Songs like Girls in Love by Kevin Slice
Based on a tempo of (+/- 10%) and a similar genre
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Lucas Matt
Can't Get Any Better
122 bpm • B Maj • 03:14 • -4.54db
21% Popularity • 66% Danceability • 82% Energy • 17% Liveness
0% Instrumentalness • 72% Positiveness
21% Popularity • 66% Danceability • 82% Energy • 17% Liveness
0% Instrumentalness • 72% Positiveness
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Taylor Goyette
Hot Mess
122 bpm • C Maj • 03:09 • -7.21db
7% Popularity • 77% Danceability • 83% Energy • 28% Liveness
0% Instrumentalness • 96% Positiveness
7% Popularity • 77% Danceability • 83% Energy • 28% Liveness
0% Instrumentalness • 96% Positiveness
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RJ Graff
Anywhere But Here
122 bpm • F Maj • 03:26 • -6.11db
23% Popularity • 62% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
23% Popularity • 62% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Peter Chapman
That Kinda Bar
122 bpm • F# Maj • 03:16 • -7.39db
13% Popularity • 62% Danceability • 83% Energy • 45% Liveness
0% Instrumentalness • 84% Positiveness
13% Popularity • 62% Danceability • 83% Energy • 45% Liveness
0% Instrumentalness • 84% Positiveness
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Sky Wyatt
Shoes
122 bpm • F Maj • 02:57 • -4.09db
7% Popularity • 64% Danceability • 94% Energy • 39% Liveness
0% Instrumentalness • 84% Positiveness
7% Popularity • 64% Danceability • 94% Energy • 39% Liveness
0% Instrumentalness • 84% Positiveness
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JJ Brown
Black Leather and Lace
122 bpm • A# Maj • 03:41 • -8.33db
18% Popularity • 55% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
18% Popularity • 55% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
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Ryan Weaver
Like a Love Song
122 bpm • D Maj • 03:18 • -6.4db
10% Popularity • 61% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 46% Positiveness
10% Popularity • 61% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 46% Positiveness
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Beyond the touch
Falling into the Void
122 bpm • E min • 03:56 • -6.38db
30% Popularity • 57% Danceability • 78% Energy • 38% Liveness
0% Instrumentalness • 31% Positiveness
30% Popularity • 57% Danceability • 78% Energy • 38% Liveness
0% Instrumentalness • 31% Positiveness
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Andrew Swift
Smoke 'Em If You Got 'Em
122 bpm • A Maj • 03:40 • -4.37db
7% Popularity • 66% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
7% Popularity • 66% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Truck Pierce
1 More 2nd Beer
122 bpm • E Maj • 04:11 • -6.97db
8% Popularity • 69% Danceability • 75% Energy • 18% Liveness
0% Instrumentalness • 80% Positiveness
8% Popularity • 69% Danceability • 75% Energy • 18% Liveness
0% Instrumentalness • 80% Positiveness
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Matt Bennett
Under The Weather
122 bpm • A# Maj • 03:19 • -4.89db
42% Popularity • 48% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
42% Popularity • 48% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Kyle English
Dreamin’
122 bpm • G Maj • 02:50 • -4.41db
8% Popularity • 62% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
8% Popularity • 62% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Justin Gallegos
The Right Words
122 bpm • G Maj • 03:33 • -8.32db
9% Popularity • 53% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 76% Positiveness
9% Popularity • 53% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 76% Positiveness
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Kenny Mehler
Cornbread and Whiskey
121 bpm • D# Maj • 03:00 • -3.19db
29% Popularity • 75% Danceability • 88% Energy • 19% Liveness
0% Instrumentalness • 91% Positiveness
29% Popularity • 75% Danceability • 88% Energy • 19% Liveness
0% Instrumentalness • 91% Positiveness
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Ben Carr
Seventeen
123 bpm • G Maj • 02:33 • -7.57db
14% Popularity • 71% Danceability • 63% Energy • 47% Liveness
0% Instrumentalness • 78% Positiveness
14% Popularity • 71% Danceability • 63% Energy • 47% Liveness
0% Instrumentalness • 78% Positiveness
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Chuck Richard
Till Grass Don't Grow
123 bpm • G Maj • 02:51 • -3.77db
23% Popularity • 57% Danceability • 76% Energy • 33% Liveness
0% Instrumentalness • 62% Positiveness
23% Popularity • 57% Danceability • 76% Energy • 33% Liveness
0% Instrumentalness • 62% Positiveness
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Graham Trude
Heart That Breaks
121 bpm • E min • 03:34 • -5.46db
37% Popularity • 64% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
37% Popularity • 64% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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The Highway 6 Band
Mile in These Boots
121 bpm • F min • 03:03 • -7.69db
8% Popularity • 71% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
8% Popularity • 71% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Steven Cortez
She's from the Border
123 bpm • B Maj • 02:38 • -7.69db
12% Popularity • 62% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
12% Popularity • 62% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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Wild Wisteria
Devereux Road
121 bpm • G min • 05:08 • -4.73db
30% Popularity • 57% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
30% Popularity • 57% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Scott Kurt
Middle of America
123 bpm • A# Maj • 03:17 • -4.46db
10% Popularity • 57% Danceability • 94% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
10% Popularity • 57% Danceability • 94% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
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Dennis Adamus
One Way Ticket Home (ich schreibe einen ...
121 bpm • G# Maj • 02:53 • -3.33db
11% Popularity • 68% Danceability • 85% Energy • 14% Liveness
0% Instrumentalness • 92% Positiveness
11% Popularity • 68% Danceability • 85% Energy • 14% Liveness
0% Instrumentalness • 92% Positiveness
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Isaac Rudd
I'd Be Missin' You
121 bpm • A Maj • 03:15 • -4.12db
9% Popularity • 68% Danceability • 83% Energy • 4% Liveness
0% Instrumentalness • 74% Positiveness
9% Popularity • 68% Danceability • 83% Energy • 4% Liveness
0% Instrumentalness • 74% Positiveness
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Chris Nelson
Diesel Diva
123 bpm • D Maj • 03:30 • -5.23db
26% Popularity • 71% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
26% Popularity • 71% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Dakota Poorman
Hippie at Heart
121 bpm • G Maj • 03:31 • -3.58db
8% Popularity • 64% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
8% Popularity • 64% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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Jesse Joice
Ain't Just Some Song About Tonight
121 bpm • E Maj • 03:32 • -7.64db
21% Popularity • 63% Danceability • 69% Energy • 17% Liveness
0% Instrumentalness • 91% Positiveness
21% Popularity • 63% Danceability • 69% Energy • 17% Liveness
0% Instrumentalness • 91% Positiveness
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Jerry DeLeon & Southbound
Nineteen
121 bpm • D Maj • 03:12 • -11.74db
8% Popularity • 66% Danceability • 61% Energy • 35% Liveness
0% Instrumentalness • 59% Positiveness
8% Popularity • 66% Danceability • 61% Energy • 35% Liveness
0% Instrumentalness • 59% Positiveness
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Brian Cadd
Only Love Can Take It Away
120 bpm • D Maj • 03:31 • -4.87db
15% Popularity • 62% Danceability • 79% Energy • 10% Liveness
3% Instrumentalness • 70% Positiveness
15% Popularity • 62% Danceability • 79% Energy • 10% Liveness
3% Instrumentalness • 70% Positiveness
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MIKE PONDER
Take Me To Tennessee
120 bpm • G Maj • 03:54 • -10.93db
9% Popularity • 63% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
9% Popularity • 63% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
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John Berry
Thomas Road
124 bpm • A Maj • 03:01 • -6.74db
23% Popularity • 65% Danceability • 81% Energy • 22% Liveness
0% Instrumentalness • 93% Positiveness
23% Popularity • 65% Danceability • 81% Energy • 22% Liveness
0% Instrumentalness • 93% Positiveness
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Darrell Goldman
Under Your Spell
120 bpm • G Maj • 03:44 • -3.57db
9% Popularity • 55% Danceability • 84% Energy • 39% Liveness
0% Instrumentalness • 59% Positiveness
9% Popularity • 55% Danceability • 84% Energy • 39% Liveness
0% Instrumentalness • 59% Positiveness
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Adam Wainwright
American Hearts
120 bpm • A Maj • 03:29 • -4.39db
20% Popularity • 62% Danceability • 82% Energy • 23% Liveness
0% Instrumentalness • 69% Positiveness
20% Popularity • 62% Danceability • 82% Energy • 23% Liveness
0% Instrumentalness • 69% Positiveness
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Johnathan Len
Truth
124 bpm • G# Maj • 02:40 • -3.93db
27% Popularity • 50% Danceability • 84% Energy • 25% Liveness
0% Instrumentalness • 54% Positiveness
27% Popularity • 50% Danceability • 84% Energy • 25% Liveness
0% Instrumentalness • 54% Positiveness
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Joshua Cole
Sweet Maria
120 bpm • G# Maj • 03:11 • -5.74db
14% Popularity • 83% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 81% Positiveness
14% Popularity • 83% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 81% Positiveness
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Jonathan Harrington
Whole Again
124 bpm • C Maj • 02:55 • -6.43db
13% Popularity • 64% Danceability • 63% Energy • 26% Liveness
0% Instrumentalness • 74% Positiveness
13% Popularity • 64% Danceability • 63% Energy • 26% Liveness
0% Instrumentalness • 74% Positiveness
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Scott Hayley
Burn Me Down
124 bpm • F# Maj • 03:44 • -5.68db
13% Popularity • 64% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
13% Popularity • 64% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
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Pete Cullen
Chase The Dream
124 bpm • G Maj • 03:22 • -2.81db
10% Popularity • 60% Danceability • 86% Energy • 28% Liveness
0% Instrumentalness • 70% Positiveness
10% Popularity • 60% Danceability • 86% Energy • 28% Liveness
0% Instrumentalness • 70% Positiveness
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Jason Byrd
She's Coming Back Saloon
120 bpm • D Maj • 03:08 • -5.63db
33% Popularity • 58% Danceability • 82% Energy • 36% Liveness
0% Instrumentalness • 68% Positiveness
33% Popularity • 58% Danceability • 82% Energy • 36% Liveness
0% Instrumentalness • 68% Positiveness
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Born Reckless
Fuel to My Fire
120 bpm • F min • 03:46 • -6.61db
9% Popularity • 72% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
9% Popularity • 72% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Mark Blomsteel
Barbed Wire
124 bpm • D min • 02:44 • -4.39db
19% Popularity • 64% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
19% Popularity • 64% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Truck Pierce
She Use to Give Me Everything
124 bpm • B min • 04:08 • -7db
8% Popularity • 71% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
8% Popularity • 71% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
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Lower 40
Dangerous Game
124 bpm • G Maj • 03:45 • -7.65db
23% Popularity • 67% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
23% Popularity • 67% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Ben McPeak
Hurry up Whiskey (Acoustic)
124 bpm • B Maj • 03:02 • -7.26db
10% Popularity • 83% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
10% Popularity • 83% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Todd Barrow
Rockin in the City
124 bpm • A Maj • 03:13 • -7db
26% Popularity • 59% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
26% Popularity • 59% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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Wally Bartfay
IT'S FRIDAY NIGHT
120 bpm • C Maj • 03:17 • -8.69db
8% Popularity • 75% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
8% Popularity • 75% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
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Donny Lee
Got Me This Far
120 bpm • B Maj • 03:22 • -6.43db
9% Popularity • 61% Danceability • 79% Energy • 27% Liveness
3% Instrumentalness • 79% Positiveness
9% Popularity • 61% Danceability • 79% Energy • 27% Liveness
3% Instrumentalness • 79% Positiveness
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Bryan Ruby
Left Field
124 bpm • A Maj • 02:49 • -3.16db
13% Popularity • 65% Danceability • 92% Energy • 39% Liveness
0% Instrumentalness • 87% Positiveness
13% Popularity • 65% Danceability • 92% Energy • 39% Liveness
0% Instrumentalness • 87% Positiveness
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Matt Teed
You Are
124 bpm • B Maj • 03:18 • -3.72db
10% Popularity • 68% Danceability • 93% Energy • 32% Liveness
0% Instrumentalness • 74% Positiveness
10% Popularity • 68% Danceability • 93% Energy • 32% Liveness
0% Instrumentalness • 74% Positiveness
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Richard Schroder
A Thousand Hearts
124 bpm • F Maj • 02:52 • -4.68db
16% Popularity • 64% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
16% Popularity • 64% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Logan Sanders
Should've Never Gone Home
120 bpm • B Maj • 03:42 • -8.77db
11% Popularity • 61% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 38% Positiveness
11% Popularity • 61% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 38% Positiveness
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Truck Pierce
Are You a Cowboy
120 bpm • B min • 02:51 • -7.78db
28% Popularity • 85% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
28% Popularity • 85% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Ryan Daniel
Leave with Memories
120 bpm • E Maj • 03:35 • -6.41db
27% Popularity • 69% Danceability • 64% Energy • 29% Liveness
0% Instrumentalness • 41% Positiveness
27% Popularity • 69% Danceability • 64% Energy • 29% Liveness
0% Instrumentalness • 41% Positiveness
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Scotty Kipfer
The Bod
124 bpm • C Maj • 03:12 • -6.39db
12% Popularity • 70% Danceability • 70% Energy • 19% Liveness
0% Instrumentalness • 67% Positiveness
12% Popularity • 70% Danceability • 70% Energy • 19% Liveness
0% Instrumentalness • 67% Positiveness
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In Kahootz
Long Way Around
120 bpm • C# Maj • 04:00 • -8.37db
15% Popularity • 57% Danceability • 85% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
15% Popularity • 57% Danceability • 85% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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The Martin Boys
Miracle Cure
124 bpm • F Maj • 02:25 • -6.76db
14% Popularity • 80% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
14% Popularity • 80% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Kerry Lynne
Shady
120 bpm • C Maj • 03:01 • -7.29db
8% Popularity • 58% Danceability • 47% Energy • 40% Liveness
0% Instrumentalness • 68% Positiveness
8% Popularity • 58% Danceability • 47% Energy • 40% Liveness
0% Instrumentalness • 68% Positiveness
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Scottie Campoverde
Grab Me
124 bpm • A# Maj • 03:04 • -5.46db
26% Popularity • 69% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
26% Popularity • 69% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Daniel Crane
Dog Beers
125 bpm • C Maj • 02:57 • -2.96db
23% Popularity • 62% Danceability • 91% Energy • 34% Liveness
0% Instrumentalness • 83% Positiveness
23% Popularity • 62% Danceability • 91% Energy • 34% Liveness
0% Instrumentalness • 83% Positiveness
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Punch Douglas
Where's the Party
125 bpm • C Maj • 03:10 • -4.45db
20% Popularity • 51% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
20% Popularity • 51% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Josh Beer
Anyplace With You
125 bpm • A Maj • 02:39 • -6.43db
9% Popularity • 63% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
9% Popularity • 63% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Hunter Stiles
52 Cadillac
119 bpm • A# Maj • 02:38 • -6.67db
13% Popularity • 62% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
13% Popularity • 62% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Terry Glen Adams
The Last Shot of Whiskey
125 bpm • B min • 04:14 • -7.89db
9% Popularity • 74% Danceability • 66% Energy • 34% Liveness
1% Instrumentalness • 61% Positiveness
9% Popularity • 74% Danceability • 66% Energy • 34% Liveness
1% Instrumentalness • 61% Positiveness
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Bailey and the Bad Habits
Lessons Learned
119 bpm • G# Maj • 03:52 • -5.41db
10% Popularity • 54% Danceability • 83% Energy • 24% Liveness
0% Instrumentalness • 80% Positiveness
10% Popularity • 54% Danceability • 83% Energy • 24% Liveness
0% Instrumentalness • 80% Positiveness
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Tanner Burch
I Reckon
125 bpm • G Maj • 03:22 • -2.67db
11% Popularity • 58% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
11% Popularity • 58% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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Southbound 75
That Summer
125 bpm • A# Maj • 03:31 • -5.37db
17% Popularity • 63% Danceability • 89% Energy • 36% Liveness
0% Instrumentalness • 92% Positiveness
17% Popularity • 63% Danceability • 89% Energy • 36% Liveness
0% Instrumentalness • 92% Positiveness
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Luke O'Shea
Different Drum
118 bpm • D# Maj • 03:36 • -6.12db
14% Popularity • 57% Danceability • 71% Energy • 18% Liveness
1% Instrumentalness • 67% Positiveness
14% Popularity • 57% Danceability • 71% Energy • 18% Liveness
1% Instrumentalness • 67% Positiveness
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Bradley Banning
George on the Jukebox
119 bpm • A Maj • 02:37 • -4.29db
23% Popularity • 62% Danceability • 82% Energy • 36% Liveness
0% Instrumentalness • 87% Positiveness
23% Popularity • 62% Danceability • 82% Energy • 36% Liveness
0% Instrumentalness • 87% Positiveness
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Danny Kensy
The Jose' Way
126 bpm • D Maj • 02:47 • -3.37db
8% Popularity • 57% Danceability • 87% Energy • 39% Liveness
0% Instrumentalness • 44% Positiveness
8% Popularity • 57% Danceability • 87% Energy • 39% Liveness
0% Instrumentalness • 44% Positiveness
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Michael Corleto
Hell of a Ride
126 bpm • A Maj • 03:58 • -4.13db
17% Popularity • 64% Danceability • 90% Energy • 18% Liveness
0% Instrumentalness • 63% Positiveness
17% Popularity • 64% Danceability • 90% Energy • 18% Liveness
0% Instrumentalness • 63% Positiveness
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Levin Dirk
Just a Drink
126 bpm • G# Maj • 03:58 • -5.11db
21% Popularity • 68% Danceability • 80% Energy • 21% Liveness
0% Instrumentalness • 87% Positiveness
21% Popularity • 68% Danceability • 80% Energy • 21% Liveness
0% Instrumentalness • 87% Positiveness
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Elijah Wise
Depends On What I Drink
126 bpm • G Maj • 02:53 • -4.67db
9% Popularity • 51% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
9% Popularity • 51% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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Jack Brassfield
Stop The World From Spinning
126 bpm • C Maj • 02:57 • -5.78db
9% Popularity • 64% Danceability • 67% Energy • 28% Liveness
0% Instrumentalness • 93% Positiveness
9% Popularity • 64% Danceability • 67% Energy • 28% Liveness
0% Instrumentalness • 93% Positiveness
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Dave Herrera
Creek Valley
126 bpm • F# Maj • 03:24 • -8.2db
21% Popularity • 65% Danceability • 85% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
21% Popularity • 65% Danceability • 85% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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Marshall
Tailspin
126 bpm • G Maj • 02:46 • -4.79db
15% Popularity • 61% Danceability • 82% Energy • 29% Liveness
17% Instrumentalness • 74% Positiveness
15% Popularity • 61% Danceability • 82% Energy • 29% Liveness
17% Instrumentalness • 74% Positiveness
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Lee Isaacs
Eye of the Storm
126 bpm • G Maj • 02:56 • -5.66db
23% Popularity • 55% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
23% Popularity • 55% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Case Hardin
Been There
118 bpm • B min • 02:55 • -4.46db
9% Popularity • 64% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 63% Positiveness
9% Popularity • 64% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 63% Positiveness
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Klaudia Magica
You Can Do It All
118 bpm • C# Maj • 03:45 • -9.58db
15% Popularity • 69% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
15% Popularity • 69% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
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Dushane Band
Texas
118 bpm • C# min • 03:34 • -6.3db
12% Popularity • 59% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
12% Popularity • 59% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Charlie McCabe
Amigo
118 bpm • C Maj • 03:34 • -6.45db
9% Popularity • 62% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
9% Popularity • 62% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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The Monroes
Heartbreak Town
118 bpm • A Maj • 02:39 • -3.82db
12% Popularity • 68% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
12% Popularity • 68% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Mark Powell
Undomesticated Me
127 bpm • D Maj • 03:26 • -5.85db
6% Popularity • 73% Danceability • 80% Energy • 35% Liveness
0% Instrumentalness • 75% Positiveness
6% Popularity • 73% Danceability • 80% Energy • 35% Liveness
0% Instrumentalness • 75% Positiveness
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Jon Hope and The Jackwagons
Horse of a Different Color
127 bpm • E Maj • 03:12 • -11.79db
11% Popularity • 55% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
11% Popularity • 55% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
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Glen Templeton
Killin' Me Girl
127 bpm • F# Maj • 02:53 • -5.13db
11% Popularity • 63% Danceability • 90% Energy • 24% Liveness
0% Instrumentalness • 85% Positiveness
11% Popularity • 63% Danceability • 90% Energy • 24% Liveness
0% Instrumentalness • 85% Positiveness
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Jared Hovis
Honky Tonk Therapy
127 bpm • C# Maj • 03:04 • -8.97db
21% Popularity • 61% Danceability • 79% Energy • 19% Liveness
0% Instrumentalness • 78% Positiveness
21% Popularity • 61% Danceability • 79% Energy • 19% Liveness
0% Instrumentalness • 78% Positiveness
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Chris Harris
Solomon’s Wine
127 bpm • G Maj • 04:08 • -6.12db
20% Popularity • 60% Danceability • 87% Energy • 38% Liveness
0% Instrumentalness • 74% Positiveness
20% Popularity • 60% Danceability • 87% Energy • 38% Liveness
0% Instrumentalness • 74% Positiveness
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BOOMTOWN SAINTS
Good Day To Get Gone
117 bpm • E Maj • 03:45 • -5.35db
32% Popularity • 51% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 57% Positiveness
32% Popularity • 51% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 57% Positiveness
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Punch Douglas
Can't Even Say Goodbye
127 bpm • G Maj • 04:20 • -7.66db
20% Popularity • 57% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
20% Popularity • 57% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Grady James
Going Home
117 bpm • F# min • 03:21 • -5.57db
11% Popularity • 75% Danceability • 65% Energy • 33% Liveness
0% Instrumentalness • 56% Positiveness
11% Popularity • 75% Danceability • 65% Energy • 33% Liveness
0% Instrumentalness • 56% Positiveness
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Bad Brooks
Playin
117 bpm • E Maj • 03:02 • -8.3db
11% Popularity • 59% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
11% Popularity • 59% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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Kevin Jackson
Two for One
117 bpm • B min • 03:19 • -4.2db
20% Popularity • 58% Danceability • 88% Energy • 25% Liveness
0% Instrumentalness • 68% Positiveness
20% Popularity • 58% Danceability • 88% Energy • 25% Liveness
0% Instrumentalness • 68% Positiveness
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Joel Lee
Sad country song
128 bpm • G Maj • 03:01 • -3.47db
11% Popularity • 63% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 77% Positiveness
11% Popularity • 63% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 77% Positiveness
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Steve Okwor
Let's Clap
128 bpm • G Maj • 04:21 • -6db
11% Popularity • 75% Danceability • 68% Energy • 25% Liveness
0% Instrumentalness • 81% Positiveness
11% Popularity • 75% Danceability • 68% Energy • 25% Liveness
0% Instrumentalness • 81% Positiveness
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Rob Georg
Radio Cowboy
128 bpm • E Maj • 04:17 • -6.58db
8% Popularity • 61% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
8% Popularity • 61% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Tracy Inman
On Facebook
128 bpm • G Maj • 03:40 • -7.89db
3% Popularity • 76% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 57% Positiveness
3% Popularity • 76% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 57% Positiveness
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Chris Buck Band
Cowboy Boots
128 bpm • D Maj • 03:00 • -4.47db
36% Popularity • 64% Danceability • 92% Energy • 30% Liveness
0% Instrumentalness • 92% Positiveness
36% Popularity • 64% Danceability • 92% Energy • 30% Liveness
0% Instrumentalness • 92% Positiveness
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Scott Kurt
Opened up My Eyes
128 bpm • F# Maj • 03:23 • -4db
9% Popularity • 48% Danceability • 87% Energy • 27% Liveness
6% Instrumentalness • 56% Positiveness
9% Popularity • 48% Danceability • 87% Energy • 27% Liveness
6% Instrumentalness • 56% Positiveness
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Tommy Atkins
Cinderella's Had a Drink
116 bpm • G# Maj • 03:38 • -5.58db
9% Popularity • 68% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
9% Popularity • 68% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Gary Kyle
Middle America
116 bpm • F# Maj • 03:40 • -5.61db
17% Popularity • 63% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
17% Popularity • 63% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
