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Give Me That Old Time Religion
Songs like
Give Me That Old Time Religion
by
Treorchy Male Voice Choir
Based on a tempo of (+/- 10%) and a similar genre
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Helmut Lotti
In My Heart - Live
65 bpm • D Maj • 04:05 • -12.94db
7% Popularity • 13% Danceability • 28% Energy • 74% Liveness
0% Instrumentalness • 33% Positiveness
► Preview
Murray Isaiah
Zion Land M Í T Stavnhald Er
65 bpm • C Maj • 01:37 • -20.35db
22% Popularity • 33% Danceability • 22% Energy • 16% Liveness
95% Instrumentalness • 78% Positiveness
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Rhos Male Voice Choir
Softly As I Leave You
65 bpm • E Maj • 02:54 • -29.19db
11% Popularity • 21% Danceability • 8% Energy • 15% Liveness
59% Instrumentalness • 22% Positiveness
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Treorchy Male Voice Choir
Tydi A Roddaist (Thou Gavest)
64 bpm • F min • 03:36 • -19.88db
8% Popularity • 22% Danceability • 4% Energy • 8% Liveness
19% Instrumentalness • 6% Positiveness
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The Welsh Male Voice Choir of South Africa
The Rose
64 bpm • C Maj • 03:35 • -21.49db
8% Popularity • 30% Danceability • 6% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
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Veronica Baldwin
Undirritun, Hamingjusamur Dagur
66 bpm • F Maj • 04:09 • -18.91db
28% Popularity • 10% Danceability • 24% Energy • 11% Liveness
64% Instrumentalness • 18% Positiveness
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Harmonious Chorale Ghana
Megyina Abow n'ekyir (Live)
66 bpm • D# Maj • 04:40 • -12.37db
14% Popularity • 19% Danceability • 36% Energy • 23% Liveness
2% Instrumentalness • 6% Positiveness
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Alexa Lithgow
The Supreme Sacrifice - The Soldier
66 bpm • D# Maj • 02:05 • -19.07db
19% Popularity • 40% Danceability • 14% Energy • 13% Liveness
27% Instrumentalness • 35% Positiveness
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Josef Locke
I'll Take You Home Again Kathleen
66 bpm • G Maj • 03:10 • -16db
15% Popularity • 36% Danceability • 9% Energy • 9% Liveness
1% Instrumentalness • 39% Positiveness
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Paul Mealor
Wherever You Are
64 bpm • A# Maj • 03:58 • -13.44db
13% Popularity • 15% Danceability • 26% Energy • 20% Liveness
33% Instrumentalness • 12% Positiveness
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Treorchy Male Voice Choir
With You On My Mind
66 bpm • C# Maj • 04:45 • -21.38db
5% Popularity • 11% Danceability • 10% Energy • 11% Liveness
1% Instrumentalness • 16% Positiveness
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Veronica Baldwin
Guđ, Ūú Ert Guđ Minn
64 bpm • F Maj • 02:17 • -19.35db
28% Popularity • 20% Danceability • 19% Energy • 11% Liveness
94% Instrumentalness • 37% Positiveness
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Andrew Lloyd Webber
Requiem: 7. Pie Jesu
67 bpm • G# Maj • 03:55 • -28.68db
38% Popularity • 13% Danceability • 2% Energy • 11% Liveness
22% Instrumentalness • 4% Positiveness
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Graham Kendrick
Shine Jesus, Shine (Arr. C. Harrison for...
66 bpm • A Maj • 03:34 • -13.36db
12% Popularity • 26% Danceability • 22% Energy • 8% Liveness
80% Instrumentalness • 9% Positiveness
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Josef Locke
Drinking Song
66 bpm • G# Maj • 01:50 • -9db
13% Popularity • 60% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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John Pierce
Glory Glory Tottenham Hotspur
63 bpm • C Maj • 01:48 • -8.99db
10% Popularity • 19% Danceability • 62% Energy • 14% Liveness
67% Instrumentalness • 8% Positiveness
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Treorchy Male Voice Choir
My Way
64 bpm • A# Maj • 04:40 • -19.04db
7% Popularity • 18% Danceability • 12% Energy • 5% Liveness
0% Instrumentalness • 9% Positiveness
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Edvard Grieg
Våren / The Last Spring
68 bpm • F Maj • 05:24 • -13.99db
10% Popularity • 19% Danceability • 25% Energy • 8% Liveness
17% Instrumentalness • 4% Positiveness
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Paul Child
Calon Lan
68 bpm • A Maj • 02:47 • -16.2db
9% Popularity • 19% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Friedrich Silcher
Silcher: Nant y Mynydd
62 bpm • C Maj • 02:40 • -23.92db
0% Popularity • 13% Danceability • 13% Energy • 20% Liveness
0% Instrumentalness • 27% Positiveness
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Frank Patterson
Slievenamon
67 bpm • G Maj • 04:53 • -10.68db
9% Popularity • 16% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Robert Saint
Gresford (The Miners' Hymn)
68 bpm • D# Maj • 03:21 • -24.47db
13% Popularity • 15% Danceability • 6% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Treorchy Male Voice Choir
Y Darlun
68 bpm • F Maj • 04:14 • -22.46db
3% Popularity • 26% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 7% Positiveness
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The Celebration Choir
O Love, That Wilt Not Let Me Go
69 bpm • G# Maj • 03:29 • -18.93db
3% Popularity • 7% Danceability • 21% Energy • 9% Liveness
86% Instrumentalness • 6% Positiveness
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John Barry
Here's To The Heroes
69 bpm • D# Maj • 03:36 • -11.63db
10% Popularity • 7% Danceability • 26% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Kenneth McKellar
The Northen Lights Of Old Aberdeen
69 bpm • D# Maj • 02:58 • -14.86db
13% Popularity • 24% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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The Band Of The Irish Guards
Isle Of Beauty: I. David Of The White Ro...
69 bpm • F Maj • 03:04 • -14.9db
8% Popularity • 19% Danceability • 17% Energy • 13% Liveness
80% Instrumentalness • 9% Positiveness
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Sydney Carter
Lord of the Dance (After J. Brackett's S...
61 bpm • G Maj • 03:04 • -21.1db
11% Popularity • 35% Danceability • 12% Energy • 22% Liveness
18% Instrumentalness • 35% Positiveness
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Treorchy Male Voice Choir
Pilgrims Chorus (Tannhauser)
61 bpm • D# Maj • 03:54 • -18.81db
8% Popularity • 8% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 8% Positiveness
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William Henry Monk
Abide with Me
70 bpm • D# Maj • 02:20 • -22.18db
11% Popularity • 8% Danceability • 8% Energy • 12% Liveness
92% Instrumentalness • 6% Positiveness
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Cor Meibion Caernarfon Male Voice Choir
Sosban Fach
60 bpm • A min • 03:03 • -15.97db
8% Popularity • 27% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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William P. Rowlands
Love divine, all loves excelling (Blaenw...
70 bpm • G Maj • 02:49 • -18.46db
13% Popularity • 12% Danceability • 23% Energy • 10% Liveness
82% Instrumentalness • 35% Positiveness
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Thomas Walmisley
Psalm 23 (The Lord's my Shepherd)
70 bpm • A Maj • 01:38 • -16.58db
4% Popularity • 41% Danceability • 12% Energy • 32% Liveness
0% Instrumentalness • 30% Positiveness
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Cor Meibion Llanelli
Dos dywed ar y mynydd (Côr Meibion Llan...
70 bpm • G Maj • 02:29 • -12.49db
7% Popularity • 18% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Grande Coral Evangélico
Amparo Divino
60 bpm • G# Maj • 03:41 • -14.49db
14% Popularity • 17% Danceability • 32% Energy • 10% Liveness
85% Instrumentalness • 24% Positiveness
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Grenadier Guards
Escort to the Colour
60 bpm • F Maj • 01:22 • -18.68db
17% Popularity • 69% Danceability • 26% Energy • 8% Liveness
97% Instrumentalness • 90% Positiveness
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The Band Of The Irish Guards
Abide With Me
71 bpm • D# Maj • 02:57 • -12.4db
10% Popularity • 20% Danceability • 19% Energy • 13% Liveness
91% Instrumentalness • 21% Positiveness
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Paul Byrom
Shanandoah
71 bpm • A# Maj • 04:01 • -15.04db
8% Popularity • 14% Danceability • 11% Energy • 15% Liveness
24% Instrumentalness • 4% Positiveness
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Treorchy Male Voice Choir
Cwm Rhondda
71 bpm • G Maj • 02:37 • -15.45db
19% Popularity • 14% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
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The London Welsh Rugby Club Choir
Ar Hyd Y Nos
71 bpm • C Maj • 02:42 • -32.35db
11% Popularity • 22% Danceability • 3% Energy • 7% Liveness
36% Instrumentalness • 12% Positiveness
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Brighouse And Rastrick Brass Band
Jerusalem
59 bpm • C# Maj • 02:17 • -23.46db
11% Popularity • 22% Danceability • 6% Energy • 22% Liveness
87% Instrumentalness • 17% Positiveness
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The Band Of The Royal Air Force Regiment
Last of the Summer Wine
72 bpm • A# Maj • 03:00 • -13.69db
14% Popularity • 13% Danceability • 23% Energy • 13% Liveness
91% Instrumentalness • 5% Positiveness
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William Henry Monk
Abide With Me
72 bpm • C# Maj • 02:43 • -20db
12% Popularity • 20% Danceability • 12% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Cedric Donne
Unstoppable Sunrise
72 bpm • D min • 02:34 • -7.59db
12% Popularity • 46% Danceability • 27% Energy • 30% Liveness
0% Instrumentalness • 57% Positiveness
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John Keys
I Vow to Thee My Country, Thaxted - Inst...
72 bpm • A# Maj • 02:10 • -14.8db
12% Popularity • 9% Danceability • 9% Energy • 16% Liveness
97% Instrumentalness • 21% Positiveness
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The Band Of The Irish Guards
Funeral March: O God Our Help In Ages Pa...
72 bpm • A# min • 04:03 • -11.48db
9% Popularity • 15% Danceability • 26% Energy • 13% Liveness
86% Instrumentalness • 10% Positiveness
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Robson & Jerome
Amazing Grace (97)
72 bpm • A Maj • 03:39 • -16.17db
23% Popularity • 24% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Liam Clancy
Wild Mountain Thyme
72 bpm • D Maj • 04:31 • -12.95db
32% Popularity • 33% Danceability • 36% Energy • 68% Liveness
0% Instrumentalness • 31% Positiveness
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William Gardiner
By Cool Siloam's Shady Rill
73 bpm • C Maj • 02:35 • -21.18db
9% Popularity • 22% Danceability • 16% Energy • 9% Liveness
1% Instrumentalness • 23% Positiveness
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Brighouse And Rastrick Brass Band
Aranjuez Mon Amour
73 bpm • C min • 04:30 • -22.65db
26% Popularity • 9% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 7% Positiveness
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Military Wives Choirs
Abide with Me
73 bpm • F Maj • 03:14 • -11.39db
14% Popularity • 9% Danceability • 31% Energy • 12% Liveness
72% Instrumentalness • 10% Positiveness
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Hong Kong Welsh Male Voice Choir
Bohemian Rhapsody
73 bpm • A# Maj • 04:36 • -17.57db
12% Popularity • 26% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Treorchy Male Voice Choir
Crazy Little Thing Called Love
73 bpm • D Maj • 02:46 • -15.66db
6% Popularity • 62% Danceability • 41% Energy • 84% Liveness
0% Instrumentalness • 52% Positiveness
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Andrew Morton
Our Homeland
58 bpm • C Maj • 03:05 • -9.43db
13% Popularity • 13% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Traditional
Traditional: Sospan Fach
73 bpm • E min • 03:26 • -14.73db
5% Popularity • 29% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
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Brighouse And Rastrick Brass Band
Nimrod
73 bpm • C# Maj • 04:24 • -22.15db
11% Popularity • 10% Danceability • 7% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Murray Isaiah
Ef Þú Losar Úr Bagageinu
74 bpm • A# Maj • 03:48 • -21.01db
22% Popularity • 23% Danceability • 23% Energy • 15% Liveness
80% Instrumentalness • 56% Positiveness
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Queen's Royal Pipers
A Salute to the Royal Fendersmith
74 bpm • A# Maj • 04:18 • -7.04db
15% Popularity • 18% Danceability • 32% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
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Franz Schubert
Yr Arglwydd yw fy Mugail (Psalm 23 in We...
57 bpm • A# Maj • 06:32 • -23.26db
4% Popularity • 18% Danceability • 16% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Arthur C Green
Evening Hymn and Sunset
74 bpm • D# Maj • 02:50 • -13.74db
13% Popularity • 10% Danceability • 12% Energy • 7% Liveness
83% Instrumentalness • 7% Positiveness
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Treorchy Male Voice Choir
Mae D'eisiau Di Bob Awr
74 bpm • A# Maj • 03:00 • -14.94db
6% Popularity • 18% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Veronica Baldwin
Meira Um Jesú
74 bpm • E Maj • 03:02 • -20.09db
28% Popularity • 19% Danceability • 22% Energy • 8% Liveness
76% Instrumentalness • 44% Positiveness
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The Kentwood Choir
Can You Feel The Love Tonight
74 bpm • F Maj • 04:24 • -14.21db
8% Popularity • 31% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Jessie Seymour Irvine
The Lord's my shepherd (Crimond)
74 bpm • F Maj • 03:01 • -19db
10% Popularity • 11% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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The Caerphilly Male Voice Choir
Guide Me O Thou Great Jehovah
75 bpm • F Maj • 02:48 • -16.04db
13% Popularity • 16% Danceability • 24% Energy • 19% Liveness
77% Instrumentalness • 32% Positiveness
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The Morriston Orpheus Choir
Calon Lan
75 bpm • A# Maj • 02:58 • -16.64db
9% Popularity • 25% Danceability • 17% Energy • 15% Liveness
90% Instrumentalness • 30% Positiveness
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The Monks of Weston Priory
Calm Is the Night
75 bpm • D# Maj • 01:45 • -18.95db
12% Popularity • 27% Danceability • 19% Energy • 7% Liveness
62% Instrumentalness • 10% Positiveness
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London Welsh Male Voice Choir
Don't Go Chasing Shadows (Live)
75 bpm • G Maj • 05:35 • -18.3db
8% Popularity • 20% Danceability • 27% Energy • 67% Liveness
86% Instrumentalness • 9% Positiveness
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Gracie Fields
Oh My Beloved Father
75 bpm • G Maj • 02:25 • -18.77db
17% Popularity • 23% Danceability • 11% Energy • 9% Liveness
92% Instrumentalness • 11% Positiveness
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The Band Of The Grenadier Guards
Rule Britannia
75 bpm • G# Maj • 01:04 • -16.23db
13% Popularity • 75% Danceability • 24% Energy • 9% Liveness
10% Instrumentalness • 89% Positiveness
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Morriston
Calon Lan
75 bpm • A# Maj • 03:04 • -19.3db
11% Popularity • 20% Danceability • 18% Energy • 13% Liveness
3% Instrumentalness • 18% Positiveness
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Hugh S. Roberton
Were you There?
76 bpm • A Maj • 03:00 • -26.61db
12% Popularity • 21% Danceability • 3% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
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Military Wives
Eternal Father
75 bpm • F# Maj • 03:24 • -15.24db
25% Popularity • 14% Danceability • 21% Energy • 14% Liveness
57% Instrumentalness • 6% Positiveness
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Charles Dibdin
Tom Bowling
76 bpm • D# Maj • 04:27 • -20.45db
7% Popularity • 40% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Kenneth McKellar
Skye Boat Song
76 bpm • G min • 03:51 • -15.36db
10% Popularity • 24% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Fron Male Voice Choir
Yesterday
76 bpm • G Maj • 03:41 • -12.37db
10% Popularity • 29% Danceability • 37% Energy • 14% Liveness
4% Instrumentalness • 6% Positiveness
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Military Wives Choirs
The Poppy Red
76 bpm • G Maj • 04:04 • -13.37db
8% Popularity • 20% Danceability • 28% Energy • 11% Liveness
64% Instrumentalness • 8% Positiveness
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Cerys Matthews
Mae Hen Wlad Fy Nhadau
77 bpm • A Maj • 02:24 • -8.12db
23% Popularity • 23% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Joseph Parry
Myfanwy
77 bpm • D# Maj • 02:51 • -17.75db
15% Popularity • 20% Danceability • 25% Energy • 12% Liveness
78% Instrumentalness • 19% Positiveness
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The Choir of St George's Chapel, Windsor Castle
Thy Hand, O God, Has Guided
77 bpm • D Maj • 03:02 • -13db
21% Popularity • 12% Danceability • 24% Energy • 7% Liveness
88% Instrumentalness • 10% Positiveness
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Military Wives
Make You Feel My Love
77 bpm • A# Maj • 03:07 • -15db
41% Popularity • 46% Danceability • 18% Energy • 10% Liveness
6% Instrumentalness • 9% Positiveness
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The Coldstream Guards Band
Sands of Kuwait
77 bpm • D# Maj • 03:08 • -13.19db
23% Popularity • 18% Danceability • 30% Energy • 16% Liveness
50% Instrumentalness • 8% Positiveness
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The Band of the Corps of Royal Engineers
Music For a Ceramonial Occasion: Land of...
77 bpm • C Maj • 02:57 • -11.15db
14% Popularity • 25% Danceability • 36% Energy • 24% Liveness
84% Instrumentalness • 42% Positiveness
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William Henry Monk
Abide with me
77 bpm • D# Maj • 03:44 • -26.88db
14% Popularity • 16% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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The Morriston Orpheus Choir
Hen Wlad Fy Nhadau
77 bpm • D# Maj • 02:15 • -12.5db
27% Popularity • 9% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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London Welsh Male Voice Choir
Mae Hen Wlad Fy Nhadau
77 bpm • D# Maj • 02:12 • -10.19db
18% Popularity • 18% Danceability • 76% Energy • 96% Liveness
98% Instrumentalness • 28% Positiveness
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Philharmonic Wind Orchestra
Brassed Off - Pomp And Circumstance No. ...
78 bpm • C Maj • 06:37 • -9db
3% Popularity • 26% Danceability • 49% Energy • 23% Liveness
78% Instrumentalness • 33% Positiveness
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Treorchy Male Voice Choir
Blowing in the Wind
78 bpm • F Maj • 03:35 • -25.32db
11% Popularity • 30% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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All Angels
Sancte Deus (Nimrod)
78 bpm • D# Maj • 03:23 • -10.98db
15% Popularity • 8% Danceability • 27% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
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Walter Garnet Picart Chambers
アンティグア・バーブーダ 麗...
78 bpm • A# Maj • 01:15 • -13.59db
15% Popularity • 30% Danceability • 38% Energy • 11% Liveness
71% Instrumentalness • 15% Positiveness
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The Houghton Weavers
Sit Thi Deawn
79 bpm • E Maj • 03:50 • -11.69db
11% Popularity • 56% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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The Celebration Choir
Shall We Gather At The River
79 bpm • D# Maj • 04:38 • -14.19db
16% Popularity • 24% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Grande Coral Evangélico
Divino Preceptor
79 bpm • F Maj • 01:27 • -10.41db
16% Popularity • 16% Danceability • 24% Energy • 14% Liveness
29% Instrumentalness • 52% Positiveness
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Treorchy Male Voice Choir
We Will Rock You
79 bpm • G# Maj • 02:03 • -15.79db
3% Popularity • 79% Danceability • 30% Energy • 43% Liveness
0% Instrumentalness • 52% Positiveness
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Rolf Løvland
You Raise Me Up
79 bpm • D Maj • 03:38 • -15.57db
8% Popularity • 20% Danceability • 14% Energy • 14% Liveness
8% Instrumentalness • 10% Positiveness
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The Morriston Orpheus Choir
Let it Be Me
79 bpm • E Maj • 03:10 • -26db
9% Popularity • 13% Danceability • 4% Energy • 19% Liveness
5% Instrumentalness • 4% Positiveness
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Only Boys Aloud
You’ll Never Walk Alone
79 bpm • E Maj • 04:01 • -12.19db
19% Popularity • 15% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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The Celebration Choir
Make Me A Channel Of Your Peace
79 bpm • D Maj • 02:16 • -15.94db
32% Popularity • 24% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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The Central Band Of The Royal Air Force Conducted by Wing Commander H.B Hingly MBE
Evening Hymn, Last Post and Sunset - Inc...
79 bpm • A# Maj • 03:52 • -20db
9% Popularity • 17% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 8% Positiveness
► Preview
Strathclyde University Chamber Choir
Ye Banks And Braes
79 bpm • G# Maj • 02:46 • -20db
5% Popularity • 24% Danceability • 21% Energy • 11% Liveness
6% Instrumentalness • 4% Positiveness
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Give Me That Old Time Religion