Songs like Girl Talk by Frank Sinatra Jr. (Duet with Steve Tyrell)
Based on a tempo of (+/- 10%) and a similar genre
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George Benson
Walkin’ My Baby Back Home
110 bpm • C# Maj • 02:43 • -9.54db
13% Popularity • 67% Danceability • 37% Energy • 26% Liveness
0% Instrumentalness • 55% Positiveness
13% Popularity • 67% Danceability • 37% Energy • 26% Liveness
0% Instrumentalness • 55% Positiveness
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Teddy Mac - The Songaminute Man
Quando Quando Quando
110 bpm • C Maj • 02:41 • -9.83db
10% Popularity • 47% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
10% Popularity • 47% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Geoffrey Gascoyne
Thinking of You
110 bpm • D Maj • 02:48 • -12.46db
21% Popularity • 62% Danceability • 16% Energy • 20% Liveness
0% Instrumentalness • 45% Positiveness
21% Popularity • 62% Danceability • 16% Energy • 20% Liveness
0% Instrumentalness • 45% Positiveness
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Paul Anka
Pennies From Heaven
110 bpm • D Maj • 04:10 • -10.13db
51% Popularity • 74% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
51% Popularity • 74% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Frank Sinatra Jr. (Duet with Steve Tyrell)
Girl Talk
110 bpm • C# Maj • 04:52 • -12.51db
12% Popularity • 49% Danceability • 32% Energy • 37% Liveness
0% Instrumentalness • 35% Positiveness
12% Popularity • 49% Danceability • 32% Energy • 37% Liveness
0% Instrumentalness • 35% Positiveness
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Linda Ronstadt
Am I Blue
110 bpm • C# Maj • 02:59 • -17.36db
24% Popularity • 58% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
24% Popularity • 58% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Bertin Osborne
Theme of New York, New York
110 bpm • D Maj • 03:13 • -6.01db
24% Popularity • 60% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
24% Popularity • 60% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Natalie Cole
They Can't Take That Away From Me
110 bpm • D Maj • 03:11 • -8db
39% Popularity • 63% Danceability • 42% Energy • 24% Liveness
0% Instrumentalness • 43% Positiveness
39% Popularity • 63% Danceability • 42% Energy • 24% Liveness
0% Instrumentalness • 43% Positiveness
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Pery Ribeiro
Moon River (Bossa Version)
110 bpm • G Maj • 03:34 • -19.85db
31% Popularity • 64% Danceability • 19% Energy • 8% Liveness
4% Instrumentalness • 10% Positiveness
31% Popularity • 64% Danceability • 19% Energy • 8% Liveness
4% Instrumentalness • 10% Positiveness
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Kate Michaels
Every Baby Needs A Da-Da Daddy
110 bpm • A min • 03:05 • -9.76db
12% Popularity • 66% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
12% Popularity • 66% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Casey MacGill
Rhythm / Throw That Girl Around / Show M...
110 bpm • E min • 08:41 • -10.56db
7% Popularity • 56% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
7% Popularity • 56% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
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Johnny Mercer & The Pied Pipers
My Sugar Is So Refined
110 bpm • F Maj • 02:40 • -11.47db
16% Popularity • 76% Danceability • 17% Energy • 22% Liveness
0% Instrumentalness • 58% Positiveness
16% Popularity • 76% Danceability • 17% Energy • 22% Liveness
0% Instrumentalness • 58% Positiveness
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Royal Crown Revue
I Love the Life I Live
110 bpm • G# Maj • 03:37 • -11db
19% Popularity • 78% Danceability • 37% Energy • 21% Liveness
0% Instrumentalness • 43% Positiveness
19% Popularity • 78% Danceability • 37% Energy • 21% Liveness
0% Instrumentalness • 43% Positiveness
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Russ Freeman & The Rippingtons
I'll Be Around
110 bpm • G min • 04:04 • -7.53db
34% Popularity • 77% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
34% Popularity • 77% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Gabriela Anders
The Girl from Impanema
110 bpm • G# Maj • 04:26 • -15.22db
32% Popularity • 77% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
32% Popularity • 77% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Sammy Davis Jr.
Tea for Two - Remastered
111 bpm • F Maj • 02:33 • -6.95db
11% Popularity • 52% Danceability • 24% Energy • 24% Liveness
0% Instrumentalness • 40% Positiveness
11% Popularity • 52% Danceability • 24% Energy • 24% Liveness
0% Instrumentalness • 40% Positiveness
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Count Basie
Life Is a Song (Let's Sing It Together) ...
109 bpm • A min • 02:55 • -13.42db
15% Popularity • 48% Danceability • 26% Energy • 28% Liveness
0% Instrumentalness • 50% Positiveness
15% Popularity • 48% Danceability • 26% Energy • 28% Liveness
0% Instrumentalness • 50% Positiveness
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Frankie Randall
The More I See You
111 bpm • C Maj • 03:34 • -15.55db
28% Popularity • 48% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
28% Popularity • 48% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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Natalie Cole
Walkin' My Baby Back Home
111 bpm • D# min • 02:59 • -6.6db
39% Popularity • 61% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
39% Popularity • 61% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
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Nat King Cole
Walkin' My Baby Back Home
111 bpm • C# Maj • 02:38 • -10.41db
43% Popularity • 59% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
43% Popularity • 59% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Adrian Cunningham
Everybody Wants To Be A Cat
109 bpm • D min • 03:48 • -11.54db
9% Popularity • 72% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
9% Popularity • 72% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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The Ray Conniff Singers
Days Of Wine And Roses
111 bpm • A# min • 02:43 • -15.49db
18% Popularity • 61% Danceability • 21% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
18% Popularity • 61% Danceability • 21% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
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Frank Sinatra with Tommy Dorsey and His Orchestra
Too Romantic
109 bpm • F Maj • 03:11 • -12.68db
13% Popularity • 39% Danceability • 13% Energy • 38% Liveness
81% Instrumentalness • 36% Positiveness
13% Popularity • 39% Danceability • 13% Energy • 38% Liveness
81% Instrumentalness • 36% Positiveness
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Lou Rawls
Scotch & Soda
109 bpm • G min • 02:58 • -9db
37% Popularity • 66% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
37% Popularity • 66% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
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Sammy Davis Jr.
Can't We Be Friends
108 bpm • F# Maj • 02:55 • -11.17db
13% Popularity • 67% Danceability • 26% Energy • 32% Liveness
0% Instrumentalness • 33% Positiveness
13% Popularity • 67% Danceability • 26% Energy • 32% Liveness
0% Instrumentalness • 33% Positiveness
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Tony Bennett
Until I Met You
108 bpm • C Maj • 02:51 • -18.56db
16% Popularity • 74% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
16% Popularity • 74% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Johnny Hartman
Our Love Is Here To Stay
112 bpm • C Maj • 02:13 • -13.39db
38% Popularity • 52% Danceability • 25% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
38% Popularity • 52% Danceability • 25% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
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Dean Martin
Let's Be Friendly
112 bpm • F min • 02:02 • -13.44db
20% Popularity • 51% Danceability • 22% Energy • 27% Liveness
0% Instrumentalness • 64% Positiveness
20% Popularity • 51% Danceability • 22% Energy • 27% Liveness
0% Instrumentalness • 64% Positiveness
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The McGuire Sisters
Tip Toe Through The Tulips With Me
112 bpm • A# Maj • 02:33 • -11.25db
23% Popularity • 80% Danceability • 30% Energy • 5% Liveness
0% Instrumentalness • 50% Positiveness
23% Popularity • 80% Danceability • 30% Energy • 5% Liveness
0% Instrumentalness • 50% Positiveness
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Dionne Warwick
What the World Needs Now (Is Love)
112 bpm • B min • 03:09 • -12.75db
53% Popularity • 59% Danceability • 29% Energy • 21% Liveness
0% Instrumentalness • 34% Positiveness
53% Popularity • 59% Danceability • 29% Energy • 21% Liveness
0% Instrumentalness • 34% Positiveness
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Harry Connick, Jr.
Some Enchanted Evening
112 bpm • A# Maj • 04:06 • -17.35db
17% Popularity • 51% Danceability • 17% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
17% Popularity • 51% Danceability • 17% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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Cavendish Music
Just the Start of Things
108 bpm • G# Maj • 02:55 • -9.1db
18% Popularity • 69% Danceability • 29% Energy • 39% Liveness
0% Instrumentalness • 65% Positiveness
18% Popularity • 69% Danceability • 29% Energy • 39% Liveness
0% Instrumentalness • 65% Positiveness
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Frank Sinatra
Satisfy Me One More Time
108 bpm • C Maj • 02:19 • -12.56db
19% Popularity • 71% Danceability • 37% Energy • 40% Liveness
0% Instrumentalness • 91% Positiveness
19% Popularity • 71% Danceability • 37% Energy • 40% Liveness
0% Instrumentalness • 91% Positiveness
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Morgana King
Walk on By
108 bpm • D# Maj • 02:36 • -13.11db
16% Popularity • 68% Danceability • 30% Energy • 17% Liveness
0% Instrumentalness • 72% Positiveness
16% Popularity • 68% Danceability • 30% Energy • 17% Liveness
0% Instrumentalness • 72% Positiveness
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Sinéad O'Connor
Why Don't You Do Right
112 bpm • A# min • 02:30 • -10.42db
37% Popularity • 62% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
37% Popularity • 62% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Dean Martin
All I Do Is Dream Of You - Remastered
108 bpm • A Maj • 02:46 • -16db
46% Popularity • 58% Danceability • 12% Energy • 10% Liveness
6% Instrumentalness • 48% Positiveness
46% Popularity • 58% Danceability • 12% Energy • 10% Liveness
6% Instrumentalness • 48% Positiveness
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Matt Block
My Love
112 bpm • G# Maj • 03:33 • -14.95db
34% Popularity • 64% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
34% Popularity • 64% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Jools Holland
Glory of Love
113 bpm • F Maj • 03:23 • -9.92db
15% Popularity • 51% Danceability • 20% Energy • 12% Liveness
1% Instrumentalness • 35% Positiveness
15% Popularity • 51% Danceability • 20% Energy • 12% Liveness
1% Instrumentalness • 35% Positiveness
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Mads Mathias
Fool for Love
113 bpm • F# Maj • 04:08 • -13.44db
13% Popularity • 67% Danceability • 22% Energy • 20% Liveness
0% Instrumentalness • 39% Positiveness
13% Popularity • 67% Danceability • 22% Energy • 20% Liveness
0% Instrumentalness • 39% Positiveness
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Pearl Bailey
Bill Bailey, Won't You Please Come Home?
107 bpm • C# Maj • 02:30 • -9.06db
25% Popularity • 67% Danceability • 59% Energy • 61% Liveness
0% Instrumentalness • 88% Positiveness
25% Popularity • 67% Danceability • 59% Energy • 61% Liveness
0% Instrumentalness • 88% Positiveness
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Sinéad O'Connor
Love Letters
108 bpm • D Maj • 03:06 • -11.56db
22% Popularity • 30% Danceability • 24% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
22% Popularity • 30% Danceability • 24% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
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Dean Martin
True Love - Remastered
112 bpm • G Maj • 02:32 • -16.2db
36% Popularity • 53% Danceability • 14% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
36% Popularity • 53% Danceability • 14% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
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Casey MacGill
It Don't Mean a Thing (If It Ain't Got T...
113 bpm • C min • 03:33 • -11.87db
10% Popularity • 60% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
10% Popularity • 60% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
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June Christy
How High The Moon - Remastered
113 bpm • F min • 02:33 • -8db
37% Popularity • 55% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
37% Popularity • 55% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
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Buddy Greco
This Could Be the Start of Something
113 bpm • G# Maj • 02:40 • -10.54db
30% Popularity • 68% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
30% Popularity • 68% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
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Nina Simone
Beautiful Land
107 bpm • A min • 01:54 • -15.46db
34% Popularity • 56% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
34% Popularity • 56% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Gene Austin
Five Foot Two, Eyes of Blue
113 bpm • G# min • 02:51 • -15.32db
10% Popularity • 77% Danceability • 23% Energy • 18% Liveness
43% Instrumentalness • 66% Positiveness
10% Popularity • 77% Danceability • 23% Energy • 18% Liveness
43% Instrumentalness • 66% Positiveness
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Peter Cincotti
Ain't Misbehavin'
113 bpm • D min • 03:43 • -10.35db
38% Popularity • 60% Danceability • 30% Energy • 10% Liveness
1% Instrumentalness • 39% Positiveness
38% Popularity • 60% Danceability • 30% Energy • 10% Liveness
1% Instrumentalness • 39% Positiveness
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Billie Holiday
All of Me
107 bpm • D min • 03:01 • -14.75db
64% Popularity • 50% Danceability • 6% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
64% Popularity • 50% Danceability • 6% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
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Tony Bennett
Don't Get Around Much Anymore
113 bpm • A# Maj • 02:39 • -6.41db
56% Popularity • 64% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
56% Popularity • 64% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
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Jack Jones
This Could Be The Start Of Something Big
107 bpm • G Maj • 02:41 • -15db
14% Popularity • 70% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
14% Popularity • 70% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Robin Mckelle
You Brought a New Kind of Love
106 bpm • C# Maj • 02:52 • -12db
31% Popularity • 57% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
31% Popularity • 57% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
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Ray Conniff
Night and Day
114 bpm • D# Maj • 03:16 • -12.49db
25% Popularity • 59% Danceability • 26% Energy • 9% Liveness
77% Instrumentalness • 24% Positiveness
25% Popularity • 59% Danceability • 26% Energy • 9% Liveness
77% Instrumentalness • 24% Positiveness
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The Mills Brothers
(Up A) Lazy River
114 bpm • G Maj • 03:28 • -10db
18% Popularity • 74% Danceability • 32% Energy • 19% Liveness
0% Instrumentalness • 63% Positiveness
18% Popularity • 74% Danceability • 32% Energy • 19% Liveness
0% Instrumentalness • 63% Positiveness
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Billie Holiday
It's Not For Me To Say
106 bpm • C Maj • 02:28 • -13.31db
14% Popularity • 29% Danceability • 13% Energy • 30% Liveness
0% Instrumentalness • 10% Positiveness
14% Popularity • 29% Danceability • 13% Energy • 30% Liveness
0% Instrumentalness • 10% Positiveness
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Steve Tyrell
Isn't It Romantic?
114 bpm • D Maj • 03:32 • -9.94db
28% Popularity • 76% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
28% Popularity • 76% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Oscar Peterson
This Guy's in Love with You - Remastered
106 bpm • G# Maj • 03:46 • -13.99db
19% Popularity • 57% Danceability • 32% Energy • 14% Liveness
6% Instrumentalness • 49% Positiveness
19% Popularity • 57% Danceability • 32% Energy • 14% Liveness
6% Instrumentalness • 49% Positiveness
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Nat King Cole
Just For The Fun Of It
114 bpm • F Maj • 02:36 • -11.62db
13% Popularity • 46% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
13% Popularity • 46% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Todd Carlon
Go With the Flow
114 bpm • F min • 02:49 • -8.97db
13% Popularity • 68% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
13% Popularity • 68% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Pearl Bailey
Takes Two to Tango
114 bpm • F Maj • 02:43 • -15.11db
13% Popularity • 66% Danceability • 22% Energy • 23% Liveness
0% Instrumentalness • 86% Positiveness
13% Popularity • 66% Danceability • 22% Energy • 23% Liveness
0% Instrumentalness • 86% Positiveness
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Frank Sinatra Jr.
The People You Never Get to Love
115 bpm • E Maj • 04:28 • -17.25db
18% Popularity • 41% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
18% Popularity • 41% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Sammy Davis Jr. | Dean Martin
Sam's Song
115 bpm • D min • 02:45 • -11.75db
37% Popularity • 58% Danceability • 46% Energy • 62% Liveness
0% Instrumentalness • 57% Positiveness
37% Popularity • 58% Danceability • 46% Energy • 62% Liveness
0% Instrumentalness • 57% Positiveness
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Sue Raney
Heart And Soul
105 bpm • G min • 02:58 • -10db
23% Popularity • 50% Danceability • 32% Energy • 21% Liveness
0% Instrumentalness • 46% Positiveness
23% Popularity • 50% Danceability • 32% Energy • 21% Liveness
0% Instrumentalness • 46% Positiveness
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Cerys Wilkinson
Younger
115 bpm • C min • 04:44 • -18.91db
23% Popularity • 51% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
23% Popularity • 51% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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Engelbert Humperdinck
I Don't Want to Walk Without You
115 bpm • D# Maj • 03:03 • -2.55db
23% Popularity • 55% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
23% Popularity • 55% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Jeff Meegan
Only In New York
115 bpm • G min • 03:10 • -7.29db
9% Popularity • 63% Danceability • 45% Energy • 26% Liveness
0% Instrumentalness • 71% Positiveness
9% Popularity • 63% Danceability • 45% Energy • 26% Liveness
0% Instrumentalness • 71% Positiveness
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Daniel Farrant
Bright Shiny Day
115 bpm • C Maj • 03:07 • -6.25db
9% Popularity • 75% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
9% Popularity • 75% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Big Bad Voodoo Daddy
Who's That Creepin'?
105 bpm • A min • 04:43 • -7.3db
23% Popularity • 48% Danceability • 45% Energy • 34% Liveness
0% Instrumentalness • 23% Positiveness
23% Popularity • 48% Danceability • 45% Energy • 34% Liveness
0% Instrumentalness • 23% Positiveness
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Rosemary Clooney
(I'd Like To Be) On A Slow Boat To China...
105 bpm • F Maj • 02:40 • -11.62db
12% Popularity • 55% Danceability • 32% Energy • 23% Liveness
0% Instrumentalness • 52% Positiveness
12% Popularity • 55% Danceability • 32% Energy • 23% Liveness
0% Instrumentalness • 52% Positiveness
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Richard Cheese
Killing in the Name
105 bpm • G Maj • 02:07 • -8.23db
27% Popularity • 71% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
27% Popularity • 71% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Chris Connor
(How Little It Matters) How Little We Kn...
115 bpm • F Maj • 02:36 • -9.68db
44% Popularity • 62% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
44% Popularity • 62% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Lou Reed
Broadway Song
115 bpm • A min • 03:12 • -12.41db
8% Popularity • 46% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
8% Popularity • 46% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Ray Conniff
Thanks for the Memory
105 bpm • G min • 02:24 • -15.55db
25% Popularity • 55% Danceability • 23% Energy • 31% Liveness
2% Instrumentalness • 38% Positiveness
25% Popularity • 55% Danceability • 23% Energy • 31% Liveness
2% Instrumentalness • 38% Positiveness
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Dr. John
Cruella De Vil
105 bpm • C Maj • 04:08 • -9.37db
22% Popularity • 57% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
22% Popularity • 57% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Cedric Neal
Deep Divin'
116 bpm • D Maj • 02:28 • -8.63db
27% Popularity • 61% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
27% Popularity • 61% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Vince Giordano And The Nighthawks
Pick Yourself Up
105 bpm • C Maj • 03:16 • -15.28db
27% Popularity • 82% Danceability • 37% Energy • 9% Liveness
91% Instrumentalness • 81% Positiveness
27% Popularity • 82% Danceability • 37% Energy • 9% Liveness
91% Instrumentalness • 81% Positiveness
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Nat King Cole
Warm And Willing - 1993 Digital Remaster
104 bpm • G min • 03:01 • -12.01db
10% Popularity • 34% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
10% Popularity • 34% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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The Brian Setzer Orchestra
My Baby Only Cares For Me
116 bpm • F min • 04:08 • -9db
21% Popularity • 60% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 41% Positiveness
21% Popularity • 60% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 41% Positiveness
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Tom Waits
Opening Montage
104 bpm • F Maj • 05:15 • -11.88db
16% Popularity • 37% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
16% Popularity • 37% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Frank Sinatra
I'm Beginning To See The Light
116 bpm • D Maj • 02:34 • -12.44db
26% Popularity • 55% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
26% Popularity • 55% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
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Tommy Dorsey
East Of The Sun (And West Of The Moon)
116 bpm • G Maj • 03:19 • -18.5db
26% Popularity • 65% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
26% Popularity • 65% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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DJ Maksy
Close Your Eyes - SlowFox / 29 Bpm
116 bpm • D# Maj • 02:24 • -7.52db
16% Popularity • 70% Danceability • 54% Energy • 27% Liveness
0% Instrumentalness • 68% Positiveness
16% Popularity • 70% Danceability • 54% Energy • 27% Liveness
0% Instrumentalness • 68% Positiveness
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Mel Tormé
Moonlight Cocktail
117 bpm • E min • 03:04 • -17.04db
16% Popularity • 42% Danceability • 15% Energy • 29% Liveness
0% Instrumentalness • 21% Positiveness
16% Popularity • 42% Danceability • 15% Energy • 29% Liveness
0% Instrumentalness • 21% Positiveness
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Irving Aaronson and His Commanders
Let's Misbehave
104 bpm • G Maj • 02:52 • -13db
32% Popularity • 69% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
32% Popularity • 69% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
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Kevin Spacey
Some of These Days
117 bpm • C Maj • 02:36 • -6.36db
11% Popularity • 46% Danceability • 52% Energy • 5% Liveness
0% Instrumentalness • 51% Positiveness
11% Popularity • 46% Danceability • 52% Energy • 5% Liveness
0% Instrumentalness • 51% Positiveness
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Frank Sinatra
Don'cha Go 'Way Mad
103 bpm • G# Maj • 03:11 • -11.54db
21% Popularity • 52% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
21% Popularity • 52% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Jeri Southern
Let's Fly Away
117 bpm • D Maj • 02:31 • -8.46db
44% Popularity • 57% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
44% Popularity • 57% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Harry Connick, Jr.
She Belongs to Me
103 bpm • C min • 03:53 • -14.39db
25% Popularity • 52% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
25% Popularity • 52% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Andrzej Zaucha
Love Shining Through
103 bpm • D# Maj • 04:18 • -11.76db
4% Popularity • 50% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
4% Popularity • 50% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
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Nina Simone
Mood Indigo (2013 - Remaster)
103 bpm • G Maj • 04:00 • -13.35db
34% Popularity • 66% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
34% Popularity • 66% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Steve Tyrell
I Can't Give You Anything but Love, Baby
103 bpm • G Maj • 03:05 • -8.27db
17% Popularity • 75% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
17% Popularity • 75% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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Frank Sinatra
The Best Of Everything
117 bpm • A# Maj • 02:47 • -10.88db
23% Popularity • 63% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
23% Popularity • 63% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Bert Kaempfert
Red Roses For A Blue Lady
118 bpm • G Maj • 02:19 • -12.6db
53% Popularity • 61% Danceability • 31% Energy • 14% Liveness
70% Instrumentalness • 38% Positiveness
53% Popularity • 61% Danceability • 31% Energy • 14% Liveness
70% Instrumentalness • 38% Positiveness
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George Michael
Where or When/Silence/It's Alright With ...
118 bpm • A min • 07:02 • -14db
33% Popularity • 33% Danceability • 17% Energy • 13% Liveness
6% Instrumentalness • 4% Positiveness
33% Popularity • 33% Danceability • 17% Energy • 13% Liveness
6% Instrumentalness • 4% Positiveness
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Jamie Cullum
Walkin'
118 bpm • A# Maj • 02:42 • -10.48db
27% Popularity • 73% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 57% Positiveness
27% Popularity • 73% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 57% Positiveness
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Sabrina Malheiros
It's Too Late
103 bpm • F Maj • 03:54 • -10db
31% Popularity • 53% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
31% Popularity • 53% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Molly Johnson
Let's Waste Some Time
118 bpm • F# Maj • 04:28 • -11db
34% Popularity • 77% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
34% Popularity • 77% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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The Brian Setzer Orchestra
Lady Luck
118 bpm • G Maj • 02:57 • -11.15db
20% Popularity • 54% Danceability • 40% Energy • 24% Liveness
0% Instrumentalness • 54% Positiveness
20% Popularity • 54% Danceability • 40% Energy • 24% Liveness
0% Instrumentalness • 54% Positiveness
