Songs like Girl Nap by Brian McBride
Based on a tempo of (+/- 10%) and a similar genre
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Chihei Hatakeyama
Prince of the Sea
77 bpm • C Maj • 07:39 • -8.64db
26% Popularity • 8% Danceability • 35% Energy • 6% Liveness
89% Instrumentalness • 3% Positiveness
26% Popularity • 8% Danceability • 35% Energy • 6% Liveness
89% Instrumentalness • 3% Positiveness
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Machinefabriek
Zucht 2
77 bpm • B min • 09:21 • -28db
24% Popularity • 6% Danceability • 0% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
24% Popularity • 6% Danceability • 0% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
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Brian McBride
Piano Abg
77 bpm • G Maj • 04:33 • -30.15db
29% Popularity • 9% Danceability • 1% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
29% Popularity • 9% Danceability • 1% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
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Chris Walla
Kanta's Theme
77 bpm • D Maj • 06:42 • -21.82db
32% Popularity • 29% Danceability • 6% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
32% Popularity • 29% Danceability • 6% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Sylvain Chauveau
Noir
77 bpm • C Maj • 01:17 • -34.31db
26% Popularity • 19% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 5% Positiveness
26% Popularity • 19% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 5% Positiveness
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Yo La Tengo
Shortwave
77 bpm • C# min • 05:44 • -18.12db
23% Popularity • 6% Danceability • 13% Energy • 9% Liveness
95% Instrumentalness • 2% Positiveness
23% Popularity • 6% Danceability • 13% Energy • 9% Liveness
95% Instrumentalness • 2% Positiveness
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Hakobune
Kazahana
77 bpm • B min • 03:48 • -23.04db
19% Popularity • 15% Danceability • 19% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
19% Popularity • 15% Danceability • 19% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Harold Budd
Their Memories - 2005 Digital Remaster
77 bpm • G Maj • 02:57 • -30.31db
37% Popularity • 12% Danceability • 8% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
37% Popularity • 12% Danceability • 8% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Brian McBride
Girl Nap
77 bpm • E Maj • 03:51 • -20.99db
30% Popularity • 9% Danceability • 18% Energy • 12% Liveness
92% Instrumentalness • 3% Positiveness
30% Popularity • 9% Danceability • 18% Energy • 12% Liveness
92% Instrumentalness • 3% Positiveness
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Christina Vantzou
Some Limited and Waning Memory
77 bpm • G Maj • 05:26 • -23.59db
14% Popularity • 16% Danceability • 12% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
14% Popularity • 16% Danceability • 12% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
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Sarah Davachi
Garlands
77 bpm • A min • 02:54 • -25.25db
19% Popularity • 14% Danceability • 11% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
19% Popularity • 14% Danceability • 11% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Arovane
Stars Collide
77 bpm • A min • 03:36 • -21db
24% Popularity • 11% Danceability • 17% Energy • 6% Liveness
89% Instrumentalness • 5% Positiveness
24% Popularity • 11% Danceability • 17% Energy • 6% Liveness
89% Instrumentalness • 5% Positiveness
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Alio Die, Gregorio Bardini
Ruins Garden Drones
77 bpm • E min • 09:08 • -26.31db
24% Popularity • 14% Danceability • 22% Energy • 7% Liveness
88% Instrumentalness • 15% Positiveness
24% Popularity • 14% Danceability • 22% Energy • 7% Liveness
88% Instrumentalness • 15% Positiveness
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Olan Mill
Eye's Closed (For Rube)
77 bpm • C Maj • 02:43 • -18.47db
10% Popularity • 15% Danceability • 29% Energy • 9% Liveness
70% Instrumentalness • 4% Positiveness
10% Popularity • 15% Danceability • 29% Energy • 9% Liveness
70% Instrumentalness • 4% Positiveness
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Deaf Center
Lamp Mien
77 bpm • A# min • 03:58 • -19.44db
14% Popularity • 13% Danceability • 13% Energy • 12% Liveness
90% Instrumentalness • 8% Positiveness
14% Popularity • 13% Danceability • 13% Energy • 12% Liveness
90% Instrumentalness • 8% Positiveness
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Julianna Barwick
Envelop
77 bpm • A Maj • 05:39 • -16db
26% Popularity • 7% Danceability • 27% Energy • 7% Liveness
98% Instrumentalness • 4% Positiveness
26% Popularity • 7% Danceability • 27% Energy • 7% Liveness
98% Instrumentalness • 4% Positiveness
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Christina Vantzou
And Instantly Take Effect
77 bpm • C Maj • 07:04 • -21.72db
11% Popularity • 10% Danceability • 14% Energy • 8% Liveness
91% Instrumentalness • 3% Positiveness
11% Popularity • 10% Danceability • 14% Energy • 8% Liveness
91% Instrumentalness • 3% Positiveness
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Robert Rich
Memories of Wandering, Pt. 1
76 bpm • E min • 05:02 • -29db
26% Popularity • 7% Danceability • 7% Energy • 37% Liveness
90% Instrumentalness • 4% Positiveness
26% Popularity • 7% Danceability • 7% Energy • 37% Liveness
90% Instrumentalness • 4% Positiveness
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Ex Confusion
With You
76 bpm • E min • 03:13 • -25.45db
27% Popularity • 7% Danceability • 8% Energy • 7% Liveness
80% Instrumentalness • 3% Positiveness
27% Popularity • 7% Danceability • 8% Energy • 7% Liveness
80% Instrumentalness • 3% Positiveness
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Brian McBride
I Will
76 bpm • G# Maj • 05:44 • -20db
28% Popularity • 11% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 3% Positiveness
28% Popularity • 11% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 3% Positiveness
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Laraaji
Introspection - Edit
76 bpm • A min • 02:35 • -21.8db
35% Popularity • 14% Danceability • 12% Energy • 7% Liveness
63% Instrumentalness • 3% Positiveness
35% Popularity • 14% Danceability • 12% Energy • 7% Liveness
63% Instrumentalness • 3% Positiveness
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Brian Eno
Triennale
76 bpm • F min • 04:06 • -17.31db
31% Popularity • 12% Danceability • 11% Energy • 32% Liveness
85% Instrumentalness • 4% Positiveness
31% Popularity • 12% Danceability • 11% Energy • 32% Liveness
85% Instrumentalness • 4% Positiveness
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Ian Hawgood
Humanity
78 bpm • C Maj • 07:00 • -17.84db
19% Popularity • 13% Danceability • 11% Energy • 10% Liveness
79% Instrumentalness • 3% Positiveness
19% Popularity • 13% Danceability • 11% Energy • 10% Liveness
79% Instrumentalness • 3% Positiveness
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Julianna Barwick
Look Into Your Own Mind
78 bpm • D# Maj • 04:36 • -11.38db
22% Popularity • 9% Danceability • 33% Energy • 19% Liveness
99% Instrumentalness • 3% Positiveness
22% Popularity • 9% Danceability • 33% Energy • 19% Liveness
99% Instrumentalness • 3% Positiveness
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Ex Confusion
Desire
76 bpm • B Maj • 06:20 • -30.16db
23% Popularity • 11% Danceability • 3% Energy • 10% Liveness
79% Instrumentalness • 3% Positiveness
23% Popularity • 11% Danceability • 3% Energy • 10% Liveness
79% Instrumentalness • 3% Positiveness
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Felicia Atkinson
ME
76 bpm • C Maj • 04:21 • -27.35db
29% Popularity • 34% Danceability • 2% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
29% Popularity • 34% Danceability • 2% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
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Hammock
Maybe They Will Sing for Us Tomorrow
78 bpm • F Maj • 05:08 • -16db
44% Popularity • 12% Danceability • 24% Energy • 5% Liveness
92% Instrumentalness • 4% Positiveness
44% Popularity • 12% Danceability • 24% Energy • 5% Liveness
92% Instrumentalness • 4% Positiveness
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willamette
portrait of a sleeping girl with radio
76 bpm • F Maj • 03:35 • -21.35db
24% Popularity • 16% Danceability • 17% Energy • 11% Liveness
76% Instrumentalness • 10% Positiveness
24% Popularity • 16% Danceability • 17% Energy • 11% Liveness
76% Instrumentalness • 10% Positiveness
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Laurence Crane
Prelude for HS
76 bpm • E Maj • 02:49 • -32.09db
10% Popularity • 23% Danceability • 0% Energy • 10% Liveness
99% Instrumentalness • 38% Positiveness
10% Popularity • 23% Danceability • 0% Energy • 10% Liveness
99% Instrumentalness • 38% Positiveness
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Bing & Ruth
Reflector
76 bpm • A# Maj • 07:20 • -26.22db
31% Popularity • 7% Danceability • 4% Energy • 12% Liveness
93% Instrumentalness • 3% Positiveness
31% Popularity • 7% Danceability • 4% Energy • 12% Liveness
93% Instrumentalness • 3% Positiveness
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John Foxx
Sunlit Silhouette
76 bpm • C Maj • 03:15 • -29.73db
27% Popularity • 7% Danceability • 6% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
27% Popularity • 7% Danceability • 6% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Brian Eno
Emerald and Lime
78 bpm • B Maj • 03:02 • -21db
35% Popularity • 8% Danceability • 10% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
35% Popularity • 8% Danceability • 10% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Robin Guthrie
How Close Your Soul
76 bpm • E min • 07:36 • -27.66db
23% Popularity • 9% Danceability • 12% Energy • 10% Liveness
94% Instrumentalness • 14% Positiveness
23% Popularity • 9% Danceability • 12% Energy • 10% Liveness
94% Instrumentalness • 14% Positiveness
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Biosphere
Warmed By the Drift
78 bpm • B min • 06:50 • -19.7db
21% Popularity • 16% Danceability • 20% Energy • 12% Liveness
84% Instrumentalness • 12% Positiveness
21% Popularity • 16% Danceability • 20% Energy • 12% Liveness
84% Instrumentalness • 12% Positiveness
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Stars Of The Lid
Don't Bother They're Here
76 bpm • C# Maj • 10:10 • -28db
42% Popularity • 11% Danceability • 1% Energy • 13% Liveness
88% Instrumentalness • 3% Positiveness
42% Popularity • 11% Danceability • 1% Energy • 13% Liveness
88% Instrumentalness • 3% Positiveness
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Bing & Ruth
Just Like the First Time
78 bpm • G# Maj • 07:10 • -39.31db
17% Popularity • 11% Danceability • 0% Energy • 9% Liveness
92% Instrumentalness • 6% Positiveness
17% Popularity • 11% Danceability • 0% Energy • 9% Liveness
92% Instrumentalness • 6% Positiveness
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Brian McBride
The Stringer to Light Feed Frenzy
76 bpm • G Maj • 04:47 • -29.88db
17% Popularity • 16% Danceability • 3% Energy • 11% Liveness
97% Instrumentalness • 7% Positiveness
17% Popularity • 16% Danceability • 3% Energy • 11% Liveness
97% Instrumentalness • 7% Positiveness
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Jon McCafferty
Anchor States, Part 1
75 bpm • G# Maj • 04:27 • -18.93db
13% Popularity • 7% Danceability • 10% Energy • 11% Liveness
79% Instrumentalness • 4% Positiveness
13% Popularity • 7% Danceability • 10% Energy • 11% Liveness
79% Instrumentalness • 4% Positiveness
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Olan Mill
Seadailer
78 bpm • C Maj • 04:27 • -21.82db
14% Popularity • 7% Danceability • 21% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
14% Popularity • 7% Danceability • 21% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
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Eraldo Bernocchi
Winter Garden
79 bpm • F Maj • 04:45 • -14.94db
21% Popularity • 13% Danceability • 28% Energy • 12% Liveness
94% Instrumentalness • 5% Positiveness
21% Popularity • 13% Danceability • 28% Energy • 12% Liveness
94% Instrumentalness • 5% Positiveness
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Nobuto Suda
One
75 bpm • F# Maj • 04:48 • -25db
31% Popularity • 18% Danceability • 5% Energy • 8% Liveness
87% Instrumentalness • 3% Positiveness
31% Popularity • 18% Danceability • 5% Energy • 8% Liveness
87% Instrumentalness • 3% Positiveness
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Bing & Ruth
The How of it Sped
75 bpm • A# min • 05:47 • -23.32db
34% Popularity • 35% Danceability • 17% Energy • 11% Liveness
84% Instrumentalness • 6% Positiveness
34% Popularity • 35% Danceability • 17% Energy • 11% Liveness
84% Instrumentalness • 6% Positiveness
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Stars Of The Lid
Articulate Silences, Pt. 2
75 bpm • D Maj • 05:37 • -23db
36% Popularity • 7% Danceability • 12% Energy • 10% Liveness
82% Instrumentalness • 3% Positiveness
36% Popularity • 7% Danceability • 12% Energy • 10% Liveness
82% Instrumentalness • 3% Positiveness
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Brian McBride
Chamber Minuet
75 bpm • B Maj • 02:43 • -25.37db
20% Popularity • 14% Danceability • 17% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
20% Popularity • 14% Danceability • 17% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Christina Vantzou
Super Interlude Pt. 2
79 bpm • A min • 04:37 • -18.79db
14% Popularity • 14% Danceability • 8% Energy • 13% Liveness
80% Instrumentalness • 3% Positiveness
14% Popularity • 14% Danceability • 8% Energy • 13% Liveness
80% Instrumentalness • 3% Positiveness
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Brian Eno
Like I Was A Spectator
75 bpm • C Maj • 04:23 • -21.07db
22% Popularity • 7% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
22% Popularity • 7% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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Federico Durand
Lluvia de estrellas
79 bpm • A Maj • 07:32 • -22db
26% Popularity • 22% Danceability • 20% Energy • 8% Liveness
91% Instrumentalness • 5% Positiveness
26% Popularity • 22% Danceability • 20% Energy • 8% Liveness
91% Instrumentalness • 5% Positiveness
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Kyle Bobby Dunn
An Excrement Suite for Voices Lost Again
75 bpm • F Maj • 04:06 • -28db
20% Popularity • 15% Danceability • 8% Energy • 13% Liveness
92% Instrumentalness • 3% Positiveness
20% Popularity • 15% Danceability • 8% Energy • 13% Liveness
92% Instrumentalness • 3% Positiveness
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Bing & Ruth
Police Police Police Police Police
79 bpm • C# min • 06:04 • -23db
21% Popularity • 15% Danceability • 15% Energy • 10% Liveness
83% Instrumentalness • 8% Positiveness
21% Popularity • 15% Danceability • 15% Energy • 10% Liveness
83% Instrumentalness • 8% Positiveness
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Stars Of The Lid
Requiem for Dying Mothers, Pt. 2
75 bpm • A# Maj • 07:37 • -25.3db
34% Popularity • 7% Danceability • 13% Energy • 9% Liveness
83% Instrumentalness • 3% Positiveness
34% Popularity • 7% Danceability • 13% Energy • 9% Liveness
83% Instrumentalness • 3% Positiveness
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Christina Vantzou
Vancouver Island Quartet
75 bpm • E Maj • 03:31 • -15.08db
12% Popularity • 20% Danceability • 28% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
12% Popularity • 20% Danceability • 28% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
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The Sight Below
Further Away
75 bpm • E min • 05:57 • -21.64db
17% Popularity • 8% Danceability • 13% Energy • 6% Liveness
80% Instrumentalness • 4% Positiveness
17% Popularity • 8% Danceability • 13% Energy • 6% Liveness
80% Instrumentalness • 4% Positiveness
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The Dead Texan
Girth Rides A (Horse) +
79 bpm • E Maj • 02:33 • -19.96db
31% Popularity • 16% Danceability • 9% Energy • 8% Liveness
85% Instrumentalness • 4% Positiveness
31% Popularity • 16% Danceability • 9% Energy • 8% Liveness
85% Instrumentalness • 4% Positiveness
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Aix Em Klemm
The Girl With the Flesh Colored Crayon
75 bpm • A Maj • 06:32 • -18.32db
31% Popularity • 9% Danceability • 27% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
31% Popularity • 9% Danceability • 27% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
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Adam Wiltzie
Armstrong Opening / Closing
79 bpm • E min • 02:53 • -17.94db
12% Popularity • 16% Danceability • 19% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
12% Popularity • 16% Danceability • 19% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
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Eraldo Bernocchi
Don't Go Where I Can't Find You
75 bpm • B Maj • 04:53 • -21.09db
34% Popularity • 8% Danceability • 10% Energy • 9% Liveness
79% Instrumentalness • 4% Positiveness
34% Popularity • 8% Danceability • 10% Energy • 9% Liveness
79% Instrumentalness • 4% Positiveness
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Hirotaka Shirotsubaki
Yanagiwara
75 bpm • F# Maj • 07:27 • -25db
31% Popularity • 13% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
31% Popularity • 13% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
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Daniel Lanois
Low Sudden
75 bpm • E min • 02:38 • -27.68db
27% Popularity • 19% Danceability • 4% Energy • 11% Liveness
79% Instrumentalness • 4% Positiveness
27% Popularity • 19% Danceability • 4% Energy • 11% Liveness
79% Instrumentalness • 4% Positiveness
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Mary Lattimore
Jimmy V
79 bpm • F min • 05:57 • -16.56db
30% Popularity • 34% Danceability • 9% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
30% Popularity • 34% Danceability • 9% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Olan Mill
The Prescribed Individual
75 bpm • D min • 02:55 • -24.7db
21% Popularity • 19% Danceability • 4% Energy • 7% Liveness
77% Instrumentalness • 4% Positiveness
21% Popularity • 19% Danceability • 4% Energy • 7% Liveness
77% Instrumentalness • 4% Positiveness
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Biosphere
Dissolving Clouds
75 bpm • D# Maj • 04:28 • -30db
40% Popularity • 6% Danceability • 5% Energy • 11% Liveness
78% Instrumentalness • 3% Positiveness
40% Popularity • 6% Danceability • 5% Energy • 11% Liveness
78% Instrumentalness • 3% Positiveness
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John Foxx
A Change in the Weather
80 bpm • C min • 02:41 • -26.81db
21% Popularity • 10% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
21% Popularity • 10% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Benoît Pioulard
Noyaux
74 bpm • A Maj • 09:22 • -21.6db
15% Popularity • 7% Danceability • 20% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
15% Popularity • 7% Danceability • 20% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Jon McCafferty
Low Level Listening, Part 2
80 bpm • B min • 08:42 • -28.21db
12% Popularity • 9% Danceability • 24% Energy • 26% Liveness
91% Instrumentalness • 4% Positiveness
12% Popularity • 9% Danceability • 24% Energy • 26% Liveness
91% Instrumentalness • 4% Positiveness
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Stars Of The Lid
Dungtitled (In a Major)
74 bpm • A Maj • 05:54 • -22.62db
41% Popularity • 11% Danceability • 21% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
41% Popularity • 11% Danceability • 21% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
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Chuck Johnson
Riga Black
74 bpm • F# min • 06:38 • -16.55db
28% Popularity • 7% Danceability • 10% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
28% Popularity • 7% Danceability • 10% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
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Eluvium
Beyond the Moon for Someone in Reverse
80 bpm • D# Maj • 08:51 • -11.14db
16% Popularity • 7% Danceability • 10% Energy • 8% Liveness
99% Instrumentalness • 4% Positiveness
16% Popularity • 7% Danceability • 10% Energy • 8% Liveness
99% Instrumentalness • 4% Positiveness
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Hammock
Dust Swirling Into Your Shape
74 bpm • G# min • 03:48 • -19.16db
28% Popularity • 20% Danceability • 22% Energy • 14% Liveness
84% Instrumentalness • 4% Positiveness
28% Popularity • 20% Danceability • 22% Energy • 14% Liveness
84% Instrumentalness • 4% Positiveness
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Library Tapes
Fragment II
80 bpm • F Maj • 04:00 • -21.32db
42% Popularity • 25% Danceability • 5% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
42% Popularity • 25% Danceability • 5% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
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Aix Em Klemm
Prue Lewarne
74 bpm • D Maj • 07:19 • -19.35db
15% Popularity • 7% Danceability • 24% Energy • 9% Liveness
85% Instrumentalness • 4% Positiveness
15% Popularity • 7% Danceability • 24% Energy • 9% Liveness
85% Instrumentalness • 4% Positiveness
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Marsen Jules
Fanes D'Automne
74 bpm • C Maj • 06:09 • -18.42db
20% Popularity • 14% Danceability • 17% Energy • 14% Liveness
95% Instrumentalness • 3% Positiveness
20% Popularity • 14% Danceability • 17% Energy • 14% Liveness
95% Instrumentalness • 3% Positiveness
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Bing & Ruth
Scrapes
80 bpm • C# Maj • 05:18 • -21db
23% Popularity • 9% Danceability • 18% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
23% Popularity • 9% Danceability • 18% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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Robin Guthrie
How Distant Your Heart
80 bpm • A# Maj • 04:03 • -24.73db
26% Popularity • 37% Danceability • 8% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
26% Popularity • 37% Danceability • 8% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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The Dead Texan
La Ballade D'alain Georges
74 bpm • E Maj • 06:23 • -24.02db
25% Popularity • 9% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
25% Popularity • 9% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Tom Rogerson
Idea of Order at Kyson Point
74 bpm • G Maj • 03:30 • -22.23db
23% Popularity • 27% Danceability • 5% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
23% Popularity • 27% Danceability • 5% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Lawrence English
The Prelude To
74 bpm • D Maj • 02:16 • -25.7db
21% Popularity • 16% Danceability • 5% Energy • 9% Liveness
99% Instrumentalness • 3% Positiveness
21% Popularity • 16% Danceability • 5% Energy • 9% Liveness
99% Instrumentalness • 3% Positiveness
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Gregg Kowalsky
Coral Gables
74 bpm • A# min • 05:50 • -28.59db
16% Popularity • 12% Danceability • 12% Energy • 9% Liveness
87% Instrumentalness • 5% Positiveness
16% Popularity • 12% Danceability • 12% Energy • 9% Liveness
87% Instrumentalness • 5% Positiveness
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Sawako
april ~ from sea shell
74 bpm • D Maj • 03:10 • -20.09db
23% Popularity • 14% Danceability • 7% Energy • 11% Liveness
48% Instrumentalness • 4% Positiveness
23% Popularity • 14% Danceability • 7% Energy • 11% Liveness
48% Instrumentalness • 4% Positiveness
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Abul Mogard
Half Light of Dawn
74 bpm • G min • 06:48 • -22db
33% Popularity • 6% Danceability • 2% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
33% Popularity • 6% Danceability • 2% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Harold Budd
The Pearl - 2005 Digital Remaster
74 bpm • G min • 03:14 • -41.16db
37% Popularity • 7% Danceability • 0% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
37% Popularity • 7% Danceability • 0% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Celer
Indistinguishable from Magic
74 bpm • C min • 05:48 • -38.44db
30% Popularity • 7% Danceability • 4% Energy • 13% Liveness
92% Instrumentalness • 22% Positiveness
30% Popularity • 7% Danceability • 4% Energy • 13% Liveness
92% Instrumentalness • 22% Positiveness
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Bing & Ruth
Starwood Choker
74 bpm • B Maj • 06:16 • -19db
39% Popularity • 7% Danceability • 21% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
39% Popularity • 7% Danceability • 21% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Biosphere
Sphere Of No-Form - Alternative Version
80 bpm • A# min • 08:23 • -24.88db
32% Popularity • 17% Danceability • 31% Energy • 8% Liveness
95% Instrumentalness • 8% Positiveness
32% Popularity • 17% Danceability • 31% Energy • 8% Liveness
95% Instrumentalness • 8% Positiveness
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Eraldo Bernocchi
Losing My Breath
74 bpm • C Maj • 04:04 • -20.3db
19% Popularity • 18% Danceability • 18% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
19% Popularity • 18% Danceability • 18% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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Robin Guthrie
Deva C
74 bpm • A Maj • 03:51 • -26.76db
21% Popularity • 7% Danceability • 9% Energy • 9% Liveness
95% Instrumentalness • 8% Positiveness
21% Popularity • 7% Danceability • 9% Energy • 9% Liveness
95% Instrumentalness • 8% Positiveness
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Jónsi
All The Big Trees - 2019 Remaster
74 bpm • G# Maj • 05:15 • -20db
24% Popularity • 13% Danceability • 30% Energy • 9% Liveness
52% Instrumentalness • 5% Positiveness
24% Popularity • 13% Danceability • 30% Energy • 9% Liveness
52% Instrumentalness • 5% Positiveness
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A Winged Victory for the Sullen
Steep Hills of Vicodin Tears
74 bpm • B Maj • 04:26 • -21.96db
41% Popularity • 10% Danceability • 8% Energy • 12% Liveness
83% Instrumentalness • 5% Positiveness
41% Popularity • 10% Danceability • 8% Energy • 12% Liveness
83% Instrumentalness • 5% Positiveness
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Eluvium
We Say Goodbye To Ourselves
74 bpm • D Maj • 02:09 • -21.13db
27% Popularity • 18% Danceability • 25% Energy • 11% Liveness
97% Instrumentalness • 24% Positiveness
27% Popularity • 18% Danceability • 25% Energy • 11% Liveness
97% Instrumentalness • 24% Positiveness
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Harold Budd
A Stream With Bright Fish - 2005 Digital...
81 bpm • D# Maj • 03:56 • -33.4db
45% Popularity • 8% Danceability • 5% Energy • 10% Liveness
91% Instrumentalness • 13% Positiveness
45% Popularity • 8% Danceability • 5% Energy • 10% Liveness
91% Instrumentalness • 13% Positiveness
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Christina Vantzou
11: 11
73 bpm • C Maj • 04:05 • -22.15db
20% Popularity • 16% Danceability • 10% Energy • 22% Liveness
90% Instrumentalness • 3% Positiveness
20% Popularity • 16% Danceability • 10% Energy • 22% Liveness
90% Instrumentalness • 3% Positiveness
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Kyle Bobby Dunn
Sedentary II
81 bpm • C Maj • 03:20 • -26.73db
22% Popularity • 32% Danceability • 1% Energy • 12% Liveness
90% Instrumentalness • 8% Positiveness
22% Popularity • 32% Danceability • 1% Energy • 12% Liveness
90% Instrumentalness • 8% Positiveness
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Taylor Deupree
Minism
81 bpm • C# Maj • 03:47 • -26.75db
39% Popularity • 21% Danceability • 2% Energy • 6% Liveness
82% Instrumentalness • 7% Positiveness
39% Popularity • 21% Danceability • 2% Energy • 6% Liveness
82% Instrumentalness • 7% Positiveness
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Laraaji
Meditation No. 2
81 bpm • D min • 07:50 • -26.77db
34% Popularity • 13% Danceability • 9% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
34% Popularity • 13% Danceability • 9% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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Steve Roach
Infinite Shore
81 bpm • F# Maj • 07:47 • -19.01db
27% Popularity • 15% Danceability • 27% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
27% Popularity • 15% Danceability • 27% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Bing & Ruth
TWTGA
81 bpm • A# Maj • 05:55 • -30.65db
34% Popularity • 11% Danceability • 9% Energy • 12% Liveness
97% Instrumentalness • 10% Positiveness
34% Popularity • 11% Danceability • 9% Energy • 12% Liveness
97% Instrumentalness • 10% Positiveness
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Christina Vantzou
Adversary
81 bpm • A Maj • 07:35 • -20.03db
19% Popularity • 8% Danceability • 20% Energy • 7% Liveness
96% Instrumentalness • 3% Positiveness
19% Popularity • 8% Danceability • 20% Energy • 7% Liveness
96% Instrumentalness • 3% Positiveness
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Deaf Center
Lobby
73 bpm • F# Maj • 03:01 • -26.58db
19% Popularity • 17% Danceability • 8% Energy • 13% Liveness
63% Instrumentalness • 11% Positiveness
19% Popularity • 17% Danceability • 8% Energy • 13% Liveness
63% Instrumentalness • 11% Positiveness
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Kara-Lis Coverdale
Moments In Love
73 bpm • C min • 09:23 • -28.43db
38% Popularity • 41% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 17% Positiveness
38% Popularity • 41% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 17% Positiveness
