Songs like Girls Around The World by Max Low
Based on a tempo of (+/- 10%) and a similar genre
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FREAK ON
We Got The Fire
125 bpm • D min • 03:21 • -4db
26% Popularity • 81% Danceability • 84% Energy • 19% Liveness
72% Instrumentalness • 90% Positiveness
26% Popularity • 81% Danceability • 84% Energy • 19% Liveness
72% Instrumentalness • 90% Positiveness
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Max Low
Girls Around The World
125 bpm • G Maj • 03:13 • -4db
18% Popularity • 76% Danceability • 98% Energy • 7% Liveness
83% Instrumentalness • 80% Positiveness
18% Popularity • 76% Danceability • 98% Energy • 7% Liveness
83% Instrumentalness • 80% Positiveness
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KOCHAM
Stop
125 bpm • E min • 03:19 • -10.9db
18% Popularity • 62% Danceability • 89% Energy • 14% Liveness
75% Instrumentalness • 14% Positiveness
18% Popularity • 62% Danceability • 89% Energy • 14% Liveness
75% Instrumentalness • 14% Positiveness
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Sam Ourt
Del Sur
125 bpm • G Maj • 02:56 • -2.65db
27% Popularity • 72% Danceability • 97% Energy • 34% Liveness
83% Instrumentalness • 42% Positiveness
27% Popularity • 72% Danceability • 97% Energy • 34% Liveness
83% Instrumentalness • 42% Positiveness
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Hank
Tooka Took
125 bpm • G min • 02:35 • -5.66db
19% Popularity • 81% Danceability • 85% Energy • 6% Liveness
90% Instrumentalness • 51% Positiveness
19% Popularity • 81% Danceability • 85% Energy • 6% Liveness
90% Instrumentalness • 51% Positiveness
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Deeper Purpose
Strike A Pose
125 bpm • A Maj • 03:33 • -6db
19% Popularity • 76% Danceability • 95% Energy • 3% Liveness
58% Instrumentalness • 92% Positiveness
19% Popularity • 76% Danceability • 95% Energy • 3% Liveness
58% Instrumentalness • 92% Positiveness
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Heider
Oceans
125 bpm • A Maj • 03:37 • -6db
9% Popularity • 68% Danceability • 84% Energy • 32% Liveness
42% Instrumentalness • 52% Positiveness
9% Popularity • 68% Danceability • 84% Energy • 32% Liveness
42% Instrumentalness • 52% Positiveness
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Max Low
Hot & Bothered
125 bpm • C# Maj • 03:27 • -7db
3% Popularity • 79% Danceability • 86% Energy • 7% Liveness
80% Instrumentalness • 62% Positiveness
3% Popularity • 79% Danceability • 86% Energy • 7% Liveness
80% Instrumentalness • 62% Positiveness
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SEIBAEK
Circoloco
125 bpm • B min • 03:00 • -6.83db
21% Popularity • 72% Danceability • 94% Energy • 15% Liveness
77% Instrumentalness • 19% Positiveness
21% Popularity • 72% Danceability • 94% Energy • 15% Liveness
77% Instrumentalness • 19% Positiveness
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Phil Harris
Ricca
125 bpm • G Maj • 03:06 • -4.78db
21% Popularity • 80% Danceability • 94% Energy • 27% Liveness
86% Instrumentalness • 58% Positiveness
21% Popularity • 80% Danceability • 94% Energy • 27% Liveness
86% Instrumentalness • 58% Positiveness
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Kapuzen
Love My House
125 bpm • C Maj • 03:42 • -5.11db
17% Popularity • 80% Danceability • 84% Energy • 33% Liveness
21% Instrumentalness • 59% Positiveness
17% Popularity • 80% Danceability • 84% Energy • 33% Liveness
21% Instrumentalness • 59% Positiveness
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CASHEW
House Head
125 bpm • B min • 02:22 • -4.71db
25% Popularity • 86% Danceability • 90% Energy • 8% Liveness
68% Instrumentalness • 62% Positiveness
25% Popularity • 86% Danceability • 90% Energy • 8% Liveness
68% Instrumentalness • 62% Positiveness
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Mike Epsse
No Mercy
125 bpm • D Maj • 02:43 • -5.36db
17% Popularity • 80% Danceability • 64% Energy • 34% Liveness
64% Instrumentalness • 8% Positiveness
17% Popularity • 80% Danceability • 64% Energy • 34% Liveness
64% Instrumentalness • 8% Positiveness
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Max Low
TECHTONIC
125 bpm • C# Maj • 03:15 • -7db
16% Popularity • 78% Danceability • 82% Energy • 10% Liveness
83% Instrumentalness • 36% Positiveness
16% Popularity • 78% Danceability • 82% Energy • 10% Liveness
83% Instrumentalness • 36% Positiveness
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Gene Farris
Mesmerised
125 bpm • C# Maj • 03:50 • -6db
25% Popularity • 80% Danceability • 73% Energy • 9% Liveness
28% Instrumentalness • 4% Positiveness
25% Popularity • 80% Danceability • 73% Energy • 9% Liveness
28% Instrumentalness • 4% Positiveness
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MUUS
Amor
125 bpm • C# Maj • 03:42 • -6db
16% Popularity • 73% Danceability • 96% Energy • 3% Liveness
87% Instrumentalness • 69% Positiveness
16% Popularity • 73% Danceability • 96% Energy • 3% Liveness
87% Instrumentalness • 69% Positiveness
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Disaia
Lets Dance
125 bpm • A Maj • 02:37 • -5.9db
34% Popularity • 84% Danceability • 96% Energy • 10% Liveness
93% Instrumentalness • 74% Positiveness
34% Popularity • 84% Danceability • 96% Energy • 10% Liveness
93% Instrumentalness • 74% Positiveness
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Josh Samuel
Red Sugar
125 bpm • B min • 03:35 • -6.77db
18% Popularity • 72% Danceability • 90% Energy • 12% Liveness
84% Instrumentalness • 43% Positiveness
18% Popularity • 72% Danceability • 90% Energy • 12% Liveness
84% Instrumentalness • 43% Positiveness
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KOCHAM
Pump Is Like
125 bpm • C# min • 02:35 • -5.28db
30% Popularity • 80% Danceability • 98% Energy • 14% Liveness
84% Instrumentalness • 40% Positiveness
30% Popularity • 80% Danceability • 98% Energy • 14% Liveness
84% Instrumentalness • 40% Positiveness
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FREAK ON
See You
125 bpm • D Maj • 03:12 • -6db
24% Popularity • 83% Danceability • 93% Energy • 8% Liveness
75% Instrumentalness • 77% Positiveness
24% Popularity • 83% Danceability • 93% Energy • 8% Liveness
75% Instrumentalness • 77% Positiveness
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Gene Farris
On A Bender
125 bpm • F Maj • 03:42 • -6.44db
14% Popularity • 72% Danceability • 89% Energy • 31% Liveness
71% Instrumentalness • 39% Positiveness
14% Popularity • 72% Danceability • 89% Energy • 31% Liveness
71% Instrumentalness • 39% Positiveness
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Jesse Jonez
The End
125 bpm • D# min • 02:42 • -3.67db
21% Popularity • 72% Danceability • 98% Energy • 15% Liveness
83% Instrumentalness • 85% Positiveness
21% Popularity • 72% Danceability • 98% Energy • 15% Liveness
83% Instrumentalness • 85% Positiveness
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Tough Love
Let's Do It
125 bpm • C# Maj • 02:34 • -5.97db
8% Popularity • 80% Danceability • 96% Energy • 6% Liveness
90% Instrumentalness • 73% Positiveness
8% Popularity • 80% Danceability • 96% Energy • 6% Liveness
90% Instrumentalness • 73% Positiveness
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James Hurr
Scream
125 bpm • A# Maj • 02:36 • -4.76db
32% Popularity • 71% Danceability • 99% Energy • 6% Liveness
80% Instrumentalness • 50% Positiveness
32% Popularity • 71% Danceability • 99% Energy • 6% Liveness
80% Instrumentalness • 50% Positiveness
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Trace
Me & U
125 bpm • G Maj • 02:36 • -6.56db
35% Popularity • 76% Danceability • 96% Energy • 29% Liveness
75% Instrumentalness • 86% Positiveness
35% Popularity • 76% Danceability • 96% Energy • 29% Liveness
75% Instrumentalness • 86% Positiveness
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FREAK ON
Ay Chica
125 bpm • G# Maj • 03:10 • -5.46db
16% Popularity • 76% Danceability • 90% Energy • 26% Liveness
90% Instrumentalness • 57% Positiveness
16% Popularity • 76% Danceability • 90% Energy • 26% Liveness
90% Instrumentalness • 57% Positiveness
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Matroda
Gimme Some Keys - Tom & Collins Remix
125 bpm • E min • 03:12 • -6.57db
28% Popularity • 64% Danceability • 88% Energy • 62% Liveness
93% Instrumentalness • 13% Positiveness
28% Popularity • 64% Danceability • 88% Energy • 62% Liveness
93% Instrumentalness • 13% Positiveness
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Elternhouse
Accelerator
125 bpm • B Maj • 03:02 • -18.44db
18% Popularity • 80% Danceability • 71% Energy • 33% Liveness
70% Instrumentalness • 81% Positiveness
18% Popularity • 80% Danceability • 71% Energy • 33% Liveness
70% Instrumentalness • 81% Positiveness
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More Than Friends
Be A Man - Vanilla Ace, No Pants Party R...
125 bpm • G Maj • 04:01 • -8.37db
0% Popularity • 68% Danceability • 89% Energy • 4% Liveness
92% Instrumentalness • 72% Positiveness
0% Popularity • 68% Danceability • 89% Energy • 4% Liveness
92% Instrumentalness • 72% Positiveness
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Curtiba
High On You
125 bpm • C# Maj • 03:41 • -4.46db
9% Popularity • 80% Danceability • 94% Energy • 24% Liveness
57% Instrumentalness • 25% Positiveness
9% Popularity • 80% Danceability • 94% Energy • 24% Liveness
57% Instrumentalness • 25% Positiveness
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Sandor
Who's The Master - Radio Edit
125 bpm • C# min • 03:25 • -7.67db
21% Popularity • 81% Danceability • 78% Energy • 4% Liveness
0% Instrumentalness • 77% Positiveness
21% Popularity • 81% Danceability • 78% Energy • 4% Liveness
0% Instrumentalness • 77% Positiveness
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DJ Susan
SHiNE
125 bpm • C# Maj • 03:35 • -6.72db
9% Popularity • 66% Danceability • 83% Energy • 7% Liveness
22% Instrumentalness • 66% Positiveness
9% Popularity • 66% Danceability • 83% Energy • 7% Liveness
22% Instrumentalness • 66% Positiveness
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HunterSynth
Control My Mind
125 bpm • D Maj • 02:31 • -3.77db
12% Popularity • 66% Danceability • 100% Energy • 80% Liveness
82% Instrumentalness • 11% Positiveness
12% Popularity • 66% Danceability • 100% Energy • 80% Liveness
82% Instrumentalness • 11% Positiveness
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Elternhouse
DIZ
125 bpm • E min • 03:50 • -4.56db
10% Popularity • 74% Danceability • 99% Energy • 25% Liveness
20% Instrumentalness • 76% Positiveness
10% Popularity • 74% Danceability • 99% Energy • 25% Liveness
20% Instrumentalness • 76% Positiveness
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Gene Farris
Moving 2 The Future
125 bpm • B min • 06:08 • -6.61db
14% Popularity • 77% Danceability • 93% Energy • 6% Liveness
60% Instrumentalness • 51% Positiveness
14% Popularity • 77% Danceability • 93% Energy • 6% Liveness
60% Instrumentalness • 51% Positiveness
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Kyle Walker
Háblame
125 bpm • C Maj • 03:27 • -5.1db
23% Popularity • 80% Danceability • 84% Energy • 62% Liveness
10% Instrumentalness • 34% Positiveness
23% Popularity • 80% Danceability • 84% Energy • 62% Liveness
10% Instrumentalness • 34% Positiveness
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Sandor
Wish For
125 bpm • C# Maj • 03:09 • -7.05db
10% Popularity • 82% Danceability • 88% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
10% Popularity • 82% Danceability • 88% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
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Eden Prince
Take It To The Rhythm
125 bpm • C Maj • 03:54 • -3.53db
16% Popularity • 67% Danceability • 100% Energy • 58% Liveness
84% Instrumentalness • 8% Positiveness
16% Popularity • 67% Danceability • 100% Energy • 58% Liveness
84% Instrumentalness • 8% Positiveness
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Andrea Oliva
The Inside
125 bpm • A min • 03:10 • -7.62db
16% Popularity • 71% Danceability • 96% Energy • 44% Liveness
54% Instrumentalness • 45% Positiveness
16% Popularity • 71% Danceability • 96% Energy • 44% Liveness
54% Instrumentalness • 45% Positiveness
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KEFFI
Toledo
125 bpm • G Maj • 03:23 • -5.94db
26% Popularity • 60% Danceability • 100% Energy • 48% Liveness
87% Instrumentalness • 45% Positiveness
26% Popularity • 60% Danceability • 100% Energy • 48% Liveness
87% Instrumentalness • 45% Positiveness
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Wenzday
Move
125 bpm • D Maj • 02:23 • -5.44db
18% Popularity • 61% Danceability • 86% Energy • 29% Liveness
94% Instrumentalness • 41% Positiveness
18% Popularity • 61% Danceability • 86% Energy • 29% Liveness
94% Instrumentalness • 41% Positiveness
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Kyle Walker
Fantasy
125 bpm • B min • 03:25 • -7.62db
36% Popularity • 79% Danceability • 98% Energy • 22% Liveness
86% Instrumentalness • 52% Positiveness
36% Popularity • 79% Danceability • 98% Energy • 22% Liveness
86% Instrumentalness • 52% Positiveness
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Elternhouse
LOST IN YOU
125 bpm • A Maj • 02:33 • -5.64db
31% Popularity • 72% Danceability • 96% Energy • 8% Liveness
67% Instrumentalness • 73% Positiveness
31% Popularity • 72% Danceability • 96% Energy • 8% Liveness
67% Instrumentalness • 73% Positiveness
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More Than Friends
Be A Man - Vanilla Ace, No Pants Party R...
125 bpm • B min • 05:55 • -8.06db
0% Popularity • 76% Danceability • 86% Energy • 9% Liveness
92% Instrumentalness • 87% Positiveness
0% Popularity • 76% Danceability • 86% Energy • 9% Liveness
92% Instrumentalness • 87% Positiveness
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SUBSHIFT
Breakout
125 bpm • D Maj • 03:35 • -8.06db
11% Popularity • 81% Danceability • 84% Energy • 5% Liveness
77% Instrumentalness • 58% Positiveness
11% Popularity • 81% Danceability • 84% Energy • 5% Liveness
77% Instrumentalness • 58% Positiveness
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TOBEHONEST
Too Much
125 bpm • C# Maj • 03:50 • -5.29db
20% Popularity • 87% Danceability • 82% Energy • 7% Liveness
78% Instrumentalness • 59% Positiveness
20% Popularity • 87% Danceability • 82% Energy • 7% Liveness
78% Instrumentalness • 59% Positiveness
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Fletcher Kerr
Don't Stop
125 bpm • C# Maj • 03:23 • -5.27db
22% Popularity • 70% Danceability • 90% Energy • 5% Liveness
93% Instrumentalness • 4% Positiveness
22% Popularity • 70% Danceability • 90% Energy • 5% Liveness
93% Instrumentalness • 4% Positiveness
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Arnold & Lane
Buck
125 bpm • A Maj • 03:29 • -6.78db
12% Popularity • 86% Danceability • 77% Energy • 5% Liveness
1% Instrumentalness • 63% Positiveness
12% Popularity • 86% Danceability • 77% Energy • 5% Liveness
1% Instrumentalness • 63% Positiveness
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Matroda
Gimme Some Keys - Thykier Remix
125 bpm • C# Maj • 03:08 • -4.14db
18% Popularity • 76% Danceability • 95% Energy • 9% Liveness
87% Instrumentalness • 47% Positiveness
18% Popularity • 76% Danceability • 95% Energy • 9% Liveness
87% Instrumentalness • 47% Positiveness
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Sandor
Ah Yeah
125 bpm • A Maj • 03:23 • -8.25db
10% Popularity • 70% Danceability • 93% Energy • 12% Liveness
94% Instrumentalness • 66% Positiveness
10% Popularity • 70% Danceability • 93% Energy • 12% Liveness
94% Instrumentalness • 66% Positiveness
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Green Velvet
BARBEE - On Acid
125 bpm • A Maj • 03:28 • -4.87db
32% Popularity • 72% Danceability • 95% Energy • 5% Liveness
68% Instrumentalness • 61% Positiveness
32% Popularity • 72% Danceability • 95% Energy • 5% Liveness
68% Instrumentalness • 61% Positiveness
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Max Low
Good Time
125 bpm • D Maj • 03:44 • -4.67db
3% Popularity • 64% Danceability • 99% Energy • 10% Liveness
84% Instrumentalness • 67% Positiveness
3% Popularity • 64% Danceability • 99% Energy • 10% Liveness
84% Instrumentalness • 67% Positiveness
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Keeld
Keep On
125 bpm • B Maj • 05:20 • -3.31db
9% Popularity • 89% Danceability • 94% Energy • 4% Liveness
92% Instrumentalness • 53% Positiveness
9% Popularity • 89% Danceability • 94% Energy • 4% Liveness
92% Instrumentalness • 53% Positiveness
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BOMBAYS
ATENCIÓN
125 bpm • D Maj • 03:06 • -3.58db
13% Popularity • 81% Danceability • 87% Energy • 6% Liveness
72% Instrumentalness • 50% Positiveness
13% Popularity • 81% Danceability • 87% Energy • 6% Liveness
72% Instrumentalness • 50% Positiveness
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Vince Versa
Only You
125 bpm • G Maj • 02:47 • -7.74db
14% Popularity • 68% Danceability • 93% Energy • 6% Liveness
73% Instrumentalness • 58% Positiveness
14% Popularity • 68% Danceability • 93% Energy • 6% Liveness
73% Instrumentalness • 58% Positiveness
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zuezeu
Love Is The Rhythm
125 bpm • F# min • 03:31 • -4.79db
26% Popularity • 80% Danceability • 93% Energy • 8% Liveness
68% Instrumentalness • 45% Positiveness
26% Popularity • 80% Danceability • 93% Energy • 8% Liveness
68% Instrumentalness • 45% Positiveness
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Sandor
Shut Up
125 bpm • C# Maj • 03:08 • -7.46db
27% Popularity • 86% Danceability • 92% Energy • 14% Liveness
58% Instrumentalness • 86% Positiveness
27% Popularity • 86% Danceability • 92% Energy • 14% Liveness
58% Instrumentalness • 86% Positiveness
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Ghetto Birds
Brainwash - Radio Edit
125 bpm • B min • 02:37 • -8.77db
27% Popularity • 88% Danceability • 89% Energy • 24% Liveness
84% Instrumentalness • 80% Positiveness
27% Popularity • 88% Danceability • 89% Energy • 24% Liveness
84% Instrumentalness • 80% Positiveness
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Gene Farris
So Dope
125 bpm • F Maj • 03:21 • -4.41db
14% Popularity • 80% Danceability • 98% Energy • 5% Liveness
95% Instrumentalness • 44% Positiveness
14% Popularity • 80% Danceability • 98% Energy • 5% Liveness
95% Instrumentalness • 44% Positiveness
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FractaLL
Perk Lady
125 bpm • C# Maj • 02:15 • -8db
34% Popularity • 91% Danceability • 62% Energy • 9% Liveness
87% Instrumentalness • 54% Positiveness
34% Popularity • 91% Danceability • 62% Energy • 9% Liveness
87% Instrumentalness • 54% Positiveness
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Heider
New School Jack
125 bpm • B Maj • 03:00 • -6.32db
23% Popularity • 81% Danceability • 95% Energy • 9% Liveness
88% Instrumentalness • 83% Positiveness
23% Popularity • 81% Danceability • 95% Energy • 9% Liveness
88% Instrumentalness • 83% Positiveness
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Sllash & Doppe
Bumpty
125 bpm • C# min • 03:24 • -7.27db
30% Popularity • 78% Danceability • 96% Energy • 36% Liveness
79% Instrumentalness • 25% Positiveness
30% Popularity • 78% Danceability • 96% Energy • 36% Liveness
79% Instrumentalness • 25% Positiveness
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Sam Collins
Coast To Coast
125 bpm • A Maj • 04:59 • -4.9db
19% Popularity • 76% Danceability • 91% Energy • 9% Liveness
16% Instrumentalness • 53% Positiveness
19% Popularity • 76% Danceability • 91% Energy • 9% Liveness
16% Instrumentalness • 53% Positiveness
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CASHEW
Oh Yea
125 bpm • E min • 02:19 • -2.43db
29% Popularity • 80% Danceability • 96% Energy • 12% Liveness
36% Instrumentalness • 48% Positiveness
29% Popularity • 80% Danceability • 96% Energy • 12% Liveness
36% Instrumentalness • 48% Positiveness
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JustLuke
All In
125 bpm • F# Maj • 02:13 • -5.39db
30% Popularity • 79% Danceability • 91% Energy • 41% Liveness
60% Instrumentalness • 57% Positiveness
30% Popularity • 79% Danceability • 91% Energy • 41% Liveness
60% Instrumentalness • 57% Positiveness
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Otto Hood
London to Ibiza
125 bpm • G# Maj • 02:03 • -8.6db
29% Popularity • 81% Danceability • 80% Energy • 7% Liveness
12% Instrumentalness • 64% Positiveness
29% Popularity • 81% Danceability • 80% Energy • 7% Liveness
12% Instrumentalness • 64% Positiveness
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Trace
Talking
125 bpm • G Maj • 02:37 • -4.99db
21% Popularity • 79% Danceability • 100% Energy • 32% Liveness
37% Instrumentalness • 4% Positiveness
21% Popularity • 79% Danceability • 100% Energy • 32% Liveness
37% Instrumentalness • 4% Positiveness
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Plastic Robots
The Faith
125 bpm • C Maj • 03:09 • -6.97db
33% Popularity • 81% Danceability • 83% Energy • 7% Liveness
87% Instrumentalness • 43% Positiveness
33% Popularity • 81% Danceability • 83% Energy • 7% Liveness
87% Instrumentalness • 43% Positiveness
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Max Low
Work For Me
125 bpm • A# min • 03:22 • -6.01db
4% Popularity • 80% Danceability • 87% Energy • 6% Liveness
85% Instrumentalness • 64% Positiveness
4% Popularity • 80% Danceability • 87% Energy • 6% Liveness
85% Instrumentalness • 64% Positiveness
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PEACE MAKER!
Accelerate
125 bpm • F# min • 02:50 • -3.88db
26% Popularity • 77% Danceability • 97% Energy • 12% Liveness
40% Instrumentalness • 84% Positiveness
26% Popularity • 77% Danceability • 97% Energy • 12% Liveness
40% Instrumentalness • 84% Positiveness
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Wax Motif
Traga
125 bpm • C# Maj • 03:59 • -5.79db
32% Popularity • 80% Danceability • 91% Energy • 45% Liveness
5% Instrumentalness • 27% Positiveness
32% Popularity • 80% Danceability • 91% Energy • 45% Liveness
5% Instrumentalness • 27% Positiveness
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AYYBO
GDB
125 bpm • C# min • 03:04 • -6.28db
35% Popularity • 81% Danceability • 80% Energy • 10% Liveness
86% Instrumentalness • 60% Positiveness
35% Popularity • 81% Danceability • 80% Energy • 10% Liveness
86% Instrumentalness • 60% Positiveness
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Kamino
The Music Is First (Mixed)
125 bpm • E min • 01:03 • -10.79db
39% Popularity • 77% Danceability • 76% Energy • 28% Liveness
89% Instrumentalness • 44% Positiveness
39% Popularity • 77% Danceability • 76% Energy • 28% Liveness
89% Instrumentalness • 44% Positiveness
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OFFAIAH
Something In Your Eyes
125 bpm • D Maj • 02:08 • -5.4db
29% Popularity • 89% Danceability • 71% Energy • 6% Liveness
66% Instrumentalness • 40% Positiveness
29% Popularity • 89% Danceability • 71% Energy • 6% Liveness
66% Instrumentalness • 40% Positiveness
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CASHEW
Believe In Music
125 bpm • A min • 03:08 • -6.69db
19% Popularity • 84% Danceability • 85% Energy • 32% Liveness
28% Instrumentalness • 70% Positiveness
19% Popularity • 84% Danceability • 85% Energy • 32% Liveness
28% Instrumentalness • 70% Positiveness
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PEACE MAKER!
Broken - Radio Edit
125 bpm • C Maj • 03:13 • -9.04db
15% Popularity • 80% Danceability • 72% Energy • 6% Liveness
22% Instrumentalness • 42% Positiveness
15% Popularity • 80% Danceability • 72% Energy • 6% Liveness
22% Instrumentalness • 42% Positiveness
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Ferreck Dawn
Remedy (Mixed) - OFFAIAH Remix
125 bpm • C# Maj • 01:16 • -7.85db
44% Popularity • 81% Danceability • 73% Energy • 5% Liveness
32% Instrumentalness • 49% Positiveness
44% Popularity • 81% Danceability • 73% Energy • 5% Liveness
32% Instrumentalness • 49% Positiveness
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Elternhouse
Dance Like You
125 bpm • C# Maj • 03:06 • -7.97db
14% Popularity • 80% Danceability • 95% Energy • 7% Liveness
7% Instrumentalness • 35% Positiveness
14% Popularity • 80% Danceability • 95% Energy • 7% Liveness
7% Instrumentalness • 35% Positiveness
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Sandor
Switch It Up
125 bpm • D Maj • 03:40 • -7.9db
14% Popularity • 82% Danceability • 94% Energy • 5% Liveness
55% Instrumentalness • 87% Positiveness
14% Popularity • 82% Danceability • 94% Energy • 5% Liveness
55% Instrumentalness • 87% Positiveness
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Truth x Lies
Essential - Mixed
126 bpm • A Maj • 02:01 • -6.81db
29% Popularity • 73% Danceability • 92% Energy • 15% Liveness
69% Instrumentalness • 89% Positiveness
29% Popularity • 73% Danceability • 92% Energy • 15% Liveness
69% Instrumentalness • 89% Positiveness
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Ciszak
Sugar
126 bpm • G# Maj • 03:08 • -9.65db
22% Popularity • 64% Danceability • 73% Energy • 10% Liveness
31% Instrumentalness • 22% Positiveness
22% Popularity • 64% Danceability • 73% Energy • 10% Liveness
31% Instrumentalness • 22% Positiveness
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Rodrigo Serna
Hands Together
126 bpm • D Maj • 03:12 • -4.8db
14% Popularity • 73% Danceability • 95% Energy • 30% Liveness
65% Instrumentalness • 86% Positiveness
14% Popularity • 73% Danceability • 95% Energy • 30% Liveness
65% Instrumentalness • 86% Positiveness
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SWAYLÓ
Burning Fire
126 bpm • G Maj • 02:34 • -5.84db
28% Popularity • 74% Danceability • 92% Energy • 6% Liveness
84% Instrumentalness • 57% Positiveness
28% Popularity • 74% Danceability • 92% Energy • 6% Liveness
84% Instrumentalness • 57% Positiveness
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Mason Flint
Universe
126 bpm • G# Maj • 03:42 • -4.02db
14% Popularity • 64% Danceability • 98% Energy • 62% Liveness
47% Instrumentalness • 18% Positiveness
14% Popularity • 64% Danceability • 98% Energy • 62% Liveness
47% Instrumentalness • 18% Positiveness
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Max Low
Overnight
126 bpm • A# Maj • 03:35 • -7.45db
2% Popularity • 80% Danceability • 82% Energy • 42% Liveness
84% Instrumentalness • 80% Positiveness
2% Popularity • 80% Danceability • 82% Energy • 42% Liveness
84% Instrumentalness • 80% Positiveness
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Dissolut
High
126 bpm • C# Maj • 02:36 • -5.88db
18% Popularity • 73% Danceability • 86% Energy • 46% Liveness
54% Instrumentalness • 48% Positiveness
18% Popularity • 73% Danceability • 86% Energy • 46% Liveness
54% Instrumentalness • 48% Positiveness
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Nick Raff
Fancy Like
126 bpm • B min • 02:53 • -5.63db
15% Popularity • 80% Danceability • 98% Energy • 9% Liveness
40% Instrumentalness • 93% Positiveness
15% Popularity • 80% Danceability • 98% Energy • 9% Liveness
40% Instrumentalness • 93% Positiveness
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DJ Elmo
Move My Body
126 bpm • F min • 02:53 • -8db
16% Popularity • 64% Danceability • 75% Energy • 19% Liveness
88% Instrumentalness • 77% Positiveness
16% Popularity • 64% Danceability • 75% Energy • 19% Liveness
88% Instrumentalness • 77% Positiveness
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Zookëper
Verano
126 bpm • E min • 02:50 • -4.21db
11% Popularity • 60% Danceability • 97% Energy • 36% Liveness
85% Instrumentalness • 45% Positiveness
11% Popularity • 60% Danceability • 97% Energy • 36% Liveness
85% Instrumentalness • 45% Positiveness
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Rob Black
Jungle
124 bpm • F# min • 02:55 • -8.26db
25% Popularity • 83% Danceability • 77% Energy • 10% Liveness
33% Instrumentalness • 45% Positiveness
25% Popularity • 83% Danceability • 77% Energy • 10% Liveness
33% Instrumentalness • 45% Positiveness
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Max Low
Concentration
126 bpm • A Maj • 03:53 • -7.89db
1% Popularity • 62% Danceability • 96% Energy • 12% Liveness
68% Instrumentalness • 81% Positiveness
1% Popularity • 62% Danceability • 96% Energy • 12% Liveness
68% Instrumentalness • 81% Positiveness
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PEACE MAKER!
Ready 2 Go
126 bpm • G Maj • 03:58 • -5.16db
20% Popularity • 74% Danceability • 96% Energy • 67% Liveness
52% Instrumentalness • 82% Positiveness
20% Popularity • 74% Danceability • 96% Energy • 67% Liveness
52% Instrumentalness • 82% Positiveness
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BLUPRNT
Proper Ladies
126 bpm • D Maj • 02:58 • -6.19db
27% Popularity • 82% Danceability • 90% Energy • 32% Liveness
30% Instrumentalness • 90% Positiveness
27% Popularity • 82% Danceability • 90% Energy • 32% Liveness
30% Instrumentalness • 90% Positiveness
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Fab Massimo
Going Home - Radio Mix
126 bpm • F# min • 03:40 • -6.42db
28% Popularity • 76% Danceability • 95% Energy • 10% Liveness
14% Instrumentalness • 59% Positiveness
28% Popularity • 76% Danceability • 95% Energy • 10% Liveness
14% Instrumentalness • 59% Positiveness
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Disaia
Movimiento
126 bpm • C Maj • 02:48 • -7.09db
13% Popularity • 80% Danceability • 97% Energy • 13% Liveness
84% Instrumentalness • 88% Positiveness
13% Popularity • 80% Danceability • 97% Energy • 13% Liveness
84% Instrumentalness • 88% Positiveness
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Sandgino
Tequila
126 bpm • A# Maj • 02:15 • -5.27db
29% Popularity • 63% Danceability • 99% Energy • 10% Liveness
75% Instrumentalness • 77% Positiveness
29% Popularity • 63% Danceability • 99% Energy • 10% Liveness
75% Instrumentalness • 77% Positiveness
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House Divided
Amsterdam
126 bpm • B min • 03:28 • -4.38db
17% Popularity • 80% Danceability • 92% Energy • 5% Liveness
88% Instrumentalness • 61% Positiveness
17% Popularity • 80% Danceability • 92% Energy • 5% Liveness
88% Instrumentalness • 61% Positiveness
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Max Styler
Move My Feet
126 bpm • C Maj • 03:18 • -5.69db
25% Popularity • 65% Danceability • 95% Energy • 33% Liveness
53% Instrumentalness • 66% Positiveness
25% Popularity • 65% Danceability • 95% Energy • 33% Liveness
53% Instrumentalness • 66% Positiveness
