Songs like Give Me Jesus (Live) by Shelene Huey-Booker
Based on a tempo of (+/- 10%) and a similar genre
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Sindi Ntombela
You Fight My Battles
109 bpm • D# Maj • 07:18 • -7.58db
12% Popularity • 42% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
12% Popularity • 42% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Shelene Huey-Booker
Give Me Jesus (Live)
109 bpm • A# Maj • 06:10 • -6.48db
0% Popularity • 43% Danceability • 73% Energy • 28% Liveness
0% Instrumentalness • 37% Positiveness
0% Popularity • 43% Danceability • 73% Energy • 28% Liveness
0% Instrumentalness • 37% Positiveness
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Noé Feliz
Love Is Here
109 bpm • B Maj • 06:06 • -3.07db
9% Popularity • 32% Danceability • 78% Energy • 44% Liveness
0% Instrumentalness • 39% Positiveness
9% Popularity • 32% Danceability • 78% Energy • 44% Liveness
0% Instrumentalness • 39% Positiveness
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Dedric Jones
It's Called Life
110 bpm • A# Maj • 02:41 • -6.08db
7% Popularity • 45% Danceability • 48% Energy • 31% Liveness
0% Instrumentalness • 34% Positiveness
7% Popularity • 45% Danceability • 48% Energy • 31% Liveness
0% Instrumentalness • 34% Positiveness
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Susan Kadish
Dont Say Goodbye
108 bpm • D Maj • 05:30 • -11.86db
20% Popularity • 46% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
20% Popularity • 46% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Jeremy Reece
Who You Are To Me (Radio Edit)
110 bpm • A Maj • 04:06 • -6.66db
12% Popularity • 34% Danceability • 64% Energy • 28% Liveness
0% Instrumentalness • 31% Positiveness
12% Popularity • 34% Danceability • 64% Energy • 28% Liveness
0% Instrumentalness • 31% Positiveness
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Loveworld Singers
More Than Life To Me.
110 bpm • C# Maj • 06:20 • -12.11db
15% Popularity • 32% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
15% Popularity • 32% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Rev. Luther Barnes
Even Then
110 bpm • C# Maj • 06:44 • -5.94db
7% Popularity • 51% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 33% Positiveness
7% Popularity • 51% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 33% Positiveness
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Texas Mass Choir
Oh but God
110 bpm • C# Maj • 04:45 • -7.47db
12% Popularity • 52% Danceability • 51% Energy • 46% Liveness
0% Instrumentalness • 28% Positiveness
12% Popularity • 52% Danceability • 51% Energy • 46% Liveness
0% Instrumentalness • 28% Positiveness
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Pastor Taquan Murray
After While
110 bpm • A# min • 04:55 • -7.32db
11% Popularity • 71% Danceability • 90% Energy • 32% Liveness
0% Instrumentalness • 47% Positiveness
11% Popularity • 71% Danceability • 90% Energy • 32% Liveness
0% Instrumentalness • 47% Positiveness
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Xavier Musgrove
I'll Have Victory
110 bpm • G# min • 04:17 • -4.28db
20% Popularity • 59% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
20% Popularity • 59% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Mark Yandris
My Jesus
108 bpm • C# Maj • 02:58 • -4.2db
9% Popularity • 67% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
9% Popularity • 67% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Anna Weister Andersson & One In Christ
In Our Gratefulness
108 bpm • C# Maj • 05:04 • -5.1db
11% Popularity • 63% Danceability • 90% Energy • 31% Liveness
0% Instrumentalness • 55% Positiveness
11% Popularity • 63% Danceability • 90% Energy • 31% Liveness
0% Instrumentalness • 55% Positiveness
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Shelene Huey-Booker
Good God (Live)
108 bpm • C# min • 05:58 • -6.19db
0% Popularity • 35% Danceability • 67% Energy • 34% Liveness
0% Instrumentalness • 37% Positiveness
0% Popularity • 35% Danceability • 67% Energy • 34% Liveness
0% Instrumentalness • 37% Positiveness
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Arthur Clayton IV and Anointed For Purpose
Lord you are good
110 bpm • G# Maj • 05:36 • -6.41db
7% Popularity • 37% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
7% Popularity • 37% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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Vileena Vincent
Change My Tomorrow
110 bpm • C# min • 01:52 • -6.08db
9% Popularity • 55% Danceability • 88% Energy • 62% Liveness
0% Instrumentalness • 58% Positiveness
9% Popularity • 55% Danceability • 88% Energy • 62% Liveness
0% Instrumentalness • 58% Positiveness
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Toronto Mass Choir
O That Will Be Glory (Live)
110 bpm • F min • 04:43 • -4.74db
8% Popularity • 55% Danceability • 84% Energy • 65% Liveness
0% Instrumentalness • 36% Positiveness
8% Popularity • 55% Danceability • 84% Energy • 65% Liveness
0% Instrumentalness • 36% Positiveness
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KOFI OWUSU PEPRAH
Jesus Jesus
108 bpm • G Maj • 06:33 • -8.98db
13% Popularity • 47% Danceability • 53% Energy • 54% Liveness
0% Instrumentalness • 12% Positiveness
13% Popularity • 47% Danceability • 53% Energy • 54% Liveness
0% Instrumentalness • 12% Positiveness
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Yolanda Stith & Strong City
Same God
111 bpm • B Maj • 07:21 • -9.17db
13% Popularity • 52% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 22% Positiveness
13% Popularity • 52% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 22% Positiveness
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Shelene Huey-Booker
Declaration (You're so Worthy) (Live)
108 bpm • G# Maj • 05:34 • -8.1db
0% Popularity • 54% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
0% Popularity • 54% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
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YMG Bandz
Sweet Home
111 bpm • D Maj • 01:10 • -13.03db
9% Popularity • 67% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
9% Popularity • 67% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Coral Kadmiel
Dá Me Mais
107 bpm • G# Maj • 05:25 • -6.39db
9% Popularity • 63% Danceability • 79% Energy • 29% Liveness
0% Instrumentalness • 57% Positiveness
9% Popularity • 63% Danceability • 79% Energy • 29% Liveness
0% Instrumentalness • 57% Positiveness
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James Thompson
Be With You
107 bpm • B Maj • 03:38 • -5.8db
16% Popularity • 67% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
16% Popularity • 67% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
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Jay Williams & Total Praise
I've Got Power (80's Tribute)
111 bpm • B Maj • 06:58 • -8.79db
9% Popularity • 54% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 53% Positiveness
9% Popularity • 54% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 53% Positiveness
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Antwaun Cooks
Leanin'
107 bpm • G# Maj • 05:51 • -2.78db
12% Popularity • 55% Danceability • 95% Energy • 24% Liveness
0% Instrumentalness • 74% Positiveness
12% Popularity • 55% Danceability • 95% Energy • 24% Liveness
0% Instrumentalness • 74% Positiveness
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Shelene Huey-Booker
Declaration Flow (Live)
107 bpm • C# Maj • 02:52 • -10.14db
0% Popularity • 49% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
0% Popularity • 49% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Judith Christie McAllister
Send Judah First
111 bpm • A# min • 04:41 • -5db
8% Popularity • 66% Danceability • 94% Energy • 21% Liveness
0% Instrumentalness • 47% Positiveness
8% Popularity • 66% Danceability • 94% Energy • 21% Liveness
0% Instrumentalness • 47% Positiveness
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Loveworld Singers
God Of The Heavenly Pantheon
107 bpm • G# Maj • 05:23 • -7.18db
16% Popularity • 36% Danceability • 87% Energy • 26% Liveness
0% Instrumentalness • 31% Positiveness
16% Popularity • 36% Danceability • 87% Energy • 26% Liveness
0% Instrumentalness • 31% Positiveness
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Lusanda Beja
Great and Mighty (Live)
106 bpm • C# Maj • 09:04 • -8.28db
22% Popularity • 28% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 27% Positiveness
22% Popularity • 28% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 27% Positiveness
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Jayden Arnold
Row Your Boat
106 bpm • A# Maj • 02:40 • -8.27db
8% Popularity • 46% Danceability • 56% Energy • 24% Liveness
0% Instrumentalness • 69% Positiveness
8% Popularity • 46% Danceability • 56% Energy • 24% Liveness
0% Instrumentalness • 69% Positiveness
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Stephen Hurd
Cry Out Oh Zion
106 bpm • C min • 01:22 • -2.74db
16% Popularity • 67% Danceability • 93% Energy • 21% Liveness
0% Instrumentalness • 76% Positiveness
16% Popularity • 67% Danceability • 93% Energy • 21% Liveness
0% Instrumentalness • 76% Positiveness
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Shelene Huey-Booker
Declaration Spoken Word (Live)
111 bpm • G# Maj • 06:10 • -8.8db
0% Popularity • 58% Danceability • 42% Energy • 26% Liveness
0% Instrumentalness • 16% Positiveness
0% Popularity • 58% Danceability • 42% Energy • 26% Liveness
0% Instrumentalness • 16% Positiveness
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Roger Samuels
You Will Rise
112 bpm • C# Maj • 04:24 • -4.73db
22% Popularity • 45% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 27% Positiveness
22% Popularity • 45% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 27% Positiveness
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Venzella Joy
Dance
106 bpm • A# min • 03:38 • -2.81db
4% Popularity • 73% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
4% Popularity • 73% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Byron Taylor and Favour
Here's My Praise
106 bpm • D min • 05:31 • -7.46db
7% Popularity • 45% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 12% Positiveness
7% Popularity • 45% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 12% Positiveness
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Sharde Martin
Impartation In The Vault
106 bpm • F min • 07:42 • -7.33db
11% Popularity • 44% Danceability • 87% Energy • 48% Liveness
0% Instrumentalness • 52% Positiveness
11% Popularity • 44% Danceability • 87% Energy • 48% Liveness
0% Instrumentalness • 52% Positiveness
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DeAnte Duckett & The Justified Crew
Make A Way - Live
112 bpm • C# Maj • 04:55 • -6.17db
11% Popularity • 54% Danceability • 96% Energy • 34% Liveness
0% Instrumentalness • 41% Positiveness
11% Popularity • 54% Danceability • 96% Energy • 34% Liveness
0% Instrumentalness • 41% Positiveness
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Shelene Huey-Booker
Songs from the Altar Prelude (Live)
107 bpm • F Maj • 01:36 • -7.13db
0% Popularity • 54% Danceability • 72% Energy • 79% Liveness
0% Instrumentalness • 40% Positiveness
0% Popularity • 54% Danceability • 72% Energy • 79% Liveness
0% Instrumentalness • 40% Positiveness
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Madison Mission SDA Church
Open Praise
112 bpm • B Maj • 06:14 • -8.96db
7% Popularity • 34% Danceability • 46% Energy • 57% Liveness
0% Instrumentalness • 22% Positiveness
7% Popularity • 34% Danceability • 46% Energy • 57% Liveness
0% Instrumentalness • 22% Positiveness
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Eleanor Popovich
The True Love
112 bpm • A# min • 05:28 • -7.89db
26% Popularity • 45% Danceability • 66% Energy • 63% Liveness
0% Instrumentalness • 45% Positiveness
26% Popularity • 45% Danceability • 66% Energy • 63% Liveness
0% Instrumentalness • 45% Positiveness
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Lecresia Campbell
Just For A Season
105 bpm • C Maj • 06:14 • -13.14db
13% Popularity • 38% Danceability • 14% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
13% Popularity • 38% Danceability • 14% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
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Jay Williams & Total Praise
Christ Won't Fail
113 bpm • A# Maj • 08:12 • -8.22db
8% Popularity • 32% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
8% Popularity • 32% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Randy Weston
You Were There
105 bpm • B Maj • 05:13 • -4.58db
8% Popularity • 63% Danceability • 78% Energy • 38% Liveness
0% Instrumentalness • 72% Positiveness
8% Popularity • 63% Danceability • 78% Energy • 38% Liveness
0% Instrumentalness • 72% Positiveness
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Embassy Worship
Better Is One Day
105 bpm • C# min • 05:43 • -5.18db
13% Popularity • 52% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
13% Popularity • 52% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Morris Chapman
Thank You For The Blood
113 bpm • C# Maj • 05:06 • -10.54db
9% Popularity • 36% Danceability • 45% Energy • 32% Liveness
0% Instrumentalness • 22% Positiveness
9% Popularity • 36% Danceability • 45% Energy • 32% Liveness
0% Instrumentalness • 22% Positiveness
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Lavelle Gill
"Love's Story" Chapter One
105 bpm • C# Maj • 05:00 • -5db
13% Popularity • 66% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
13% Popularity • 66% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Hezekiah Walker & The Love Fellowship Crusade Choir
There's Been A Change
105 bpm • F min • 05:26 • -10.15db
13% Popularity • 58% Danceability • 84% Energy • 84% Liveness
0% Instrumentalness • 57% Positiveness
13% Popularity • 58% Danceability • 84% Energy • 84% Liveness
0% Instrumentalness • 57% Positiveness
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Tre Burgess
Dear Jesus
105 bpm • G Maj • 04:50 • -6.29db
9% Popularity • 42% Danceability • 83% Energy • 33% Liveness
0% Instrumentalness • 67% Positiveness
9% Popularity • 42% Danceability • 83% Energy • 33% Liveness
0% Instrumentalness • 67% Positiveness
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Brandon A. Jacobs
He Changed Me (Live)
113 bpm • G# Maj • 06:23 • -6.09db
7% Popularity • 57% Danceability • 89% Energy • 41% Liveness
0% Instrumentalness • 53% Positiveness
7% Popularity • 57% Danceability • 89% Energy • 41% Liveness
0% Instrumentalness • 53% Positiveness
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Eleanor Popovich
Strong And Powerful
105 bpm • A# min • 05:08 • -6.47db
25% Popularity • 24% Danceability • 69% Energy • 40% Liveness
0% Instrumentalness • 34% Positiveness
25% Popularity • 24% Danceability • 69% Energy • 40% Liveness
0% Instrumentalness • 34% Positiveness
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Draē Davis
Jesus You Are
105 bpm • C# Maj • 05:47 • -5.72db
8% Popularity • 40% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 17% Positiveness
8% Popularity • 40% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 17% Positiveness
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E'mPraise Inc.
Behold Medley
114 bpm • F# Maj • 10:04 • -5.75db
9% Popularity • 32% Danceability • 68% Energy • 66% Liveness
0% Instrumentalness • 33% Positiveness
9% Popularity • 32% Danceability • 68% Energy • 66% Liveness
0% Instrumentalness • 33% Positiveness
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Sivill Williams
Always Be Thankful
114 bpm • F min • 05:47 • -5.81db
32% Popularity • 53% Danceability • 66% Energy • 32% Liveness
0% Instrumentalness • 39% Positiveness
32% Popularity • 53% Danceability • 66% Energy • 32% Liveness
0% Instrumentalness • 39% Positiveness
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Jarell Smalls & Company
Last Mile - Live
104 bpm • D Maj • 06:17 • -6.31db
7% Popularity • 34% Danceability • 64% Energy • 38% Liveness
0% Instrumentalness • 38% Positiveness
7% Popularity • 34% Danceability • 64% Energy • 38% Liveness
0% Instrumentalness • 38% Positiveness
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Loveworld Singers
In Ur Majesty
104 bpm • C# Maj • 04:50 • -8.6db
14% Popularity • 27% Danceability • 84% Energy • 56% Liveness
0% Instrumentalness • 33% Positiveness
14% Popularity • 27% Danceability • 84% Energy • 56% Liveness
0% Instrumentalness • 33% Positiveness
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Abundant Music
Firm Foundation (He Won't)
115 bpm • A Maj • 06:26 • -4.56db
10% Popularity • 74% Danceability • 84% Energy • 63% Liveness
0% Instrumentalness • 52% Positiveness
10% Popularity • 74% Danceability • 84% Energy • 63% Liveness
0% Instrumentalness • 52% Positiveness
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Eleanor Popovich
Almiti
115 bpm • B Maj • 05:22 • -6.61db
26% Popularity • 37% Danceability • 62% Energy • 42% Liveness
0% Instrumentalness • 14% Positiveness
26% Popularity • 37% Danceability • 62% Energy • 42% Liveness
0% Instrumentalness • 14% Positiveness
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Brian K. Cook
I Give Everything
115 bpm • C# Maj • 05:53 • -6db
8% Popularity • 45% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
8% Popularity • 45% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Bishop Marc L. House
Waymaker Medley
115 bpm • C# Maj • 05:30 • -4.86db
8% Popularity • 59% Danceability • 94% Energy • 70% Liveness
0% Instrumentalness • 59% Positiveness
8% Popularity • 59% Danceability • 94% Energy • 70% Liveness
0% Instrumentalness • 59% Positiveness
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Michael R. Fuller
Higher
115 bpm • C# Maj • 05:25 • -2.76db
17% Popularity • 44% Danceability • 95% Energy • 33% Liveness
0% Instrumentalness • 35% Positiveness
17% Popularity • 44% Danceability • 95% Energy • 33% Liveness
0% Instrumentalness • 35% Positiveness
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William Becton
In The Morning
103 bpm • C# Maj • 03:51 • -4.51db
32% Popularity • 63% Danceability • 95% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
32% Popularity • 63% Danceability • 95% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Mmuso Worship
Jesus is Enough - Koketso Molaolwe (Spok...
103 bpm • F Maj • 04:20 • -6.44db
34% Popularity • 39% Danceability • 57% Energy • 67% Liveness
0% Instrumentalness • 41% Positiveness
34% Popularity • 39% Danceability • 57% Energy • 67% Liveness
0% Instrumentalness • 41% Positiveness
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Geneen White
Glory Ain’t No Rock
115 bpm • C# min • 09:31 • -5.34db
3% Popularity • 65% Danceability • 90% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
3% Popularity • 65% Danceability • 90% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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Journeys Music
Forward, Forward Still
103 bpm • G min • 07:40 • -8.22db
15% Popularity • 54% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
15% Popularity • 54% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
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Confident Worship
The Outpour - Live
116 bpm • A# Maj • 09:02 • -6.35db
16% Popularity • 35% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
16% Popularity • 35% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Judith Christie McAllister
A Lifestyle of Worship
116 bpm • A# Maj • 04:56 • -5.88db
7% Popularity • 62% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
7% Popularity • 62% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
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Bryan Popin
FAVOR and MERCY
116 bpm • F Maj • 04:43 • -6.13db
17% Popularity • 52% Danceability • 69% Energy • 27% Liveness
0% Instrumentalness • 34% Positiveness
17% Popularity • 52% Danceability • 69% Energy • 27% Liveness
0% Instrumentalness • 34% Positiveness
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Dathan Thigpen
Open the Eyes of My Heart
116 bpm • E Maj • 01:41 • -10.6db
21% Popularity • 61% Danceability • 71% Energy • 18% Liveness
0% Instrumentalness • 15% Positiveness
21% Popularity • 61% Danceability • 71% Energy • 18% Liveness
0% Instrumentalness • 15% Positiveness
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Geneen White
Praises Go Up
115 bpm • A# min • 04:55 • -3.32db
11% Popularity • 57% Danceability • 97% Energy • 28% Liveness
0% Instrumentalness • 56% Positiveness
11% Popularity • 57% Danceability • 97% Energy • 28% Liveness
0% Instrumentalness • 56% Positiveness
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Antonio Allen
Lord of the Breakthrough
116 bpm • C min • 03:56 • -7.67db
9% Popularity • 25% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
9% Popularity • 25% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Shanta Atkins
Made up My Mind
116 bpm • A Maj • 02:44 • -7.15db
5% Popularity • 59% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
5% Popularity • 59% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Christina Bell
Still Holding On
116 bpm • F# min • 03:25 • -5.34db
10% Popularity • 40% Danceability • 57% Energy • 13% Liveness
1% Instrumentalness • 27% Positiveness
10% Popularity • 40% Danceability • 57% Energy • 13% Liveness
1% Instrumentalness • 27% Positiveness
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Freddy Washington Jr.
The Master's Hand
116 bpm • G Maj • 06:24 • -5.22db
15% Popularity • 45% Danceability • 67% Energy • 39% Liveness
0% Instrumentalness • 36% Positiveness
15% Popularity • 45% Danceability • 67% Energy • 39% Liveness
0% Instrumentalness • 36% Positiveness
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Nqubeko Mbatha
Yes To Your Will Lord
116 bpm • G Maj • 02:06 • -11.01db
11% Popularity • 34% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 21% Positiveness
11% Popularity • 34% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 21% Positiveness
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David Daughtry
Oh Magnify The Lord
102 bpm • F# min • 04:45 • -6.62db
11% Popularity • 64% Danceability • 86% Energy • 70% Liveness
0% Instrumentalness • 73% Positiveness
11% Popularity • 64% Danceability • 86% Energy • 70% Liveness
0% Instrumentalness • 73% Positiveness
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Darrel Petties & Take 2
God Is Still In Charge
116 bpm • C Maj • 03:51 • -8.7db
10% Popularity • 50% Danceability • 67% Energy • 29% Liveness
0% Instrumentalness • 50% Positiveness
10% Popularity • 50% Danceability • 67% Energy • 29% Liveness
0% Instrumentalness • 50% Positiveness
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Ernest Billups
For Your Blood
102 bpm • A Maj • 05:26 • -10.99db
6% Popularity • 42% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
6% Popularity • 42% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Jay Williams & Total Praise
Precious Is the Blood
116 bpm • C# Maj • 14:04 • -11.22db
7% Popularity • 32% Danceability • 58% Energy • 32% Liveness
0% Instrumentalness • 35% Positiveness
7% Popularity • 32% Danceability • 58% Energy • 32% Liveness
0% Instrumentalness • 35% Positiveness
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Emmanuel TV Singers
Citizens Of Heaven
102 bpm • B Maj • 05:23 • -5.22db
15% Popularity • 62% Danceability • 84% Energy • 19% Liveness
0% Instrumentalness • 78% Positiveness
15% Popularity • 62% Danceability • 84% Energy • 19% Liveness
0% Instrumentalness • 78% Positiveness
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Lasha' Knox
I Told The Storm
117 bpm • F min • 04:32 • -3.74db
8% Popularity • 37% Danceability • 81% Energy • 38% Liveness
0% Instrumentalness • 35% Positiveness
8% Popularity • 37% Danceability • 81% Energy • 38% Liveness
0% Instrumentalness • 35% Positiveness
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Eleanor Popovich
My God
117 bpm • C Maj • 05:25 • -8.46db
26% Popularity • 26% Danceability • 65% Energy • 58% Liveness
0% Instrumentalness • 18% Positiveness
26% Popularity • 26% Danceability • 65% Energy • 58% Liveness
0% Instrumentalness • 18% Positiveness
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Journeys Music
It Will Never Fail
102 bpm • A# Maj • 02:37 • -8.23db
16% Popularity • 31% Danceability • 74% Energy • 65% Liveness
0% Instrumentalness • 72% Positiveness
16% Popularity • 31% Danceability • 74% Energy • 65% Liveness
0% Instrumentalness • 72% Positiveness
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Shelene Huey-Booker
Never Be Altarless Again Flow (Live)
117 bpm • C Maj • 06:06 • -6.57db
3% Popularity • 39% Danceability • 85% Energy • 36% Liveness
0% Instrumentalness • 28% Positiveness
3% Popularity • 39% Danceability • 85% Energy • 36% Liveness
0% Instrumentalness • 28% Positiveness
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Joseph McDonald
After the Rain (Just Look Up)
102 bpm • A# Maj • 03:57 • -10.1db
14% Popularity • 38% Danceability • 15% Energy • 24% Liveness
0% Instrumentalness • 28% Positiveness
14% Popularity • 38% Danceability • 15% Energy • 24% Liveness
0% Instrumentalness • 28% Positiveness
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Takaira Kiki Milton
Clay - Live
117 bpm • A min • 04:59 • -4.37db
8% Popularity • 70% Danceability • 87% Energy • 35% Liveness
0% Instrumentalness • 66% Positiveness
8% Popularity • 70% Danceability • 87% Energy • 35% Liveness
0% Instrumentalness • 66% Positiveness
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Kurt Carr
I'll Make Sure You're Lifted Up
117 bpm • C Maj • 04:17 • -3.55db
8% Popularity • 61% Danceability • 96% Energy • 93% Liveness
0% Instrumentalness • 46% Positiveness
8% Popularity • 61% Danceability • 96% Energy • 93% Liveness
0% Instrumentalness • 46% Positiveness
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The Wheeler Avenue Baptist Church Mass Choir
All Things- The Pastoral Exhortation - L...
117 bpm • F# Maj • 03:49 • -14.63db
8% Popularity • 36% Danceability • 65% Energy • 35% Liveness
0% Instrumentalness • 19% Positiveness
8% Popularity • 36% Danceability • 65% Energy • 35% Liveness
0% Instrumentalness • 19% Positiveness
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Journeys Music
Rapha
117 bpm • A# Maj • 01:51 • -10.1db
21% Popularity • 31% Danceability • 27% Energy • 34% Liveness
0% Instrumentalness • 27% Positiveness
21% Popularity • 31% Danceability • 27% Energy • 34% Liveness
0% Instrumentalness • 27% Positiveness
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Lecresia Campbell
God Is Always There (Reprise)
101 bpm • C# Maj • 01:36 • -13.49db
10% Popularity • 51% Danceability • 58% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
10% Popularity • 51% Danceability • 58% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
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Randy Weston
Sound of Victory
117 bpm • F min • 03:52 • -3.98db
8% Popularity • 55% Danceability • 94% Energy • 48% Liveness
0% Instrumentalness • 56% Positiveness
8% Popularity • 55% Danceability • 94% Energy • 48% Liveness
0% Instrumentalness • 56% Positiveness
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Takaira Kiki Milton
Clay - Reprise
117 bpm • A min • 03:11 • -3.57db
8% Popularity • 62% Danceability • 94% Energy • 90% Liveness
0% Instrumentalness • 53% Positiveness
8% Popularity • 62% Danceability • 94% Energy • 90% Liveness
0% Instrumentalness • 53% Positiveness
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Chris Appau
Your Word
118 bpm • F# Maj • 07:30 • -8.96db
29% Popularity • 36% Danceability • 40% Energy • 19% Liveness
0% Instrumentalness • 24% Positiveness
29% Popularity • 36% Danceability • 40% Energy • 19% Liveness
0% Instrumentalness • 24% Positiveness
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Shana Wilson
Have Your Way Flow
118 bpm • A# Maj • 06:31 • -8.12db
8% Popularity • 34% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
8% Popularity • 34% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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Journeys Music
Elohim, El Roi
101 bpm • A# Maj • 02:13 • -8.89db
17% Popularity • 50% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
17% Popularity • 50% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Psalming trybe
Most High
118 bpm • F Maj • 04:50 • -6.49db
41% Popularity • 38% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
41% Popularity • 38% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Dathan Thigpen
Oh Lord to You
118 bpm • E Maj • 01:35 • -10.78db
25% Popularity • 33% Danceability • 47% Energy • 58% Liveness
0% Instrumentalness • 35% Positiveness
25% Popularity • 33% Danceability • 47% Energy • 58% Liveness
0% Instrumentalness • 35% Positiveness
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Breaking the Barriers Performing Arts Group
Learning to Love
118 bpm • C Maj • 04:12 • -7.59db
0% Popularity • 39% Danceability • 69% Energy • 27% Liveness
0% Instrumentalness • 42% Positiveness
0% Popularity • 39% Danceability • 69% Energy • 27% Liveness
0% Instrumentalness • 42% Positiveness
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UPCI Music
How Great - Live
118 bpm • C# Maj • 04:21 • -7.37db
18% Popularity • 67% Danceability • 89% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
18% Popularity • 67% Danceability • 89% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
