Songs like Girls Talk Boys - From "Ghostbusters" Original Motion Picture Soundtrack by 5 Seconds of Summer
Based on a tempo of (+/- 10%) and a similar genre
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Little Sea
Kiss Kiss Bang Bang
120 bpm • B min • 03:20 • -3db
10% Popularity • 73% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
10% Popularity • 73% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Olly Alexander (Years & Years)
Meteorite
120 bpm • G Maj • 03:25 • -5.22db
41% Popularity • 60% Danceability • 84% Energy • 24% Liveness
0% Instrumentalness • 63% Positiveness
41% Popularity • 60% Danceability • 84% Energy • 24% Liveness
0% Instrumentalness • 63% Positiveness
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Why Don't We
Talk
120 bpm • F# min • 03:10 • -5.22db
56% Popularity • 80% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
56% Popularity • 80% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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MKTO
Forever Until Tomorrow
120 bpm • C# Maj • 03:46 • -4.95db
36% Popularity • 52% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 71% Positiveness
36% Popularity • 52% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 71% Positiveness
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Taylor Swift
How You Get The Girl
120 bpm • F Maj • 04:07 • -6.11db
59% Popularity • 76% Danceability • 66% Energy • 9% Liveness
1% Instrumentalness • 55% Positiveness
59% Popularity • 76% Danceability • 66% Energy • 9% Liveness
1% Instrumentalness • 55% Positiveness
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THE DRIVER ERA
Preacher Man
120 bpm • C# Maj • 03:39 • -3.93db
53% Popularity • 69% Danceability • 95% Energy • 23% Liveness
0% Instrumentalness • 39% Positiveness
53% Popularity • 69% Danceability • 95% Energy • 23% Liveness
0% Instrumentalness • 39% Positiveness
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Marianas Trench
POP 101
120 bpm • B min • 04:07 • -6db
43% Popularity • 76% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
43% Popularity • 76% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Aston Merrygold
Get Stupid
120 bpm • C Maj • 03:19 • -1.58db
39% Popularity • 81% Danceability • 95% Energy • 20% Liveness
0% Instrumentalness • 91% Positiveness
39% Popularity • 81% Danceability • 95% Energy • 20% Liveness
0% Instrumentalness • 91% Positiveness
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Jesse McCartney
Superbad
120 bpm • A Maj • 02:57 • -4.02db
31% Popularity • 93% Danceability • 65% Energy • 31% Liveness
0% Instrumentalness • 55% Positiveness
31% Popularity • 93% Danceability • 65% Energy • 31% Liveness
0% Instrumentalness • 55% Positiveness
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Paramore
Hard Times
120 bpm • F min • 03:02 • -5.38db
73% Popularity • 70% Danceability • 82% Energy • 2% Liveness
0% Instrumentalness • 92% Positiveness
73% Popularity • 70% Danceability • 82% Energy • 2% Liveness
0% Instrumentalness • 92% Positiveness
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5 Seconds of Summer
Girls Talk Boys
120 bpm • G Maj • 03:36 • -3.36db
49% Popularity • 83% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
49% Popularity • 83% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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MKTO
Could Be Me
120 bpm • E Maj • 03:30 • -5.09db
40% Popularity • 73% Danceability • 94% Energy • 28% Liveness
0% Instrumentalness • 92% Positiveness
40% Popularity • 73% Danceability • 94% Energy • 28% Liveness
0% Instrumentalness • 92% Positiveness
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Marianas Trench
Haven't Had Enough
120 bpm • D Maj • 03:28 • -5.04db
52% Popularity • 79% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
52% Popularity • 79% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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Liam Payne
Bedroom Floor
120 bpm • C# Maj • 03:08 • -7.15db
51% Popularity • 62% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
51% Popularity • 62% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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American Authors
What We Live For
120 bpm • C Maj • 02:58 • -4.75db
49% Popularity • 69% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
49% Popularity • 69% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
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Madison Beer
All For Love
120 bpm • C# min • 03:23 • -4.89db
45% Popularity • 65% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
45% Popularity • 65% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
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Rixton
We All Want The Same Thing
120 bpm • F# Maj • 02:43 • -3.26db
14% Popularity • 76% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 93% Positiveness
14% Popularity • 76% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 93% Positiveness
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Bridgit Mendler
Temperamental Love
120 bpm • G min • 02:32 • -4.78db
30% Popularity • 57% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
30% Popularity • 57% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Luke Hemmings
Starting Line
120 bpm • D Maj • 04:30 • -5.31db
53% Popularity • 26% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
53% Popularity • 26% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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Olly Murs
Can't Say No
119 bpm • G# Maj • 03:10 • -5.26db
25% Popularity • 79% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
25% Popularity • 79% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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One Direction
Stockholm Syndrome
121 bpm • D Maj • 03:34 • -4.96db
69% Popularity • 68% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
69% Popularity • 68% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Louis Tomlinson
Defenceless
119 bpm • B Maj • 03:43 • -5.87db
57% Popularity • 64% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
57% Popularity • 64% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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5 Seconds of Summer
If Walls Could Talk
122 bpm • E min • 03:02 • -4.76db
56% Popularity • 59% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
56% Popularity • 59% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Miley Cyrus
Younger Now
122 bpm • E Maj • 04:08 • -4.88db
54% Popularity • 55% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
54% Popularity • 55% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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Taylor Swift
New Romantics
122 bpm • F Maj • 03:50 • -5.87db
65% Popularity • 63% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
65% Popularity • 63% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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Olly Murs
You Don't Know Love
119 bpm • D min • 03:19 • -5.69db
49% Popularity • 67% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 36% Positiveness
49% Popularity • 67% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 36% Positiveness
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One Direction
Little Black Dress
121 bpm • E Maj • 02:37 • -3.51db
59% Popularity • 63% Danceability • 88% Energy • 4% Liveness
0% Instrumentalness • 54% Positiveness
59% Popularity • 63% Danceability • 88% Energy • 4% Liveness
0% Instrumentalness • 54% Positiveness
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Harry Styles
Carolina
122 bpm • E min • 03:09 • -4.02db
65% Popularity • 62% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
65% Popularity • 62% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Gwen Stefani
Make Me Like You
118 bpm • F min • 03:36 • -4.74db
43% Popularity • 74% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
43% Popularity • 74% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
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5 Seconds of Summer
She's Kinda Hot
118 bpm • E Maj • 03:36 • -4.81db
64% Popularity • 66% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
64% Popularity • 66% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
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Taylor Swift
I Wish You Would
118 bpm • C Maj • 03:27 • -5.97db
55% Popularity • 65% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
55% Popularity • 65% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Olly Murs
Wrapped Up
122 bpm • C# Maj • 03:05 • -5.42db
59% Popularity • 79% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
59% Popularity • 79% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
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One Direction
Best Song Ever
118 bpm • C# Maj • 03:20 • -2.99db
76% Popularity • 65% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
76% Popularity • 65% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Saint Motel
My Type
118 bpm • A# Maj • 03:26 • -3.57db
25% Popularity • 50% Danceability • 90% Energy • 23% Liveness
0% Instrumentalness • 53% Positiveness
25% Popularity • 50% Danceability • 90% Energy • 23% Liveness
0% Instrumentalness • 53% Positiveness
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Hey Violet
Guys My Age
122 bpm • G# min • 03:33 • -5.25db
59% Popularity • 69% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
59% Popularity • 69% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
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Flo Rida
I Don't Like It, I Love It
118 bpm • A min • 03:44 • -4.7db
65% Popularity • 85% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
65% Popularity • 85% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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ONE OK ROCK
Take What You Want
118 bpm • F Maj • 04:03 • -4.03db
56% Popularity • 50% Danceability • 89% Energy • 20% Liveness
0% Instrumentalness • 39% Positiveness
56% Popularity • 50% Danceability • 89% Energy • 20% Liveness
0% Instrumentalness • 39% Positiveness
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Olly Murs
Private
118 bpm • F min • 03:10 • -3.37db
24% Popularity • 78% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
24% Popularity • 78% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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East of Eli
Child's Play
118 bpm • C# min • 02:40 • -4.01db
10% Popularity • 69% Danceability • 87% Energy • 19% Liveness
0% Instrumentalness • 46% Positiveness
10% Popularity • 69% Danceability • 87% Energy • 19% Liveness
0% Instrumentalness • 46% Positiveness
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One Direction
Olivia
118 bpm • F# Maj • 02:57 • -5.36db
67% Popularity • 64% Danceability • 68% Energy • 17% Liveness
0% Instrumentalness • 68% Positiveness
67% Popularity • 64% Danceability • 68% Energy • 17% Liveness
0% Instrumentalness • 68% Positiveness
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MKTO
American Dream
123 bpm • C Maj • 03:45 • -5db
57% Popularity • 55% Danceability • 77% Energy • 23% Liveness
0% Instrumentalness • 50% Positiveness
57% Popularity • 55% Danceability • 77% Energy • 23% Liveness
0% Instrumentalness • 50% Positiveness
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Astro Safari USA
Girls Are Just Girls
123 bpm • G Maj • 02:51 • -3.01db
7% Popularity • 71% Danceability • 90% Energy • 34% Liveness
0% Instrumentalness • 96% Positiveness
7% Popularity • 71% Danceability • 90% Energy • 34% Liveness
0% Instrumentalness • 96% Positiveness
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Jess Glynne
You Can Find Me
123 bpm • F# Maj • 03:27 • -6.1db
31% Popularity • 72% Danceability • 64% Energy • 54% Liveness
0% Instrumentalness • 79% Positiveness
31% Popularity • 72% Danceability • 64% Energy • 54% Liveness
0% Instrumentalness • 79% Positiveness
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Lawson
Under The Sun
123 bpm • C Maj • 03:22 • -3.06db
8% Popularity • 59% Danceability • 96% Energy • 34% Liveness
0% Instrumentalness • 44% Positiveness
8% Popularity • 59% Danceability • 96% Energy • 34% Liveness
0% Instrumentalness • 44% Positiveness
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Madison Beer
Unbreakable
123 bpm • G Maj • 03:33 • -5.1db
37% Popularity • 73% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
37% Popularity • 73% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
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One Direction
Where Do Broken Hearts Go
123 bpm • E Maj • 03:49 • -3.72db
66% Popularity • 56% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
66% Popularity • 56% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Hedley
Crazy For You
117 bpm • F# min • 03:37 • -5db
44% Popularity • 70% Danceability • 72% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
44% Popularity • 70% Danceability • 72% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
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IM5
Get to Know You
117 bpm • B min • 02:41 • -6db
25% Popularity • 79% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
25% Popularity • 79% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Jake Miller
Tell Me You Love It
117 bpm • A min • 03:30 • -4.53db
13% Popularity • 74% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
13% Popularity • 74% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
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Shane Dawson
The Vacation Song
123 bpm • D Maj • 03:16 • -3.31db
22% Popularity • 66% Danceability • 90% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
22% Popularity • 66% Danceability • 90% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
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Luke Hemmings
Saigon
117 bpm • D min • 03:41 • -5.47db
54% Popularity • 60% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
54% Popularity • 60% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Rixton
We All Want The Same Thing
117 bpm • E min • 03:45 • -4.82db
38% Popularity • 71% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
38% Popularity • 71% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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One Direction
Wolves
123 bpm • F Maj • 04:01 • -4.24db
61% Popularity • 63% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 53% Positiveness
61% Popularity • 63% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 53% Positiveness
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Paramore
Told You So
124 bpm • D min • 03:08 • -5.63db
60% Popularity • 64% Danceability • 81% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
60% Popularity • 64% Danceability • 81% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
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Cher Lloyd
Sirens
117 bpm • G# Maj • 03:55 • -3db
45% Popularity • 68% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
45% Popularity • 68% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Foxes
Better Love
124 bpm • D min • 03:35 • -4.72db
31% Popularity • 55% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
31% Popularity • 55% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Luke Hemmings
Baby Blue
124 bpm • C Maj • 03:43 • -3.85db
56% Popularity • 54% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
56% Popularity • 54% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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Conor Maynard
Talking About
124 bpm • C# Maj • 03:17 • -3.92db
27% Popularity • 79% Danceability • 90% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
27% Popularity • 79% Danceability • 90% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
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Louis Tomlinson
Lucky Again
124 bpm • D Maj • 03:27 • -4.69db
57% Popularity • 71% Danceability • 89% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
57% Popularity • 71% Danceability • 89% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
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Computer Games
We Like It
124 bpm • D Maj • 03:19 • -4.46db
24% Popularity • 73% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
24% Popularity • 73% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Zak Waters
Penelope
124 bpm • C# Maj • 03:28 • -6db
22% Popularity • 73% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
22% Popularity • 73% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
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Bruno Mars
Perm
124 bpm • G# Maj • 03:30 • -3.72db
63% Popularity • 85% Danceability • 87% Energy • 20% Liveness
0% Instrumentalness • 86% Positiveness
63% Popularity • 85% Danceability • 87% Energy • 20% Liveness
0% Instrumentalness • 86% Positiveness
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Big Time Rush
Music Sounds Better
124 bpm • D# min • 03:09 • -4.67db
51% Popularity • 67% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
51% Popularity • 67% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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Alex Aiono
Doesn't Get Better
124 bpm • C Maj • 03:03 • -4db
20% Popularity • 64% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
20% Popularity • 64% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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Louis Tomlinson
Written All Over Your Face
124 bpm • C Maj • 02:40 • -4.54db
62% Popularity • 75% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
62% Popularity • 75% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Jack & Jack
Groove
124 bpm • E min • 03:05 • -5db
40% Popularity • 66% Danceability • 88% Energy • 42% Liveness
0% Instrumentalness • 80% Positiveness
40% Popularity • 66% Danceability • 88% Energy • 42% Liveness
0% Instrumentalness • 80% Positiveness
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5 Seconds of Summer
Catch Fire
116 bpm • C# Maj • 03:27 • -3.42db
46% Popularity • 62% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
46% Popularity • 62% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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WALK THE MOON
Sidekick
116 bpm • C Maj • 02:55 • -4.65db
36% Popularity • 61% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
36% Popularity • 61% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Austin Moon
Illusion
116 bpm • D# min • 02:17 • -5.58db
48% Popularity • 68% Danceability • 85% Energy • 19% Liveness
0% Instrumentalness • 93% Positiveness
48% Popularity • 68% Danceability • 85% Energy • 19% Liveness
0% Instrumentalness • 93% Positiveness
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Fall Out Boy
The Kids Aren't Alright
116 bpm • F# Maj • 04:20 • -4.19db
57% Popularity • 62% Danceability • 76% Energy • 30% Liveness
14% Instrumentalness • 33% Positiveness
57% Popularity • 62% Danceability • 76% Energy • 30% Liveness
14% Instrumentalness • 33% Positiveness
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PRETTYMUCH
Would You Mind
116 bpm • F min • 02:59 • -4.93db
48% Popularity • 64% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
48% Popularity • 64% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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Mr. X
Scandal
125 bpm • B min • 03:12 • -5.31db
19% Popularity • 60% Danceability • 49% Energy • 30% Liveness
0% Instrumentalness • 32% Positiveness
19% Popularity • 60% Danceability • 49% Energy • 30% Liveness
0% Instrumentalness • 32% Positiveness
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Galantis
Lighter
125 bpm • F# Maj • 02:52 • -4.89db
63% Popularity • 67% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 58% Positiveness
63% Popularity • 67% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 58% Positiveness
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BØRNS
Fool
125 bpm • B min • 03:38 • -5db
49% Popularity • 68% Danceability • 80% Energy • 9% Liveness
4% Instrumentalness • 89% Positiveness
49% Popularity • 68% Danceability • 80% Energy • 9% Liveness
4% Instrumentalness • 89% Positiveness
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Austin Moon
Chasin' the Beat of My Heart
125 bpm • C# min • 03:18 • -7.01db
42% Popularity • 58% Danceability • 79% Energy • 41% Liveness
0% Instrumentalness • 30% Positiveness
42% Popularity • 58% Danceability • 79% Energy • 41% Liveness
0% Instrumentalness • 30% Positiveness
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Lady Gaga
Perfect Illusion
125 bpm • C# min • 03:02 • -5.49db
61% Popularity • 61% Danceability • 86% Energy • 36% Liveness
0% Instrumentalness • 66% Positiveness
61% Popularity • 61% Danceability • 86% Energy • 36% Liveness
0% Instrumentalness • 66% Positiveness
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5 Seconds of Summer
Heartache On The Big Screen
125 bpm • G# Maj • 03:24 • -5db
50% Popularity • 69% Danceability • 80% Energy • 22% Liveness
0% Instrumentalness • 78% Positiveness
50% Popularity • 69% Danceability • 80% Energy • 22% Liveness
0% Instrumentalness • 78% Positiveness
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Shane Harper
Anything But Love
125 bpm • B min • 03:57 • -5db
17% Popularity • 62% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
17% Popularity • 62% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Hey Violet
Can’t Take Back The Bullet
125 bpm • B min • 02:52 • -7db
25% Popularity • 69% Danceability • 81% Energy • 27% Liveness
0% Instrumentalness • 81% Positiveness
25% Popularity • 69% Danceability • 81% Energy • 27% Liveness
0% Instrumentalness • 81% Positiveness
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Rixton
Speakerphone
115 bpm • B Maj • 03:28 • -6.09db
45% Popularity • 73% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
45% Popularity • 73% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Francesco Yates
Better to Be Loved
115 bpm • B min • 03:36 • -5db
18% Popularity • 76% Danceability • 52% Energy • 65% Liveness
0% Instrumentalness • 83% Positiveness
18% Popularity • 76% Danceability • 52% Energy • 65% Liveness
0% Instrumentalness • 83% Positiveness
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Fifth Harmony
Not That Kinda Girl
115 bpm • C# Maj • 03:11 • -3.13db
38% Popularity • 80% Danceability • 91% Energy • 4% Liveness
0% Instrumentalness • 63% Positiveness
38% Popularity • 80% Danceability • 91% Energy • 4% Liveness
0% Instrumentalness • 63% Positiveness
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Computer Games
Every Single Night
115 bpm • C Maj • 03:43 • -5.72db
24% Popularity • 69% Danceability • 90% Energy • 2% Liveness
0% Instrumentalness • 76% Positiveness
24% Popularity • 69% Danceability • 90% Energy • 2% Liveness
0% Instrumentalness • 76% Positiveness
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MKTO
Hands off My Heart / Places You Go
115 bpm • F# min • 05:59 • -6.1db
40% Popularity • 72% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
40% Popularity • 72% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Over Atlantic
What Do I Gotta Do
115 bpm • G# Maj • 02:29 • -8.5db
8% Popularity • 60% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
8% Popularity • 60% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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High School Musical Cast
Now Or Never
115 bpm • F min • 04:30 • -3.88db
57% Popularity • 75% Danceability • 98% Energy • 71% Liveness
0% Instrumentalness • 55% Positiveness
57% Popularity • 75% Danceability • 98% Energy • 71% Liveness
0% Instrumentalness • 55% Positiveness
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Kesha
Woman
115 bpm • F min • 03:16 • -3.59db
64% Popularity • 74% Danceability • 76% Energy • 67% Liveness
4% Instrumentalness • 34% Positiveness
64% Popularity • 74% Danceability • 76% Energy • 67% Liveness
4% Instrumentalness • 34% Positiveness
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Conrad Sewell
Hold Me Up
115 bpm • G Maj • 03:26 • -5.96db
37% Popularity • 62% Danceability • 75% Energy • 24% Liveness
0% Instrumentalness • 30% Positiveness
37% Popularity • 62% Danceability • 75% Energy • 24% Liveness
0% Instrumentalness • 30% Positiveness
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Charlie Puth
The Way I Am
115 bpm • A# min • 03:06 • -5.66db
61% Popularity • 76% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
61% Popularity • 76% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
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MKTO
God Only Knows
115 bpm • E Maj • 03:15 • -3.97db
45% Popularity • 65% Danceability • 74% Energy • 21% Liveness
0% Instrumentalness • 65% Positiveness
45% Popularity • 65% Danceability • 74% Energy • 21% Liveness
0% Instrumentalness • 65% Positiveness
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Ryland
Fall Back in Love
126 bpm • C Maj • 02:53 • -5.15db
15% Popularity • 63% Danceability • 85% Energy • 60% Liveness
1% Instrumentalness • 32% Positiveness
15% Popularity • 63% Danceability • 85% Energy • 60% Liveness
1% Instrumentalness • 32% Positiveness
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5 Seconds of Summer
Hey Everybody!
126 bpm • A Maj • 03:16 • -3.74db
47% Popularity • 75% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
47% Popularity • 75% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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WALK THE MOON
We Are the Kids
126 bpm • G Maj • 03:37 • -5.47db
33% Popularity • 69% Danceability • 76% Energy • 31% Liveness
0% Instrumentalness • 57% Positiveness
33% Popularity • 69% Danceability • 76% Energy • 31% Liveness
0% Instrumentalness • 57% Positiveness
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Galantis
Lighter - Galantis & Misha K VIP Mix
126 bpm • F# Maj • 02:53 • -5.41db
51% Popularity • 65% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
51% Popularity • 65% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
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The Wanted
Walks Like Rihanna
126 bpm • F Maj • 03:22 • -3.38db
55% Popularity • 56% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
55% Popularity • 56% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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MKTO
Thank You
126 bpm • B Maj • 03:49 • -4.75db
52% Popularity • 65% Danceability • 94% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
52% Popularity • 65% Danceability • 94% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
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Harry Styles
Only Angel
114 bpm • F Maj • 04:51 • -4.11db
65% Popularity • 55% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
65% Popularity • 55% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Jonas Brothers
Burnin' Up
114 bpm • D Maj • 02:55 • -3.46db
69% Popularity • 67% Danceability • 95% Energy • 33% Liveness
0% Instrumentalness • 81% Positiveness
69% Popularity • 67% Danceability • 95% Energy • 33% Liveness
0% Instrumentalness • 81% Positiveness
