Songs like Glazunov: The Seasons, Op. 67, Pt. 4 "Autumn": No. 15, Petit Adagio by Alexander Glazunov
Based on a tempo of (+/- 10%) and a similar genre
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Jean-Philippe Rameau
Deuxieme livre, Suite en Mi: X. Tambouri...
70 bpm • E min • 01:30 • -27db
46% Popularity • 39% Danceability • 11% Energy • 10% Liveness
91% Instrumentalness • 36% Positiveness
46% Popularity • 39% Danceability • 11% Energy • 10% Liveness
91% Instrumentalness • 36% Positiveness
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Georges Bizet
Bizet / Arr. Guiraud: Carmen Suite No. 1...
70 bpm • D# Maj • 02:31 • -30.26db
47% Popularity • 21% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 7% Positiveness
47% Popularity • 21% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 7% Positiveness
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![Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] cover art](https://i.scdn.co/image/ab67616d00001e02e7b0049790088d1115f1984b)
Seattle Symphony Orchestra
Etudes symphoniques (Symphonic Etudes), ...
70 bpm • A min • 01:51 • -29db
61% Popularity • 17% Danceability • 4% Energy • 8% Liveness
95% Instrumentalness • 5% Positiveness
61% Popularity • 17% Danceability • 4% Energy • 8% Liveness
95% Instrumentalness • 5% Positiveness
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Alexander Glazunov
Glazunov: The Seasons, Op. 67, Pt. 4 "Au...
70 bpm • A Maj • 04:17 • -23.01db
12% Popularity • 14% Danceability • 10% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
12% Popularity • 14% Danceability • 10% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
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Benjamin Godard
Jocelyn - Opera In 4 Acts: Berceuse
70 bpm • F Maj • 03:03 • -32.18db
15% Popularity • 14% Danceability • 1% Energy • 27% Liveness
92% Instrumentalness • 4% Positiveness
15% Popularity • 14% Danceability • 1% Energy • 27% Liveness
92% Instrumentalness • 4% Positiveness
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Einojuhani Rautavaara
Piano Concerto No. 1, Op. 45: I. Con gra...
70 bpm • G Maj • 09:52 • -21.87db
13% Popularity • 19% Danceability • 9% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
13% Popularity • 19% Danceability • 9% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
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Johann Nepomuk Hummel
Piano Concerto No. 3 in B Minor, Op. 89:...
69 bpm • G Maj • 07:53 • -28db
17% Popularity • 25% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
17% Popularity • 25% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Lied opus 34 no.2, transcription Franz L...
71 bpm • G# Maj • 03:46 • -29db
23% Popularity • 33% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
23% Popularity • 33% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Franz Schubert
Schubert: Rosamunde, Op. 26, D. 797: Ent...
69 bpm • A# Maj • 06:56 • -28.62db
13% Popularity • 10% Danceability • 4% Energy • 13% Liveness
90% Instrumentalness • 7% Positiveness
13% Popularity • 10% Danceability • 4% Energy • 13% Liveness
90% Instrumentalness • 7% Positiveness
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Alexander Glazunov
Les Saisons, Op. 67 (Arr. Solo Piano by ...
70 bpm • A# Maj • 03:44 • -21.63db
15% Popularity • 28% Danceability • 9% Energy • 11% Liveness
95% Instrumentalness • 11% Positiveness
15% Popularity • 28% Danceability • 9% Energy • 11% Liveness
95% Instrumentalness • 11% Positiveness
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Alexander Borodin
In the Steppes of Central Asia
69 bpm • A Maj • 07:04 • -30.05db
38% Popularity • 7% Danceability • 2% Energy • 17% Liveness
69% Instrumentalness • 4% Positiveness
38% Popularity • 7% Danceability • 2% Energy • 17% Liveness
69% Instrumentalness • 4% Positiveness
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Frederick Delius
5 Songs from the Norwegian: No. 5. Sunse...
69 bpm • F# Maj • 02:35 • -25.6db
38% Popularity • 26% Danceability • 4% Energy • 15% Liveness
95% Instrumentalness • 4% Positiveness
38% Popularity • 26% Danceability • 4% Energy • 15% Liveness
95% Instrumentalness • 4% Positiveness
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Ludwig van Beethoven
Adagio from Piano Sonata No. 14 in C-Sha...
69 bpm • C# min • 06:24 • -31.36db
14% Popularity • 6% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
14% Popularity • 6% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Clarinet Concerto in A Major, K....
71 bpm • D Maj • 08:53 • -25db
24% Popularity • 7% Danceability • 2% Energy • 7% Liveness
78% Instrumentalness • 4% Positiveness
24% Popularity • 7% Danceability • 2% Energy • 7% Liveness
78% Instrumentalness • 4% Positiveness
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AntonÃn Dvořák
Symphony No. 7 in D Minor, Op. 70, B. 14...
71 bpm • F Maj • 09:28 • -19.41db
1% Popularity • 8% Danceability • 8% Energy • 8% Liveness
85% Instrumentalness • 3% Positiveness
1% Popularity • 8% Danceability • 8% Energy • 8% Liveness
85% Instrumentalness • 3% Positiveness
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Alexander Glazunov
The Seasons, Op.67: 2. Spring
70 bpm • E Maj • 05:22 • -21.32db
8% Popularity • 18% Danceability • 10% Energy • 9% Liveness
82% Instrumentalness • 9% Positiveness
8% Popularity • 18% Danceability • 10% Energy • 9% Liveness
82% Instrumentalness • 9% Positiveness
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Giovanni Pierluigi da Palestrina
Adoramus te Christe (arr. L. Stokowski f...
72 bpm • A min • 02:30 • -31.36db
11% Popularity • 6% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 3% Positiveness
11% Popularity • 6% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 3% Positiveness
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Aaron Copland
3 Latin American Sketches: No. 2, Paisaj...
72 bpm • F# Maj • 03:23 • -34.95db
18% Popularity • 7% Danceability • 1% Energy • 16% Liveness
75% Instrumentalness • 5% Positiveness
18% Popularity • 7% Danceability • 1% Energy • 16% Liveness
75% Instrumentalness • 5% Positiveness
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Frederick Delius
Fantastic Dance
72 bpm • G Maj • 03:36 • -19db
10% Popularity • 13% Danceability • 13% Energy • 5% Liveness
85% Instrumentalness • 4% Positiveness
10% Popularity • 13% Danceability • 13% Energy • 5% Liveness
85% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Ave verum corpus, K. 618 (Arr. Spindler ...
68 bpm • D Maj • 02:57 • -20.57db
17% Popularity • 18% Danceability • 6% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
17% Popularity • 18% Danceability • 6% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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Edvard Grieg
The Mountain Thrall, Op. 32
72 bpm • G# Maj • 06:19 • -18.99db
19% Popularity • 16% Danceability • 12% Energy • 11% Liveness
5% Instrumentalness • 4% Positiveness
19% Popularity • 16% Danceability • 12% Energy • 11% Liveness
5% Instrumentalness • 4% Positiveness
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AntonÃn Dvořák
Symphony No. 8 in G Major, Op. 88, B. 16...
68 bpm • G Maj • 09:37 • -18.48db
2% Popularity • 26% Danceability • 10% Energy • 4% Liveness
88% Instrumentalness • 17% Positiveness
2% Popularity • 26% Danceability • 10% Energy • 4% Liveness
88% Instrumentalness • 17% Positiveness
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Alexander Glazunov
Glazunov: Albumblatt
68 bpm • C# Maj • 04:26 • -17.04db
3% Popularity • 23% Danceability • 11% Energy • 9% Liveness
92% Instrumentalness • 14% Positiveness
3% Popularity • 23% Danceability • 11% Energy • 9% Liveness
92% Instrumentalness • 14% Positiveness
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Erik Satie
Satie / Orch. Debussy: 3 Gymnopédies: N...
68 bpm • A min • 03:04 • -33.51db
20% Popularity • 9% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 5% Positiveness
20% Popularity • 9% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 5% Positiveness
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Richard Wagner
Lohengrin, WWV 75: Prelude to Act I
73 bpm • A Maj • 09:19 • -29.65db
23% Popularity • 7% Danceability • 2% Energy • 12% Liveness
89% Instrumentalness • 3% Positiveness
23% Popularity • 7% Danceability • 2% Energy • 12% Liveness
89% Instrumentalness • 3% Positiveness
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Erich Wolfgang Korngold
Violin Concerto in D Major, Op. 35, TH. ...
73 bpm • G Maj • 07:57 • -24.35db
12% Popularity • 12% Danceability • 8% Energy • 8% Liveness
19% Instrumentalness • 3% Positiveness
12% Popularity • 12% Danceability • 8% Energy • 8% Liveness
19% Instrumentalness • 3% Positiveness
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Dmitry Kabalevsky
Violin Concerto, Op. 48: II. Andante can...
73 bpm • G# min • 05:59 • -26.23db
17% Popularity • 13% Danceability • 4% Energy • 15% Liveness
67% Instrumentalness • 4% Positiveness
17% Popularity • 13% Danceability • 4% Energy • 15% Liveness
67% Instrumentalness • 4% Positiveness
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AntonÃn Dvořák
Symphony No. 9 in E Minor, Op. 95, B. 17...
73 bpm • C Maj • 07:56 • -17.64db
1% Popularity • 21% Danceability • 11% Energy • 20% Liveness
83% Instrumentalness • 15% Positiveness
1% Popularity • 21% Danceability • 11% Energy • 20% Liveness
83% Instrumentalness • 15% Positiveness
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Alexander Glazunov
Glazunov: Raymonda Suite, Op. 57a : Entr...
68 bpm • C# Maj • 04:07 • -22.44db
12% Popularity • 6% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
12% Popularity • 6% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
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Claude Debussy
La Mer, L. 109, CD 111: II. Jeux de vagu...
67 bpm • A Maj • 06:51 • -30db
14% Popularity • 8% Danceability • 4% Energy • 6% Liveness
46% Instrumentalness • 3% Positiveness
14% Popularity • 8% Danceability • 4% Energy • 6% Liveness
46% Instrumentalness • 3% Positiveness
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John Barry
Rowing
73 bpm • C Maj • 01:33 • -19.5db
25% Popularity • 21% Danceability • 22% Energy • 10% Liveness
86% Instrumentalness • 8% Positiveness
25% Popularity • 21% Danceability • 22% Energy • 10% Liveness
86% Instrumentalness • 8% Positiveness
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Johann Sebastian Bach
Passacaglia and Fugue in C Minor, BWV 58...
73 bpm • C min • 13:07 • -20db
18% Popularity • 9% Danceability • 12% Energy • 5% Liveness
88% Instrumentalness • 10% Positiveness
18% Popularity • 9% Danceability • 12% Energy • 5% Liveness
88% Instrumentalness • 10% Positiveness
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Jules Massenet
Massenet: Élégie (Arr. for Cello and P...
73 bpm • E min • 01:44 • -26db
41% Popularity • 16% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 5% Positiveness
41% Popularity • 16% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 5% Positiveness
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Franz Schubert
Arpeggione Sonata, D. 821: II. Adagio
73 bpm • E Maj • 04:29 • -28.24db
29% Popularity • 7% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
29% Popularity • 7% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Gustav Holst
Brook Green Suite, H. 190: I. Prelude. A...
67 bpm • C Maj • 01:57 • -27db
34% Popularity • 10% Danceability • 8% Energy • 8% Liveness
85% Instrumentalness • 12% Positiveness
34% Popularity • 10% Danceability • 8% Energy • 8% Liveness
85% Instrumentalness • 12% Positiveness
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AntonÃn Dvořák
Symphony No. 7 in D Minor, Op. 70, B. 14...
73 bpm • A# Maj • 10:54 • -15.61db
1% Popularity • 11% Danceability • 18% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
1% Popularity • 11% Danceability • 18% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
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John Field
Nocturne No. 1 in E-Flat Major
73 bpm • D# Maj • 03:52 • -36db
47% Popularity • 35% Danceability • 1% Energy • 6% Liveness
91% Instrumentalness • 15% Positiveness
47% Popularity • 35% Danceability • 1% Energy • 6% Liveness
91% Instrumentalness • 15% Positiveness
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Henry Purcell
Dido and Aeneas, Z. 626: When I am laid ...
73 bpm • G min • 04:23 • -27.48db
40% Popularity • 7% Danceability • 3% Energy • 18% Liveness
94% Instrumentalness • 3% Positiveness
40% Popularity • 7% Danceability • 3% Energy • 18% Liveness
94% Instrumentalness • 3% Positiveness
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Christoph Willibald Gluck
Orpheo ed Euridice, Wq. 30, Act II: Danc...
67 bpm • D min • 03:27 • -25.5db
43% Popularity • 24% Danceability • 10% Energy • 13% Liveness
98% Instrumentalness • 7% Positiveness
43% Popularity • 24% Danceability • 10% Energy • 13% Liveness
98% Instrumentalness • 7% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: 4. Air (Andante r...
67 bpm • G min • 06:46 • -24.26db
6% Popularity • 6% Danceability • 3% Energy • 15% Liveness
86% Instrumentalness • 3% Positiveness
6% Popularity • 6% Danceability • 3% Energy • 15% Liveness
86% Instrumentalness • 3% Positiveness
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Alexander Borodin
Borodin - String Quartet No.2 in D major...
74 bpm • A Maj • 08:37 • -19.03db
36% Popularity • 16% Danceability • 15% Energy • 4% Liveness
62% Instrumentalness • 9% Positiveness
36% Popularity • 16% Danceability • 15% Energy • 4% Liveness
62% Instrumentalness • 9% Positiveness
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Edward Elgar
Chanson de nuit
67 bpm • G Maj • 04:02 • -21.27db
10% Popularity • 13% Danceability • 9% Energy • 11% Liveness
79% Instrumentalness • 4% Positiveness
10% Popularity • 13% Danceability • 9% Energy • 11% Liveness
79% Instrumentalness • 4% Positiveness
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Tomaso Albinoni
Albinoni: Oboe Concerto in D Minor, Op. ...
74 bpm • A Maj • 05:26 • -24.59db
15% Popularity • 19% Danceability • 5% Energy • 35% Liveness
94% Instrumentalness • 7% Positiveness
15% Popularity • 19% Danceability • 5% Energy • 35% Liveness
94% Instrumentalness • 7% Positiveness
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Johann Sebastian Bach
Herz und Mund und Tat und Leben, BWV 147...
66 bpm • G Maj • 03:32 • -23.33db
14% Popularity • 22% Danceability • 9% Energy • 14% Liveness
90% Instrumentalness • 9% Positiveness
14% Popularity • 22% Danceability • 9% Energy • 14% Liveness
90% Instrumentalness • 9% Positiveness
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Emmanuel Chabrier
Habanera
66 bpm • C# Maj • 05:20 • -26db
15% Popularity • 38% Danceability • 2% Energy • 15% Liveness
87% Instrumentalness • 5% Positiveness
15% Popularity • 38% Danceability • 2% Energy • 15% Liveness
87% Instrumentalness • 5% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice (Orphée et Eurydice) ...
66 bpm • B min • 03:48 • -25db
27% Popularity • 19% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
27% Popularity • 19% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
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Johannes Brahms
Wiegenlied, Op. 49, No. 4
74 bpm • D# Maj • 01:39 • -35.55db
43% Popularity • 17% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
43% Popularity • 17% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
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Georges Bizet
Bizet: Carmen Suite No. 1: III. Intermez...
74 bpm • D# Maj • 02:34 • -24.64db
24% Popularity • 9% Danceability • 5% Energy • 8% Liveness
88% Instrumentalness • 5% Positiveness
24% Popularity • 9% Danceability • 5% Energy • 8% Liveness
88% Instrumentalness • 5% Positiveness
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Pyotr Ilyich Tchaikovsky
Symphony No. 6 in B Minor, Op. 74 "Path�...
66 bpm • D Maj • 07:42 • -19db
31% Popularity • 11% Danceability • 22% Energy • 10% Liveness
89% Instrumentalness • 10% Positiveness
31% Popularity • 11% Danceability • 22% Energy • 10% Liveness
89% Instrumentalness • 10% Positiveness
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Reynaldo Hahn
À Chloris (Transc. for Oboe and Piano)
66 bpm • E Maj • 02:49 • -18.48db
12% Popularity • 21% Danceability • 8% Energy • 11% Liveness
90% Instrumentalness • 6% Positiveness
12% Popularity • 21% Danceability • 8% Energy • 11% Liveness
90% Instrumentalness • 6% Positiveness
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Edvard Grieg
Peer Gynt, Op. 23: No. 13, Morning Mood
66 bpm • E Maj • 04:19 • -23db
38% Popularity • 6% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
38% Popularity • 6% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
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Ned Rorem
Violin Concerto: III. Romance Without Wo...
66 bpm • F# Maj • 02:44 • -30db
16% Popularity • 20% Danceability • 6% Energy • 11% Liveness
14% Instrumentalness • 3% Positiveness
16% Popularity • 20% Danceability • 6% Energy • 11% Liveness
14% Instrumentalness • 3% Positiveness
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John Barry
Total Dismay
74 bpm • C Maj • 04:10 • -19.19db
18% Popularity • 9% Danceability • 4% Energy • 9% Liveness
95% Instrumentalness • 7% Positiveness
18% Popularity • 9% Danceability • 4% Energy • 9% Liveness
95% Instrumentalness • 7% Positiveness
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Bernard Herrmann
Blood
74 bpm • G# Maj • 01:01 • -18.78db
0% Popularity • 9% Danceability • 5% Energy • 11% Liveness
62% Instrumentalness • 6% Positiveness
0% Popularity • 9% Danceability • 5% Energy • 11% Liveness
62% Instrumentalness • 6% Positiveness
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Gabriel Fauré
Pelléas et Mélisande, Op. 80: III. Sic...
74 bpm • G min • 03:47 • -35.64db
10% Popularity • 14% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 11% Positiveness
10% Popularity • 14% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 11% Positiveness
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Claude Debussy
Prélude à l'après-midi d'un faune, L....
75 bpm • C# min • 10:08 • -23.92db
10% Popularity • 9% Danceability • 7% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
10% Popularity • 9% Danceability • 7% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: II. Sarabande (An...
75 bpm • G Maj • 03:15 • -24.73db
34% Popularity • 16% Danceability • 3% Energy • 13% Liveness
69% Instrumentalness • 4% Positiveness
34% Popularity • 16% Danceability • 3% Energy • 13% Liveness
69% Instrumentalness • 4% Positiveness
► Preview
Alexander Glazunov
Raymonda, Act I: Scene 7. Apparaation de...
75 bpm • E Maj • 02:37 • -22.27db
5% Popularity • 9% Danceability • 12% Energy • 28% Liveness
91% Instrumentalness • 7% Positiveness
5% Popularity • 9% Danceability • 12% Energy • 28% Liveness
91% Instrumentalness • 7% Positiveness
► Preview
John Barry
Razor
74 bpm • C Maj • 01:15 • -27.87db
27% Popularity • 19% Danceability • 6% Energy • 6% Liveness
99% Instrumentalness • 9% Positiveness
27% Popularity • 19% Danceability • 6% Energy • 6% Liveness
99% Instrumentalness • 9% Positiveness
► Preview
Edward Elgar
Variations on an Original Theme, Op. 36 ...
66 bpm • D# Maj • 03:29 • -20.32db
14% Popularity • 15% Danceability • 11% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
14% Popularity • 15% Danceability • 11% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Tomaso Albinoni
Oboe Concerto in D Minor, Op. 9, No. 2: ...
75 bpm • A# Maj • 05:22 • -21.26db
30% Popularity • 17% Danceability • 8% Energy • 11% Liveness
86% Instrumentalness • 7% Positiveness
30% Popularity • 17% Danceability • 8% Energy • 11% Liveness
86% Instrumentalness • 7% Positiveness
► Preview
Franz Schubert
Schubert: Rosamunde, D. 797: V. Entr'act...
75 bpm • A# Maj • 04:54 • -28db
10% Popularity • 7% Danceability • 3% Energy • 13% Liveness
90% Instrumentalness • 9% Positiveness
10% Popularity • 7% Danceability • 3% Energy • 13% Liveness
90% Instrumentalness • 9% Positiveness
► Preview
John Field
Nocturne No. 5 in B Flat Major, H.37
65 bpm • A# Maj • 03:16 • -27db
31% Popularity • 43% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 8% Positiveness
31% Popularity • 43% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 8% Positiveness
► Preview
Alexander Glazunov
Theme and Variations, Op. 72: Var. 9. Ad...
75 bpm • A Maj • 02:32 • -30.34db
29% Popularity • 43% Danceability • 2% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
29% Popularity • 43% Danceability • 2% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
César Franck
Panis Angelicus (Arr. Leopold Stokowski)
65 bpm • A Maj • 03:49 • -23.96db
25% Popularity • 15% Danceability • 6% Energy • 8% Liveness
83% Instrumentalness • 4% Positiveness
25% Popularity • 15% Danceability • 6% Energy • 8% Liveness
83% Instrumentalness • 4% Positiveness
► Preview
Camille Saint-Saëns
Danse bacchanale, Op. 47
75 bpm • A min • 06:51 • -22db
11% Popularity • 17% Danceability • 12% Energy • 6% Liveness
15% Instrumentalness • 7% Positiveness
11% Popularity • 17% Danceability • 12% Energy • 6% Liveness
15% Instrumentalness • 7% Positiveness
► Preview
Johannes Brahms
Drei Intermezzi, Op. 117: I. Andante mod...
75 bpm • D# Maj • 05:31 • -38db
27% Popularity • 31% Danceability • 0% Energy • 9% Liveness
95% Instrumentalness • 12% Positiveness
27% Popularity • 31% Danceability • 0% Energy • 9% Liveness
95% Instrumentalness • 12% Positiveness
► Preview
Gabriel Fauré
Dolly, Op. 56: 1. Berceuse
75 bpm • E Maj • 02:39 • -28db
24% Popularity • 19% Danceability • 4% Energy • 9% Liveness
95% Instrumentalness • 7% Positiveness
24% Popularity • 19% Danceability • 4% Energy • 9% Liveness
95% Instrumentalness • 7% Positiveness
► Preview
Jean Sibelius
Andante festivo for Strings and Timpani,...
65 bpm • G Maj • 05:37 • -20.05db
51% Popularity • 11% Danceability • 16% Energy • 16% Liveness
93% Instrumentalness • 4% Positiveness
51% Popularity • 11% Danceability • 16% Energy • 16% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Alexander Glazunov
Symphony No. 5 in B-Flat Major, Op. 55: ...
65 bpm • D# Maj • 09:58 • -27.74db
5% Popularity • 6% Danceability • 2% Energy • 7% Liveness
84% Instrumentalness • 3% Positiveness
5% Popularity • 6% Danceability • 2% Energy • 7% Liveness
84% Instrumentalness • 3% Positiveness
► Preview
Christoph Willibald Gluck
Orfeo ed Euridice (Viennese version, 176...
65 bpm • C Maj • 02:11 • -35db
38% Popularity • 7% Danceability • 2% Energy • 7% Liveness
81% Instrumentalness • 21% Positiveness
38% Popularity • 7% Danceability • 2% Energy • 7% Liveness
81% Instrumentalness • 21% Positiveness
► Preview
Ottorino Respighi
Antiche danze ed arie per liuto, Suite I...
75 bpm • F min • 03:37 • -31.99db
21% Popularity • 14% Danceability • 5% Energy • 36% Liveness
90% Instrumentalness • 12% Positiveness
21% Popularity • 14% Danceability • 5% Energy • 36% Liveness
90% Instrumentalness • 12% Positiveness
► Preview
Wolfgang Amadeus Mozart
Serenade No. 10 in B-Flat Major, K. 361 ...
65 bpm • D# Maj • 05:46 • -26db
18% Popularity • 19% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
18% Popularity • 19% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
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Richard Wagner
Lohengrin: Prelude
75 bpm • A Maj • 09:56 • -25.43db
47% Popularity • 7% Danceability • 5% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
47% Popularity • 7% Danceability • 5% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
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Claude Debussy
Petite suite, L. 65: I. En bateau (Orch....
75 bpm • G Maj • 04:11 • -29.88db
23% Popularity • 17% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
23% Popularity • 17% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
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Nikolai Rimsky-Korsakov
Scheherazade, Op. 35: III. The Young Pri...
65 bpm • G Maj • 11:00 • -24.55db
21% Popularity • 9% Danceability • 8% Energy • 4% Liveness
74% Instrumentalness • 4% Positiveness
21% Popularity • 9% Danceability • 8% Energy • 4% Liveness
74% Instrumentalness • 4% Positiveness
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Christoph Willibald Gluck
Gluck: Orphée et Eurydice, Wq. 41, Act ...
75 bpm • F Maj • 06:04 • -26.8db
29% Popularity • 17% Danceability • 4% Energy • 7% Liveness
91% Instrumentalness • 6% Positiveness
29% Popularity • 17% Danceability • 4% Energy • 7% Liveness
91% Instrumentalness • 6% Positiveness
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Johann Sebastian Bach
Violin Partita No. 3 in E Major, BWV 100...
75 bpm • E Maj • 02:49 • -13db
35% Popularity • 55% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
35% Popularity • 55% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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Einojuhani Rautavaara
Piano Concerto No. 1, Op. 45: III. Molto...
76 bpm • C min • 03:06 • -19db
12% Popularity • 26% Danceability • 29% Energy • 17% Liveness
84% Instrumentalness • 19% Positiveness
12% Popularity • 26% Danceability • 29% Energy • 17% Liveness
84% Instrumentalness • 19% Positiveness
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Edward Elgar
Sospiri, Op. 70
65 bpm • F Maj • 04:49 • -24.23db
28% Popularity • 16% Danceability • 9% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
28% Popularity • 16% Danceability • 9% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
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Alexander Borodin
Nocturne (Arr. Cullen for Cello and Orch...
76 bpm • A Maj • 04:05 • -27db
31% Popularity • 20% Danceability • 10% Energy • 33% Liveness
93% Instrumentalness • 10% Positiveness
31% Popularity • 20% Danceability • 10% Energy • 33% Liveness
93% Instrumentalness • 10% Positiveness
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Arthur Bliss
Piano Concerto: Adagietto
76 bpm • E Maj • 10:39 • -26.22db
5% Popularity • 23% Danceability • 3% Energy • 7% Liveness
75% Instrumentalness • 4% Positiveness
5% Popularity • 23% Danceability • 3% Energy • 7% Liveness
75% Instrumentalness • 4% Positiveness
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Johannes Brahms
Variations on a Theme by Haydn, Op. 56a,...
76 bpm • A# Maj • 02:08 • -25.03db
39% Popularity • 31% Danceability • 2% Energy • 11% Liveness
85% Instrumentalness • 16% Positiveness
39% Popularity • 31% Danceability • 2% Energy • 11% Liveness
85% Instrumentalness • 16% Positiveness
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Seattle Symphony Orchestra
21 Hungarian Dances, WoO 1: Hungarian Da...
76 bpm • A min • 03:18 • -25.13db
53% Popularity • 18% Danceability • 4% Energy • 12% Liveness
85% Instrumentalness • 11% Positiveness
53% Popularity • 18% Danceability • 4% Energy • 12% Liveness
85% Instrumentalness • 11% Positiveness
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Jacques Offenbach
Harmonies des bois, Op. 76: No. 2 Les La...
65 bpm • C Maj • 07:58 • -27.06db
17% Popularity • 16% Danceability • 5% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
17% Popularity • 16% Danceability • 5% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Edward Elgar
Chanson de Nuit et Chanson de Matin, Op....
76 bpm • G Maj • 03:03 • -26.89db
11% Popularity • 20% Danceability • 5% Energy • 12% Liveness
75% Instrumentalness • 7% Positiveness
11% Popularity • 20% Danceability • 5% Energy • 12% Liveness
75% Instrumentalness • 7% Positiveness
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John Barry
Whimper
76 bpm • C Maj • 03:23 • -23.28db
19% Popularity • 10% Danceability • 9% Energy • 11% Liveness
87% Instrumentalness • 5% Positiveness
19% Popularity • 10% Danceability • 9% Energy • 11% Liveness
87% Instrumentalness • 5% Positiveness
► Preview
Bernard Herrmann
The Stairs, The Keys And The Stairway
76 bpm • A Maj • 01:22 • -24.1db
0% Popularity • 25% Danceability • 3% Energy • 19% Liveness
37% Instrumentalness • 5% Positiveness
0% Popularity • 25% Danceability • 3% Energy • 19% Liveness
37% Instrumentalness • 5% Positiveness
► Preview
George Frideric Handel
Handel: Berenice, regina d'Egitto, HWV 3...
76 bpm • D# Maj • 03:51 • -22db
28% Popularity • 9% Danceability • 10% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
28% Popularity • 9% Danceability • 10% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
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John Powell
Escorted to the Clan
76 bpm • E min • 05:40 • -17.02db
10% Popularity • 13% Danceability • 18% Energy • 19% Liveness
84% Instrumentalness • 6% Positiveness
10% Popularity • 13% Danceability • 18% Energy • 19% Liveness
84% Instrumentalness • 6% Positiveness
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Georges Bizet
L’arlésienne Suite No. 2 (Arr. E. Gui...
76 bpm • D# Maj • 04:11 • -33.32db
32% Popularity • 16% Danceability • 1% Energy • 10% Liveness
41% Instrumentalness • 30% Positiveness
32% Popularity • 16% Danceability • 1% Energy • 10% Liveness
41% Instrumentalness • 30% Positiveness
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Edward Elgar
Soliloquy for Oboe and Orchestra (Orch. ...
76 bpm • A min • 04:13 • -29db
22% Popularity • 13% Danceability • 3% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
22% Popularity • 13% Danceability • 3% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
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AntonÃn Dvořák
Symphony No. 6 in D Major, Op. 60, B. 11...
76 bpm • A# Maj • 10:00 • -22.19db
1% Popularity • 8% Danceability • 4% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
1% Popularity • 8% Danceability • 4% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
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Alexander Glazunov
2 Pieces, Op. 20: I. Melodie: Moderato
76 bpm • D Maj • 07:19 • -32.2db
5% Popularity • 7% Danceability • 2% Energy • 8% Liveness
64% Instrumentalness • 6% Positiveness
5% Popularity • 7% Danceability • 2% Energy • 8% Liveness
64% Instrumentalness • 6% Positiveness
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Sergei Prokofiev
Symphony No. 7 in C-Sharp Minor, Op. 131...
77 bpm • G# Maj • 08:44 • -21.26db
8% Popularity • 12% Danceability • 9% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
8% Popularity • 12% Danceability • 9% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Samson et Dalila, Op. 47, R. 288 / Act I...
77 bpm • C# Maj • 05:50 • -22db
5% Popularity • 9% Danceability • 10% Energy • 11% Liveness
82% Instrumentalness • 5% Positiveness
5% Popularity • 9% Danceability • 10% Energy • 11% Liveness
82% Instrumentalness • 5% Positiveness
► Preview
Edvard Grieg
From Holberg's Time, Op. 40: I. Praeludi...
77 bpm • G Maj • 02:38 • -17db
18% Popularity • 34% Danceability • 24% Energy • 17% Liveness
96% Instrumentalness • 16% Positiveness
18% Popularity • 34% Danceability • 24% Energy • 17% Liveness
96% Instrumentalness • 16% Positiveness
► Preview
William Byrd
Pavane and Gigue (arr. L. Stokowski for ...
77 bpm • A min • 04:33 • -24.67db
15% Popularity • 10% Danceability • 5% Energy • 8% Liveness
88% Instrumentalness • 5% Positiveness
15% Popularity • 10% Danceability • 5% Energy • 8% Liveness
88% Instrumentalness • 5% Positiveness
