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Glad You Exist
Songs like
Glad You Exist
by
Dan + Shay
Based on a tempo of (+/- 10%) and a similar genre
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Scotty McCreery
You Time
104 bpm • A Maj • 03:12 • -6db
50% Popularity • 55% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Eric Church
Springsteen
104 bpm • D Maj • 04:23 • -5.94db
77% Popularity • 69% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 93% Positiveness
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Jake Owen
American Country Love Song
104 bpm • G# Maj • 03:19 • -4db
58% Popularity • 53% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Dan + Shay
Glad You Exist
104 bpm • B Maj • 02:24 • -8.04db
61% Popularity • 74% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Gabby Barrett
Glory Days
104 bpm • G Maj • 02:42 • -5.22db
49% Popularity • 65% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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David J
Lost My Heartbreak
103 bpm • B Maj • 02:37 • -5.43db
52% Popularity • 56% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Luke Combs
Beautiful Crazy
103 bpm • B Maj • 03:13 • -7.43db
81% Popularity • 55% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Randy Houser
How Country Feels
105 bpm • G Maj • 03:05 • -3.62db
68% Popularity • 68% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Jake Scott
Like No One Does
105 bpm • A# Maj • 02:38 • -12.82db
53% Popularity • 81% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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The Reklaws
I Do Too
103 bpm • B Maj • 03:13 • -5.75db
41% Popularity • 57% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Ryan Hurd
Every Other Memory
103 bpm • C Maj • 03:39 • -7db
43% Popularity • 63% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Lee Brice
Hard To Love
103 bpm • A Maj • 03:44 • -6.18db
68% Popularity • 64% Danceability • 72% Energy • 19% Liveness
1% Instrumentalness • 47% Positiveness
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Scotty McCreery
It Matters To Her
105 bpm • G Maj • 02:51 • -5db
63% Popularity • 52% Danceability • 75% Energy • 25% Liveness
0% Instrumentalness • 48% Positiveness
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Chris Janson
Done
105 bpm • A Maj • 03:40 • -3.38db
54% Popularity • 56% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Tenille Arts
Somebody Like That
105 bpm • F# Maj • 03:18 • -5.38db
63% Popularity • 57% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Brad Paisley
She's Everything
103 bpm • C Maj • 04:26 • -8.32db
64% Popularity • 36% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 27% Positiveness
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Zac Brown Band
Homegrown
105 bpm • F# Maj • 03:25 • -4db
69% Popularity • 71% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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Jordan Davis
Tucson Too Late
106 bpm • G Maj • 02:52 • -7.19db
74% Popularity • 66% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Brooks & Dunn
Neon Moon - with Kacey Musgraves
103 bpm • D# Maj • 04:38 • -7.62db
62% Popularity • 64% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
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Luke Combs
The Kind of Love We Make
102 bpm • C# Maj • 03:44 • -4.13db
78% Popularity • 61% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Tyler Hubbard
5 Foot 9
106 bpm • F Maj • 03:09 • -6db
71% Popularity • 60% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Old Dominion
Hotel Key
102 bpm • B Maj • 02:46 • -5.09db
65% Popularity • 76% Danceability • 87% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
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Josh Ross
First Taste of Gone
106 bpm • C Maj • 02:52 • -7db
61% Popularity • 65% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Dan + Shay
Body Language
107 bpm • G# Maj • 02:24 • -7.15db
45% Popularity • 82% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Travis Denning
After A Few
107 bpm • A# min • 03:33 • -4.32db
56% Popularity • 62% Danceability • 85% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
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Lady A
Bartender
101 bpm • B min • 03:18 • -4db
64% Popularity • 63% Danceability • 94% Energy • 33% Liveness
0% Instrumentalness • 65% Positiveness
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Dustin Lynch
I'd Be Jealous Too
101 bpm • C Maj • 03:05 • -5.36db
53% Popularity • 72% Danceability • 72% Energy • 47% Liveness
0% Instrumentalness • 54% Positiveness
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Old Dominion
Nowhere Fast
102 bpm • G Maj • 03:08 • -7.31db
52% Popularity • 79% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Tim McGraw
Humble And Kind
101 bpm • B Maj • 04:19 • -7.31db
69% Popularity • 36% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Carrie Underwood
Southbound
101 bpm • C Maj • 03:22 • -4.02db
54% Popularity • 61% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Jon Pardi
Head Over Boots
108 bpm • G Maj • 03:22 • -4.47db
74% Popularity • 56% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Lady A
Need You Now
108 bpm • E Maj • 04:37 • -5.54db
72% Popularity • 59% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 23% Positiveness
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Zac Brown Band
Someone I Used To Know
108 bpm • F# min • 03:27 • -5.68db
59% Popularity • 62% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
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Old Dominion
Snapback
101 bpm • F Maj • 03:26 • -3.58db
63% Popularity • 69% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Logan Mize
Better Off Gone
100 bpm • F min • 03:02 • -7.42db
55% Popularity • 67% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Morgan Wallen
Talkin' Tennessee
100 bpm • F# min • 03:41 • -6.7db
71% Popularity • 70% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Maddie & Tae
Friends Don't
100 bpm • G Maj • 03:08 • -5.95db
58% Popularity • 53% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
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Roman Alexander
Between You & Me
100 bpm • E Maj • 02:49 • -7.65db
48% Popularity • 63% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Jordan Davis
Take It From Me
100 bpm • A# Maj • 02:54 • -3.14db
68% Popularity • 59% Danceability • 89% Energy • 35% Liveness
0% Instrumentalness • 67% Positiveness
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Lauren Alaina
Ladies In The '90s
100 bpm • G Maj • 03:45 • -3db
50% Popularity • 64% Danceability • 88% Energy • 34% Liveness
0% Instrumentalness • 55% Positiveness
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Lee Brice
Drinking Class
109 bpm • C# Maj • 03:27 • -10db
59% Popularity • 66% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
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Morgan Wallen
If I Know Me
100 bpm • G# Maj • 02:37 • -5.81db
70% Popularity • 78% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Lady A
Ocean
99 bpm • F# Maj • 03:30 • -7.93db
51% Popularity • 58% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Zac Brown Band
Loving You Easy
99 bpm • C# Maj • 02:35 • -4.18db
61% Popularity • 72% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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Brett Eldredge
Gabrielle
99 bpm • A# Maj • 03:36 • -6.72db
48% Popularity • 71% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Sam Hunt
Body Like A Back Road
99 bpm • F Maj • 02:42 • -7.44db
72% Popularity • 74% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
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Dan + Shay
All Nighter
98 bpm • E Maj • 03:23 • -4.03db
38% Popularity • 54% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Dustin Lynch
Stars Like Confetti
110 bpm • A# Maj • 03:14 • -3.06db
66% Popularity • 62% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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High Valley
Grew up on That
110 bpm • A Maj • 02:52 • -6db
48% Popularity • 65% Danceability • 76% Energy • 17% Liveness
0% Instrumentalness • 29% Positiveness
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Luke Bryan
That's My Kind Of Night
110 bpm • G Maj • 03:10 • -2.91db
73% Popularity • 66% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Brett Eldredge
Beat of the Music
110 bpm • A Maj • 02:59 • -4.13db
60% Popularity • 63% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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Nate Smith
Whiskey On You
110 bpm • G# Maj • 03:03 • -5.2db
71% Popularity • 47% Danceability • 75% Energy • 12% Liveness
2% Instrumentalness • 57% Positiveness
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Morgan Wallen
This Bar
110 bpm • D Maj • 03:05 • -5.31db
72% Popularity • 55% Danceability • 88% Energy • 5% Liveness
0% Instrumentalness • 25% Positiveness
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Cody Johnson
The Painter
98 bpm • D Maj • 03:31 • -5.77db
74% Popularity • 51% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Eli Young Band
Love Ain't
98 bpm • B Maj • 03:07 • -4.67db
63% Popularity • 60% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Diplo
Heartless
111 bpm • B Maj • 02:49 • -6.42db
77% Popularity • 76% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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High Valley
She's with Me
111 bpm • B Maj • 03:00 • -4db
50% Popularity • 60% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Dan + Shay
Good Things
97 bpm • B Maj • 02:28 • -6db
53% Popularity • 53% Danceability • 62% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
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Morgan Wallen
Chasin' You
97 bpm • G Maj • 03:25 • -5.79db
80% Popularity • 63% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Tyler Shaw
To the Man Who Let Her Go
97 bpm • F# Maj • 03:21 • -7db
46% Popularity • 74% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Brothers Osborne
Stay A Little Longer
97 bpm • F# Maj • 05:35 • -5.36db
63% Popularity • 56% Danceability • 89% Energy • 16% Liveness
11% Instrumentalness • 55% Positiveness
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Morgan Evans
Day Drunk
97 bpm • A# Maj • 03:14 • -5.45db
57% Popularity • 65% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Luke Bryan
I Don't Want This Night To End
112 bpm • A min • 03:39 • -4.02db
72% Popularity • 62% Danceability • 73% Energy • 23% Liveness
0% Instrumentalness • 38% Positiveness
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Chris Young
Think of You
112 bpm • B Maj • 03:38 • -3.59db
61% Popularity • 62% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Carly Pearce
Closer To You
112 bpm • E min • 03:07 • -4.55db
46% Popularity • 66% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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LOCASH
I Love This Life
112 bpm • D Maj • 03:28 • -3db
37% Popularity • 59% Danceability • 93% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
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Austin Burke
Whole Lot in Love
112 bpm • D Maj • 02:46 • -7.45db
45% Popularity • 79% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Gabby Barrett
Growin’ Up Raising You
113 bpm • C# Maj • 03:17 • -6.33db
48% Popularity • 55% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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MacKenzie Porter
Seeing Other People
96 bpm • C# Maj • 03:02 • -4db
38% Popularity • 59% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Lee Brice
One Of Them Girls
96 bpm • E Maj • 03:08 • -6.08db
73% Popularity • 64% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
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Jon Pardi
Night Shift
96 bpm • D Maj • 02:52 • -3.56db
78% Popularity • 63% Danceability • 75% Energy • 27% Liveness
0% Instrumentalness • 73% Positiveness
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Nate Smith
World on Fire
96 bpm • B min • 03:09 • -4.87db
78% Popularity • 46% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Old Dominion
Some People Do
113 bpm • A Maj • 03:16 • -9.46db
51% Popularity • 63% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Rascal Flatts
Yours If You Want It
113 bpm • G# Maj • 03:26 • -3db
53% Popularity • 55% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Luke Combs
Does To Me
113 bpm • C Maj • 03:43 • -4.9db
68% Popularity • 62% Danceability • 85% Energy • 31% Liveness
0% Instrumentalness • 64% Positiveness
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Dan + Shay
All To Myself
95 bpm • C# Maj • 02:49 • -4.62db
63% Popularity • 65% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Ingrid Andress
Lady Like
95 bpm • A Maj • 03:14 • -5.83db
55% Popularity • 54% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Jordan Davis
Lose You
95 bpm • F# Maj • 03:23 • -6db
58% Popularity • 65% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Lady A
I Run To You
114 bpm • D# Maj • 04:16 • -4.45db
58% Popularity • 66% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Cole Swindell
Love You Too Late
114 bpm • A min • 03:24 • -4.45db
55% Popularity • 54% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Restless Road
Sundown Somewhere
114 bpm • B Maj • 02:42 • -4.13db
52% Popularity • 61% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
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Dan + Shay
Round the Clock
95 bpm • G Maj • 03:22 • -6.58db
36% Popularity • 58% Danceability • 74% Energy • 46% Liveness
0% Instrumentalness • 32% Positiveness
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Ryan Hurd
To a T - Stripped
114 bpm • A Maj • 03:18 • -6.79db
46% Popularity • 60% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Adam Doleac
Famous
95 bpm • G Maj • 03:06 • -5.58db
47% Popularity • 60% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Lauren Alaina
Getting Good
94 bpm • B Maj • 03:20 • -5.45db
42% Popularity • 53% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Erin Kinsey
Just Drive
115 bpm • F# Maj • 02:27 • -4db
54% Popularity • 71% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
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Kameron Marlowe
Burn 'Em All
115 bpm • B min • 03:06 • -4.89db
54% Popularity • 65% Danceability • 87% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
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Tyler Hubbard
Dancin’ In The Country
115 bpm • G Maj • 02:59 • -5db
73% Popularity • 66% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Jake Owen
I Was Jack (You Were Diane)
94 bpm • F# Maj • 03:07 • -3.54db
61% Popularity • 60% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 55% Positiveness
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Chase Rice
Ride
115 bpm • A# Maj • 04:01 • -6.35db
59% Popularity • 67% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Niall Horan
Seeing Blind
94 bpm • A Maj • 03:05 • -7.57db
62% Popularity • 72% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Kenny Chesney
Setting the World On Fire
94 bpm • C Maj • 03:37 • -4.42db
59% Popularity • 61% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Russell Dickerson
Every Little Thing
94 bpm • C# Maj • 03:10 • -4.66db
61% Popularity • 64% Danceability • 85% Energy • 4% Liveness
0% Instrumentalness • 86% Positiveness
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Blake Shelton
Sangria
116 bpm • A Maj • 03:53 • -6.96db
62% Popularity • 65% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
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Rascal Flatts
Stand
94 bpm • C Maj • 03:28 • -5db
51% Popularity • 60% Danceability • 76% Energy • 24% Liveness
0% Instrumentalness • 53% Positiveness
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Conner Smith
Take It Slow
116 bpm • F Maj • 02:43 • -4db
62% Popularity • 59% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Jon Pardi
Heartache On The Dance Floor
116 bpm • A Maj • 03:25 • -4.31db
74% Popularity • 60% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Adam Doleac
Coulda Loved You Longer
93 bpm • B Maj • 02:56 • -6.41db
42% Popularity • 64% Danceability • 62% Energy • 50% Liveness
0% Instrumentalness • 73% Positiveness
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Carrie Underwood
Out Of That Truck
93 bpm • F Maj • 02:57 • -4.5db
59% Popularity • 56% Danceability • 76% Energy • 40% Liveness
0% Instrumentalness • 81% Positiveness
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Frankie Ballard
Sunshine & Whiskey
93 bpm • A Maj • 03:02 • -6.79db
64% Popularity • 67% Danceability • 74% Energy • 32% Liveness
0% Instrumentalness • 75% Positiveness
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Glad You Exist