Songs like Give Me Liberty or Give Me Love (with The Dorsey Brothers Orchestra) by Mildred Bailey
Based on a tempo of (+/- 10%) and a similar genre
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Red Norvo
Remember
110 bpm • C# Maj • 03:26 • -18.46db
1% Popularity • 53% Danceability • 12% Energy • 10% Liveness
96% Instrumentalness • 16% Positiveness
1% Popularity • 53% Danceability • 12% Energy • 10% Liveness
96% Instrumentalness • 16% Positiveness
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Johnny Mercer & The Pied Pipers
My Sugar Is So Refined
110 bpm • F Maj • 02:40 • -11.47db
16% Popularity • 76% Danceability • 17% Energy • 22% Liveness
0% Instrumentalness • 58% Positiveness
16% Popularity • 76% Danceability • 17% Energy • 22% Liveness
0% Instrumentalness • 58% Positiveness
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Clarence Williams
After Tonight
110 bpm • G min • 03:07 • -13.14db
16% Popularity • 83% Danceability • 22% Energy • 6% Liveness
35% Instrumentalness • 51% Positiveness
16% Popularity • 83% Danceability • 22% Energy • 6% Liveness
35% Instrumentalness • 51% Positiveness
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Lester Young
Dickie's Dream (Take 2)
110 bpm • C min • 02:47 • -15.7db
27% Popularity • 77% Danceability • 22% Energy • 11% Liveness
93% Instrumentalness • 71% Positiveness
27% Popularity • 77% Danceability • 22% Energy • 11% Liveness
93% Instrumentalness • 71% Positiveness
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Mildred Bailey
Give Me Liberty or Give Me Love
110 bpm • A# Maj • 03:00 • -11.28db
20% Popularity • 67% Danceability • 23% Energy • 30% Liveness
0% Instrumentalness • 57% Positiveness
20% Popularity • 67% Danceability • 23% Energy • 30% Liveness
0% Instrumentalness • 57% Positiveness
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Ben Bernie
Ain't She Sweet
110 bpm • D# Maj • 02:36 • -11db
13% Popularity • 70% Danceability • 37% Energy • 20% Liveness
82% Instrumentalness • 80% Positiveness
13% Popularity • 70% Danceability • 37% Energy • 20% Liveness
82% Instrumentalness • 80% Positiveness
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Ted Weems
You're the Cream in My Coffee
110 bpm • D# Maj • 03:04 • -10.66db
11% Popularity • 74% Danceability • 49% Energy • 17% Liveness
39% Instrumentalness • 81% Positiveness
11% Popularity • 74% Danceability • 49% Energy • 17% Liveness
39% Instrumentalness • 81% Positiveness
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Bunny Berigan
When I Take My Sugar to Tea
110 bpm • C Maj • 03:12 • -9.08db
21% Popularity • 86% Danceability • 31% Energy • 8% Liveness
4% Instrumentalness • 91% Positiveness
21% Popularity • 86% Danceability • 31% Energy • 8% Liveness
4% Instrumentalness • 91% Positiveness
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Glen Gray
Melancholy Mood
109 bpm • F min • 03:14 • -12.72db
12% Popularity • 59% Danceability • 18% Energy • 19% Liveness
4% Instrumentalness • 51% Positiveness
12% Popularity • 59% Danceability • 18% Energy • 19% Liveness
4% Instrumentalness • 51% Positiveness
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Matt Malneck
Rockin' Chair - Remastered 2002
109 bpm • C# Maj • 02:59 • -14.53db
5% Popularity • 50% Danceability • 11% Energy • 21% Liveness
0% Instrumentalness • 44% Positiveness
5% Popularity • 50% Danceability • 11% Energy • 21% Liveness
0% Instrumentalness • 44% Positiveness
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Mildred Bailey
Please Be Kind
110 bpm • F# Maj • 02:33 • -7.86db
23% Popularity • 61% Danceability • 27% Energy • 18% Liveness
7% Instrumentalness • 48% Positiveness
23% Popularity • 61% Danceability • 27% Energy • 18% Liveness
7% Instrumentalness • 48% Positiveness
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Ella Mae Morse
Cow Cow Boogie
109 bpm • G# Maj • 03:11 • -3.96db
12% Popularity • 62% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
12% Popularity • 62% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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The Dorsey Brothers Orchestra
Gold Diggers of 1935: Lullaby of Broadwa...
109 bpm • F Maj • 02:47 • -12.5db
4% Popularity • 81% Danceability • 32% Energy • 6% Liveness
6% Instrumentalness • 82% Positiveness
4% Popularity • 81% Danceability • 32% Energy • 6% Liveness
6% Instrumentalness • 82% Positiveness
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Muggsy Spanier
(What I Did to Be So) Black And Blue
111 bpm • G min • 02:40 • -9db
21% Popularity • 72% Danceability • 43% Energy • 36% Liveness
65% Instrumentalness • 62% Positiveness
21% Popularity • 72% Danceability • 43% Energy • 36% Liveness
65% Instrumentalness • 62% Positiveness
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Paul Whiteman & His Orchestra
Sweet and Low Down
109 bpm • G Maj • 02:35 • -11db
19% Popularity • 82% Danceability • 29% Energy • 29% Liveness
89% Instrumentalness • 88% Positiveness
19% Popularity • 82% Danceability • 29% Energy • 29% Liveness
89% Instrumentalness • 88% Positiveness
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Glen Gray & The Casa Loma Orchestra
Blue Moon
109 bpm • D# Maj • 03:12 • -16.81db
21% Popularity • 40% Danceability • 11% Energy • 19% Liveness
79% Instrumentalness • 21% Positiveness
21% Popularity • 40% Danceability • 11% Energy • 19% Liveness
79% Instrumentalness • 21% Positiveness
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King Oliver
Speakeasy Blues
111 bpm • A# Maj • 02:51 • -13db
27% Popularity • 74% Danceability • 20% Energy • 17% Liveness
90% Instrumentalness • 58% Positiveness
27% Popularity • 74% Danceability • 20% Energy • 17% Liveness
90% Instrumentalness • 58% Positiveness
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Mildred Bailey
Wrap Your Troubles In Dreams
109 bpm • B min • 03:08 • -13.29db
4% Popularity • 48% Danceability • 20% Energy • 20% Liveness
0% Instrumentalness • 50% Positiveness
4% Popularity • 48% Danceability • 20% Energy • 20% Liveness
0% Instrumentalness • 50% Positiveness
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Una Mae Carlisle
Beautiful Eyes
111 bpm • C min • 03:03 • -14.75db
10% Popularity • 71% Danceability • 6% Energy • 56% Liveness
0% Instrumentalness • 61% Positiveness
10% Popularity • 71% Danceability • 6% Energy • 56% Liveness
0% Instrumentalness • 61% Positiveness
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Fletcher Henderson
Rug Cutter's Swing
111 bpm • G Maj • 03:07 • -12db
20% Popularity • 81% Danceability • 39% Energy • 9% Liveness
77% Instrumentalness • 91% Positiveness
20% Popularity • 81% Danceability • 39% Energy • 9% Liveness
77% Instrumentalness • 91% Positiveness
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George Olsen
Bye Bye Blackbird
111 bpm • G# Maj • 03:05 • -16db
20% Popularity • 83% Danceability • 11% Energy • 9% Liveness
2% Instrumentalness • 62% Positiveness
20% Popularity • 83% Danceability • 11% Energy • 9% Liveness
2% Instrumentalness • 62% Positiveness
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The Dorsey Brothers Orchestra
I'll Never Say "Never Again" Again
109 bpm • F Maj • 02:48 • -19.12db
4% Popularity • 86% Danceability • 27% Energy • 9% Liveness
75% Instrumentalness • 97% Positiveness
4% Popularity • 86% Danceability • 27% Energy • 9% Liveness
75% Instrumentalness • 97% Positiveness
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Benny Goodman Sextet
If I Had You
111 bpm • C Maj • 03:01 • -19db
46% Popularity • 72% Danceability • 11% Energy • 12% Liveness
90% Instrumentalness • 49% Positiveness
46% Popularity • 72% Danceability • 11% Energy • 12% Liveness
90% Instrumentalness • 49% Positiveness
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Mildred Bailey
You Leave Me Breathless
109 bpm • D Maj • 02:50 • -14.62db
23% Popularity • 68% Danceability • 10% Energy • 35% Liveness
0% Instrumentalness • 27% Positiveness
23% Popularity • 68% Danceability • 10% Energy • 35% Liveness
0% Instrumentalness • 27% Positiveness
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Johnny Desmond
The Last Time I Saw Paris
112 bpm • G# Maj • 02:15 • -9.02db
13% Popularity • 56% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
13% Popularity • 56% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
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Billy Eckstine
As Long As I Live
108 bpm • C min • 02:50 • -15.57db
20% Popularity • 48% Danceability • 15% Energy • 22% Liveness
0% Instrumentalness • 54% Positiveness
20% Popularity • 48% Danceability • 15% Energy • 22% Liveness
0% Instrumentalness • 54% Positiveness
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Chris Connor
Blow, Gabriel, Blow
112 bpm • G Maj • 02:14 • -12.5db
16% Popularity • 75% Danceability • 33% Energy • 17% Liveness
0% Instrumentalness • 75% Positiveness
16% Popularity • 75% Danceability • 33% Energy • 17% Liveness
0% Instrumentalness • 75% Positiveness
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Charlie Barnet
Skyliner (Alternate Take)
108 bpm • F min • 03:01 • -6.75db
28% Popularity • 65% Danceability • 55% Energy • 11% Liveness
72% Instrumentalness • 81% Positiveness
28% Popularity • 65% Danceability • 55% Energy • 11% Liveness
72% Instrumentalness • 81% Positiveness
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Cab Calloway & His Orchestra
Two Blocks Down, Turn to the Left
112 bpm • G min • 03:14 • -11.53db
2% Popularity • 62% Danceability • 36% Energy • 28% Liveness
0% Instrumentalness • 77% Positiveness
2% Popularity • 62% Danceability • 36% Energy • 28% Liveness
0% Instrumentalness • 77% Positiveness
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Mildred Bailey
So Help Me - Remastered
109 bpm • D# Maj • 02:46 • -5.13db
15% Popularity • 61% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
15% Popularity • 61% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
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Guy Lombardo & His Royal Canadians
Charmaine
108 bpm • F Maj • 03:03 • -14.48db
15% Popularity • 35% Danceability • 15% Energy • 20% Liveness
20% Instrumentalness • 37% Positiveness
15% Popularity • 35% Danceability • 15% Energy • 20% Liveness
20% Instrumentalness • 37% Positiveness
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The Boswell Sisters
Roll on, Mississippi, roll on
112 bpm • B min • 03:00 • -6.26db
3% Popularity • 62% Danceability • 39% Energy • 12% Liveness
18% Instrumentalness • 53% Positiveness
3% Popularity • 62% Danceability • 39% Energy • 12% Liveness
18% Instrumentalness • 53% Positiveness
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Rudy Vallee and His Connecticut Yankees
You're Driving Me Crazy (1931)
112 bpm • B Maj • 03:30 • -23.44db
16% Popularity • 33% Danceability • 8% Energy • 13% Liveness
15% Instrumentalness • 49% Positiveness
16% Popularity • 33% Danceability • 8% Energy • 13% Liveness
15% Instrumentalness • 49% Positiveness
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The Cats & The Fiddle
Public Jitterbug No1
108 bpm • F min • 02:51 • -11.22db
15% Popularity • 75% Danceability • 36% Energy • 8% Liveness
10% Instrumentalness • 68% Positiveness
15% Popularity • 75% Danceability • 36% Energy • 8% Liveness
10% Instrumentalness • 68% Positiveness
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Fletcher Henderson & His Orchestra
The Stampede
112 bpm • F min • 03:14 • -11.81db
20% Popularity • 64% Danceability • 48% Energy • 23% Liveness
92% Instrumentalness • 90% Positiveness
20% Popularity • 64% Danceability • 48% Energy • 23% Liveness
92% Instrumentalness • 90% Positiveness
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Mildred Bailey
Doin' the Uptown Lowdown
112 bpm • D# min • 02:51 • -11.16db
32% Popularity • 80% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
32% Popularity • 80% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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Ethel Waters
No Man's Mama - A Woman's Choice
112 bpm • F# Maj • 03:08 • -9.58db
5% Popularity • 67% Danceability • 31% Energy • 48% Liveness
0% Instrumentalness • 57% Positiveness
5% Popularity • 67% Danceability • 31% Energy • 48% Liveness
0% Instrumentalness • 57% Positiveness
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Ella Mae Morse
No Love, No Nothin’
108 bpm • A# Maj • 02:35 • -7.88db
25% Popularity • 56% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
25% Popularity • 56% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Ted Lewis
On the Sunny Side of the Street
108 bpm • D# Maj • 03:34 • -17.87db
13% Popularity • 52% Danceability • 14% Energy • 10% Liveness
26% Instrumentalness • 59% Positiveness
13% Popularity • 52% Danceability • 14% Energy • 10% Liveness
26% Instrumentalness • 59% Positiveness
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Slim Gaillard
That's What You Call Romance
108 bpm • C Maj • 02:52 • -19db
22% Popularity • 71% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
22% Popularity • 71% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Jimmie Lunceford
Rhythm Is Our Business
112 bpm • G Maj • 03:15 • -12.61db
21% Popularity • 72% Danceability • 22% Energy • 5% Liveness
6% Instrumentalness • 66% Positiveness
21% Popularity • 72% Danceability • 22% Energy • 5% Liveness
6% Instrumentalness • 66% Positiveness
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Mildred Bailey
When Day Is Done
112 bpm • C min • 03:30 • -10.72db
0% Popularity • 78% Danceability • 33% Energy • 8% Liveness
14% Instrumentalness • 90% Positiveness
0% Popularity • 78% Danceability • 33% Energy • 8% Liveness
14% Instrumentalness • 90% Positiveness
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Bobby Short
That's My Weakness Now
108 bpm • G# Maj • 02:05 • -11.53db
22% Popularity • 89% Danceability • 35% Energy • 32% Liveness
0% Instrumentalness • 89% Positiveness
22% Popularity • 89% Danceability • 35% Energy • 32% Liveness
0% Instrumentalness • 89% Positiveness
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Ted Weems
Somebody Stole My Gal
112 bpm • E Maj • 03:02 • -13db
20% Popularity • 81% Danceability • 41% Energy • 31% Liveness
96% Instrumentalness • 73% Positiveness
20% Popularity • 81% Danceability • 41% Energy • 31% Liveness
96% Instrumentalness • 73% Positiveness
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Johnny Dodds
Come on and Stomp, Stomp, Stomp
107 bpm • F Maj • 02:55 • -8db
25% Popularity • 79% Danceability • 66% Energy • 11% Liveness
92% Instrumentalness • 96% Positiveness
25% Popularity • 79% Danceability • 66% Energy • 11% Liveness
92% Instrumentalness • 96% Positiveness
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Ted Lewis
Clarinet Marmalade
107 bpm • F Maj • 03:11 • -11.41db
16% Popularity • 76% Danceability • 44% Energy • 9% Liveness
80% Instrumentalness • 94% Positiveness
16% Popularity • 76% Danceability • 44% Energy • 9% Liveness
80% Instrumentalness • 94% Positiveness
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June Christy
How High The Moon - Remastered
113 bpm • F min • 02:33 • -8db
37% Popularity • 55% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
37% Popularity • 55% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
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Buddy Greco
This Could Be the Start of Something
113 bpm • G# Maj • 02:40 • -10.54db
30% Popularity • 68% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
30% Popularity • 68% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
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The Cast
Bill Bailey, Won't You Please Come Home
113 bpm • C min • 02:01 • -8.01db
36% Popularity • 70% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
36% Popularity • 70% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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The Dorsey Brothers Orchestra
Old Man Harlem
107 bpm • F Maj • 02:50 • -12.43db
1% Popularity • 89% Danceability • 38% Energy • 8% Liveness
50% Instrumentalness • 96% Positiveness
1% Popularity • 89% Danceability • 38% Energy • 8% Liveness
50% Instrumentalness • 96% Positiveness
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Mildred Bailey
Georgia On My Mind
107 bpm • A# min • 03:31 • -18.98db
5% Popularity • 44% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
5% Popularity • 44% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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The Piccadilly Players
Sunny Skies
113 bpm • A# Maj • 03:14 • -10db
24% Popularity • 82% Danceability • 46% Energy • 11% Liveness
75% Instrumentalness • 92% Positiveness
24% Popularity • 82% Danceability • 46% Energy • 11% Liveness
75% Instrumentalness • 92% Positiveness
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Woody Herman & His Orchestra
Las Chiapanecas
106 bpm • G# Maj • 03:02 • -9.52db
11% Popularity • 58% Danceability • 46% Energy • 8% Liveness
91% Instrumentalness • 51% Positiveness
11% Popularity • 58% Danceability • 46% Energy • 8% Liveness
91% Instrumentalness • 51% Positiveness
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Rudy Vallee and His Connecticut Yankees
Beside an Open Fireplace
107 bpm • F min • 03:03 • -16db
26% Popularity • 60% Danceability • 22% Energy • 21% Liveness
1% Instrumentalness • 83% Positiveness
26% Popularity • 60% Danceability • 22% Energy • 21% Liveness
1% Instrumentalness • 83% Positiveness
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The California Ramblers
Yes She Do (No She Don't)
114 bpm • A# Maj • 02:43 • -14db
11% Popularity • 72% Danceability • 29% Energy • 10% Liveness
1% Instrumentalness • 78% Positiveness
11% Popularity • 72% Danceability • 29% Energy • 10% Liveness
1% Instrumentalness • 78% Positiveness
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Fletcher Henderson & His Orchestra
Alabamy Bound
114 bpm • C# Maj • 03:05 • -12db
13% Popularity • 77% Danceability • 40% Energy • 16% Liveness
94% Instrumentalness • 74% Positiveness
13% Popularity • 77% Danceability • 40% Energy • 16% Liveness
94% Instrumentalness • 74% Positiveness
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Frank Sinatra with Tommy Dorsey and His Orchestra
Moments in the Moonlight
106 bpm • G min • 03:17 • -12.97db
7% Popularity • 46% Danceability • 9% Energy • 25% Liveness
4% Instrumentalness • 41% Positiveness
7% Popularity • 46% Danceability • 9% Energy • 25% Liveness
4% Instrumentalness • 41% Positiveness
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Mildred Bailey
Thanks for the Memory
106 bpm • D Maj • 02:34 • -9.46db
12% Popularity • 68% Danceability • 32% Energy • 12% Liveness
55% Instrumentalness • 50% Positiveness
12% Popularity • 68% Danceability • 32% Energy • 12% Liveness
55% Instrumentalness • 50% Positiveness
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Ethel Waters
Shine on Harvest Moon
114 bpm • F# min • 03:01 • -12db
12% Popularity • 60% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
12% Popularity • 60% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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Jimmie Lunceford
Harlem Shout
106 bpm • D Maj • 03:03 • -10.74db
20% Popularity • 70% Danceability • 50% Energy • 9% Liveness
95% Instrumentalness • 93% Positiveness
20% Popularity • 70% Danceability • 50% Energy • 9% Liveness
95% Instrumentalness • 93% Positiveness
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Rudy Vallee and His Connecticut Yankees
I'm Just a Vagabond Lover
106 bpm • A# Maj • 03:18 • -19.24db
33% Popularity • 60% Danceability • 9% Energy • 9% Liveness
12% Instrumentalness • 65% Positiveness
33% Popularity • 60% Danceability • 9% Energy • 9% Liveness
12% Instrumentalness • 65% Positiveness
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Jimmy Dorsey & His Orchestra
Blueberry Hill
114 bpm • G# Maj • 02:35 • -9.51db
20% Popularity • 56% Danceability • 23% Energy • 6% Liveness
12% Instrumentalness • 57% Positiveness
20% Popularity • 56% Danceability • 23% Energy • 6% Liveness
12% Instrumentalness • 57% Positiveness
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Larry Clinton & His Orchestra
My Reverie
106 bpm • F Maj • 02:57 • -17.22db
24% Popularity • 37% Danceability • 8% Energy • 9% Liveness
1% Instrumentalness • 11% Positiveness
24% Popularity • 37% Danceability • 8% Energy • 9% Liveness
1% Instrumentalness • 11% Positiveness
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Mildred Bailey
When It's Sleepy Time Down South
114 bpm • A# Maj • 03:02 • -11.02db
5% Popularity • 65% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
5% Popularity • 65% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
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Noel Coward
Twentieth Century Blues (Cavalcade)
114 bpm • G# Maj • 01:22 • -19db
34% Popularity • 51% Danceability • 13% Energy • 11% Liveness
8% Instrumentalness • 46% Positiveness
34% Popularity • 51% Danceability • 13% Energy • 11% Liveness
8% Instrumentalness • 46% Positiveness
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King Oliver
St James Infirmary
106 bpm • F min • 03:36 • -4.56db
12% Popularity • 69% Danceability • 36% Energy • 18% Liveness
1% Instrumentalness • 41% Positiveness
12% Popularity • 69% Danceability • 36% Energy • 18% Liveness
1% Instrumentalness • 41% Positiveness
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Louis Armstrong & His Hot Five
Basin Sreet Blues - Remastered
106 bpm • A# Maj • 03:14 • -10db
18% Popularity • 55% Danceability • 23% Energy • 25% Liveness
67% Instrumentalness • 34% Positiveness
18% Popularity • 55% Danceability • 23% Energy • 25% Liveness
67% Instrumentalness • 34% Positiveness
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Leif Smoke Rings Anderson
The Big Broadcast of 1938: Thanks for th...
106 bpm • D Maj • 02:42 • -15.23db
3% Popularity • 70% Danceability • 18% Energy • 28% Liveness
62% Instrumentalness • 49% Positiveness
3% Popularity • 70% Danceability • 18% Energy • 28% Liveness
62% Instrumentalness • 49% Positiveness
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Cab Calloway & His Orchestra
Happy Feet
106 bpm • G min • 02:38 • -8.17db
20% Popularity • 78% Danceability • 62% Energy • 5% Liveness
87% Instrumentalness • 96% Positiveness
20% Popularity • 78% Danceability • 62% Energy • 5% Liveness
87% Instrumentalness • 96% Positiveness
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Mildred Bailey
Blues In My Heart
114 bpm • C# Maj • 03:09 • -11db
24% Popularity • 55% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
24% Popularity • 55% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Bobby Darin
Some of These Days
106 bpm • D min • 02:40 • -13.65db
29% Popularity • 46% Danceability • 32% Energy • 5% Liveness
0% Instrumentalness • 48% Positiveness
29% Popularity • 46% Danceability • 32% Energy • 5% Liveness
0% Instrumentalness • 48% Positiveness
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Irene Kral
Comes Love
114 bpm • C Maj • 02:33 • -12db
42% Popularity • 56% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
42% Popularity • 56% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
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Jimmy Dorsey & His Orchestra
King Porter Stomp
106 bpm • G# Maj • 02:52 • -8.64db
25% Popularity • 72% Danceability • 60% Energy • 66% Liveness
97% Instrumentalness • 89% Positiveness
25% Popularity • 72% Danceability • 60% Energy • 66% Liveness
97% Instrumentalness • 89% Positiveness
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New Orleans Rhythm Kings
Tin Roof Blues
106 bpm • A min • 02:29 • -5db
26% Popularity • 75% Danceability • 42% Energy • 20% Liveness
91% Instrumentalness • 69% Positiveness
26% Popularity • 75% Danceability • 42% Energy • 20% Liveness
91% Instrumentalness • 69% Positiveness
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June Christy
Softly As In A Morning Sunrise - Mono
115 bpm • F min • 02:14 • -11.01db
32% Popularity • 40% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
32% Popularity • 40% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Mildred Bailey
Cry, Cry, Cry
115 bpm • D# Maj • 03:03 • -9.28db
5% Popularity • 50% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
5% Popularity • 50% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Red Norvo
Remember
115 bpm • D Maj • 03:19 • -18.36db
17% Popularity • 53% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 26% Positiveness
17% Popularity • 53% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 26% Positiveness
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Connee Boswell
In the Middle of a Kiss
106 bpm • G Maj • 02:58 • -20.68db
11% Popularity • 32% Danceability • 8% Energy • 18% Liveness
12% Instrumentalness • 21% Positiveness
11% Popularity • 32% Danceability • 8% Energy • 18% Liveness
12% Instrumentalness • 21% Positiveness
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Ethel Waters
My Handy Man - Remastered
106 bpm • G# Maj • 02:47 • -4.22db
12% Popularity • 56% Danceability • 63% Energy • 34% Liveness
3% Instrumentalness • 55% Positiveness
12% Popularity • 56% Danceability • 63% Energy • 34% Liveness
3% Instrumentalness • 55% Positiveness
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Irving Aaronson and His Commanders
An' Furthermore
115 bpm • D# Maj • 02:59 • -10db
16% Popularity • 80% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
16% Popularity • 80% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
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Eddie Condon
Home Cooking
105 bpm • C min • 03:10 • -10db
21% Popularity • 67% Danceability • 36% Energy • 16% Liveness
4% Instrumentalness • 62% Positiveness
21% Popularity • 67% Danceability • 36% Energy • 16% Liveness
4% Instrumentalness • 62% Positiveness
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Mildred Bailey & Her Orchestra
Trust in me
105 bpm • C# Maj • 03:08 • -3.89db
0% Popularity • 54% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
0% Popularity • 54% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Lil Hardin Armstrong
Harlem on Saturday Night
115 bpm • C Maj • 02:42 • -7.31db
15% Popularity • 83% Danceability • 47% Energy • 8% Liveness
10% Instrumentalness • 96% Positiveness
15% Popularity • 83% Danceability • 47% Energy • 8% Liveness
10% Instrumentalness • 96% Positiveness
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Carroll Gibbons
The Mood That I'm In (Carroll Gibbons; T...
105 bpm • F min • 03:21 • -13.37db
21% Popularity • 40% Danceability • 21% Energy • 16% Liveness
1% Instrumentalness • 34% Positiveness
21% Popularity • 40% Danceability • 21% Energy • 16% Liveness
1% Instrumentalness • 34% Positiveness
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Bob Crosby & His Orchestra
What's New?
105 bpm • A# min • 02:57 • -25db
13% Popularity • 56% Danceability • 6% Energy • 7% Liveness
90% Instrumentalness • 35% Positiveness
13% Popularity • 56% Danceability • 6% Energy • 7% Liveness
90% Instrumentalness • 35% Positiveness
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Rudy Vallee and His Connecticut Yankees
P.s. - I Love You
105 bpm • G min • 03:30 • -24.49db
36% Popularity • 42% Danceability • 6% Energy • 14% Liveness
3% Instrumentalness • 33% Positiveness
36% Popularity • 42% Danceability • 6% Energy • 14% Liveness
3% Instrumentalness • 33% Positiveness
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John Kirby and His Orchestra
If I Had a Ribbon Bow
105 bpm • A Maj • 02:56 • -11.87db
14% Popularity • 73% Danceability • 13% Energy • 27% Liveness
0% Instrumentalness • 47% Positiveness
14% Popularity • 73% Danceability • 13% Energy • 27% Liveness
0% Instrumentalness • 47% Positiveness
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Rudy Vallee
As Time Goes By
105 bpm • C# Maj • 03:36 • -17db
12% Popularity • 49% Danceability • 15% Energy • 33% Liveness
3% Instrumentalness • 42% Positiveness
12% Popularity • 49% Danceability • 15% Energy • 33% Liveness
3% Instrumentalness • 42% Positiveness
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Charlie Barnet
Wichita Windstorm
105 bpm • F# Maj • 02:39 • -8db
22% Popularity • 68% Danceability • 49% Energy • 24% Liveness
81% Instrumentalness • 82% Positiveness
22% Popularity • 68% Danceability • 49% Energy • 24% Liveness
81% Instrumentalness • 82% Positiveness
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Beth Challis
Henry`s Made A Lady Out Of Lizzie
105 bpm • F min • 02:53 • -16.56db
15% Popularity • 76% Danceability • 15% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
15% Popularity • 76% Danceability • 15% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
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Billy Eckstine
Lost In Loveliness
116 bpm • D Maj • 03:00 • -15db
16% Popularity • 34% Danceability • 20% Energy • 14% Liveness
1% Instrumentalness • 16% Positiveness
16% Popularity • 34% Danceability • 20% Energy • 14% Liveness
1% Instrumentalness • 16% Positiveness
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Bunny Berigan
All God s Chillun Got Rhyth
105 bpm • A# Maj • 02:25 • -11db
19% Popularity • 71% Danceability • 47% Energy • 8% Liveness
63% Instrumentalness • 80% Positiveness
19% Popularity • 71% Danceability • 47% Energy • 8% Liveness
63% Instrumentalness • 80% Positiveness
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Muzak Orchestra
Solitude
105 bpm • A min • 04:25 • -12.98db
5% Popularity • 35% Danceability • 25% Energy • 12% Liveness
93% Instrumentalness • 30% Positiveness
5% Popularity • 35% Danceability • 25% Energy • 12% Liveness
93% Instrumentalness • 30% Positiveness
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Eva Taylor
Baby Won't You Please Come Home?
116 bpm • F Maj • 02:58 • -14.31db
21% Popularity • 76% Danceability • 15% Energy • 45% Liveness
0% Instrumentalness • 45% Positiveness
21% Popularity • 76% Danceability • 15% Energy • 45% Liveness
0% Instrumentalness • 45% Positiveness
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Cab Calloway & His Orchestra
Nagasaki
116 bpm • G min • 02:56 • -12.99db
9% Popularity • 66% Danceability • 40% Energy • 19% Liveness
40% Instrumentalness • 76% Positiveness
9% Popularity • 66% Danceability • 40% Energy • 19% Liveness
40% Instrumentalness • 76% Positiveness
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The Dorsey Brothers Orchestra
I Believe in Miracles
116 bpm • G# Maj • 03:12 • -24.06db
1% Popularity • 47% Danceability • 3% Energy • 11% Liveness
50% Instrumentalness • 24% Positiveness
1% Popularity • 47% Danceability • 3% Energy • 11% Liveness
50% Instrumentalness • 24% Positiveness
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Walter Page's Blue Devils
Blue Devil Blues
104 bpm • D# Maj • 02:46 • -13db
13% Popularity • 77% Danceability • 24% Energy • 25% Liveness
0% Instrumentalness • 54% Positiveness
13% Popularity • 77% Danceability • 24% Energy • 25% Liveness
0% Instrumentalness • 54% Positiveness
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Mildred Bailey
It's a woman's prerogative
116 bpm • F Maj • 03:03 • -5.63db
0% Popularity • 65% Danceability • 34% Energy • 28% Liveness
1% Instrumentalness • 47% Positiveness
0% Popularity • 65% Danceability • 34% Energy • 28% Liveness
1% Instrumentalness • 47% Positiveness
