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Glad You Exist
Songs like
Glad You Exist
by
Dan + Shay
Based on a tempo of (+/- 10%) and a similar genre
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Eric Church
Springsteen
104 bpm • D Maj • 04:23 • -5.94db
76% Popularity • 69% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 93% Positiveness
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Sam Hunt
House Party
104 bpm • G# Maj • 03:10 • -5.25db
69% Popularity • 75% Danceability • 86% Energy • 3% Liveness
0% Instrumentalness • 86% Positiveness
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Scotty McCreery
You Time
104 bpm • A Maj • 03:12 • -6db
50% Popularity • 55% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Kelsea Ballerini
hole in the bottle
104 bpm • E Maj • 02:35 • -3.64db
59% Popularity • 48% Danceability • 87% Energy • 37% Liveness
0% Instrumentalness • 74% Positiveness
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Dan + Shay
Glad You Exist
104 bpm • B Maj • 02:24 • -8.04db
61% Popularity • 74% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Chris Tomlin
Thank You Lord
105 bpm • A Maj • 02:48 • -3.32db
58% Popularity • 67% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Luke Combs
Beautiful Crazy
103 bpm • B Maj • 03:13 • -7.43db
81% Popularity • 55% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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David J
Lost My Heartbreak
103 bpm • B Maj • 02:37 • -5.43db
52% Popularity • 56% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Jake Scott
Like No One Does
105 bpm • A# Maj • 02:38 • -12.82db
53% Popularity • 81% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Randy Houser
How Country Feels
105 bpm • G Maj • 03:05 • -3.62db
68% Popularity • 68% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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The Reklaws
I Do Too
103 bpm • B Maj • 03:13 • -5.75db
41% Popularity • 57% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Thomas Rhett
Craving You
105 bpm • A min • 03:43 • -3.8db
62% Popularity • 61% Danceability • 84% Energy • 34% Liveness
0% Instrumentalness • 53% Positiveness
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Ryan Hurd
Every Other Memory
103 bpm • C Maj • 03:39 • -7db
43% Popularity • 63% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Scotty McCreery
It Matters To Her
105 bpm • G Maj • 02:51 • -5db
63% Popularity • 52% Danceability • 75% Energy • 25% Liveness
0% Instrumentalness • 48% Positiveness
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Lee Brice
Hard To Love
103 bpm • A Maj • 03:44 • -6.18db
68% Popularity • 64% Danceability • 72% Energy • 19% Liveness
1% Instrumentalness • 47% Positiveness
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Chris Janson
Done
105 bpm • A Maj • 03:40 • -3.38db
54% Popularity • 56% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Brent Morgan
Kiss the Girl
105 bpm • B Maj • 02:10 • -13.15db
62% Popularity • 68% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Tenille Arts
Somebody Like That
105 bpm • F# Maj • 03:18 • -5.38db
63% Popularity • 57% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Jon Pardi
Last Night Lonely
103 bpm • F# Maj • 03:02 • -2.84db
71% Popularity • 65% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Zac Brown Band
Homegrown
105 bpm • F# Maj • 03:25 • -4db
69% Popularity • 71% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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The Chainsmokers
This Feeling
105 bpm • C# Maj • 03:17 • -7.91db
70% Popularity • 57% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Brad Paisley
She's Everything
103 bpm • C Maj • 04:26 • -8.32db
64% Popularity • 36% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 27% Positiveness
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Brooks & Dunn
Neon Moon - with Kacey Musgraves
103 bpm • D# Maj • 04:38 • -7.62db
62% Popularity • 64% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
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Tyler Hubbard
5 Foot 9
106 bpm • F Maj • 03:09 • -6db
70% Popularity • 60% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Old Dominion
Hotel Key
102 bpm • B Maj • 02:46 • -5.09db
65% Popularity • 76% Danceability • 87% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
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Luke Combs
The Kind of Love We Make
102 bpm • C# Maj • 03:44 • -4.13db
78% Popularity • 61% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Josh Ross
First Taste of Gone
106 bpm • C Maj • 02:52 • -7db
61% Popularity • 65% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Tori Kelly
I Was Made For Loving You
106 bpm • D Maj • 03:08 • -11.94db
33% Popularity • 37% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Dan + Shay
Body Language
107 bpm • G# Maj • 02:24 • -7.15db
45% Popularity • 82% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Thomas Rhett
Sixteen
107 bpm • C# Maj • 02:58 • -7.03db
60% Popularity • 70% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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Lady A
Bartender
101 bpm • B min • 03:18 • -4db
64% Popularity • 63% Danceability • 94% Energy • 33% Liveness
0% Instrumentalness • 65% Positiveness
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Old Dominion
Snapback
101 bpm • F Maj • 03:26 • -3.58db
63% Popularity • 69% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Tim McGraw
Humble And Kind
101 bpm • B Maj • 04:19 • -7.31db
69% Popularity • 36% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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John K
if we never met
108 bpm • G# Maj • 02:24 • -7.61db
51% Popularity • 96% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Jon Pardi
Head Over Boots
108 bpm • G Maj • 03:22 • -4.47db
74% Popularity • 56% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Clinton Kane
CHICKEN TENDIES
100 bpm • G Maj • 03:16 • -6db
60% Popularity • 57% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Lady A
Need You Now
108 bpm • E Maj • 04:37 • -5.54db
71% Popularity • 59% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 23% Positiveness
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Chase Rice
Drinkin’ Beer. Talkin’ God. Amen.
100 bpm • D Maj • 02:40 • -4.69db
59% Popularity • 63% Danceability • 68% Energy • 37% Liveness
0% Instrumentalness • 72% Positiveness
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Michael Ray
Whiskey And Rain
100 bpm • G# Maj • 03:26 • -4.56db
60% Popularity • 65% Danceability • 62% Energy • 28% Liveness
0% Instrumentalness • 72% Positiveness
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John K
if we never met
108 bpm • G# Maj • 02:25 • -7.06db
59% Popularity • 96% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Jordan Davis
Take It From Me
100 bpm • A# Maj • 02:54 • -3.14db
68% Popularity • 59% Danceability • 89% Energy • 35% Liveness
0% Instrumentalness • 67% Positiveness
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Roman Alexander
Between You & Me
100 bpm • E Maj • 02:49 • -7.65db
48% Popularity • 63% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Maddie & Tae
Friends Don't
100 bpm • G Maj • 03:08 • -5.95db
58% Popularity • 53% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
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Lady A
Ocean
99 bpm • F# Maj • 03:30 • -7.93db
51% Popularity • 58% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Eric Church
Hell Of A View
99 bpm • F Maj • 02:55 • -6.76db
70% Popularity • 69% Danceability • 59% Energy • 11% Liveness
1% Instrumentalness • 92% Positiveness
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Sam Hunt
Body Like A Back Road
99 bpm • F Maj • 02:42 • -7.44db
72% Popularity • 74% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
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Jake Scott
CWJBHN
110 bpm • A# Maj • 03:13 • -10.64db
50% Popularity • 74% Danceability • 44% Energy • 34% Liveness
0% Instrumentalness • 29% Positiveness
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Dustin Lynch
Stars Like Confetti
110 bpm • A# Maj • 03:14 • -3.06db
66% Popularity • 62% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Luke Bryan
That's My Kind Of Night
110 bpm • G Maj • 03:10 • -2.91db
73% Popularity • 66% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Brett Eldredge
Beat of the Music
110 bpm • A Maj • 02:59 • -4.13db
59% Popularity • 63% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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Nate Smith
Whiskey On You
110 bpm • G# Maj • 03:03 • -5.2db
71% Popularity • 47% Danceability • 75% Energy • 12% Liveness
2% Instrumentalness • 57% Positiveness
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Morgan Wallen
This Bar
110 bpm • D Maj • 03:05 • -5.31db
72% Popularity • 55% Danceability • 88% Energy • 5% Liveness
0% Instrumentalness • 25% Positiveness
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Parmalee
Only You
110 bpm • B Maj • 03:05 • -3.83db
46% Popularity • 64% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
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AJ Mitchell
Like Strangers Do
98 bpm • D# min • 02:40 • -8.52db
62% Popularity • 63% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Sam Hunt
23
98 bpm • D# Maj • 02:59 • -5.14db
66% Popularity • 64% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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Eli Young Band
Love Ain't
98 bpm • B Maj • 03:07 • -4.67db
63% Popularity • 60% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Drew Baldridge
She's Somebody's Daughter
98 bpm • F# Maj • 02:56 • -5db
55% Popularity • 61% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Cody Johnson
The Painter
98 bpm • D Maj • 03:31 • -5.77db
74% Popularity • 51% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Thomas Rhett
Beer Can’t Fix
111 bpm • G Maj • 03:29 • -4.07db
69% Popularity • 71% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
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Diplo
Heartless
111 bpm • B Maj • 02:49 • -6.42db
77% Popularity • 76% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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Dan + Shay
Good Things
97 bpm • B Maj • 02:28 • -6db
53% Popularity • 53% Danceability • 62% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
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Morgan Wallen
Chasin' You
97 bpm • G Maj • 03:25 • -5.79db
80% Popularity • 63% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Morgan Evans
Day Drunk
97 bpm • A# Maj • 03:14 • -5.45db
56% Popularity • 65% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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MacKenzie Porter
Pickup
97 bpm • C# Maj • 02:48 • -3.97db
41% Popularity • 61% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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Seaforth
Talk About
97 bpm • E Maj • 02:46 • -5.07db
39% Popularity • 64% Danceability • 73% Energy • 2% Liveness
0% Instrumentalness • 80% Positiveness
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Chris Young
Think of You
112 bpm • B Maj • 03:38 • -3.59db
61% Popularity • 62% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Niko Moon
DANCE WITH ME
112 bpm • F# Maj • 03:38 • -9.23db
43% Popularity • 82% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Dylan Scott
New Truck
97 bpm • C# Maj • 02:54 • -5.86db
58% Popularity • 53% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Kelsea Ballerini
Miss Me More
96 bpm • D Maj • 03:12 • -7.15db
43% Popularity • 64% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Jon Pardi
Night Shift
96 bpm • D Maj • 02:52 • -3.56db
78% Popularity • 63% Danceability • 75% Energy • 27% Liveness
0% Instrumentalness • 73% Positiveness
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Lee Brice
One Of Them Girls
96 bpm • E Maj • 03:08 • -6.08db
73% Popularity • 64% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
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Nate Smith
World on Fire
96 bpm • B min • 03:09 • -4.87db
78% Popularity • 46% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Old Dominion
Some People Do
113 bpm • A Maj • 03:16 • -9.46db
51% Popularity • 63% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Andy Grammer
Don't Give Up On Me
113 bpm • C min • 03:16 • -5.45db
58% Popularity • 64% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Kelsea Ballerini
LOVE IS A COWBOY
96 bpm • F# Maj • 02:43 • -7db
56% Popularity • 53% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Thomas Rhett
Look What God Gave Her
113 bpm • D Maj • 02:48 • -3.97db
67% Popularity • 74% Danceability • 85% Energy • 18% Liveness
0% Instrumentalness • 88% Positiveness
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Luke Combs
Does To Me
113 bpm • C Maj • 03:43 • -4.9db
67% Popularity • 62% Danceability • 85% Energy • 31% Liveness
0% Instrumentalness • 64% Positiveness
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Lady A
Like A Lady
96 bpm • G# Maj • 03:01 • -4db
47% Popularity • 64% Danceability • 93% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
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James Arthur
Falling Like The Stars
114 bpm • F# Maj • 03:31 • -9.54db
71% Popularity • 55% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Morgan Evans
Love Is Real
95 bpm • D# Maj • 02:42 • -5.09db
46% Popularity • 64% Danceability • 73% Energy • 20% Liveness
0% Instrumentalness • 71% Positiveness
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Kelsea Ballerini
I Quit Drinking
95 bpm • C# Maj • 02:51 • -7db
70% Popularity • 61% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 39% Positiveness
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Dan + Shay
Round the Clock
95 bpm • G Maj • 03:22 • -6.58db
36% Popularity • 58% Danceability • 74% Energy • 46% Liveness
0% Instrumentalness • 32% Positiveness
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Jordan Davis
Drink Had Me
95 bpm • B Maj • 02:36 • -5db
63% Popularity • 70% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Dylan Scott
My Girl
95 bpm • C# Maj • 03:17 • -7.25db
67% Popularity • 65% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Ingrid Andress
Lady Like
95 bpm • A Maj • 03:14 • -5.83db
55% Popularity • 54% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Thomas Rhett
Remember You Young
114 bpm • F# Maj • 03:00 • -6.27db
55% Popularity • 40% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Kelsea Ballerini
homecoming queen?
114 bpm • A Maj • 02:47 • -5db
55% Popularity • 46% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Dan + Shay
All To Myself
95 bpm • C# Maj • 02:49 • -4.62db
62% Popularity • 65% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Ryan Hurd
To a T - Stripped
114 bpm • A Maj • 03:18 • -6.79db
46% Popularity • 60% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Adam Doleac
Famous
95 bpm • G Maj • 03:06 • -5.58db
47% Popularity • 60% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Jordan Davis
Lose You
95 bpm • F# Maj • 03:23 • -6db
58% Popularity • 65% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Danielle Bradbery
Worth It
115 bpm • F Maj • 03:26 • -4.69db
47% Popularity • 55% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Lauren Alaina
Getting Good
94 bpm • B Maj • 03:20 • -5.45db
42% Popularity • 53% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Erin Kinsey
Just Drive
115 bpm • F# Maj • 02:27 • -4db
54% Popularity • 71% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
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Kameron Marlowe
Burn 'Em All
115 bpm • B min • 03:06 • -4.89db
54% Popularity • 65% Danceability • 87% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
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Tyler Hubbard
Dancin’ In The Country
115 bpm • G Maj • 02:59 • -5db
72% Popularity • 66% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Dylan Scott
Good Times Go By Too Fast
115 bpm • F Maj • 02:49 • -5.22db
75% Popularity • 66% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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Jake Scott
Favorite T-Shirt
115 bpm • A Maj • 03:04 • -8.14db
55% Popularity • 85% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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Luke Combs
Doin' This
115 bpm • C# Maj • 04:14 • -6db
64% Popularity • 59% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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LANY
dancing in the kitchen
94 bpm • B Maj • 03:28 • -8db
58% Popularity • 65% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Glad You Exist