Songs like Git by Andy Kirk & His Twelve Clouds Of Joy
Based on a tempo of (+/- 10%) and a similar genre
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Barney Bigard & His Orchestra
Barney's Bounce
109 bpm • C min • 03:19 • -12.84db
15% Popularity • 68% Danceability • 52% Energy • 9% Liveness
5% Instrumentalness • 82% Positiveness
15% Popularity • 68% Danceability • 52% Energy • 9% Liveness
5% Instrumentalness • 82% Positiveness
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Louis Armstrong Orchestra
I'm a Ding-Dong-Daddy
109 bpm • F Maj • 03:08 • -12.81db
6% Popularity • 76% Danceability • 42% Energy • 19% Liveness
86% Instrumentalness • 85% Positiveness
6% Popularity • 76% Danceability • 42% Energy • 19% Liveness
86% Instrumentalness • 85% Positiveness
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Woody Herman & His Orchestra
Blues on Parade (Alternate Take)
109 bpm • F# Maj • 03:06 • -11.94db
5% Popularity • 73% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
5% Popularity • 73% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
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Hillary Thaddeus
Lindy Matic
110 bpm • G# Maj • 02:13 • -7db
28% Popularity • 79% Danceability • 41% Energy • 7% Liveness
89% Instrumentalness • 96% Positiveness
28% Popularity • 79% Danceability • 41% Energy • 7% Liveness
89% Instrumentalness • 96% Positiveness
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Kid Ory
Eh, La Bas
109 bpm • A# Maj • 04:48 • -9.91db
25% Popularity • 74% Danceability • 65% Energy • 56% Liveness
89% Instrumentalness • 86% Positiveness
25% Popularity • 74% Danceability • 65% Energy • 56% Liveness
89% Instrumentalness • 86% Positiveness
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Johnny Hodges & His Orchestra
Sideways
110 bpm • G min • 03:02 • -12.44db
11% Popularity • 66% Danceability • 54% Energy • 7% Liveness
47% Instrumentalness • 76% Positiveness
11% Popularity • 66% Danceability • 54% Energy • 7% Liveness
47% Instrumentalness • 76% Positiveness
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Charlie Barnet
Skyliner (Alternate Take)
108 bpm • F min • 03:01 • -6.75db
29% Popularity • 65% Danceability • 55% Energy • 11% Liveness
72% Instrumentalness • 81% Positiveness
29% Popularity • 65% Danceability • 55% Energy • 11% Liveness
72% Instrumentalness • 81% Positiveness
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John Kirby
From A Flat To C (10-28-38)
108 bpm • B min • 02:36 • -14.8db
10% Popularity • 72% Danceability • 34% Energy • 15% Liveness
93% Instrumentalness • 84% Positiveness
10% Popularity • 72% Danceability • 34% Energy • 15% Liveness
93% Instrumentalness • 84% Positiveness
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Red Nichols and His Big Ten
At Last I'm Happy
110 bpm • D# Maj • 02:50 • -9.8db
11% Popularity • 69% Danceability • 33% Energy • 5% Liveness
38% Instrumentalness • 85% Positiveness
11% Popularity • 69% Danceability • 33% Energy • 5% Liveness
38% Instrumentalness • 85% Positiveness
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Connie's In Orchestra
Low Down on the Bayou
110 bpm • C min • 03:03 • -7db
3% Popularity • 66% Danceability • 68% Energy • 9% Liveness
91% Instrumentalness • 76% Positiveness
3% Popularity • 66% Danceability • 68% Energy • 9% Liveness
91% Instrumentalness • 76% Positiveness
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The Cats & The Fiddle
Public Jitterbug No1
108 bpm • F min • 02:51 • -11.22db
14% Popularity • 75% Danceability • 36% Energy • 8% Liveness
10% Instrumentalness • 68% Positiveness
14% Popularity • 75% Danceability • 36% Energy • 8% Liveness
10% Instrumentalness • 68% Positiveness
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Slim Gaillard
That's What You Call Romance
108 bpm • C Maj • 02:52 • -19db
21% Popularity • 71% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
21% Popularity • 71% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Jack McVea
On the Sunny Side of the Street
110 bpm • A# Maj • 03:14 • -8db
8% Popularity • 66% Danceability • 30% Energy • 11% Liveness
4% Instrumentalness • 76% Positiveness
8% Popularity • 66% Danceability • 30% Energy • 11% Liveness
4% Instrumentalness • 76% Positiveness
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Gene Krupa
Drummin' Man
110 bpm • D# Maj • 03:03 • -3db
18% Popularity • 78% Danceability • 84% Energy • 7% Liveness
74% Instrumentalness • 76% Positiveness
18% Popularity • 78% Danceability • 84% Energy • 7% Liveness
74% Instrumentalness • 76% Positiveness
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Bobby Short
That's My Weakness Now
108 bpm • G# Maj • 02:05 • -11.53db
25% Popularity • 89% Danceability • 35% Energy • 32% Liveness
0% Instrumentalness • 89% Positiveness
25% Popularity • 89% Danceability • 35% Energy • 32% Liveness
0% Instrumentalness • 89% Positiveness
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Muggsy Spanier
(What I Did to Be So) Black And Blue
111 bpm • G min • 02:40 • -9db
21% Popularity • 72% Danceability • 43% Energy • 36% Liveness
65% Instrumentalness • 62% Positiveness
21% Popularity • 72% Danceability • 43% Energy • 36% Liveness
65% Instrumentalness • 62% Positiveness
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Erskine Hawkins
Riff Time
107 bpm • C# Maj • 03:04 • -6.7db
11% Popularity • 66% Danceability • 70% Energy • 10% Liveness
28% Instrumentalness • 83% Positiveness
11% Popularity • 66% Danceability • 70% Energy • 10% Liveness
28% Instrumentalness • 83% Positiveness
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Isham Jones & His Orchestra
Goodnight Sweet Dreams
111 bpm • A# Maj • 02:50 • -9db
8% Popularity • 82% Danceability • 58% Energy • 4% Liveness
41% Instrumentalness • 93% Positiveness
8% Popularity • 82% Danceability • 58% Energy • 4% Liveness
41% Instrumentalness • 93% Positiveness
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The Cast
Back Home Again in Indiana
111 bpm • C min • 01:55 • -9db
29% Popularity • 76% Danceability • 46% Energy • 21% Liveness
4% Instrumentalness • 91% Positiveness
29% Popularity • 76% Danceability • 46% Energy • 21% Liveness
4% Instrumentalness • 91% Positiveness
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Sydney Clare
Keepin' Myself For You
111 bpm • D min • 03:15 • -6.45db
8% Popularity • 73% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
8% Popularity • 73% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Johnny Dodds
Come on and Stomp, Stomp, Stomp
107 bpm • F Maj • 02:55 • -8db
24% Popularity • 79% Danceability • 66% Energy • 11% Liveness
92% Instrumentalness • 96% Positiveness
24% Popularity • 79% Danceability • 66% Energy • 11% Liveness
92% Instrumentalness • 96% Positiveness
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Muggsy Spanier
I’ve Found A New Baby
111 bpm • A min • 02:29 • -19db
13% Popularity • 67% Danceability • 28% Energy • 10% Liveness
86% Instrumentalness • 96% Positiveness
13% Popularity • 67% Danceability • 28% Energy • 10% Liveness
86% Instrumentalness • 96% Positiveness
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Bobby Hackett
I've Found a New Baby
107 bpm • F min • 02:44 • -11.99db
28% Popularity • 74% Danceability • 40% Energy • 10% Liveness
27% Instrumentalness • 78% Positiveness
28% Popularity • 74% Danceability • 40% Energy • 10% Liveness
27% Instrumentalness • 78% Positiveness
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Lu Watters Yerba Buena Jazz Band
Temptation Rag
107 bpm • C min • 02:40 • -15.19db
17% Popularity • 79% Danceability • 53% Energy • 19% Liveness
96% Instrumentalness • 96% Positiveness
17% Popularity • 79% Danceability • 53% Energy • 19% Liveness
96% Instrumentalness • 96% Positiveness
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King Oliver
Speakeasy Blues
111 bpm • A# Maj • 02:51 • -13db
27% Popularity • 74% Danceability • 20% Energy • 17% Liveness
90% Instrumentalness • 58% Positiveness
27% Popularity • 74% Danceability • 20% Energy • 17% Liveness
90% Instrumentalness • 58% Positiveness
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Andy Kirk & His Twelve Clouds Of Joy
Lotta Sax Appeal
107 bpm • D min • 02:59 • -19.2db
0% Popularity • 74% Danceability • 12% Energy • 36% Liveness
87% Instrumentalness • 86% Positiveness
0% Popularity • 74% Danceability • 12% Energy • 36% Liveness
87% Instrumentalness • 86% Positiveness
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Woody Herman & His Orchestra
Blues Downstairs
112 bpm • F Maj • 02:47 • -11.06db
17% Popularity • 69% Danceability • 40% Energy • 22% Liveness
6% Instrumentalness • 75% Positiveness
17% Popularity • 69% Danceability • 40% Energy • 22% Liveness
6% Instrumentalness • 75% Positiveness
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Muggsy Spanier
Panama
112 bpm • C min • 02:34 • -11db
11% Popularity • 55% Danceability • 48% Energy • 24% Liveness
22% Instrumentalness • 72% Positiveness
11% Popularity • 55% Danceability • 48% Energy • 24% Liveness
22% Instrumentalness • 72% Positiveness
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Buddy Johnson
Fine Brown Frame
112 bpm • G min • 03:02 • -9.75db
10% Popularity • 70% Danceability • 36% Energy • 24% Liveness
0% Instrumentalness • 72% Positiveness
10% Popularity • 70% Danceability • 36% Energy • 24% Liveness
0% Instrumentalness • 72% Positiveness
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Johnny Dodds
Red Onion Blues
107 bpm • C Maj • 02:53 • -6.4db
9% Popularity • 56% Danceability • 55% Energy • 38% Liveness
80% Instrumentalness • 80% Positiveness
9% Popularity • 56% Danceability • 55% Energy • 38% Liveness
80% Instrumentalness • 80% Positiveness
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Louis Armstrong & His Hot Seven
Knee Drops
106 bpm • A# Maj • 03:24 • -12.8db
13% Popularity • 83% Danceability • 37% Energy • 4% Liveness
72% Instrumentalness • 96% Positiveness
13% Popularity • 83% Danceability • 37% Energy • 4% Liveness
72% Instrumentalness • 96% Positiveness
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Andy Kirk & His Twelve Clouds Of Joy
Froggy Bottom
112 bpm • F min • 03:11 • -13.37db
2% Popularity • 66% Danceability • 15% Energy • 16% Liveness
77% Instrumentalness • 60% Positiveness
2% Popularity • 66% Danceability • 15% Energy • 16% Liveness
77% Instrumentalness • 60% Positiveness
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Ted Weems
Somebody Stole My Gal
112 bpm • E Maj • 03:02 • -13db
21% Popularity • 81% Danceability • 41% Energy • 31% Liveness
96% Instrumentalness • 73% Positiveness
21% Popularity • 81% Danceability • 41% Energy • 31% Liveness
96% Instrumentalness • 73% Positiveness
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Alix Combelle
Fariboles
106 bpm • A# Maj • 02:47 • -10db
9% Popularity • 77% Danceability • 44% Energy • 16% Liveness
73% Instrumentalness • 94% Positiveness
9% Popularity • 77% Danceability • 44% Energy • 16% Liveness
73% Instrumentalness • 94% Positiveness
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Benny Goodman Septet
Charlie's Dream
106 bpm • F min • 03:14 • -8db
11% Popularity • 77% Danceability • 41% Energy • 14% Liveness
82% Instrumentalness • 77% Positiveness
11% Popularity • 77% Danceability • 41% Energy • 14% Liveness
82% Instrumentalness • 77% Positiveness
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Johnny Dodds
I'm Goin' Huntin'
106 bpm • F Maj • 02:59 • -9.69db
23% Popularity • 70% Danceability • 49% Energy • 36% Liveness
91% Instrumentalness • 89% Positiveness
23% Popularity • 70% Danceability • 49% Energy • 36% Liveness
91% Instrumentalness • 89% Positiveness
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Eddie Condon
Carnegie Drag
106 bpm • A# Maj • 03:16 • -13db
15% Popularity • 69% Danceability • 31% Energy • 9% Liveness
72% Instrumentalness • 82% Positiveness
15% Popularity • 69% Danceability • 31% Energy • 9% Liveness
72% Instrumentalness • 82% Positiveness
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Albert Burbank
Bill Bailey
105 bpm • F Maj • 02:31 • -7.65db
19% Popularity • 70% Danceability • 43% Energy • 4% Liveness
12% Instrumentalness • 92% Positiveness
19% Popularity • 70% Danceability • 43% Energy • 4% Liveness
12% Instrumentalness • 92% Positiveness
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Charlie Barnet & His Orchestra
Things Ain't What They Used to Be
113 bpm • G# Maj • 02:40 • -20db
34% Popularity • 65% Danceability • 10% Energy • 9% Liveness
79% Instrumentalness • 67% Positiveness
34% Popularity • 65% Danceability • 10% Energy • 9% Liveness
79% Instrumentalness • 67% Positiveness
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Andy Kirk & His Twelve Clouds Of Joy
920 Special
113 bpm • C Maj • 03:27 • -18.96db
0% Popularity • 62% Danceability • 28% Energy • 95% Liveness
81% Instrumentalness • 91% Positiveness
0% Popularity • 62% Danceability • 28% Energy • 95% Liveness
81% Instrumentalness • 91% Positiveness
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Kid Ory
1919 Rag
105 bpm • C min • 03:08 • -9.46db
8% Popularity • 48% Danceability • 63% Energy • 32% Liveness
91% Instrumentalness • 97% Positiveness
8% Popularity • 48% Danceability • 63% Energy • 32% Liveness
91% Instrumentalness • 97% Positiveness
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Woody Herman & His Orchestra
Blues on Parade
113 bpm • C# min • 03:01 • -12.07db
15% Popularity • 72% Danceability • 43% Energy • 17% Liveness
73% Instrumentalness • 66% Positiveness
15% Popularity • 72% Danceability • 43% Energy • 17% Liveness
73% Instrumentalness • 66% Positiveness
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Eddie Condon
Home Cooking
105 bpm • C min • 03:10 • -10db
20% Popularity • 67% Danceability • 36% Energy • 16% Liveness
4% Instrumentalness • 62% Positiveness
20% Popularity • 67% Danceability • 36% Energy • 16% Liveness
4% Instrumentalness • 62% Positiveness
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Kid Ory's Creole Jazz Band
Muskrat Ramble
105 bpm • G# Maj • 02:52 • -10db
22% Popularity • 66% Danceability • 57% Energy • 9% Liveness
11% Instrumentalness • 96% Positiveness
22% Popularity • 66% Danceability • 57% Energy • 9% Liveness
11% Instrumentalness • 96% Positiveness
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Edgar Hayes
Swingin' in the Promised Land (11-14-38)
113 bpm • F min • 02:39 • -11.31db
8% Popularity • 69% Danceability • 73% Energy • 11% Liveness
91% Instrumentalness • 37% Positiveness
8% Popularity • 69% Danceability • 73% Energy • 11% Liveness
91% Instrumentalness • 37% Positiveness
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Charlie Barnet
Wichita Windstorm
105 bpm • F# Maj • 02:39 • -8db
22% Popularity • 68% Danceability • 49% Energy • 24% Liveness
81% Instrumentalness • 82% Positiveness
22% Popularity • 68% Danceability • 49% Energy • 24% Liveness
81% Instrumentalness • 82% Positiveness
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Erskine Hawkins
Keep Cool, Fool
113 bpm • C Maj • 03:35 • -11db
14% Popularity • 80% Danceability • 15% Energy • 12% Liveness
8% Instrumentalness • 50% Positiveness
14% Popularity • 80% Danceability • 15% Energy • 12% Liveness
8% Instrumentalness • 50% Positiveness
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The Cats & The Fiddle
That's On Jack That's On
105 bpm • F min • 02:32 • -10db
16% Popularity • 83% Danceability • 53% Energy • 6% Liveness
23% Instrumentalness • 91% Positiveness
16% Popularity • 83% Danceability • 53% Energy • 6% Liveness
23% Instrumentalness • 91% Positiveness
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Muggsy Spanier
Jazz Me Blues
113 bpm • G min • 02:17 • -12db
13% Popularity • 49% Danceability • 50% Energy • 42% Liveness
0% Instrumentalness • 94% Positiveness
13% Popularity • 49% Danceability • 50% Energy • 42% Liveness
0% Instrumentalness • 94% Positiveness
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John Kirby
Close Shave
113 bpm • D# Maj • 02:27 • -13.15db
16% Popularity • 69% Danceability • 43% Energy • 11% Liveness
71% Instrumentalness • 91% Positiveness
16% Popularity • 69% Danceability • 43% Energy • 11% Liveness
71% Instrumentalness • 91% Positiveness
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The Jungle Band
Jazz Convulsions
105 bpm • A# Maj • 02:52 • -11db
12% Popularity • 69% Danceability • 48% Energy • 5% Liveness
84% Instrumentalness • 74% Positiveness
12% Popularity • 69% Danceability • 48% Energy • 5% Liveness
84% Instrumentalness • 74% Positiveness
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Charlie Barnet
E Bob o Lee Bob
105 bpm • G Maj • 02:29 • -13.81db
18% Popularity • 68% Danceability • 28% Energy • 32% Liveness
0% Instrumentalness • 92% Positiveness
18% Popularity • 68% Danceability • 28% Energy • 32% Liveness
0% Instrumentalness • 92% Positiveness
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James P. Johnson
Honeysuckle Rose
105 bpm • F Maj • 02:40 • -17.09db
34% Popularity • 73% Danceability • 31% Energy • 8% Liveness
88% Instrumentalness • 95% Positiveness
34% Popularity • 73% Danceability • 31% Energy • 8% Liveness
88% Instrumentalness • 95% Positiveness
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Duke Ellington & His Cotton Club Orchestra
That Lindy Hop
113 bpm • C Maj • 02:57 • -14.47db
8% Popularity • 66% Danceability • 29% Energy • 16% Liveness
3% Instrumentalness • 76% Positiveness
8% Popularity • 66% Danceability • 29% Energy • 16% Liveness
3% Instrumentalness • 76% Positiveness
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The Cats & The Fiddle
That's on Jack, That's On
105 bpm • F Maj • 02:32 • -8.18db
14% Popularity • 83% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
14% Popularity • 83% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Red Onion Jazz Babies
Cake Walking Babies From Home
114 bpm • F min • 03:07 • -12db
12% Popularity • 69% Danceability • 42% Energy • 22% Liveness
42% Instrumentalness • 91% Positiveness
12% Popularity • 69% Danceability • 42% Energy • 22% Liveness
42% Instrumentalness • 91% Positiveness
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Sydney Lipton and His Grosvenor House Orchestra
You Can't Stop Me from Dreaming
103 bpm • D# Maj • 02:52 • -7.78db
14% Popularity • 72% Danceability • 50% Energy • 12% Liveness
87% Instrumentalness • 77% Positiveness
14% Popularity • 72% Danceability • 50% Energy • 12% Liveness
87% Instrumentalness • 77% Positiveness
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Kid Ory
Original Dixieland One Step
115 bpm • C min • 05:35 • -10.08db
12% Popularity • 68% Danceability • 64% Energy • 72% Liveness
57% Instrumentalness • 82% Positiveness
12% Popularity • 68% Danceability • 64% Energy • 72% Liveness
57% Instrumentalness • 82% Positiveness
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Andy Kirk & His Twelve Clouds Of Joy
Together
115 bpm • F min • 02:41 • -19.46db
0% Popularity • 49% Danceability • 28% Energy • 86% Liveness
94% Instrumentalness • 72% Positiveness
0% Popularity • 49% Danceability • 28% Energy • 86% Liveness
94% Instrumentalness • 72% Positiveness
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Glenn Miller & The Army Air Force Band
Carribean Clipper * - Remastered 2001
115 bpm • C# Maj • 02:59 • -9.58db
9% Popularity • 57% Danceability • 67% Energy • 81% Liveness
21% Instrumentalness • 73% Positiveness
9% Popularity • 57% Danceability • 67% Energy • 81% Liveness
21% Instrumentalness • 73% Positiveness
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Marion Harris
Charleston Crazy
103 bpm • D# min • 02:43 • -11db
19% Popularity • 83% Danceability • 42% Energy • 23% Liveness
84% Instrumentalness • 89% Positiveness
19% Popularity • 83% Danceability • 42% Energy • 23% Liveness
84% Instrumentalness • 89% Positiveness
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Lil Hardin Armstrong
Harlem on Saturday Night
115 bpm • C Maj • 02:42 • -7.31db
16% Popularity • 83% Danceability • 47% Energy • 8% Liveness
10% Instrumentalness • 96% Positiveness
16% Popularity • 83% Danceability • 47% Energy • 8% Liveness
10% Instrumentalness • 96% Positiveness
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Johnny Hodges & His Orchestra
Squaty Roo - Remastered - 1995
103 bpm • A# min • 02:23 • -14db
28% Popularity • 68% Danceability • 34% Energy • 11% Liveness
92% Instrumentalness • 72% Positiveness
28% Popularity • 68% Danceability • 34% Energy • 11% Liveness
92% Instrumentalness • 72% Positiveness
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Erskine Hawkins & His Orchestra
Swing Out
103 bpm • A# Maj • 03:19 • -13db
9% Popularity • 78% Danceability • 24% Energy • 9% Liveness
81% Instrumentalness • 44% Positiveness
9% Popularity • 78% Danceability • 24% Energy • 9% Liveness
81% Instrumentalness • 44% Positiveness
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Eddie Condon
Diane
103 bpm • F min • 03:06 • -15db
16% Popularity • 57% Danceability • 11% Energy • 11% Liveness
89% Instrumentalness • 66% Positiveness
16% Popularity • 57% Danceability • 11% Energy • 11% Liveness
89% Instrumentalness • 66% Positiveness
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Andy Kirk & His Twelve Clouds Of Joy
Clean Pickin'
116 bpm • C min • 02:51 • -27.93db
0% Popularity • 90% Danceability • 5% Energy • 17% Liveness
89% Instrumentalness • 95% Positiveness
0% Popularity • 90% Danceability • 5% Energy • 17% Liveness
89% Instrumentalness • 95% Positiveness
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Louis Jordan
Knock Me a Kiss
116 bpm • D# Maj • 02:48 • -11.59db
18% Popularity • 86% Danceability • 24% Energy • 24% Liveness
10% Instrumentalness • 34% Positiveness
18% Popularity • 86% Danceability • 24% Energy • 24% Liveness
10% Instrumentalness • 34% Positiveness
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King Oliver
New Orleans Shout
102 bpm • F Maj • 02:43 • -12db
20% Popularity • 85% Danceability • 40% Energy • 20% Liveness
92% Instrumentalness • 97% Positiveness
20% Popularity • 85% Danceability • 40% Energy • 20% Liveness
92% Instrumentalness • 97% Positiveness
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Muggsy Spanier
At The Jazz Band Ball
116 bpm • C Maj • 02:51 • -11db
16% Popularity • 65% Danceability • 63% Energy • 7% Liveness
92% Instrumentalness • 97% Positiveness
16% Popularity • 65% Danceability • 63% Energy • 7% Liveness
92% Instrumentalness • 97% Positiveness
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Buddy Johnson
You Gotta Walk That Chalk Line
116 bpm • F# Maj • 02:38 • -10db
20% Popularity • 82% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 78% Positiveness
20% Popularity • 82% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 78% Positiveness
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Charlie Barnet & His Orchestra
Swing Street Strut
116 bpm • G min • 02:47 • -10.63db
16% Popularity • 70% Danceability • 52% Energy • 36% Liveness
39% Instrumentalness • 72% Positiveness
16% Popularity • 70% Danceability • 52% Energy • 36% Liveness
39% Instrumentalness • 72% Positiveness
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Andy Kirk & His Twelve Clouds Of Joy
Froggy Bottom
116 bpm • B Maj • 03:04 • -19.85db
0% Popularity • 66% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 72% Positiveness
0% Popularity • 66% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 72% Positiveness
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Cootie Williams
Don't Get Around Much Anymore
117 bpm • F Maj • 03:43 • -9db
8% Popularity • 81% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
8% Popularity • 81% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Earl Hines & His Orchestra
Call Me Happy
117 bpm • G# Maj • 02:37 • -8.76db
9% Popularity • 61% Danceability • 58% Energy • 10% Liveness
1% Instrumentalness • 94% Positiveness
9% Popularity • 61% Danceability • 58% Energy • 10% Liveness
1% Instrumentalness • 94% Positiveness
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Johnny Dodds
Little Bits
118 bpm • C Maj • 02:59 • -6.56db
20% Popularity • 69% Danceability • 65% Energy • 39% Liveness
91% Instrumentalness • 96% Positiveness
20% Popularity • 69% Danceability • 65% Energy • 39% Liveness
91% Instrumentalness • 96% Positiveness
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Reverent Juke
East St. Louis Toodle-Oo
118 bpm • C min • 03:41 • -13.81db
23% Popularity • 56% Danceability • 18% Energy • 10% Liveness
75% Instrumentalness • 53% Positiveness
23% Popularity • 56% Danceability • 18% Energy • 10% Liveness
75% Instrumentalness • 53% Positiveness
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Buddy Johnson
Li'l Dog
118 bpm • F min • 03:06 • -7.95db
13% Popularity • 65% Danceability • 41% Energy • 10% Liveness
1% Instrumentalness • 73% Positiveness
13% Popularity • 65% Danceability • 41% Energy • 10% Liveness
1% Instrumentalness • 73% Positiveness
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Andy Kirk & His Twelve Clouds Of Joy
Cloudy
102 bpm • A# Maj • 02:50 • -8.07db
0% Popularity • 72% Danceability • 16% Energy • 17% Liveness
25% Instrumentalness • 61% Positiveness
0% Popularity • 72% Danceability • 16% Energy • 17% Liveness
25% Instrumentalness • 61% Positiveness
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The Jungle Band
Double Check Stomp
118 bpm • G# Maj • 02:53 • -8db
8% Popularity • 77% Danceability • 48% Energy • 7% Liveness
13% Instrumentalness • 95% Positiveness
8% Popularity • 77% Danceability • 48% Energy • 7% Liveness
13% Instrumentalness • 95% Positiveness
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Larry Clinton
True Confession
118 bpm • A# min • 02:52 • -13.45db
16% Popularity • 61% Danceability • 17% Energy • 6% Liveness
0% Instrumentalness • 47% Positiveness
16% Popularity • 61% Danceability • 17% Energy • 6% Liveness
0% Instrumentalness • 47% Positiveness
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Brooks Prumo Orchestra
Six Cats And A Prince
118 bpm • D# Maj • 03:29 • -8.05db
9% Popularity • 66% Danceability • 59% Energy • 18% Liveness
69% Instrumentalness • 86% Positiveness
9% Popularity • 66% Danceability • 59% Energy • 18% Liveness
69% Instrumentalness • 86% Positiveness
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Louis Prima & Keely Smith
Them There Eyes/Honeysuckle Rose - Medle...
101 bpm • F Maj • 04:46 • -15.26db
9% Popularity • 57% Danceability • 42% Energy • 59% Liveness
0% Instrumentalness • 75% Positiveness
9% Popularity • 57% Danceability • 42% Energy • 59% Liveness
0% Instrumentalness • 75% Positiveness
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Harlem Kiddies
Do You Wanna Jump Children?
100 bpm • A# Maj • 03:20 • -14db
8% Popularity • 68% Danceability • 37% Energy • 10% Liveness
85% Instrumentalness • 88% Positiveness
8% Popularity • 68% Danceability • 37% Energy • 10% Liveness
85% Instrumentalness • 88% Positiveness
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Andy Kirk & His Twelve Clouds Of Joy
Cloudy
102 bpm • A# Maj • 02:53 • -20.97db
0% Popularity • 66% Danceability • 3% Energy • 12% Liveness
3% Instrumentalness • 63% Positiveness
0% Popularity • 66% Danceability • 3% Energy • 12% Liveness
3% Instrumentalness • 63% Positiveness
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Glenn Crytzer
The Clamjammer
119 bpm • G Maj • 02:29 • -15.92db
9% Popularity • 56% Danceability • 46% Energy • 17% Liveness
91% Instrumentalness • 84% Positiveness
9% Popularity • 56% Danceability • 46% Energy • 17% Liveness
91% Instrumentalness • 84% Positiveness
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Erskine Hawkins
Knock Me a Kiss
100 bpm • F min • 02:47 • -9.46db
12% Popularity • 46% Danceability • 24% Energy • 25% Liveness
0% Instrumentalness • 51% Positiveness
12% Popularity • 46% Danceability • 24% Energy • 25% Liveness
0% Instrumentalness • 51% Positiveness
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The Veterinary Street Jazz Band
Snag it
118 bpm • D# Maj • 04:32 • -16.49db
23% Popularity • 76% Danceability • 29% Energy • 6% Liveness
89% Instrumentalness • 77% Positiveness
23% Popularity • 76% Danceability • 29% Energy • 6% Liveness
89% Instrumentalness • 77% Positiveness
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Brooks Prumo Orchestra
Blue Lester
119 bpm • F min • 03:30 • -8.87db
16% Popularity • 70% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
16% Popularity • 70% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Lee Wiley
Any Time, Any Day, Anywhere
119 bpm • C# Maj • 02:30 • -13.76db
30% Popularity • 68% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
30% Popularity • 68% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Andy Kirk & His Twelve Clouds Of Joy
What's Your Story Morning Glory
101 bpm • C# Maj • 03:06 • -11.21db
1% Popularity • 64% Danceability • 19% Energy • 7% Liveness
1% Instrumentalness • 68% Positiveness
1% Popularity • 64% Danceability • 19% Energy • 7% Liveness
1% Instrumentalness • 68% Positiveness
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Eyal Vilner Big Band
Call Me Tomorrow, I Come Next Week
119 bpm • C# Maj • 03:22 • -9.58db
19% Popularity • 56% Danceability • 34% Energy • 6% Liveness
13% Instrumentalness • 66% Positiveness
19% Popularity • 56% Danceability • 34% Energy • 6% Liveness
13% Instrumentalness • 66% Positiveness
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Sid Peltyn and His Orchestra
Play Me a Frigid Air
119 bpm • F Maj • 02:41 • -11.9db
14% Popularity • 74% Danceability • 39% Energy • 11% Liveness
91% Instrumentalness • 95% Positiveness
14% Popularity • 74% Danceability • 39% Energy • 11% Liveness
91% Instrumentalness • 95% Positiveness
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Cozy Cole
Jersey Jump Off
119 bpm • D# Maj • 02:22 • -12.31db
10% Popularity • 71% Danceability • 44% Energy • 39% Liveness
74% Instrumentalness • 76% Positiveness
10% Popularity • 71% Danceability • 44% Energy • 39% Liveness
74% Instrumentalness • 76% Positiveness
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Johnny Dodds
Melancholy - 21/01/1938
100 bpm • C Maj • 02:43 • -12.71db
33% Popularity • 82% Danceability • 40% Energy • 6% Liveness
92% Instrumentalness • 87% Positiveness
33% Popularity • 82% Danceability • 40% Energy • 6% Liveness
92% Instrumentalness • 87% Positiveness
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Eddie Condon
(You're Some) Pretty Doll
119 bpm • G min • 02:50 • -14.09db
27% Popularity • 64% Danceability • 22% Energy • 35% Liveness
94% Instrumentalness • 61% Positiveness
27% Popularity • 64% Danceability • 22% Energy • 35% Liveness
94% Instrumentalness • 61% Positiveness
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Shakin' All
Hey Now, Hey Now!
120 bpm • F min • 03:10 • -5.77db
14% Popularity • 75% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
14% Popularity • 75% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Turk Murphy
When My Sugar Walks Down The Street
119 bpm • C Maj • 02:44 • -13.4db
28% Popularity • 70% Danceability • 26% Energy • 70% Liveness
0% Instrumentalness • 92% Positiveness
28% Popularity • 70% Danceability • 26% Energy • 70% Liveness
0% Instrumentalness • 92% Positiveness
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Andy Kirk
Until The Real Thing Comes Along
99 bpm • G# Maj • 02:57 • -17.36db
9% Popularity • 68% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
9% Popularity • 68% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
