Songs like Glasgow Love Theme - From "Love Actually" by Craig Armstrong
Based on a tempo of (+/- 10%) and a similar genre
► Preview
The Chamber Orchestra Of London
Fashion
136 bpm • D Maj • 01:20 • -13.65db
43% Popularity • 17% Danceability • 30% Energy • 12% Liveness
86% Instrumentalness • 4% Positiveness
43% Popularity • 17% Danceability • 30% Energy • 12% Liveness
86% Instrumentalness • 4% Positiveness
► Preview
Max Richter
Written on the Sky
136 bpm • A# min • 01:40 • -25.23db
62% Popularity • 35% Danceability • 12% Energy • 10% Liveness
91% Instrumentalness • 18% Positiveness
62% Popularity • 35% Danceability • 12% Energy • 10% Liveness
91% Instrumentalness • 18% Positiveness
► Preview
Craig Armstrong
Glasgow Love Theme
136 bpm • A Maj • 02:09 • -18.57db
47% Popularity • 20% Danceability • 10% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
47% Popularity • 20% Danceability • 10% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
► Preview
Jóhann Jóhannsson
Epilogue
136 bpm • A min • 01:48 • -24.71db
65% Popularity • 25% Danceability • 9% Energy • 11% Liveness
87% Instrumentalness • 13% Positiveness
65% Popularity • 25% Danceability • 9% Energy • 11% Liveness
87% Instrumentalness • 13% Positiveness
► Preview
John Barry
The John Dunbar Theme
136 bpm • D# Maj • 02:17 • -24.51db
54% Popularity • 15% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 15% Positiveness
54% Popularity • 15% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 15% Positiveness
► Preview
Zbigniew Preisner
Colin Opens His Eyes
136 bpm • F# Maj • 02:00 • -22.18db
34% Popularity • 28% Danceability • 6% Energy • 35% Liveness
32% Instrumentalness • 9% Positiveness
34% Popularity • 28% Danceability • 6% Energy • 35% Liveness
32% Instrumentalness • 9% Positiveness
► Preview
Anne Dudley
Kissing Town
135 bpm • F Maj • 02:16 • -24db
37% Popularity • 31% Danceability • 12% Energy • 12% Liveness
82% Instrumentalness • 20% Positiveness
37% Popularity • 31% Danceability • 12% Energy • 12% Liveness
82% Instrumentalness • 20% Positiveness
► Preview
John Debney
The Princess Diaries Waltz - Score
137 bpm • A Maj • 02:09 • -18.08db
48% Popularity • 25% Danceability • 15% Energy • 12% Liveness
91% Instrumentalness • 15% Positiveness
48% Popularity • 25% Danceability • 15% Energy • 12% Liveness
91% Instrumentalness • 15% Positiveness
► Preview
Randy Edelman
Riverside Walk
135 bpm • G Maj • 05:22 • -19.19db
24% Popularity • 26% Danceability • 6% Energy • 10% Liveness
65% Instrumentalness • 18% Positiveness
24% Popularity • 26% Danceability • 6% Energy • 10% Liveness
65% Instrumentalness • 18% Positiveness
► Preview
Dustin O'Halloran
Arrival
135 bpm • C min • 04:26 • -22.27db
39% Popularity • 20% Danceability • 9% Energy • 14% Liveness
89% Instrumentalness • 4% Positiveness
39% Popularity • 20% Danceability • 9% Energy • 14% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Jóhann Jóhannsson
The Wedding
135 bpm • A# Maj • 01:42 • -16db
55% Popularity • 24% Danceability • 23% Energy • 11% Liveness
94% Instrumentalness • 27% Positiveness
55% Popularity • 24% Danceability • 23% Energy • 11% Liveness
94% Instrumentalness • 27% Positiveness
► Preview
Andrea Guerra
La città eterna
137 bpm • C min • 02:13 • -18.58db
47% Popularity • 15% Danceability • 16% Energy • 12% Liveness
81% Instrumentalness • 5% Positiveness
47% Popularity • 15% Danceability • 16% Energy • 12% Liveness
81% Instrumentalness • 5% Positiveness
► Preview
Howard Shore
Feast of Starlight
135 bpm • D Maj • 02:48 • -26.99db
54% Popularity • 18% Danceability • 4% Energy • 12% Liveness
98% Instrumentalness • 4% Positiveness
54% Popularity • 18% Danceability • 4% Energy • 12% Liveness
98% Instrumentalness • 4% Positiveness
► Preview
The City of Prague Philharmonic Orchestra
Balcony Scene
135 bpm • C Maj • 05:36 • -19.07db
25% Popularity • 17% Danceability • 5% Energy • 18% Liveness
94% Instrumentalness • 4% Positiveness
25% Popularity • 17% Danceability • 5% Energy • 18% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Alan Silvestri
Fast Forward
134 bpm • A min • 02:56 • -23.14db
16% Popularity • 36% Danceability • 4% Energy • 14% Liveness
89% Instrumentalness • 6% Positiveness
16% Popularity • 36% Danceability • 4% Energy • 14% Liveness
89% Instrumentalness • 6% Positiveness
► Preview
Dustin O'Halloran
Lion Theme
138 bpm • C min • 01:58 • -18.55db
49% Popularity • 30% Danceability • 13% Energy • 12% Liveness
87% Instrumentalness • 7% Positiveness
49% Popularity • 30% Danceability • 13% Energy • 12% Liveness
87% Instrumentalness • 7% Positiveness
► Preview
Peter Gregson
A Little Chaos
138 bpm • D# Maj • 05:37 • -15.01db
46% Popularity • 45% Danceability • 22% Energy • 8% Liveness
84% Instrumentalness • 9% Positiveness
46% Popularity • 45% Danceability • 22% Energy • 8% Liveness
84% Instrumentalness • 9% Positiveness
► Preview
Jóhann Jóhannsson
Rowing
138 bpm • G min • 01:42 • -18db
55% Popularity • 60% Danceability • 27% Energy • 13% Liveness
96% Instrumentalness • 10% Positiveness
55% Popularity • 60% Danceability • 27% Energy • 13% Liveness
96% Instrumentalness • 10% Positiveness
► Preview
Paul Bateman
Theme - Piano Version
138 bpm • G min • 02:41 • -26.02db
24% Popularity • 46% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 15% Positiveness
24% Popularity • 46% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 15% Positiveness
► Preview
Craig Armstrong
Lunch Hour
140 bpm • C Maj • 01:08 • -19.11db
30% Popularity • 44% Danceability • 16% Energy • 14% Liveness
90% Instrumentalness • 7% Positiveness
30% Popularity • 44% Danceability • 16% Energy • 14% Liveness
90% Instrumentalness • 7% Positiveness
► Preview
Bear McCreary
Dance of the Druids
140 bpm • A min • 04:38 • -14.18db
55% Popularity • 18% Danceability • 34% Energy • 13% Liveness
66% Instrumentalness • 4% Positiveness
55% Popularity • 18% Danceability • 34% Energy • 13% Liveness
66% Instrumentalness • 4% Positiveness
► Preview
Jan A.P. Kaczmarek
Dance Rehearsal
140 bpm • A min • 02:16 • -16.99db
36% Popularity • 32% Danceability • 17% Energy • 11% Liveness
61% Instrumentalness • 26% Positiveness
36% Popularity • 32% Danceability • 17% Energy • 11% Liveness
61% Instrumentalness • 26% Positiveness
► Preview
Max Richter
She Was Running
132 bpm • C min • 02:08 • -22.51db
30% Popularity • 34% Danceability • 4% Energy • 12% Liveness
32% Instrumentalness • 4% Positiveness
30% Popularity • 34% Danceability • 4% Energy • 12% Liveness
32% Instrumentalness • 4% Positiveness
► Preview
Ralph Vaughan Williams
Vaughan Williams: The Lark Ascending: Op...
132 bpm • B min • 06:25 • -25.38db
33% Popularity • 16% Danceability • 8% Energy • 10% Liveness
46% Instrumentalness • 4% Positiveness
33% Popularity • 16% Danceability • 8% Energy • 10% Liveness
46% Instrumentalness • 4% Positiveness
► Preview
Steve Jablonsky
My Name Is Lincoln
132 bpm • C Maj • 03:42 • -18.04db
54% Popularity • 16% Danceability • 40% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
54% Popularity • 16% Danceability • 40% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
► Preview
Craig Armstrong
All Lit Up
140 bpm • G Maj • 02:22 • -25.52db
24% Popularity • 29% Danceability • 10% Energy • 11% Liveness
37% Instrumentalness • 8% Positiveness
24% Popularity • 29% Danceability • 10% Energy • 11% Liveness
37% Instrumentalness • 8% Positiveness
► Preview
Andrea Guerra
Atelier Fontana - Main Title
132 bpm • F Maj • 02:30 • -19.2db
48% Popularity • 18% Danceability • 13% Energy • 12% Liveness
93% Instrumentalness • 5% Positiveness
48% Popularity • 18% Danceability • 13% Energy • 12% Liveness
93% Instrumentalness • 5% Positiveness
► Preview
Ludovico Einaudi
I Giorni
132 bpm • D Maj • 06:51 • -30.21db
62% Popularity • 28% Danceability • 3% Energy • 7% Liveness
94% Instrumentalness • 5% Positiveness
62% Popularity • 28% Danceability • 3% Energy • 7% Liveness
94% Instrumentalness • 5% Positiveness
► Preview
The Chamber Orchestra Of London
Nothing To Forgive
141 bpm • G Maj • 02:34 • -15.43db
29% Popularity • 14% Danceability • 15% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
29% Popularity • 14% Danceability • 15% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
► Preview
Royal Liverpool Philharmonic Orchestra
Fix You
142 bpm • D# Maj • 04:37 • -19.17db
23% Popularity • 14% Danceability • 12% Energy • 12% Liveness
94% Instrumentalness • 6% Positiveness
23% Popularity • 14% Danceability • 12% Energy • 12% Liveness
94% Instrumentalness • 6% Positiveness
► Preview
Henry Jackman
Safe Now
130 bpm • D min • 03:12 • -21db
45% Popularity • 16% Danceability • 1% Energy • 8% Liveness
81% Instrumentalness • 3% Positiveness
45% Popularity • 16% Danceability • 1% Energy • 8% Liveness
81% Instrumentalness • 3% Positiveness
► Preview
Craig Armstrong
Spring Sheep Dip
142 bpm • A Maj • 02:18 • -16.5db
30% Popularity • 15% Danceability • 20% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
30% Popularity • 15% Danceability • 20% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Maurizio Malagnini
The Miracle
142 bpm • A Maj • 04:16 • -17.3db
28% Popularity • 14% Danceability • 16% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
28% Popularity • 14% Danceability • 16% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Rael Jones
Getting Used to It
130 bpm • A min • 01:57 • -32.09db
30% Popularity • 26% Danceability • 2% Energy • 9% Liveness
98% Instrumentalness • 4% Positiveness
30% Popularity • 26% Danceability • 2% Energy • 9% Liveness
98% Instrumentalness • 4% Positiveness
► Preview
Jan A.P. Kaczmarek
Children Arrive - Finding Neverland/Soun...
142 bpm • C Maj • 03:14 • -24.82db
25% Popularity • 40% Danceability • 17% Energy • 7% Liveness
92% Instrumentalness • 54% Positiveness
25% Popularity • 40% Danceability • 17% Energy • 7% Liveness
92% Instrumentalness • 54% Positiveness
► Preview
Ludovico Einaudi
I Giorni
143 bpm • D Maj • 05:59 • -25.54db
50% Popularity • 26% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
50% Popularity • 26% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
► Preview
Max Richter
The Shores of Scotland
143 bpm • B min • 01:51 • -12.34db
34% Popularity • 14% Danceability • 46% Energy • 14% Liveness
93% Instrumentalness • 35% Positiveness
34% Popularity • 14% Danceability • 46% Energy • 14% Liveness
93% Instrumentalness • 35% Positiveness
► Preview
Craig Armstrong
Jamie Leaves Aurelia
142 bpm • C Maj • 02:44 • -20.56db
30% Popularity • 22% Danceability • 8% Energy • 13% Liveness
82% Instrumentalness • 5% Positiveness
30% Popularity • 22% Danceability • 8% Energy • 13% Liveness
82% Instrumentalness • 5% Positiveness
► Preview
Andrea Guerra
Cenerentola - Main Title
129 bpm • C Maj • 00:56 • -17.97db
43% Popularity • 51% Danceability • 23% Energy • 9% Liveness
88% Instrumentalness • 13% Positiveness
43% Popularity • 51% Danceability • 23% Energy • 9% Liveness
88% Instrumentalness • 13% Positiveness
► Preview
Maurizio Malagnini
Summer Is Coming
129 bpm • G Maj • 02:33 • -15db
31% Popularity • 23% Danceability • 27% Energy • 21% Liveness
87% Instrumentalness • 20% Positiveness
31% Popularity • 23% Danceability • 27% Energy • 21% Liveness
87% Instrumentalness • 20% Positiveness
► Preview
George Fenton
Dear Friend
129 bpm • D# Maj • 01:26 • -23db
37% Popularity • 20% Danceability • 8% Energy • 17% Liveness
86% Instrumentalness • 4% Positiveness
37% Popularity • 20% Danceability • 8% Energy • 17% Liveness
86% Instrumentalness • 4% Positiveness
► Preview
Samuel Sim
Emma Woodhouse Was Born
128 bpm • G min • 03:33 • -18.78db
27% Popularity • 30% Danceability • 13% Energy • 15% Liveness
90% Instrumentalness • 6% Positiveness
27% Popularity • 30% Danceability • 13% Energy • 15% Liveness
90% Instrumentalness • 6% Positiveness
► Preview
Max Richter
A New Generation
144 bpm • B min • 02:48 • -15.33db
21% Popularity • 14% Danceability • 40% Energy • 13% Liveness
82% Instrumentalness • 22% Positiveness
21% Popularity • 14% Danceability • 40% Energy • 13% Liveness
82% Instrumentalness • 22% Positiveness
► Preview
Bear McCreary
Brianna and Roger Theme
128 bpm • A min • 03:24 • -21.95db
35% Popularity • 52% Danceability • 10% Energy • 12% Liveness
82% Instrumentalness • 21% Positiveness
35% Popularity • 52% Danceability • 10% Energy • 12% Liveness
82% Instrumentalness • 21% Positiveness
► Preview
Andrea Guerra
Tema romantico solitario
129 bpm • C Maj • 01:04 • -21.24db
47% Popularity • 56% Danceability • 12% Energy • 7% Liveness
77% Instrumentalness • 6% Positiveness
47% Popularity • 56% Danceability • 12% Energy • 7% Liveness
77% Instrumentalness • 6% Positiveness
► Preview
Craig Armstrong
Buchanan Mansion And Daisy Suite
126 bpm • C Maj • 03:53 • -23db
23% Popularity • 17% Danceability • 10% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
23% Popularity • 17% Danceability • 10% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
► Preview
Maurice Jarre
Unchained Melody - Orchestral Version
145 bpm • D Maj • 03:59 • -19.01db
47% Popularity • 13% Danceability • 16% Energy • 25% Liveness
85% Instrumentalness • 5% Positiveness
47% Popularity • 13% Danceability • 16% Energy • 25% Liveness
85% Instrumentalness • 5% Positiveness
► Preview
William Joseph
Stella's Theme
126 bpm • F min • 03:40 • -16.2db
26% Popularity • 34% Danceability • 10% Energy • 12% Liveness
92% Instrumentalness • 7% Positiveness
26% Popularity • 34% Danceability • 10% Energy • 12% Liveness
92% Instrumentalness • 7% Positiveness
► Preview
Jan A.P. Kaczmarek
Impossible Opening
148 bpm • A min • 03:44 • -16db
24% Popularity • 34% Danceability • 19% Energy • 11% Liveness
89% Instrumentalness • 12% Positiveness
24% Popularity • 34% Danceability • 19% Energy • 11% Liveness
89% Instrumentalness • 12% Positiveness
► Preview
Mark Northam
Forrest Gump: Opening Theme
124 bpm • D Maj • 02:26 • -22db
27% Popularity • 47% Danceability • 6% Energy • 8% Liveness
93% Instrumentalness • 15% Positiveness
27% Popularity • 47% Danceability • 6% Energy • 8% Liveness
93% Instrumentalness • 15% Positiveness
► Preview
The Chamber Orchestra Of London
Emancipation
149 bpm • E min • 02:15 • -17.05db
28% Popularity • 32% Danceability • 15% Energy • 9% Liveness
93% Instrumentalness • 29% Positiveness
28% Popularity • 32% Danceability • 15% Energy • 9% Liveness
93% Instrumentalness • 29% Positiveness
► Preview
Craig Armstrong
If You Should Fall
126 bpm • F min • 03:33 • -17.5db
33% Popularity • 33% Danceability • 8% Energy • 18% Liveness
85% Instrumentalness • 4% Positiveness
33% Popularity • 33% Danceability • 8% Energy • 18% Liveness
85% Instrumentalness • 4% Positiveness
► Preview
Zbigniew Preisner
Entering The Garden
124 bpm • F Maj • 01:00 • -19db
38% Popularity • 40% Danceability • 5% Energy • 12% Liveness
90% Instrumentalness • 20% Positiveness
38% Popularity • 40% Danceability • 5% Energy • 12% Liveness
90% Instrumentalness • 20% Positiveness
► Preview
Hans Zimmer
Maestro
150 bpm • C Maj • 03:53 • -14db
53% Popularity • 18% Danceability • 22% Energy • 56% Liveness
94% Instrumentalness • 7% Positiveness
53% Popularity • 18% Danceability • 22% Energy • 56% Liveness
94% Instrumentalness • 7% Positiveness
► Preview
Samuel Sim
The Last Dance
151 bpm • G Maj • 01:43 • -19db
38% Popularity • 44% Danceability • 22% Energy • 17% Liveness
86% Instrumentalness • 19% Positiveness
38% Popularity • 44% Danceability • 22% Energy • 17% Liveness
86% Instrumentalness • 19% Positiveness
► Preview
Rachel Portman
End Titles
122 bpm • E min • 02:08 • -20db
45% Popularity • 18% Danceability • 17% Energy • 21% Liveness
90% Instrumentalness • 7% Positiveness
45% Popularity • 18% Danceability • 17% Energy • 21% Liveness
90% Instrumentalness • 7% Positiveness
► Preview
Gavin Greenaway
Smoke
122 bpm • A Maj • 05:27 • -23.07db
29% Popularity • 33% Danceability • 9% Energy • 7% Liveness
90% Instrumentalness • 14% Positiveness
29% Popularity • 33% Danceability • 9% Energy • 7% Liveness
90% Instrumentalness • 14% Positiveness
► Preview
John Debney
Mia Invites Lilly To The Ball - Score
122 bpm • A Maj • 01:08 • -32db
49% Popularity • 25% Danceability • 1% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
49% Popularity • 25% Danceability • 1% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
► Preview
Jan A.P. Kaczmarek
Neverland - Minor Piano Variation - Find...
121 bpm • C Maj • 03:39 • -24.61db
24% Popularity • 42% Danceability • 9% Energy • 8% Liveness
90% Instrumentalness • 17% Positiveness
24% Popularity • 42% Danceability • 9% Energy • 8% Liveness
90% Instrumentalness • 17% Positiveness
► Preview
Nick Laird-Clowes
Golborne Road
120 bpm • C Maj • 02:16 • -24.24db
35% Popularity • 35% Danceability • 11% Energy • 9% Liveness
84% Instrumentalness • 10% Positiveness
35% Popularity • 35% Danceability • 11% Energy • 9% Liveness
84% Instrumentalness • 10% Positiveness
► Preview
Zbigniew Preisner
Leaving The Docks
121 bpm • E min • 01:29 • -23db
41% Popularity • 34% Danceability • 3% Energy • 8% Liveness
80% Instrumentalness • 6% Positiveness
41% Popularity • 34% Danceability • 3% Energy • 8% Liveness
80% Instrumentalness • 6% Positiveness
► Preview
Clint Eastwood
It's Nice Viewing
120 bpm • C Maj • 00:57 • -27db
44% Popularity • 28% Danceability • 1% Energy • 9% Liveness
62% Instrumentalness • 9% Positiveness
44% Popularity • 28% Danceability • 1% Energy • 9% Liveness
62% Instrumentalness • 9% Positiveness
► Preview
Jerry Goldsmith
Morning On The Beach
120 bpm • C Maj • 02:29 • -20db
24% Popularity • 22% Danceability • 14% Energy • 41% Liveness
43% Instrumentalness • 4% Positiveness
24% Popularity • 22% Danceability • 14% Energy • 41% Liveness
43% Instrumentalness • 4% Positiveness
► Preview
Rupert Gregson-Williams
Duck Shoot
120 bpm • D min • 04:07 • -18.79db
49% Popularity • 23% Danceability • 14% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
49% Popularity • 23% Danceability • 14% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
► Preview
Jan A.P. Kaczmarek
Neverland - Piano Variation In Blue - Fi...
121 bpm • C Maj • 04:29 • -22.6db
38% Popularity • 34% Danceability • 8% Energy • 22% Liveness
92% Instrumentalness • 14% Positiveness
38% Popularity • 34% Danceability • 8% Energy • 22% Liveness
92% Instrumentalness • 14% Positiveness
► Preview
Guy Farley
Family
120 bpm • A min • 01:47 • -17.68db
49% Popularity • 40% Danceability • 15% Energy • 7% Liveness
94% Instrumentalness • 5% Positiveness
49% Popularity • 40% Danceability • 15% Energy • 7% Liveness
94% Instrumentalness • 5% Positiveness
► Preview
Justin Hurwitz
The Armstrongs
120 bpm • G min • 02:25 • -27.44db
54% Popularity • 50% Danceability • 23% Energy • 11% Liveness
91% Instrumentalness • 5% Positiveness
54% Popularity • 50% Danceability • 23% Energy • 11% Liveness
91% Instrumentalness • 5% Positiveness
► Preview
Burkhard Dallwitz
It's a Life
120 bpm • E Maj • 01:29 • -22db
35% Popularity • 42% Danceability • 16% Energy • 48% Liveness
96% Instrumentalness • 14% Positiveness
35% Popularity • 42% Danceability • 16% Energy • 48% Liveness
96% Instrumentalness • 14% Positiveness
► Preview
An Eligible Quartet
Frank Churchill Arrives
120 bpm • G Maj • 02:06 • -16.69db
30% Popularity • 30% Danceability • 14% Energy • 11% Liveness
50% Instrumentalness • 22% Positiveness
30% Popularity • 30% Danceability • 14% Energy • 11% Liveness
50% Instrumentalness • 22% Positiveness
► Preview
Craig Armstrong
Didn't You Love Anything
119 bpm • C Maj • 01:44 • -22.67db
40% Popularity • 28% Danceability • 3% Energy • 7% Liveness
91% Instrumentalness • 12% Positiveness
40% Popularity • 28% Danceability • 3% Energy • 7% Liveness
91% Instrumentalness • 12% Positiveness
► Preview
Jan A.P. Kaczmarek
Why Does She Have To Die? - Finding Neve...
154 bpm • A Maj • 02:05 • -18.08db
36% Popularity • 11% Danceability • 17% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
36% Popularity • 11% Danceability • 17% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Isobel Waller-Bridge
Emma Suite
119 bpm • C Maj • 06:07 • -14.99db
45% Popularity • 32% Danceability • 19% Energy • 9% Liveness
58% Instrumentalness • 14% Positiveness
45% Popularity • 32% Danceability • 19% Energy • 9% Liveness
58% Instrumentalness • 14% Positiveness
► Preview
Jóhann Jóhannsson
Domestic Pressures
156 bpm • A min • 02:37 • -19.19db
61% Popularity • 20% Danceability • 13% Energy • 12% Liveness
96% Instrumentalness • 8% Positiveness
61% Popularity • 20% Danceability • 13% Energy • 12% Liveness
96% Instrumentalness • 8% Positiveness
► Preview
Steve Hall
The Notebook
118 bpm • G Maj • 03:15 • -25.83db
35% Popularity • 50% Danceability • 1% Energy • 15% Liveness
94% Instrumentalness • 14% Positiveness
35% Popularity • 50% Danceability • 1% Energy • 15% Liveness
94% Instrumentalness • 14% Positiveness
► Preview
Carter Burwell
Opening
117 bpm • C min • 02:13 • -15.27db
41% Popularity • 24% Danceability • 21% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
41% Popularity • 24% Danceability • 21% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Craig Armstrong
Within A Day
156 bpm • E Maj • 04:04 • -19.01db
23% Popularity • 37% Danceability • 10% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
23% Popularity • 37% Danceability • 10% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
► Preview
Alexandra Harwood
Juliet And Dawsey
117 bpm • C# Maj • 03:09 • -16db
31% Popularity • 23% Danceability • 7% Energy • 29% Liveness
75% Instrumentalness • 4% Positiveness
31% Popularity • 23% Danceability • 7% Energy • 29% Liveness
75% Instrumentalness • 4% Positiveness
► Preview
Jan A.P. Kaczmarek
Impossible Opening - Finding Neverland/S...
155 bpm • A min • 03:26 • -17.97db
28% Popularity • 28% Danceability • 19% Energy • 26% Liveness
82% Instrumentalness • 16% Positiveness
28% Popularity • 28% Danceability • 19% Energy • 26% Liveness
82% Instrumentalness • 16% Positiveness
► Preview
Jóhann Jóhannsson
A Game of Croquet
118 bpm • E min • 02:45 • -28.73db
61% Popularity • 22% Danceability • 4% Energy • 6% Liveness
40% Instrumentalness • 11% Positiveness
61% Popularity • 22% Danceability • 4% Energy • 6% Liveness
40% Instrumentalness • 11% Positiveness
► Preview
Isobel Waller-Bridge
Emma And Mr. Knightley (A Kiss Before Th...
118 bpm • F Maj • 03:06 • -16.4db
36% Popularity • 33% Danceability • 10% Energy • 9% Liveness
3% Instrumentalness • 9% Positiveness
36% Popularity • 33% Danceability • 10% Energy • 9% Liveness
3% Instrumentalness • 9% Positiveness
► Preview
Klaus Badelt
Godspeed
118 bpm • A min • 05:19 • -14db
42% Popularity • 22% Danceability • 14% Energy • 8% Liveness
31% Instrumentalness • 12% Positiveness
42% Popularity • 22% Danceability • 14% Energy • 8% Liveness
31% Instrumentalness • 12% Positiveness
► Preview
Craig Armstrong
Opening Titles
118 bpm • C Maj • 01:33 • -26.92db
43% Popularity • 18% Danceability • 2% Energy • 8% Liveness
98% Instrumentalness • 4% Positiveness
43% Popularity • 18% Danceability • 2% Energy • 8% Liveness
98% Instrumentalness • 4% Positiveness
► Preview
The Royal Philharmonic Concert Orchestra/Paul Bateman
Alfie
117 bpm • A# Maj • 02:51 • -13.26db
19% Popularity • 19% Danceability • 20% Energy • 16% Liveness
84% Instrumentalness • 4% Positiveness
19% Popularity • 19% Danceability • 20% Energy • 16% Liveness
84% Instrumentalness • 4% Positiveness
► Preview
Jan A.P. Kaczmarek
The Park On Piano - Finding Neverland/So...
119 bpm • C Maj • 05:23 • -20.61db
34% Popularity • 38% Danceability • 6% Energy • 11% Liveness
90% Instrumentalness • 11% Positiveness
34% Popularity • 38% Danceability • 6% Energy • 11% Liveness
90% Instrumentalness • 11% Positiveness
► Preview
Jóhann Jóhannsson
Daisy, Daisy
118 bpm • A min • 02:21 • -21.73db
41% Popularity • 29% Danceability • 7% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
41% Popularity • 29% Danceability • 7% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
Alexandra Harwood
The Guernsey Literary And Potato Peel Pi...
116 bpm • G Maj • 05:36 • -16.44db
23% Popularity • 21% Danceability • 20% Energy • 12% Liveness
84% Instrumentalness • 7% Positiveness
23% Popularity • 21% Danceability • 20% Energy • 12% Liveness
84% Instrumentalness • 7% Positiveness
► Preview
Martin Phipps
Charles
117 bpm • D min • 02:23 • -24.55db
39% Popularity • 24% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
39% Popularity • 24% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
► Preview
Craig Armstrong
Will's Pain
158 bpm • C Maj • 01:12 • -22.26db
25% Popularity • 29% Danceability • 13% Energy • 11% Liveness
67% Instrumentalness • 8% Positiveness
25% Popularity • 29% Danceability • 13% Energy • 11% Liveness
67% Instrumentalness • 8% Positiveness
► Preview
Guy Farley
Love Theme
116 bpm • C# Maj • 02:45 • -29db
45% Popularity • 17% Danceability • 2% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
45% Popularity • 17% Danceability • 2% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Michael Nyman
The Piano: The Heart Asks Pleasure First
159 bpm • A min • 04:20 • -26.15db
47% Popularity • 22% Danceability • 4% Energy • 6% Liveness
91% Instrumentalness • 6% Positiveness
47% Popularity • 22% Danceability • 4% Energy • 6% Liveness
91% Instrumentalness • 6% Positiveness
► Preview
Anne Dudley
Poldark Prelude
164 bpm • G# Maj • 03:41 • -24.08db
31% Popularity • 24% Danceability • 3% Energy • 15% Liveness
93% Instrumentalness • 4% Positiveness
31% Popularity • 24% Danceability • 3% Energy • 15% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
The Chamber Orchestra Of London
Downton Abbey - The Suite
166 bpm • A min • 07:06 • -14.87db
40% Popularity • 28% Danceability • 32% Energy • 11% Liveness
90% Instrumentalness • 10% Positiveness
40% Popularity • 28% Danceability • 32% Energy • 11% Liveness
90% Instrumentalness • 10% Positiveness
► Preview
The City of Prague Philharmonic Orchestra
The Heart Asks Pleasure First
167 bpm • E min • 03:40 • -18.56db
25% Popularity • 17% Danceability • 17% Energy • 16% Liveness
94% Instrumentalness • 19% Positiveness
25% Popularity • 17% Danceability • 17% Energy • 16% Liveness
94% Instrumentalness • 19% Positiveness
► Preview
Craig Armstrong
Bridget Jones's Theme
116 bpm • F Maj • 03:29 • -14.77db
18% Popularity • 17% Danceability • 20% Energy • 24% Liveness
95% Instrumentalness • 8% Positiveness
18% Popularity • 17% Danceability • 20% Energy • 24% Liveness
95% Instrumentalness • 8% Positiveness
► Preview
Alexis Ffrench
Dreamland
167 bpm • D# Maj • 02:41 • -20db
50% Popularity • 24% Danceability • 12% Energy • 12% Liveness
89% Instrumentalness • 18% Positiveness
50% Popularity • 24% Danceability • 12% Energy • 12% Liveness
89% Instrumentalness • 18% Positiveness
► Preview
Michael Nyman
The Heart Asks Pleasure First
165 bpm • A min • 03:47 • -17.36db
25% Popularity • 15% Danceability • 26% Energy • 11% Liveness
92% Instrumentalness • 5% Positiveness
25% Popularity • 15% Danceability • 26% Energy • 11% Liveness
92% Instrumentalness • 5% Positiveness
► Preview
Ólafur Arnalds
Beth's Theme
168 bpm • D# min • 05:15 • -21.53db
40% Popularity • 15% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 5% Positiveness
40% Popularity • 15% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 5% Positiveness
► Preview
Martin Phipps
New Queen
169 bpm • A# Maj • 03:56 • -27db
40% Popularity • 12% Danceability • 11% Energy • 8% Liveness
94% Instrumentalness • 5% Positiveness
40% Popularity • 12% Danceability • 11% Energy • 8% Liveness
94% Instrumentalness • 5% Positiveness
