability • 50% Energy • 9% Liveness
74% Instrumentalness • 61% Positiveness
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Ronald Langestraat
In the middle of the night
95 bpm • F min • 03:35 • -10.23db
39% Popularity • 68% Danceability • 59% Energy • 11% Liveness
12% Instrumentalness • 91% Positiveness
39% Popularity • 68% Danceability • 59% Energy • 11% Liveness
12% Instrumentalness • 91% Positiveness
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Peter King
Eda
94 bpm • C min • 03:02 • -9.5db
30% Popularity • 58% Danceability • 62% Energy • 67% Liveness
0% Instrumentalness • 84% Positiveness
30% Popularity • 58% Danceability • 62% Energy • 67% Liveness
0% Instrumentalness • 84% Positiveness
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Fievel Is Glauque
Save the Phenomenon
94 bpm • C# min • 01:46 • -6.31db
32% Popularity • 72% Danceability • 62% Energy • 12% Liveness
19% Instrumentalness • 58% Positiveness
32% Popularity • 72% Danceability • 62% Energy • 12% Liveness
19% Instrumentalness • 58% Positiveness
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Wendell Harrison
First Love
97 bpm • C Maj • 05:35 • -8.06db
0% Popularity • 51% Danceability • 58% Energy • 31% Liveness
72% Instrumentalness • 39% Positiveness
0% Popularity • 51% Danceability • 58% Energy • 31% Liveness
72% Instrumentalness • 39% Positiveness
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Chuck Senrick
Dreamin'
98 bpm • F Maj • 02:15 • -17db
30% Popularity • 54% Danceability • 33% Energy • 19% Liveness
0% Instrumentalness • 58% Positiveness
30% Popularity • 54% Danceability • 33% Energy • 19% Liveness
0% Instrumentalness • 58% Positiveness
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Shuggie Otis
Happy House
94 bpm • G Maj • 01:16 • -12.51db
33% Popularity • 80% Danceability • 28% Energy • 25% Liveness
14% Instrumentalness • 28% Positiveness
33% Popularity • 80% Danceability • 28% Energy • 25% Liveness
14% Instrumentalness • 28% Positiveness
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Sam Wilkes
Alma
94 bpm • F# Maj • 01:23 • -9.14db
29% Popularity • 61% Danceability • 54% Energy • 11% Liveness
86% Instrumentalness • 63% Positiveness
29% Popularity • 61% Danceability • 54% Energy • 11% Liveness
86% Instrumentalness • 63% Positiveness
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Max Roach
Effi
94 bpm • A min • 06:13 • -10.26db
26% Popularity • 38% Danceability • 77% Energy • 9% Liveness
44% Instrumentalness • 54% Positiveness
26% Popularity • 38% Danceability • 77% Energy • 9% Liveness
44% Instrumentalness • 54% Positiveness
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Wendy & Bonnie
The Paisley Window Pane
94 bpm • A Maj • 02:58 • -16.31db
28% Popularity • 53% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
28% Popularity • 53% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Justen O'Brien & Jake
These Moments Now
98 bpm • A min • 05:25 • -6.64db
8% Popularity • 29% Danceability • 91% Energy • 3% Liveness
5% Instrumentalness • 19% Positiveness
8% Popularity • 29% Danceability • 91% Energy • 3% Liveness
5% Instrumentalness • 19% Positiveness
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Larry Lewis
Miriam
94 bpm • D# min • 02:53 • -12.11db
20% Popularity • 53% Danceability • 64% Energy • 7% Liveness
97% Instrumentalness • 97% Positiveness
20% Popularity • 53% Danceability • 64% Energy • 7% Liveness
97% Instrumentalness • 97% Positiveness
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Wee
I'm All Changed
98 bpm • A min • 03:20 • -10.99db
18% Popularity • 55% Danceability • 73% Energy • 12% Liveness
76% Instrumentalness • 85% Positiveness
18% Popularity • 55% Danceability • 73% Energy • 12% Liveness
76% Instrumentalness • 85% Positiveness
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Wendell Harrison
Reawakening
93 bpm • F Maj • 07:50 • -11.83db
2% Popularity • 61% Danceability • 50% Energy • 8% Liveness
73% Instrumentalness • 48% Positiveness
2% Popularity • 61% Danceability • 50% Energy • 8% Liveness
73% Instrumentalness • 48% Positiveness
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Black Sugar
When I Needed Someone
93 bpm • D Maj • 02:44 • -10.26db
34% Popularity • 68% Danceability • 58% Energy • 33% Liveness
41% Instrumentalness • 93% Positiveness
34% Popularity • 68% Danceability • 58% Energy • 33% Liveness
41% Instrumentalness • 93% Positiveness
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24 Carat Black
The Best Of Good Love Gone
93 bpm • A min • 05:40 • -11db
30% Popularity • 46% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
30% Popularity • 46% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Jeanette Baker
Vacation from My Mind
93 bpm • A min • 03:06 • -6.25db
12% Popularity • 55% Danceability • 63% Energy • 68% Liveness
0% Instrumentalness • 57% Positiveness
12% Popularity • 55% Danceability • 63% Energy • 68% Liveness
0% Instrumentalness • 57% Positiveness
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AIR
Grieve Not the Spirit
93 bpm • G# Maj • 04:09 • -12.38db
23% Popularity • 74% Danceability • 51% Energy • 15% Liveness
5% Instrumentalness • 72% Positiveness
23% Popularity • 74% Danceability • 51% Energy • 15% Liveness
5% Instrumentalness • 72% Positiveness
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Miller, Miller, Miller & Sloan
Key to My Heart
93 bpm • G# Maj • 02:37 • -9.28db
20% Popularity • 62% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
20% Popularity • 62% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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Wendell Harrison
Take Time Out
93 bpm • G Maj • 03:53 • -5.24db
12% Popularity • 50% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
12% Popularity • 50% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
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Jon Lucien
Kuenda
93 bpm • A Maj • 03:15 • -15.43db
20% Popularity • 47% Danceability • 55% Energy • 45% Liveness
30% Instrumentalness • 48% Positiveness
20% Popularity • 47% Danceability • 55% Energy • 45% Liveness
30% Instrumentalness • 48% Positiveness
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Demon Fuzz
Disillusioned Man
93 bpm • G min • 04:59 • -5.74db
31% Popularity • 55% Danceability • 86% Energy • 9% Liveness
1% Instrumentalness • 76% Positiveness
31% Popularity • 55% Danceability • 86% Energy • 9% Liveness
1% Instrumentalness • 76% Positiveness
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Harold McKinney
Pops
93 bpm • A# Maj • 07:11 • -23.78db
0% Popularity • 44% Danceability • 3% Energy • 8% Liveness
79% Instrumentalness • 24% Positiveness
0% Popularity • 44% Danceability • 3% Energy • 8% Liveness
79% Instrumentalness • 24% Positiveness
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Roy Ayers Ubiquity
Ain't Got Time
99 bpm • B min • 02:54 • -15db
26% Popularity • 50% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
26% Popularity • 50% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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George Clinton
Super Spirit
99 bpm • F Maj • 05:24 • -11db
21% Popularity • 75% Danceability • 73% Energy • 3% Liveness
0% Instrumentalness • 96% Positiveness
21% Popularity • 75% Danceability • 73% Energy • 3% Liveness
0% Instrumentalness • 96% Positiveness
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Lee Tracy
Jesus Going to Clean House
100 bpm • F# min • 05:29 • -7.59db
34% Popularity • 79% Danceability • 56% Energy • 14% Liveness
41% Instrumentalness • 71% Positiveness
34% Popularity • 79% Danceability • 56% Energy • 14% Liveness
41% Instrumentalness • 71% Positiveness
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Chuck Senrick
Don't Be So Nice
100 bpm • D# min • 02:48 • -16.32db
40% Popularity • 76% Danceability • 38% Energy • 11% Liveness
1% Instrumentalness • 58% Positiveness
40% Popularity • 76% Danceability • 38% Energy • 11% Liveness
1% Instrumentalness • 58% Positiveness
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Isabelle Antena
How Can They Tell
92 bpm • F Maj • 03:15 • -11.15db
17% Popularity • 72% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 85% Positiveness
17% Popularity • 72% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 85% Positiveness
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Hailu Mergia
Yenuro Tesfa Alegne
92 bpm • F min • 01:45 • -7.34db
36% Popularity • 42% Danceability • 57% Energy • 7% Liveness
8% Instrumentalness • 92% Positiveness
36% Popularity • 42% Danceability • 57% Energy • 7% Liveness
8% Instrumentalness • 92% Positiveness
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Wee
Leavin' You Alone
100 bpm • C Maj • 03:45 • -12.23db
17% Popularity • 68% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
17% Popularity • 68% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
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Wendell Harrison
We'll Miss Each Other
100 bpm • C Maj • 05:12 • -5.24db
0% Popularity • 59% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
0% Popularity • 59% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Fein
Stonedage
92 bpm • E min • 03:42 • -8.17db
20% Popularity • 44% Danceability • 64% Energy • 84% Liveness
1% Instrumentalness • 48% Positiveness
20% Popularity • 44% Danceability • 64% Energy • 84% Liveness
1% Instrumentalness • 48% Positiveness
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Human Race
Human Race
100 bpm • G# Maj • 03:05 • -9.41db
36% Popularity • 73% Danceability • 54% Energy • 10% Liveness
43% Instrumentalness • 45% Positiveness
36% Popularity • 73% Danceability • 54% Energy • 10% Liveness
43% Instrumentalness • 45% Positiveness
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Arawak
Accadde a Belfast
92 bpm • A# min • 02:09 • -14.92db
14% Popularity • 84% Danceability • 36% Energy • 9% Liveness
52% Instrumentalness • 31% Positiveness
14% Popularity • 84% Danceability • 36% Energy • 9% Liveness
52% Instrumentalness • 31% Positiveness
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Stereolab
Blips Drips And Strips
100 bpm • G Maj • 04:53 • -8.74db
29% Popularity • 68% Danceability • 67% Energy • 12% Liveness
1% Instrumentalness • 88% Positiveness
29% Popularity • 68% Danceability • 67% Energy • 12% Liveness
1% Instrumentalness • 88% Positiveness
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Gray
The Mysterious Ashley Bickerton
100 bpm • C# Maj • 05:04 • -16.94db
22% Popularity • 57% Danceability • 56% Energy • 44% Liveness
2% Instrumentalness • 83% Positiveness
22% Popularity • 57% Danceability • 56% Energy • 44% Liveness
2% Instrumentalness • 83% Positiveness
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David Axelrod
The Warnings Part II
92 bpm • B min • 04:27 • -14db
23% Popularity • 35% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
23% Popularity • 35% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
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Asha Puthli
Flying Fish
92 bpm • G min • 05:13 • -16.62db
31% Popularity • 79% Danceability • 40% Energy • 9% Liveness
2% Instrumentalness • 72% Positiveness
31% Popularity • 79% Danceability • 40% Energy • 9% Liveness
2% Instrumentalness • 72% Positiveness
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John Lindberg BC3
The Left Wrist, Pt. 3 - For Roy Campbell...
92 bpm • F Maj • 03:20 • -13.55db
0% Popularity • 42% Danceability • 19% Energy • 12% Liveness
27% Instrumentalness • 8% Positiveness
0% Popularity • 42% Danceability • 19% Energy • 12% Liveness
27% Instrumentalness • 8% Positiveness
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Arawak
Accadde a Yellow Park
92 bpm • A# min • 02:33 • -18.6db
30% Popularity • 63% Danceability • 43% Energy • 18% Liveness
90% Instrumentalness • 52% Positiveness
30% Popularity • 63% Danceability • 43% Energy • 18% Liveness
90% Instrumentalness • 52% Positiveness
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Harold McKinney
Like, What Is This
91 bpm • C Maj • 05:20 • -22.11db
0% Popularity • 44% Danceability • 10% Energy • 12% Liveness
84% Instrumentalness • 39% Positiveness
0% Popularity • 44% Danceability • 10% Energy • 12% Liveness
84% Instrumentalness • 39% Positiveness
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Wendell Harrison
Urban Expressions
91 bpm • D Maj • 04:07 • -9.1db
0% Popularity • 67% Danceability • 60% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
0% Popularity • 67% Danceability • 60% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
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David T. Walker
Our Lives
101 bpm • A Maj • 04:20 • -14.94db
11% Popularity • 56% Danceability • 37% Energy • 7% Liveness
93% Instrumentalness • 62% Positiveness
11% Popularity • 56% Danceability • 37% Energy • 7% Liveness
93% Instrumentalness • 62% Positiveness
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Peaceful Coalition
Let’s Try And Be One
91 bpm • F# min • 02:52 • -14.98db
24% Popularity • 36% Danceability • 29% Energy • 15% Liveness
91% Instrumentalness • 36% Positiveness
24% Popularity • 36% Danceability • 29% Energy • 15% Liveness
91% Instrumentalness • 36% Positiveness
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Dwight Sykes
That's the Way Love Is
91 bpm • C# Maj • 03:11 • -13.51db
22% Popularity • 85% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 63% Positiveness
22% Popularity • 85% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 63% Positiveness
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Gene Harris
I Remember Summer
91 bpm • F# min • 02:03 • -12.73db
42% Popularity • 52% Danceability • 72% Energy • 50% Liveness
80% Instrumentalness • 74% Positiveness
42% Popularity • 52% Danceability • 72% Energy • 50% Liveness
80% Instrumentalness • 74% Positiveness
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David Axelrod
Mucho Chupar
101 bpm • G Maj • 03:13 • -11.31db
29% Popularity • 52% Danceability • 72% Energy • 8% Liveness
89% Instrumentalness • 65% Positiveness
29% Popularity • 52% Danceability • 72% Energy • 8% Liveness
89% Instrumentalness • 65% Positiveness
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Wendell Harrison
Drop Me Off In Harlem
101 bpm • C Maj • 06:24 • -26.12db
0% Popularity • 49% Danceability • 10% Energy • 6% Liveness
3% Instrumentalness • 50% Positiveness
0% Popularity • 49% Danceability • 10% Energy • 6% Liveness
3% Instrumentalness • 50% Positiveness
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Mandrill
Chutney
91 bpm • E Maj • 03:05 • -21db
33% Popularity • 53% Danceability • 18% Energy • 10% Liveness
79% Instrumentalness • 32% Positiveness
33% Popularity • 53% Danceability • 18% Energy • 10% Liveness
79% Instrumentalness • 32% Positiveness
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Chuck Senrick
It's Alright
102 bpm • A# min • 01:21 • -18.04db
31% Popularity • 72% Danceability • 43% Energy • 10% Liveness
21% Instrumentalness • 80% Positiveness
31% Popularity • 72% Danceability • 43% Energy • 10% Liveness
21% Instrumentalness • 80% Positiveness
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Eddie Harris
The Wok
102 bpm • E Maj • 06:18 • -15.17db
0% Popularity • 54% Danceability • 60% Energy • 1% Liveness
74% Instrumentalness • 81% Positiveness
0% Popularity • 54% Danceability • 60% Energy • 1% Liveness
74% Instrumentalness • 81% Positiveness
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Pryor's Love & Star Struck
People Listen
91 bpm • G Maj • 03:38 • -9.76db
9% Popularity • 30% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
9% Popularity • 30% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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James Mason
Good Thing
90 bpm • G Maj • 03:13 • -7.7db
18% Popularity • 58% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
18% Popularity • 58% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Wendell Harrison
A Green Meadow
102 bpm • C Maj • 05:55 • -3.66db
10% Popularity • 55% Danceability • 79% Energy • 30% Liveness
80% Instrumentalness • 70% Positiveness
10% Popularity • 55% Danceability • 79% Energy • 30% Liveness
80% Instrumentalness • 70% Positiveness
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David Axelrod
The Warnings Part III
102 bpm • D# Maj • 05:06 • -14.2db
8% Popularity • 53% Danceability • 27% Energy • 18% Liveness
11% Instrumentalness • 29% Positiveness
8% Popularity • 53% Danceability • 27% Energy • 18% Liveness
11% Instrumentalness • 29% Positiveness
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Nora Guthrie
Home Before Dark
90 bpm • D Maj • 02:36 • -10db
23% Popularity • 44% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
23% Popularity • 44% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Apple & The Three Oranges
Love Brings Out the Best of You
102 bpm • C Maj • 01:56 • -6.28db
12% Popularity • 50% Danceability • 95% Energy • 66% Liveness
0% Instrumentalness • 72% Positiveness
12% Popularity • 50% Danceability • 95% Energy • 66% Liveness
0% Instrumentalness • 72% Positiveness
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Waltel Branco
Sonho no Céu
102 bpm • C min • 01:55 • -9.77db
31% Popularity • 40% Danceability • 74% Energy • 37% Liveness
86% Instrumentalness • 74% Positiveness
31% Popularity • 40% Danceability • 74% Energy • 37% Liveness
86% Instrumentalness • 74% Positiveness
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James Mason
Funny Girl
90 bpm • C Maj • 04:20 • -9db
21% Popularity • 61% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
21% Popularity • 61% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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George Smallwood
Get Into Your Love
90 bpm • C Maj • 03:25 • -21.58db
20% Popularity • 72% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
20% Popularity • 72% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Charles Stepney
Gotta Dig It to Dig It
103 bpm • A Maj • 03:31 • -13.72db
12% Popularity • 79% Danceability • 61% Energy • 7% Liveness
86% Instrumentalness • 57% Positiveness
12% Popularity • 79% Danceability • 61% Energy • 7% Liveness
86% Instrumentalness • 57% Positiveness
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Ana Mazzotti
Feel Like Making Love
89 bpm • F min • 03:54 • -16.47db
44% Popularity • 56% Danceability • 56% Energy • 25% Liveness
6% Instrumentalness • 63% Positiveness
44% Popularity • 56% Danceability • 56% Energy • 25% Liveness
6% Instrumentalness • 63% Positiveness
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Jus' Us
Just Us Together
89 bpm • A# Maj • 02:26 • -9db
18% Popularity • 55% Danceability • 75% Energy • 24% Liveness
81% Instrumentalness • 79% Positiveness
18% Popularity • 55% Danceability • 75% Energy • 24% Liveness
81% Instrumentalness • 79% Positiveness
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Tommy Mcgee
It's You
103 bpm • C min • 04:18 • -12db
15% Popularity • 38% Danceability • 39% Energy • 12% Liveness
64% Instrumentalness • 23% Positiveness
15% Popularity • 38% Danceability • 39% Energy • 12% Liveness
64% Instrumentalness • 23% Positiveness
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Ronald Langestraat
Gotta get away
89 bpm • B min • 03:47 • -11.09db
26% Popularity • 50% Danceability • 64% Energy • 9% Liveness
9% Instrumentalness • 55% Positiveness
26% Popularity • 50% Danceability • 64% Energy • 9% Liveness
9% Instrumentalness • 55% Positiveness
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Admas
Astawesalehu
89 bpm • E min • 05:28 • -10.91db
31% Popularity • 73% Danceability • 44% Energy • 7% Liveness
2% Instrumentalness • 52% Positiveness
31% Popularity • 73% Danceability • 44% Energy • 7% Liveness
2% Instrumentalness • 52% Positiveness
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Charles Stepney
Daddy's Diddies
104 bpm • C min • 02:00 • -14.02db
31% Popularity • 55% Danceability • 57% Energy • 14% Liveness
93% Instrumentalness • 94% Positiveness
31% Popularity • 55% Danceability • 57% Energy • 14% Liveness
93% Instrumentalness • 94% Positiveness
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Mamman Sani
Tunan
104 bpm • C# min • 03:21 • -7db
33% Popularity • 67% Danceability • 63% Energy • 17% Liveness
21% Instrumentalness • 72% Positiveness
33% Popularity • 67% Danceability • 63% Energy • 17% Liveness
21% Instrumentalness • 72% Positiveness
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Joe Bataan
Ordinary Guy Part 2
89 bpm • G min • 04:49 • -6.31db
33% Popularity • 48% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
33% Popularity • 48% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
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Milton Wright
The Silence That You Keep
104 bpm • D Maj • 03:27 • -5.3db
39% Popularity • 54% Danceability • 88% Energy • 31% Liveness
0% Instrumentalness • 83% Positiveness
39% Popularity • 54% Danceability • 88% Energy • 31% Liveness
0% Instrumentalness • 83% Positiveness
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Ronald Langestraat
Girl where are you?
104 bpm • E min • 03:49 • -11.26db
30% Popularity • 58% Danceability • 52% Energy • 10% Liveness
12% Instrumentalness • 59% Positiveness
30% Popularity • 58% Danceability • 52% Energy • 10% Liveness
12% Instrumentalness • 59% Positiveness
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Erni Clark
Give Me a Piece of Your Love
104 bpm • G Maj • 02:53 • -15.26db
15% Popularity • 67% Danceability • 20% Energy • 11% Liveness
33% Instrumentalness • 20% Positiveness
15% Popularity • 67% Danceability • 20% Energy • 11% Liveness
33% Instrumentalness • 20% Positiveness
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Greenflow
No Other Life Without You
89 bpm • C Maj • 04:38 • -10.96db
33% Popularity • 62% Danceability • 40% Energy • 38% Liveness
5% Instrumentalness • 69% Positiveness
33% Popularity • 62% Danceability • 40% Energy • 38% Liveness
5% Instrumentalness • 69% Positiveness
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Sunbear
Mood 2 "Love At First Sight"
104 bpm • G Maj • 02:49 • -10.95db
18% Popularity • 65% Danceability • 81% Energy • 7% Liveness
82% Instrumentalness • 53% Positiveness
18% Popularity • 65% Danceability • 81% Energy • 7% Liveness
82% Instrumentalness • 53% Positiveness
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Little Beaver
Let's Stay Together
105 bpm • G min • 03:00 • -7.56db
30% Popularity • 62% Danceability • 72% Energy • 15% Liveness
90% Instrumentalness • 62% Positiveness
30% Popularity • 62% Danceability • 72% Energy • 15% Liveness
90% Instrumentalness • 62% Positiveness
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Eric Relph
Pretty Darlin'
105 bpm • A Maj • 04:14 • -14.08db
18% Popularity • 50% Danceability • 34% Energy • 34% Liveness
38% Instrumentalness • 46% Positiveness
18% Popularity • 50% Danceability • 34% Energy • 34% Liveness
38% Instrumentalness • 46% Positiveness
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Phil Ranelin
Wife - Extended Version
105 bpm • A min • 04:59 • -18.8db
3% Popularity • 41% Danceability • 18% Energy • 6% Liveness
81% Instrumentalness • 19% Positiveness
3% Popularity • 41% Danceability • 18% Energy • 6% Liveness
81% Instrumentalness • 19% Positiveness
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Flora Purim
Open Your Eyes, You Can Fly
105 bpm • E min • 04:29 • -7.86db
23% Popularity • 48% Danceability • 83% Energy • 9% Liveness
1% Instrumentalness • 83% Positiveness
23% Popularity • 48% Danceability • 83% Energy • 9% Liveness
1% Instrumentalness • 83% Positiveness
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Puccio Roelens
Northern Lights
105 bpm • F min • 05:18 • -19.19db
21% Popularity • 68% Danceability • 31% Energy • 12% Liveness
86% Instrumentalness • 88% Positiveness
21% Popularity • 68% Danceability • 31% Energy • 12% Liveness
86% Instrumentalness • 88% Positiveness
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The Ethics
Lost in A Lonely World
105 bpm • E min • 02:34 • -11.12db
35% Popularity • 50% Danceability • 12% Energy • 10% Liveness
7% Instrumentalness • 20% Positiveness
35% Popularity • 50% Danceability • 12% Energy • 10% Liveness
7% Instrumentalness • 20% Positiveness
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Hailu Mergia
Yemiasleks Fikir
105 bpm • E Maj • 04:04 • -9.8db
22% Popularity • 30% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
22% Popularity • 30% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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Key & Cleary
Since I Lost Your Love
88 bpm • C# Maj • 02:51 • -16.57db
16% Popularity • 76% Danceability • 21% Energy • 10% Liveness
1% Instrumentalness • 71% Positiveness
16% Popularity • 76% Danceability • 21% Energy • 10% Liveness
1% Instrumentalness • 71% Positiveness
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Phil Ranelin
Merciful
105 bpm • D# min • 06:05 • -13.08db
3% Popularity • 27% Danceability • 20% Energy • 12% Liveness
95% Instrumentalness • 8% Positiveness
3% Popularity • 27% Danceability • 20% Energy • 12% Liveness
95% Instrumentalness • 8% Positiveness
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General Lee
The Bridge Of Love
88 bpm • B Maj • 02:47 • -9.26db
16% Popularity • 57% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
16% Popularity • 57% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
