Songs like Glissando for Bodies and Machines in Space by Christina Vantzou
Based on a tempo of (+/- 10%) and a similar genre
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Gary De Cart
Glitch
80 bpm • E min • 04:02 • -34.96db
8% Popularity • 32% Danceability • 2% Energy • 8% Liveness
76% Instrumentalness • 4% Positiveness
8% Popularity • 32% Danceability • 2% Energy • 8% Liveness
76% Instrumentalness • 4% Positiveness
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Biosphere
In the Ballroom
80 bpm • C# Maj • 04:04 • -17.75db
16% Popularity • 10% Danceability • 18% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
16% Popularity • 10% Danceability • 18% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
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William Basinski
Melancholia I
80 bpm • E Maj • 03:23 • -26db
31% Popularity • 45% Danceability • 5% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
31% Popularity • 45% Danceability • 5% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
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Christina Vantzou
Glissando for Bodies and Machines in Spa...
80 bpm • A Maj • 02:47 • -21.72db
23% Popularity • 10% Danceability • 23% Energy • 14% Liveness
94% Instrumentalness • 3% Positiveness
23% Popularity • 10% Danceability • 23% Energy • 14% Liveness
94% Instrumentalness • 3% Positiveness
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Echo Collective
Wistful Breath
80 bpm • B Maj • 04:03 • -19.22db
4% Popularity • 7% Danceability • 9% Energy • 11% Liveness
87% Instrumentalness • 3% Positiveness
4% Popularity • 7% Danceability • 9% Energy • 11% Liveness
87% Instrumentalness • 3% Positiveness
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Ben J. Connolly
East to Oceanus
80 bpm • A# Maj • 02:23 • -16.45db
5% Popularity • 16% Danceability • 23% Energy • 21% Liveness
93% Instrumentalness • 8% Positiveness
5% Popularity • 16% Danceability • 23% Energy • 21% Liveness
93% Instrumentalness • 8% Positiveness
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Leila Bordreuil
Sleep Cycle
80 bpm • D# min • 09:17 • -18.9db
7% Popularity • 10% Danceability • 49% Energy • 10% Liveness
95% Instrumentalness • 5% Positiveness
7% Popularity • 10% Danceability • 49% Energy • 10% Liveness
95% Instrumentalness • 5% Positiveness
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Biosphere
Sphere Of No-Form - Alternative Version
80 bpm • A# min • 08:23 • -24.88db
32% Popularity • 17% Danceability • 31% Energy • 8% Liveness
95% Instrumentalness • 8% Positiveness
32% Popularity • 17% Danceability • 31% Energy • 8% Liveness
95% Instrumentalness • 8% Positiveness
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Oiseaux-Tempête
Une étrange forêt II
79 bpm • D# Maj • 02:23 • -19.94db
19% Popularity • 32% Danceability • 25% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
19% Popularity • 32% Danceability • 25% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Christina Vantzou
Dwelling
80 bpm • A min • 03:52 • -32.51db
33% Popularity • 21% Danceability • 0% Energy • 11% Liveness
91% Instrumentalness • 6% Positiveness
33% Popularity • 21% Danceability • 0% Energy • 11% Liveness
91% Instrumentalness • 6% Positiveness
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Abul Mogard
Post Crisis Remembrance
79 bpm • C min • 07:56 • -21.43db
12% Popularity • 7% Danceability • 6% Energy • 8% Liveness
87% Instrumentalness • 3% Positiveness
12% Popularity • 7% Danceability • 6% Energy • 8% Liveness
87% Instrumentalness • 3% Positiveness
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Ben Bertrand
The Aurae Loops
79 bpm • G# Maj • 05:42 • -19db
23% Popularity • 8% Danceability • 15% Energy • 7% Liveness
98% Instrumentalness • 3% Positiveness
23% Popularity • 8% Danceability • 15% Energy • 7% Liveness
98% Instrumentalness • 3% Positiveness
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The Dead Texan
Girth Rides A (Horse) +
79 bpm • E Maj • 02:33 • -19.96db
31% Popularity • 16% Danceability • 9% Energy • 8% Liveness
85% Instrumentalness • 4% Positiveness
31% Popularity • 16% Danceability • 9% Energy • 8% Liveness
85% Instrumentalness • 4% Positiveness
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Taylor Deupree
Minism
81 bpm • C# Maj • 03:47 • -26.75db
38% Popularity • 21% Danceability • 2% Energy • 6% Liveness
82% Instrumentalness • 7% Positiveness
38% Popularity • 21% Danceability • 2% Energy • 6% Liveness
82% Instrumentalness • 7% Positiveness
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Murcof
Void Glance
81 bpm • F min • 07:33 • -21.49db
11% Popularity • 8% Danceability • 20% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
11% Popularity • 8% Danceability • 20% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Christina Vantzou
Lava
80 bpm • G Maj • 02:31 • -18.1db
13% Popularity • 22% Danceability • 23% Energy • 11% Liveness
77% Instrumentalness • 3% Positiveness
13% Popularity • 22% Danceability • 23% Energy • 11% Liveness
77% Instrumentalness • 3% Positiveness
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Kara-Lis Coverdale
2c
81 bpm • F min • 07:52 • -13.58db
23% Popularity • 16% Danceability • 28% Energy • 11% Liveness
71% Instrumentalness • 4% Positiveness
23% Popularity • 16% Danceability • 28% Energy • 11% Liveness
71% Instrumentalness • 4% Positiveness
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Ian William Craig
Either Or - Edit
81 bpm • D# Maj • 06:33 • -20.22db
9% Popularity • 8% Danceability • 28% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
9% Popularity • 8% Danceability • 28% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
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Federico Durand
Lluvia de estrellas
79 bpm • A Maj • 07:32 • -22db
25% Popularity • 22% Danceability • 20% Energy • 8% Liveness
91% Instrumentalness • 5% Positiveness
25% Popularity • 22% Danceability • 20% Energy • 8% Liveness
91% Instrumentalness • 5% Positiveness
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Gary De Cart
The Witching Hour
81 bpm • F min • 05:30 • -18.19db
17% Popularity • 8% Danceability • 5% Energy • 9% Liveness
89% Instrumentalness • 3% Positiveness
17% Popularity • 8% Danceability • 5% Energy • 9% Liveness
89% Instrumentalness • 3% Positiveness
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Tim Hecker
Music for Tundra Pt. 1
81 bpm • G# min • 05:13 • -19db
35% Popularity • 24% Danceability • 26% Energy • 11% Liveness
96% Instrumentalness • 32% Positiveness
35% Popularity • 24% Danceability • 26% Energy • 11% Liveness
96% Instrumentalness • 32% Positiveness
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Christina Vantzou
Dance Rehearsal
80 bpm • D Maj • 01:35 • -16.01db
11% Popularity • 26% Danceability • 14% Energy • 7% Liveness
58% Instrumentalness • 3% Positiveness
11% Popularity • 26% Danceability • 14% Energy • 7% Liveness
58% Instrumentalness • 3% Positiveness
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Rafael Anton Irisarri
Distance
81 bpm • A Maj • 06:47 • -14.71db
17% Popularity • 8% Danceability • 39% Energy • 10% Liveness
42% Instrumentalness • 4% Positiveness
17% Popularity • 8% Danceability • 39% Energy • 10% Liveness
42% Instrumentalness • 4% Positiveness
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Murcof
Muim (Colleen Mix)
81 bpm • E min • 04:29 • -26.11db
21% Popularity • 9% Danceability • 4% Energy • 8% Liveness
93% Instrumentalness • 3% Positiveness
21% Popularity • 9% Danceability • 4% Energy • 8% Liveness
93% Instrumentalness • 3% Positiveness
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Taylor Deupree
Slown
81 bpm • G# Maj • 08:54 • -20.76db
10% Popularity • 10% Danceability • 29% Energy • 7% Liveness
96% Instrumentalness • 8% Positiveness
10% Popularity • 10% Danceability • 29% Energy • 7% Liveness
96% Instrumentalness • 8% Positiveness
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Balmorhea
Sky Could Undress - Christina Vantzou
78 bpm • D Maj • 05:04 • -19.28db
2% Popularity • 13% Danceability • 22% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
2% Popularity • 13% Danceability • 22% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Tim Hecker
Music for Tundra Pt. 2
79 bpm • G# min • 01:57 • -23.57db
39% Popularity • 20% Danceability • 17% Energy • 12% Liveness
87% Instrumentalness • 5% Positiveness
39% Popularity • 20% Danceability • 17% Energy • 12% Liveness
87% Instrumentalness • 5% Positiveness
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Christina Vantzou
Red Eel Dream
82 bpm • D min • 04:03 • -17.62db
8% Popularity • 16% Danceability • 42% Energy • 37% Liveness
94% Instrumentalness • 3% Positiveness
8% Popularity • 16% Danceability • 42% Energy • 37% Liveness
94% Instrumentalness • 3% Positiveness
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Pascal Schumacher
Infinity
78 bpm • F min • 05:33 • -19.59db
3% Popularity • 20% Danceability • 8% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
3% Popularity • 20% Danceability • 8% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Murcof
Inner Hunt
82 bpm • E Maj • 03:54 • -28.25db
17% Popularity • 10% Danceability • 16% Energy • 26% Liveness
89% Instrumentalness • 4% Positiveness
17% Popularity • 10% Danceability • 16% Energy • 26% Liveness
89% Instrumentalness • 4% Positiveness
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Faten Kanaan
The North Wind
78 bpm • G min • 04:11 • -11.4db
21% Popularity • 18% Danceability • 19% Energy • 12% Liveness
95% Instrumentalness • 6% Positiveness
21% Popularity • 18% Danceability • 19% Energy • 12% Liveness
95% Instrumentalness • 6% Positiveness
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Hiro Kone
Parting phrase
82 bpm • C min • 06:24 • -15db
28% Popularity • 9% Danceability • 29% Energy • 9% Liveness
40% Instrumentalness • 4% Positiveness
28% Popularity • 9% Danceability • 29% Energy • 9% Liveness
40% Instrumentalness • 4% Positiveness
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Maria W Horn
Stramonium
78 bpm • D min • 05:38 • -16.6db
8% Popularity • 7% Danceability • 20% Energy • 32% Liveness
91% Instrumentalness • 4% Positiveness
8% Popularity • 7% Danceability • 20% Energy • 32% Liveness
91% Instrumentalness • 4% Positiveness
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Christina Vantzou
Kimona I
80 bpm • G min • 03:59 • -17.61db
7% Popularity • 41% Danceability • 4% Energy • 24% Liveness
83% Instrumentalness • 12% Positiveness
7% Popularity • 41% Danceability • 4% Energy • 24% Liveness
83% Instrumentalness • 12% Positiveness
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Alessandro Cortini
Immediate Horizon 1
78 bpm • F# min • 04:59 • -25.9db
8% Popularity • 7% Danceability • 18% Energy • 33% Liveness
97% Instrumentalness • 3% Positiveness
8% Popularity • 7% Danceability • 18% Energy • 33% Liveness
97% Instrumentalness • 3% Positiveness
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GAS
Narkopop 1
78 bpm • F# min • 04:52 • -22.97db
26% Popularity • 18% Danceability • 13% Energy • 9% Liveness
85% Instrumentalness • 3% Positiveness
26% Popularity • 18% Danceability • 13% Energy • 9% Liveness
85% Instrumentalness • 3% Positiveness
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Keith Fullerton Whitman
Fib01a
82 bpm • A# Maj • 08:01 • -28.21db
24% Popularity • 14% Danceability • 15% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
24% Popularity • 14% Danceability • 15% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Rafael Anton Irisarri
Karma Krama - Siavash Amini
77 bpm • A Maj • 06:03 • -12.7db
11% Popularity • 7% Danceability • 42% Energy • 8% Liveness
78% Instrumentalness • 5% Positiveness
11% Popularity • 7% Danceability • 42% Energy • 8% Liveness
78% Instrumentalness • 5% Positiveness
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Sarah Davachi
Garlands
77 bpm • A min • 02:54 • -25.25db
21% Popularity • 14% Danceability • 11% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
21% Popularity • 14% Danceability • 11% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Christina Vantzou
Adversary
81 bpm • A Maj • 07:35 • -20.03db
18% Popularity • 8% Danceability • 20% Energy • 7% Liveness
96% Instrumentalness • 3% Positiveness
18% Popularity • 8% Danceability • 20% Energy • 7% Liveness
96% Instrumentalness • 3% Positiveness
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BJ Nilsen
Black Light
83 bpm • B Maj • 04:16 • -18db
21% Popularity • 8% Danceability • 14% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
21% Popularity • 8% Danceability • 14% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
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Bvdub
Ember 1
77 bpm • G min • 02:24 • -21.28db
26% Popularity • 12% Danceability • 28% Energy • 13% Liveness
99% Instrumentalness • 18% Positiveness
26% Popularity • 12% Danceability • 28% Energy • 13% Liveness
99% Instrumentalness • 18% Positiveness
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Abul Mogard
The Sky Had Vanished
77 bpm • A# min • 07:48 • -20.96db
11% Popularity • 7% Danceability • 34% Energy • 11% Liveness
76% Instrumentalness • 4% Positiveness
11% Popularity • 7% Danceability • 34% Energy • 11% Liveness
76% Instrumentalness • 4% Positiveness
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Forest Management
Lavender
77 bpm • F# Maj • 05:34 • -29db
19% Popularity • 7% Danceability • 9% Energy • 8% Liveness
84% Instrumentalness • 4% Positiveness
19% Popularity • 7% Danceability • 9% Energy • 8% Liveness
84% Instrumentalness • 4% Positiveness
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Daniel O'Sullivan
Celesteograph
77 bpm • E min • 02:31 • -10.38db
2% Popularity • 20% Danceability • 29% Energy • 13% Liveness
90% Instrumentalness • 4% Positiveness
2% Popularity • 20% Danceability • 29% Energy • 13% Liveness
90% Instrumentalness • 4% Positiveness
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Christina Vantzou
Super Interlude Pt. 2
79 bpm • A min • 04:37 • -18.79db
15% Popularity • 14% Danceability • 8% Energy • 13% Liveness
80% Instrumentalness • 3% Positiveness
15% Popularity • 14% Danceability • 8% Energy • 13% Liveness
80% Instrumentalness • 3% Positiveness
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Chihei Hatakeyama
Prince of the Sea
77 bpm • C Maj • 07:39 • -8.64db
25% Popularity • 8% Danceability • 35% Energy • 6% Liveness
89% Instrumentalness • 3% Positiveness
25% Popularity • 8% Danceability • 35% Energy • 6% Liveness
89% Instrumentalness • 3% Positiveness
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Machinefabriek
Zucht 2
77 bpm • B min • 09:21 • -28db
23% Popularity • 6% Danceability • 0% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
23% Popularity • 6% Danceability • 0% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
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Rafael Anton Irisarri
The Witness
83 bpm • E min • 06:20 • -21.57db
8% Popularity • 8% Danceability • 17% Energy • 11% Liveness
72% Instrumentalness • 11% Positiveness
8% Popularity • 8% Danceability • 17% Energy • 11% Liveness
72% Instrumentalness • 11% Positiveness
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Laurie Spiegel
Finding Voice
83 bpm • E Maj • 02:45 • -29.06db
22% Popularity • 9% Danceability • 2% Energy • 12% Liveness
88% Instrumentalness • 3% Positiveness
22% Popularity • 9% Danceability • 2% Energy • 12% Liveness
88% Instrumentalness • 3% Positiveness
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Ben Frost
Unbreakable Silence
84 bpm • C# Maj • 03:36 • -18.15db
14% Popularity • 17% Danceability • 43% Energy • 12% Liveness
93% Instrumentalness • 5% Positiveness
14% Popularity • 17% Danceability • 43% Energy • 12% Liveness
93% Instrumentalness • 5% Positiveness
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Christina Vantzou
Your Changes Have Been Submitted
82 bpm • C Maj • 01:43 • -17.51db
36% Popularity • 22% Danceability • 24% Energy • 6% Liveness
80% Instrumentalness • 3% Positiveness
36% Popularity • 22% Danceability • 24% Energy • 6% Liveness
80% Instrumentalness • 3% Positiveness
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Body Sculptures
A Collection Of Ceramic Vases (Yves Sain...
84 bpm • B min • 03:22 • -12db
27% Popularity • 16% Danceability • 35% Energy • 17% Liveness
30% Instrumentalness • 6% Positiveness
27% Popularity • 16% Danceability • 35% Energy • 17% Liveness
30% Instrumentalness • 6% Positiveness
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Kyle Bobby Dunn
Triple Axel on Cremazie
76 bpm • C# Maj • 03:08 • -20.23db
16% Popularity • 14% Danceability • 16% Energy • 18% Liveness
94% Instrumentalness • 4% Positiveness
16% Popularity • 14% Danceability • 16% Energy • 18% Liveness
94% Instrumentalness • 4% Positiveness
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Rafael Anton Irisarri
Secretly Wishing for Rain
83 bpm • C# min • 08:11 • -20.09db
18% Popularity • 8% Danceability • 21% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
18% Popularity • 8% Danceability • 21% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Deradoorian
Let Me Sleep on Whichever Loka
84 bpm • C# Maj • 03:13 • -27.52db
1% Popularity • 8% Danceability • 2% Energy • 8% Liveness
76% Instrumentalness • 3% Positiveness
1% Popularity • 8% Danceability • 2% Energy • 8% Liveness
76% Instrumentalness • 3% Positiveness
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Murcof
Static Discos 100
84 bpm • C# Maj • 01:40 • -25db
37% Popularity • 8% Danceability • 13% Energy • 11% Liveness
63% Instrumentalness • 3% Positiveness
37% Popularity • 8% Danceability • 13% Energy • 11% Liveness
63% Instrumentalness • 3% Positiveness
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Christina Vantzou
And Instantly Take Effect
77 bpm • C Maj • 07:04 • -21.72db
12% Popularity • 10% Danceability • 14% Energy • 8% Liveness
91% Instrumentalness • 3% Positiveness
12% Popularity • 10% Danceability • 14% Energy • 8% Liveness
91% Instrumentalness • 3% Positiveness
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Stars Of The Lid
Madison
76 bpm • F Maj • 09:28 • -24.02db
28% Popularity • 9% Danceability • 18% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
28% Popularity • 9% Danceability • 18% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Ian William Craig
Second Lens
76 bpm • B min • 03:25 • -23.79db
12% Popularity • 24% Danceability • 26% Energy • 11% Liveness
95% Instrumentalness • 25% Positiveness
12% Popularity • 24% Danceability • 26% Energy • 11% Liveness
95% Instrumentalness • 25% Positiveness
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Felicia Atkinson
ME
76 bpm • C Maj • 04:21 • -27.35db
29% Popularity • 34% Danceability • 2% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
29% Popularity • 34% Danceability • 2% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
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Biosphere
Chukhung
84 bpm • G Maj • 07:34 • -27db
36% Popularity • 38% Danceability • 16% Energy • 14% Liveness
91% Instrumentalness • 7% Positiveness
36% Popularity • 38% Danceability • 16% Energy • 14% Liveness
91% Instrumentalness • 7% Positiveness
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Yair Elazar Glotman
Procession
76 bpm • F min • 05:34 • -23.41db
22% Popularity • 7% Danceability • 5% Energy • 11% Liveness
88% Instrumentalness • 2% Positiveness
22% Popularity • 7% Danceability • 5% Energy • 11% Liveness
88% Instrumentalness • 2% Positiveness
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Christina Vantzou
Some Limited and Waning Memory
77 bpm • G Maj • 05:26 • -23.59db
13% Popularity • 16% Danceability • 12% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
13% Popularity • 16% Danceability • 12% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
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Lucy Railton
Women’s Center
84 bpm • G Maj • 02:27 • -23db
23% Popularity • 8% Danceability • 12% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
23% Popularity • 8% Danceability • 12% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
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Alessandro Cortini
Iniziare
84 bpm • D# min • 05:42 • -17db
32% Popularity • 10% Danceability • 9% Energy • 54% Liveness
46% Instrumentalness • 11% Positiveness
32% Popularity • 10% Danceability • 9% Energy • 54% Liveness
46% Instrumentalness • 11% Positiveness
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36
Stasis Sounds for Long-Distance Space Tr...
76 bpm • A Maj • 06:13 • -14.8db
27% Popularity • 15% Danceability • 1% Energy • 8% Liveness
45% Instrumentalness • 4% Positiveness
27% Popularity • 15% Danceability • 1% Energy • 8% Liveness
45% Instrumentalness • 4% Positiveness
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Biosphere
Heat Leak
76 bpm • C# Maj • 04:56 • -18.64db
25% Popularity • 26% Danceability • 15% Energy • 12% Liveness
97% Instrumentalness • 4% Positiveness
25% Popularity • 26% Danceability • 15% Energy • 12% Liveness
97% Instrumentalness • 4% Positiveness
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Felicia Atkinson
Moderato Cantabile
76 bpm • F Maj • 07:58 • -20.49db
20% Popularity • 11% Danceability • 32% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
20% Popularity • 11% Danceability • 32% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Christina Vantzou
The Library
76 bpm • G min • 02:07 • -26.1db
8% Popularity • 35% Danceability • 4% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
8% Popularity • 35% Danceability • 4% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
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Rafael Anton Irisarri
Black Pitch
85 bpm • G# Maj • 06:24 • -18.84db
8% Popularity • 8% Danceability • 14% Energy • 8% Liveness
92% Instrumentalness • 7% Positiveness
8% Popularity • 8% Danceability • 14% Energy • 8% Liveness
92% Instrumentalness • 7% Positiveness
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Sarah Davachi
The Pelican
76 bpm • G Maj • 05:50 • -23.31db
9% Popularity • 16% Danceability • 2% Energy • 11% Liveness
83% Instrumentalness • 7% Positiveness
9% Popularity • 16% Danceability • 2% Energy • 11% Liveness
83% Instrumentalness • 7% Positiveness
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Akira Rabelais
Aposiopesis
75 bpm • C Maj • 05:16 • -33.44db
9% Popularity • 30% Danceability • 0% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
9% Popularity • 30% Danceability • 0% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
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Abul Mogard
In Immobile Air
75 bpm • G# min • 05:50 • -26.35db
12% Popularity • 20% Danceability • 11% Energy • 22% Liveness
95% Instrumentalness • 5% Positiveness
12% Popularity • 20% Danceability • 11% Energy • 22% Liveness
95% Instrumentalness • 5% Positiveness
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Deru
Midnight In The Garden With Ghosts
85 bpm • A# Maj • 05:13 • -12db
20% Popularity • 18% Danceability • 47% Energy • 59% Liveness
93% Instrumentalness • 4% Positiveness
20% Popularity • 18% Danceability • 47% Energy • 59% Liveness
93% Instrumentalness • 4% Positiveness
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Christina Vantzou
Prelude for Juan
76 bpm • C Maj • 04:26 • -20.91db
13% Popularity • 14% Danceability • 24% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
13% Popularity • 14% Danceability • 24% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
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Stars Of The Lid
Articulate Silences, Pt. 2
75 bpm • D Maj • 05:37 • -23db
35% Popularity • 7% Danceability • 12% Energy • 10% Liveness
82% Instrumentalness • 3% Positiveness
35% Popularity • 7% Danceability • 12% Energy • 10% Liveness
82% Instrumentalness • 3% Positiveness
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Pausal
Spiral
85 bpm • F# min • 05:44 • -24.03db
20% Popularity • 9% Danceability • 22% Energy • 8% Liveness
93% Instrumentalness • 11% Positiveness
20% Popularity • 9% Danceability • 22% Energy • 8% Liveness
93% Instrumentalness • 11% Positiveness
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Kyle Bobby Dunn
An Excrement Suite for Voices Lost Again
75 bpm • F Maj • 04:06 • -28db
20% Popularity • 15% Danceability • 8% Energy • 13% Liveness
92% Instrumentalness • 3% Positiveness
20% Popularity • 15% Danceability • 8% Energy • 13% Liveness
92% Instrumentalness • 3% Positiveness
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Abul Mogard
Desires Are Reminiscences by Now
85 bpm • C min • 09:27 • -24.47db
16% Popularity • 8% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
16% Popularity • 8% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
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William Basinski
Selva Oscura 1.2
75 bpm • G# Maj • 05:09 • -26.86db
24% Popularity • 14% Danceability • 20% Energy • 11% Liveness
81% Instrumentalness • 4% Positiveness
24% Popularity • 14% Danceability • 20% Energy • 11% Liveness
81% Instrumentalness • 4% Positiveness
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Christina Vantzou
Garden of Forking Paths
75 bpm • G# Maj • 04:56 • -27.68db
8% Popularity • 16% Danceability • 10% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
8% Popularity • 16% Danceability • 10% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
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Secret Pyramid
Closer
75 bpm • C# Maj • 03:21 • -28.61db
18% Popularity • 13% Danceability • 8% Energy • 20% Liveness
67% Instrumentalness • 4% Positiveness
18% Popularity • 13% Danceability • 8% Energy • 20% Liveness
67% Instrumentalness • 4% Positiveness
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Biosphere
Remote and Distant
85 bpm • C Maj • 01:59 • -21.41db
24% Popularity • 16% Danceability • 14% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
24% Popularity • 16% Danceability • 14% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Stars Of The Lid
Requiem for Dying Mothers, Pt. 2
75 bpm • A# Maj • 07:37 • -25.3db
34% Popularity • 7% Danceability • 13% Energy • 9% Liveness
83% Instrumentalness • 3% Positiveness
34% Popularity • 7% Danceability • 13% Energy • 9% Liveness
83% Instrumentalness • 3% Positiveness
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Aix Em Klemm
The Girl With the Flesh Colored Crayon
75 bpm • A Maj • 06:32 • -18.32db
31% Popularity • 9% Danceability • 27% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
31% Popularity • 9% Danceability • 27% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
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Peter Baert
Verzoening
75 bpm • G# Maj • 02:00 • -32.17db
2% Popularity • 9% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 3% Positiveness
2% Popularity • 9% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 3% Positiveness
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Christina Vantzou
Doorway
75 bpm • C Maj • 05:50 • -24.4db
8% Popularity • 9% Danceability • 7% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
8% Popularity • 9% Danceability • 7% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Deru
Drink It In
75 bpm • G Maj • 04:10 • -17.99db
23% Popularity • 30% Danceability • 16% Energy • 10% Liveness
86% Instrumentalness • 7% Positiveness
23% Popularity • 30% Danceability • 16% Energy • 10% Liveness
86% Instrumentalness • 7% Positiveness
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Kara-Lis Coverdale
Icon /c
75 bpm • C min • 03:52 • -12.63db
10% Popularity • 9% Danceability • 14% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
10% Popularity • 9% Danceability • 14% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Rafael Anton Irisarri
Decay Waves
86 bpm • C# Maj • 07:22 • -15.65db
12% Popularity • 13% Danceability • 3% Energy • 12% Liveness
81% Instrumentalness • 7% Positiveness
12% Popularity • 13% Danceability • 3% Energy • 12% Liveness
81% Instrumentalness • 7% Positiveness
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Drew McDowall
Agalma V
86 bpm • E min • 07:30 • -13.28db
11% Popularity • 18% Danceability • 37% Energy • 9% Liveness
79% Instrumentalness • 3% Positiveness
11% Popularity • 18% Danceability • 37% Energy • 9% Liveness
79% Instrumentalness • 3% Positiveness
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Colin Stetson
Battlefield
86 bpm • G Maj • 01:29 • -24.99db
19% Popularity • 11% Danceability • 8% Energy • 10% Liveness
86% Instrumentalness • 13% Positiveness
19% Popularity • 11% Danceability • 8% Energy • 10% Liveness
86% Instrumentalness • 13% Positiveness
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Christina Vantzou
No.4 String Quartet
75 bpm • C Maj • 03:19 • -20.79db
7% Popularity • 7% Danceability • 11% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
7% Popularity • 7% Danceability • 11% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Perila
Haven't Left Home 4 4 Days
74 bpm • D Maj • 04:24 • -25.88db
16% Popularity • 23% Danceability • 6% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
16% Popularity • 23% Danceability • 6% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Roly Porter
An Open Door
75 bpm • C# Maj • 06:00 • -16.77db
16% Popularity • 12% Danceability • 22% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
16% Popularity • 12% Danceability • 22% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
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Akira Rabelais
1382 Wyclif Gen. II. 7 and Spiride in to...
74 bpm • C# Maj • 06:18 • -36.06db
15% Popularity • 24% Danceability • 0% Energy • 12% Liveness
1% Instrumentalness • 15% Positiveness
15% Popularity • 24% Danceability • 0% Energy • 12% Liveness
1% Instrumentalness • 15% Positiveness
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Chihei Hatakeyama
Pulse
86 bpm • C# Maj • 04:04 • -20.6db
36% Popularity • 9% Danceability • 15% Energy • 8% Liveness
97% Instrumentalness • 8% Positiveness
36% Popularity • 9% Danceability • 15% Energy • 8% Liveness
97% Instrumentalness • 8% Positiveness
