Songs like Girl from North Country by Danny Bryant
Based on a tempo of (+/- 10%) and a similar genre
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Ben Poole
The Question Why
120 bpm • C# Maj • 05:01 • -12.66db
36% Popularity • 79% Danceability • 44% Energy • 14% Liveness
12% Instrumentalness • 81% Positiveness
36% Popularity • 79% Danceability • 44% Energy • 14% Liveness
12% Instrumentalness • 81% Positiveness
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Neal Black
Jesus & Johnny Walker
120 bpm • G min • 05:33 • -6.94db
10% Popularity • 64% Danceability • 78% Energy • 63% Liveness
0% Instrumentalness • 82% Positiveness
10% Popularity • 64% Danceability • 78% Energy • 63% Liveness
0% Instrumentalness • 82% Positiveness
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Buddaheads
Blues Power
120 bpm • A Maj • 02:53 • -8.96db
35% Popularity • 90% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
35% Popularity • 90% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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Andrew "Jr Boy" Jones
Whiskey Drinkin' Blues
120 bpm • G Maj • 04:33 • -5.57db
34% Popularity • 66% Danceability • 57% Energy • 28% Liveness
0% Instrumentalness • 45% Positiveness
34% Popularity • 66% Danceability • 57% Energy • 28% Liveness
0% Instrumentalness • 45% Positiveness
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Henrik Freischlader
Where Did We Go Wrong?
120 bpm • A Maj • 09:01 • -5.34db
11% Popularity • 55% Danceability • 64% Energy • 11% Liveness
2% Instrumentalness • 24% Positiveness
11% Popularity • 55% Danceability • 64% Energy • 11% Liveness
2% Instrumentalness • 24% Positiveness
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Joan Armatrading
Into the Blues
120 bpm • A min • 04:23 • -6.44db
28% Popularity • 78% Danceability • 56% Energy • 5% Liveness
1% Instrumentalness • 51% Positiveness
28% Popularity • 78% Danceability • 56% Energy • 5% Liveness
1% Instrumentalness • 51% Positiveness
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Ben Poole
Time Might Never Come
120 bpm • G# min • 08:36 • -13.48db
17% Popularity • 68% Danceability • 30% Energy • 11% Liveness
79% Instrumentalness • 41% Positiveness
17% Popularity • 68% Danceability • 30% Energy • 11% Liveness
79% Instrumentalness • 41% Positiveness
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Shemekia Copeland
In The Blood Of The Blues
120 bpm • D Maj • 04:52 • -5.52db
30% Popularity • 69% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
30% Popularity • 69% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Danny Bryant
Girl from North Country
120 bpm • A Maj • 08:20 • -8.56db
23% Popularity • 49% Danceability • 49% Energy • 92% Liveness
0% Instrumentalness • 30% Positiveness
23% Popularity • 49% Danceability • 49% Energy • 92% Liveness
0% Instrumentalness • 30% Positiveness
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Robert Cray
Aspen, Colorado
120 bpm • D Maj • 04:19 • -7.63db
20% Popularity • 67% Danceability • 46% Energy • 11% Liveness
10% Instrumentalness • 34% Positiveness
20% Popularity • 67% Danceability • 46% Energy • 11% Liveness
10% Instrumentalness • 34% Positiveness
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Henrik Freischlader
Jumping at Shadows
120 bpm • A Maj • 05:00 • -7.3db
34% Popularity • 71% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
34% Popularity • 71% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Danielle Nicole
Someday You Might Change Your Mind
120 bpm • A min • 05:25 • -5.84db
29% Popularity • 59% Danceability • 63% Energy • 32% Liveness
0% Instrumentalness • 53% Positiveness
29% Popularity • 59% Danceability • 63% Energy • 32% Liveness
0% Instrumentalness • 53% Positiveness
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Eric Steckel
We're Still Friends
119 bpm • G min • 07:07 • -5.79db
22% Popularity • 38% Danceability • 52% Energy • 10% Liveness
72% Instrumentalness • 17% Positiveness
22% Popularity • 38% Danceability • 52% Energy • 10% Liveness
72% Instrumentalness • 17% Positiveness
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Peter Frampton Band
Same Old Blues
119 bpm • G Maj • 04:34 • -7.15db
25% Popularity • 52% Danceability • 45% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
25% Popularity • 52% Danceability • 45% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
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Danny Bryant
Yours for a Song
120 bpm • B min • 06:39 • -7.17db
22% Popularity • 27% Danceability • 69% Energy • 7% Liveness
7% Instrumentalness • 27% Positiveness
22% Popularity • 27% Danceability • 69% Energy • 7% Liveness
7% Instrumentalness • 27% Positiveness
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Danny Bryant's Redeyeband
Nobody Loves Me Like I Love Myself
121 bpm • A min • 05:42 • -9db
11% Popularity • 52% Danceability • 53% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
11% Popularity • 52% Danceability • 53% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
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The Rides
Kick Out Of It
121 bpm • A Maj • 04:06 • -3.11db
24% Popularity • 60% Danceability • 90% Energy • 24% Liveness
0% Instrumentalness • 80% Positiveness
24% Popularity • 60% Danceability • 90% Energy • 24% Liveness
0% Instrumentalness • 80% Positiveness
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Magic Slim & The Teardrops
I'm A Bluesman
119 bpm • C Maj • 05:01 • -6.36db
28% Popularity • 48% Danceability • 69% Energy • 29% Liveness
25% Instrumentalness • 88% Positiveness
28% Popularity • 48% Danceability • 69% Energy • 29% Liveness
25% Instrumentalness • 88% Positiveness
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BBM
Naked Flame
121 bpm • C Maj • 06:06 • -15db
17% Popularity • 60% Danceability • 18% Energy • 9% Liveness
1% Instrumentalness • 7% Positiveness
17% Popularity • 60% Danceability • 18% Energy • 9% Liveness
1% Instrumentalness • 7% Positiveness
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Ana Popovic
Can't You See What You're Doing to Me
122 bpm • B min • 03:52 • -3db
28% Popularity • 32% Danceability • 97% Energy • 40% Liveness
3% Instrumentalness • 30% Positiveness
28% Popularity • 32% Danceability • 97% Energy • 40% Liveness
3% Instrumentalness • 30% Positiveness
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Danny Bryant
Just as I Am
121 bpm • B min • 09:39 • -5db
14% Popularity • 36% Danceability • 58% Energy • 86% Liveness
11% Instrumentalness • 23% Positiveness
14% Popularity • 36% Danceability • 58% Energy • 86% Liveness
11% Instrumentalness • 23% Positiveness
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Dave Meniketti
Bad Feeling
118 bpm • B min • 05:46 • -5.47db
24% Popularity • 38% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
24% Popularity • 38% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Danny Bryant's Redeyeband
Long Time Coming
122 bpm • F min • 03:56 • -4db
17% Popularity • 52% Danceability • 77% Energy • 59% Liveness
2% Instrumentalness • 87% Positiveness
17% Popularity • 52% Danceability • 77% Energy • 59% Liveness
2% Instrumentalness • 87% Positiveness
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Jeff Jensen
Fall Apart
122 bpm • G Maj • 04:27 • -9.58db
19% Popularity • 76% Danceability • 31% Energy • 12% Liveness
2% Instrumentalness • 28% Positiveness
19% Popularity • 76% Danceability • 31% Energy • 12% Liveness
2% Instrumentalness • 28% Positiveness
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Mark Selby
Smoked
122 bpm • G Maj • 03:32 • -5.18db
22% Popularity • 66% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
22% Popularity • 66% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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The Bluesbones
Sealed Souls
122 bpm • E min • 07:01 • -10db
11% Popularity • 53% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
11% Popularity • 53% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
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Danny Bryant
Animal In Me
119 bpm • A min • 02:54 • -6.28db
18% Popularity • 62% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 47% Positiveness
18% Popularity • 62% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 47% Positiveness
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Ana Popovic
Red River Blues
122 bpm • C Maj • 03:21 • -3.89db
19% Popularity • 53% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 64% Positiveness
19% Popularity • 53% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 64% Positiveness
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Kenny Wayne Shepherd
Heat of the Sun
122 bpm • E min • 05:23 • -6.29db
28% Popularity • 26% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
28% Popularity • 26% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Eric Steckel
Empty Promises
122 bpm • D min • 08:38 • -6db
26% Popularity • 41% Danceability • 68% Energy • 14% Liveness
28% Instrumentalness • 55% Positiveness
26% Popularity • 41% Danceability • 68% Energy • 14% Liveness
28% Instrumentalness • 55% Positiveness
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Mark Selby
Little Wing
122 bpm • G Maj • 04:22 • -13db
11% Popularity • 70% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
11% Popularity • 70% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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The Bluesbones
Find Me a Woman
122 bpm • B Maj • 03:46 • -12.15db
20% Popularity • 60% Danceability • 46% Energy • 10% Liveness
5% Instrumentalness • 86% Positiveness
20% Popularity • 60% Danceability • 46% Energy • 10% Liveness
5% Instrumentalness • 86% Positiveness
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Doyle Bramhall
The Hunter
122 bpm • E min • 04:49 • -8.6db
15% Popularity • 61% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
15% Popularity • 61% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Danny Bryant
Love of Angels
119 bpm • A min • 08:31 • -5.81db
11% Popularity • 41% Danceability • 50% Energy • 32% Liveness
3% Instrumentalness • 23% Positiveness
11% Popularity • 41% Danceability • 50% Energy • 32% Liveness
3% Instrumentalness • 23% Positiveness
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Ana Popovic
Unconditional
118 bpm • B min • 03:52 • -6.36db
27% Popularity • 64% Danceability • 52% Energy • 8% Liveness
1% Instrumentalness • 42% Positiveness
27% Popularity • 64% Danceability • 52% Energy • 8% Liveness
1% Instrumentalness • 42% Positiveness
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Buck69
No Medicine Like the Blues
122 bpm • G min • 08:50 • -6.09db
29% Popularity • 50% Danceability • 70% Energy • 12% Liveness
7% Instrumentalness • 61% Positiveness
29% Popularity • 50% Danceability • 70% Energy • 12% Liveness
7% Instrumentalness • 61% Positiveness
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Danny Bryant's Redeyeband
Memories
118 bpm • A Maj • 04:11 • -8.48db
10% Popularity • 48% Danceability • 57% Energy • 8% Liveness
24% Instrumentalness • 69% Positiveness
10% Popularity • 48% Danceability • 57% Energy • 8% Liveness
24% Instrumentalness • 69% Positiveness
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Walter Trout Band
Girl From The North Country - Live
123 bpm • G Maj • 08:10 • -15.94db
17% Popularity • 39% Danceability • 27% Energy • 66% Liveness
0% Instrumentalness • 20% Positiveness
17% Popularity • 39% Danceability • 27% Energy • 66% Liveness
0% Instrumentalness • 20% Positiveness
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Wentus Blues Band
2: 19
123 bpm • E min • 04:42 • -6.67db
8% Popularity • 68% Danceability • 66% Energy • 18% Liveness
0% Instrumentalness • 88% Positiveness
8% Popularity • 68% Danceability • 66% Energy • 18% Liveness
0% Instrumentalness • 88% Positiveness
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Danny Bryant
Invisible Me
122 bpm • B min • 06:34 • -15.84db
8% Popularity • 33% Danceability • 25% Energy • 16% Liveness
7% Instrumentalness • 14% Positiveness
8% Popularity • 33% Danceability • 25% Energy • 16% Liveness
7% Instrumentalness • 14% Positiveness
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Dave Meniketti
Just Coastin'
123 bpm • F min • 04:52 • -6.42db
27% Popularity • 53% Danceability • 80% Energy • 6% Liveness
68% Instrumentalness • 59% Positiveness
27% Popularity • 53% Danceability • 80% Energy • 6% Liveness
68% Instrumentalness • 59% Positiveness
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Shemekia Copeland
Love Song
123 bpm • B Maj • 03:03 • -5.76db
34% Popularity • 75% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
34% Popularity • 75% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
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Danny Bryant's Redeyeband
Good Time Woman
123 bpm • E min • 02:50 • -2.56db
13% Popularity • 54% Danceability • 90% Energy • 21% Liveness
1% Instrumentalness • 87% Positiveness
13% Popularity • 54% Danceability • 90% Energy • 21% Liveness
1% Instrumentalness • 87% Positiveness
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David Gogo
I Found A Love
117 bpm • D Maj • 04:11 • -7.19db
15% Popularity • 46% Danceability • 47% Energy • 22% Liveness
1% Instrumentalness • 33% Positiveness
15% Popularity • 46% Danceability • 47% Energy • 22% Liveness
1% Instrumentalness • 33% Positiveness
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Ian Siegal
Falling On Down Again
123 bpm • A# Maj • 06:22 • -9.37db
14% Popularity • 53% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
14% Popularity • 53% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Danny Bryant
Slow Blues/Sweet Little Angel
122 bpm • F Maj • 09:11 • -6.52db
8% Popularity • 33% Danceability • 73% Energy • 67% Liveness
8% Instrumentalness • 32% Positiveness
8% Popularity • 33% Danceability • 73% Energy • 67% Liveness
8% Instrumentalness • 32% Positiveness
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Buddy Whittington
Sure Got Cold After the Rain Fell
117 bpm • D Maj • 08:44 • -6db
18% Popularity • 55% Danceability • 45% Energy • 15% Liveness
1% Instrumentalness • 13% Positiveness
18% Popularity • 55% Danceability • 45% Energy • 15% Liveness
1% Instrumentalness • 13% Positiveness
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Gary Hoey
Don't Come Crying
117 bpm • F# min • 04:33 • -8db
17% Popularity • 60% Danceability • 68% Energy • 30% Liveness
3% Instrumentalness • 59% Positiveness
17% Popularity • 60% Danceability • 68% Energy • 30% Liveness
3% Instrumentalness • 59% Positiveness
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Corey Stevens
Blue Suede Shoes
117 bpm • F# min • 03:54 • -10db
11% Popularity • 79% Danceability • 51% Energy • 16% Liveness
1% Instrumentalness • 65% Positiveness
11% Popularity • 79% Danceability • 51% Energy • 16% Liveness
1% Instrumentalness • 65% Positiveness
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Walter Trout and The Free Radicals
I Shall Be Released
123 bpm • A Maj • 07:00 • -7db
8% Popularity • 34% Danceability • 60% Energy • 23% Liveness
1% Instrumentalness • 37% Positiveness
8% Popularity • 34% Danceability • 60% Energy • 23% Liveness
1% Instrumentalness • 37% Positiveness
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King of the World
Learn How to Cry
117 bpm • G Maj • 05:29 • -10.02db
11% Popularity • 65% Danceability • 29% Energy • 12% Liveness
1% Instrumentalness • 17% Positiveness
11% Popularity • 65% Danceability • 29% Energy • 12% Liveness
1% Instrumentalness • 17% Positiveness
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Danny Bryant
Purple
123 bpm • D Maj • 03:38 • -5.47db
8% Popularity • 52% Danceability • 76% Energy • 9% Liveness
21% Instrumentalness • 52% Positiveness
8% Popularity • 52% Danceability • 76% Energy • 9% Liveness
21% Instrumentalness • 52% Positiveness
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Elles Bailey
Help Somebody (MWS Sessions)
117 bpm • F min • 03:27 • -5.91db
40% Popularity • 68% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
40% Popularity • 68% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
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Ronnie EarlThe Broadcasters
Six String Blessing
123 bpm • D min • 09:23 • -10db
22% Popularity • 54% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
22% Popularity • 54% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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Joe Louis Walker
Old Time Used to Be
123 bpm • A Maj • 05:17 • -9.8db
36% Popularity • 65% Danceability • 62% Energy • 20% Liveness
30% Instrumentalness • 76% Positiveness
36% Popularity • 65% Danceability • 62% Energy • 20% Liveness
30% Instrumentalness • 76% Positiveness
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Dion
My Baby Loves To Boogie
124 bpm • E min • 05:19 • -7.15db
17% Popularity • 67% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
17% Popularity • 67% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Laurence Jones
Thunder in the Sky (Live at the Marshall...
124 bpm • F# min • 09:12 • -4db
31% Popularity • 31% Danceability • 68% Energy • 69% Liveness
8% Instrumentalness • 38% Positiveness
31% Popularity • 31% Danceability • 68% Energy • 69% Liveness
8% Instrumentalness • 38% Positiveness
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Danny Bryant
Play To Win, Born To Lose
123 bpm • F Maj • 04:42 • -6.3db
3% Popularity • 40% Danceability • 90% Energy • 96% Liveness
3% Instrumentalness • 74% Positiveness
3% Popularity • 40% Danceability • 90% Energy • 96% Liveness
3% Instrumentalness • 74% Positiveness
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Julian Sas
Restless Heart
116 bpm • D Maj • 03:06 • -9.24db
14% Popularity • 61% Danceability • 58% Energy • 16% Liveness
1% Instrumentalness • 43% Positiveness
14% Popularity • 61% Danceability • 58% Energy • 16% Liveness
1% Instrumentalness • 43% Positiveness
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Billy F Gibbons
Vagabond Man
124 bpm • D Maj • 03:59 • -5.37db
28% Popularity • 59% Danceability • 57% Energy • 35% Liveness
0% Instrumentalness • 31% Positiveness
28% Popularity • 59% Danceability • 57% Energy • 35% Liveness
0% Instrumentalness • 31% Positiveness
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Sari Schorr
Ready for Love
124 bpm • A min • 05:18 • -7.97db
20% Popularity • 56% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
20% Popularity • 56% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Shemekia Copeland
Promised Myself
124 bpm • E Maj • 05:19 • -7.5db
23% Popularity • 60% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
23% Popularity • 60% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Lonnie Mack
Tough On Me, Tough On You
116 bpm • F min • 04:14 • -13.99db
33% Popularity • 60% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
33% Popularity • 60% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Danny Bryant
Always With Me
117 bpm • F# min • 09:20 • -7.06db
11% Popularity • 36% Danceability • 58% Energy • 92% Liveness
0% Instrumentalness • 23% Positiveness
11% Popularity • 36% Danceability • 58% Energy • 92% Liveness
0% Instrumentalness • 23% Positiveness
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Elles Bailey
Barrel of Your Gun
116 bpm • E min • 03:10 • -7.19db
26% Popularity • 67% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
26% Popularity • 67% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Mick Clarke
New Star over Texas
124 bpm • E min • 04:28 • -8.86db
35% Popularity • 44% Danceability • 46% Energy • 13% Liveness
89% Instrumentalness • 26% Positiveness
35% Popularity • 44% Danceability • 46% Energy • 13% Liveness
89% Instrumentalness • 26% Positiveness
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Curtis Salgado
Too Young To Die
116 bpm • D Maj • 04:06 • -7.21db
22% Popularity • 49% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
22% Popularity • 49% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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Danny Bryant's Redeyeband
Girl from the North Country
116 bpm • D Maj • 06:46 • -11.69db
9% Popularity • 53% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
9% Popularity • 53% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Lonnie Mack
Camp Washington Chile/If You Have To Kno...
124 bpm • A# Maj • 07:34 • -11.27db
34% Popularity • 36% Danceability • 73% Energy • 97% Liveness
56% Instrumentalness • 79% Positiveness
34% Popularity • 36% Danceability • 73% Energy • 97% Liveness
56% Instrumentalness • 79% Positiveness
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Richie Arndt
Today Trouble's Taken The Crown
116 bpm • D min • 05:52 • -9.16db
10% Popularity • 42% Danceability • 42% Energy • 24% Liveness
0% Instrumentalness • 36% Positiveness
10% Popularity • 42% Danceability • 42% Energy • 24% Liveness
0% Instrumentalness • 36% Positiveness
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Danny Bryant
Guntown
124 bpm • G min • 06:08 • -5db
29% Popularity • 49% Danceability • 64% Energy • 14% Liveness
10% Instrumentalness • 20% Positiveness
29% Popularity • 49% Danceability • 64% Energy • 14% Liveness
10% Instrumentalness • 20% Positiveness
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Mark Selby
Kink In The Chain
124 bpm • A Maj • 03:34 • -5db
29% Popularity • 66% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
29% Popularity • 66% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Julian Sas
Ain't Backing Down
124 bpm • G Maj • 02:57 • -8.93db
21% Popularity • 44% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
21% Popularity • 44% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Tommy Castro
Lucky In Love
116 bpm • G Maj • 03:57 • -5.27db
27% Popularity • 63% Danceability • 78% Energy • 49% Liveness
0% Instrumentalness • 69% Positiveness
27% Popularity • 63% Danceability • 78% Energy • 49% Liveness
0% Instrumentalness • 69% Positiveness
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Doyle Bramhall II
Going Going Gone
125 bpm • C Maj • 04:38 • -7.48db
18% Popularity • 42% Danceability • 53% Energy • 15% Liveness
12% Instrumentalness • 31% Positiveness
18% Popularity • 42% Danceability • 53% Energy • 15% Liveness
12% Instrumentalness • 31% Positiveness
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Quinn Sullivan
Midnight Highway
125 bpm • D Maj • 05:55 • -5db
28% Popularity • 48% Danceability • 71% Energy • 52% Liveness
0% Instrumentalness • 49% Positiveness
28% Popularity • 48% Danceability • 71% Energy • 52% Liveness
0% Instrumentalness • 49% Positiveness
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Carl Verheyen
Someday After a While
115 bpm • F Maj • 04:30 • -6.11db
30% Popularity • 72% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
30% Popularity • 72% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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Mark Selby
You're Gonna Miss My Love
125 bpm • B min • 04:47 • -5db
29% Popularity • 71% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 75% Positiveness
29% Popularity • 71% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 75% Positiveness
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Jimmy Thackery
Blues All Night
115 bpm • F# min • 05:41 • -4.23db
19% Popularity • 55% Danceability • 83% Energy • 10% Liveness
3% Instrumentalness • 62% Positiveness
19% Popularity • 55% Danceability • 83% Energy • 10% Liveness
3% Instrumentalness • 62% Positiveness
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Sari Schorr
Beautiful
125 bpm • C# min • 03:38 • -7db
24% Popularity • 58% Danceability • 50% Energy • 50% Liveness
0% Instrumentalness • 30% Positiveness
24% Popularity • 58% Danceability • 50% Energy • 50% Liveness
0% Instrumentalness • 30% Positiveness
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Mavis Staples
No Time For Cryin' - Live
115 bpm • G Maj • 05:22 • -7.13db
24% Popularity • 76% Danceability • 88% Energy • 69% Liveness
1% Instrumentalness • 75% Positiveness
24% Popularity • 76% Danceability • 88% Energy • 69% Liveness
1% Instrumentalness • 75% Positiveness
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Danny Bryant
Truth or Dare
115 bpm • C# Maj • 04:31 • -7.37db
7% Popularity • 67% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
7% Popularity • 67% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Dave Meniketti
Until The Next time
115 bpm • A min • 04:59 • -8db
30% Popularity • 63% Danceability • 52% Energy • 12% Liveness
76% Instrumentalness • 24% Positiveness
30% Popularity • 63% Danceability • 52% Energy • 12% Liveness
76% Instrumentalness • 24% Positiveness
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The Nimmo Brothers
I Do It All For You
115 bpm • B min • 09:01 • -10.26db
21% Popularity • 46% Danceability • 30% Energy • 10% Liveness
1% Instrumentalness • 15% Positiveness
21% Popularity • 46% Danceability • 30% Energy • 10% Liveness
1% Instrumentalness • 15% Positiveness
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Omar and The Howlers
I Gotta Let You Go
114 bpm • A Maj • 03:09 • -9db
37% Popularity • 70% Danceability • 62% Energy • 11% Liveness
1% Instrumentalness • 56% Positiveness
37% Popularity • 70% Danceability • 62% Energy • 11% Liveness
1% Instrumentalness • 56% Positiveness
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Ana Popovic
Evening Shadows
126 bpm • A min • 04:06 • -6.06db
30% Popularity • 65% Danceability • 69% Energy • 30% Liveness
1% Instrumentalness • 54% Positiveness
30% Popularity • 65% Danceability • 69% Energy • 30% Liveness
1% Instrumentalness • 54% Positiveness
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Savoy Brown
Livin' on the Bayou
114 bpm • B min • 06:03 • -6.43db
31% Popularity • 66% Danceability • 66% Energy • 14% Liveness
78% Instrumentalness • 63% Positiveness
31% Popularity • 66% Danceability • 66% Energy • 14% Liveness
78% Instrumentalness • 63% Positiveness
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Danny Bryant
Temperature Rising
115 bpm • D min • 04:43 • -4.36db
10% Popularity • 48% Danceability • 81% Energy • 14% Liveness
13% Instrumentalness • 52% Positiveness
10% Popularity • 48% Danceability • 81% Energy • 14% Liveness
13% Instrumentalness • 52% Positiveness
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Gregor Hilden
I Loved Another Woman
114 bpm • D min • 03:56 • -6.17db
37% Popularity • 60% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
37% Popularity • 60% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
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Elles Bailey
Don't Let the Green Grass Fool You
126 bpm • C Maj • 03:45 • -8.88db
43% Popularity • 53% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
43% Popularity • 53% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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The Bluesbones
Love Me or Leave Me
114 bpm • B min • 04:07 • -12.21db
13% Popularity • 76% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
13% Popularity • 76% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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Karen Lovely
Fish Outta Water
114 bpm • E min • 03:50 • -7.97db
30% Popularity • 76% Danceability • 46% Energy • 13% Liveness
33% Instrumentalness • 65% Positiveness
30% Popularity • 76% Danceability • 46% Energy • 13% Liveness
33% Instrumentalness • 65% Positiveness
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Kirk Fletcher
The Answer
114 bpm • G min • 08:10 • -6.62db
24% Popularity • 42% Danceability • 54% Energy • 12% Liveness
50% Instrumentalness • 24% Positiveness
24% Popularity • 42% Danceability • 54% Energy • 12% Liveness
50% Instrumentalness • 24% Positiveness
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Danny Bryant
Knockin' on Heavens Door
126 bpm • A Maj • 05:22 • -5.73db
13% Popularity • 37% Danceability • 56% Energy • 91% Liveness
22% Instrumentalness • 45% Positiveness
13% Popularity • 37% Danceability • 56% Energy • 91% Liveness
22% Instrumentalness • 45% Positiveness
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Gregor Hilden
Black Magic Woman
114 bpm • D min • 03:48 • -4.45db
27% Popularity • 78% Danceability • 62% Energy • 35% Liveness
0% Instrumentalness • 75% Positiveness
27% Popularity • 78% Danceability • 62% Energy • 35% Liveness
0% Instrumentalness • 75% Positiveness
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David Gogo
Halfway To Memphis
113 bpm • C Maj • 05:31 • -6.57db
9% Popularity • 64% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
9% Popularity • 64% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
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Kim Simmonds
Nuthin' Like the Blues
127 bpm • D Maj • 04:56 • -6.78db
28% Popularity • 59% Danceability • 78% Energy • 10% Liveness
5% Instrumentalness • 88% Positiveness
28% Popularity • 59% Danceability • 78% Energy • 10% Liveness
5% Instrumentalness • 88% Positiveness
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Albert Castiglia
Hoodoo on Me
127 bpm • A min • 03:34 • -8.63db
30% Popularity • 47% Danceability • 73% Energy • 12% Liveness
56% Instrumentalness • 76% Positiveness
30% Popularity • 47% Danceability • 73% Energy • 12% Liveness
56% Instrumentalness • 76% Positiveness
