Songs like Glory To God by KJ-52
Based on a tempo of (+/- 10%) and a similar genre
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Mitch Darrell
Day 1
85 bpm • A# min • 02:39 • -7.85db
22% Popularity • 79% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
22% Popularity • 79% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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KJ-52
Blessings > Problems
85 bpm • G# Maj • 03:03 • -6.02db
14% Popularity • 82% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
14% Popularity • 82% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
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Pro
Get It
85 bpm • C# Maj • 03:29 • -5.5db
15% Popularity • 82% Danceability • 52% Energy • 36% Liveness
0% Instrumentalness • 21% Positiveness
15% Popularity • 82% Danceability • 52% Energy • 36% Liveness
0% Instrumentalness • 21% Positiveness
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Swoope
Work Real Hard
85 bpm • C# Maj • 02:48 • -5.55db
39% Popularity • 64% Danceability • 60% Energy • 58% Liveness
0% Instrumentalness • 31% Positiveness
39% Popularity • 64% Danceability • 60% Energy • 58% Liveness
0% Instrumentalness • 31% Positiveness
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Crowder
I Know A Ghost
85 bpm • E min • 02:50 • -8.09db
37% Popularity • 58% Danceability • 68% Energy • 18% Liveness
2% Instrumentalness • 47% Positiveness
37% Popularity • 58% Danceability • 68% Energy • 18% Liveness
2% Instrumentalness • 47% Positiveness
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E.G.R
Take Me Down
85 bpm • F min • 03:03 • -4db
30% Popularity • 46% Danceability • 80% Energy • 23% Liveness
0% Instrumentalness • 36% Positiveness
30% Popularity • 46% Danceability • 80% Energy • 23% Liveness
0% Instrumentalness • 36% Positiveness
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Eshon Burgundy
Testify
85 bpm • F# Maj • 03:17 • -5.56db
28% Popularity • 53% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
28% Popularity • 53% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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KJ-52
Glory to God
85 bpm • A# Maj • 03:02 • -6.03db
8% Popularity • 85% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
8% Popularity • 85% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Viktory
Go With Me
85 bpm • C# min • 04:13 • -6.17db
17% Popularity • 38% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
17% Popularity • 38% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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Nu Tone
Be A Legend
85 bpm • B Maj • 02:38 • -7.45db
23% Popularity • 64% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
23% Popularity • 64% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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The Ambassador
JESUS
84 bpm • G# Maj • 04:10 • -4.08db
14% Popularity • 43% Danceability • 77% Energy • 33% Liveness
0% Instrumentalness • 48% Positiveness
14% Popularity • 43% Danceability • 77% Energy • 33% Liveness
0% Instrumentalness • 48% Positiveness
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Timothy Brindle
Headcrusher
86 bpm • D Maj • 05:25 • -8db
19% Popularity • 56% Danceability • 71% Energy • 64% Liveness
0% Instrumentalness • 59% Positiveness
19% Popularity • 56% Danceability • 71% Energy • 64% Liveness
0% Instrumentalness • 59% Positiveness
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NXTMIKE
STAR
86 bpm • G# Maj • 02:37 • -6.05db
21% Popularity • 60% Danceability • 88% Energy • 65% Liveness
0% Instrumentalness • 94% Positiveness
21% Popularity • 60% Danceability • 88% Energy • 65% Liveness
0% Instrumentalness • 94% Positiveness
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Zee
Death of a Giant
84 bpm • A Maj • 03:08 • -3.42db
14% Popularity • 73% Danceability • 76% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
14% Popularity • 73% Danceability • 76% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
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Ruslan
My God pt. 2
86 bpm • F min • 02:43 • -7.59db
25% Popularity • 45% Danceability • 82% Energy • 67% Liveness
0% Instrumentalness • 83% Positiveness
25% Popularity • 45% Danceability • 82% Energy • 67% Liveness
0% Instrumentalness • 83% Positiveness
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R-Swift
Dear Holy Hip-Hop Stephen the Levite, Sh...
84 bpm • B min • 05:31 • -5.64db
8% Popularity • 67% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
8% Popularity • 67% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
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The Ambassador
Talk A Lot
84 bpm • A min • 04:30 • -5.2db
11% Popularity • 38% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 31% Positiveness
11% Popularity • 38% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 31% Positiveness
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Eshon Burgundy
Retro Sonday
86 bpm • G# Maj • 03:58 • -4.18db
18% Popularity • 61% Danceability • 85% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
18% Popularity • 61% Danceability • 85% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
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Wrath and Grace
Reformed Thug Life
84 bpm • F min • 03:26 • -4.97db
17% Popularity • 49% Danceability • 93% Energy • 17% Liveness
0% Instrumentalness • 26% Positiveness
17% Popularity • 49% Danceability • 93% Energy • 17% Liveness
0% Instrumentalness • 26% Positiveness
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Antwone Hill
In Spirit and in Truth
83 bpm • G Maj • 03:54 • -9.32db
29% Popularity • 72% Danceability • 52% Energy • 27% Liveness
0% Instrumentalness • 32% Positiveness
29% Popularity • 72% Danceability • 52% Energy • 27% Liveness
0% Instrumentalness • 32% Positiveness
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KJ-52
One Year Ago
83 bpm • C# Maj • 04:14 • -8.87db
13% Popularity • 72% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
13% Popularity • 72% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
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Ruslan
Do for One
83 bpm • C Maj • 02:26 • -8db
21% Popularity • 67% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
21% Popularity • 67% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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The Ambassador
Oh Wretched Man
87 bpm • A# min • 04:41 • -6.01db
9% Popularity • 73% Danceability • 65% Energy • 23% Liveness
0% Instrumentalness • 34% Positiveness
9% Popularity • 73% Danceability • 65% Energy • 23% Liveness
0% Instrumentalness • 34% Positiveness
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Braille
Push It Down
83 bpm • D Maj • 04:08 • -9db
15% Popularity • 65% Danceability • 71% Energy • 39% Liveness
0% Instrumentalness • 14% Positiveness
15% Popularity • 65% Danceability • 71% Energy • 39% Liveness
0% Instrumentalness • 14% Positiveness
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GAWVI
JIT
82 bpm • C# min • 02:02 • -4.29db
39% Popularity • 82% Danceability • 78% Energy • 28% Liveness
0% Instrumentalness • 41% Positiveness
39% Popularity • 82% Danceability • 78% Energy • 28% Liveness
0% Instrumentalness • 41% Positiveness
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R-Swift
That Girl
88 bpm • C min • 03:39 • -6.66db
11% Popularity • 48% Danceability • 76% Energy • 36% Liveness
0% Instrumentalness • 76% Positiveness
11% Popularity • 48% Danceability • 76% Energy • 36% Liveness
0% Instrumentalness • 76% Positiveness
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KJ-52
Hold on
88 bpm • C# Maj • 04:07 • -8.14db
18% Popularity • 66% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
18% Popularity • 66% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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International Show
Rise
82 bpm • D Maj • 02:33 • -8.29db
13% Popularity • 50% Danceability • 66% Energy • 48% Liveness
0% Instrumentalness • 31% Positiveness
13% Popularity • 50% Danceability • 66% Energy • 48% Liveness
0% Instrumentalness • 31% Positiveness
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Timothy Brindle
The Preciousness of Time
88 bpm • A Maj • 05:44 • -9.82db
12% Popularity • 67% Danceability • 72% Energy • 11% Liveness
2% Instrumentalness • 47% Positiveness
12% Popularity • 67% Danceability • 72% Energy • 11% Liveness
2% Instrumentalness • 47% Positiveness
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Mitch Darrell
Spit What I Live
88 bpm • B min • 02:46 • -6.91db
25% Popularity • 90% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
25% Popularity • 90% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
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John Reuben
All I Have
88 bpm • F# Maj • 03:53 • -5.94db
11% Popularity • 70% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
11% Popularity • 70% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Jimmy Dooley
Stronger Than That
88 bpm • A# min • 03:42 • -5.02db
35% Popularity • 60% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
35% Popularity • 60% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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R-Swift
Anthem
82 bpm • B Maj • 03:41 • -3.88db
10% Popularity • 61% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
10% Popularity • 61% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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The Ambassador
Gimme Dat!
82 bpm • C# min • 04:36 • -5.83db
27% Popularity • 71% Danceability • 76% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
27% Popularity • 71% Danceability • 76% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
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Timothy Brindle
The Compassion of Christ
82 bpm • A# min • 03:27 • -8.46db
16% Popularity • 58% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
16% Popularity • 58% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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KJ-52
Dangerous
82 bpm • G# Maj • 03:46 • -5db
19% Popularity • 44% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
19% Popularity • 44% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Propaganda
Dig
89 bpm • D min • 03:15 • -5.4db
14% Popularity • 55% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
14% Popularity • 55% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Swoope
Dreamslave/ Murder Me prelude
81 bpm • F min • 06:07 • -5.97db
13% Popularity • 59% Danceability • 67% Energy • 40% Liveness
0% Instrumentalness • 34% Positiveness
13% Popularity • 59% Danceability • 67% Energy • 40% Liveness
0% Instrumentalness • 34% Positiveness
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High Society Collective
Take Off
81 bpm • C# Maj • 03:19 • -7.24db
8% Popularity • 59% Danceability • 85% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
8% Popularity • 59% Danceability • 85% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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The Ambassador
The Day I Met U
89 bpm • A# min • 03:42 • -5.41db
13% Popularity • 63% Danceability • 89% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
13% Popularity • 63% Danceability • 89% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
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Bryann Trejo
Ova (One Vision Army)
81 bpm • C# Maj • 03:21 • -7.17db
30% Popularity • 78% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
30% Popularity • 78% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Aaron Cole
Legendary
81 bpm • F Maj • 02:09 • -7.1db
42% Popularity • 75% Danceability • 64% Energy • 36% Liveness
0% Instrumentalness • 56% Positiveness
42% Popularity • 75% Danceability • 64% Energy • 36% Liveness
0% Instrumentalness • 56% Positiveness
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Timothy Brindle
Let's Kill Sin
89 bpm • A# min • 04:49 • -8.24db
19% Popularity • 74% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 53% Positiveness
19% Popularity • 74% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 53% Positiveness
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LC3
Higher
81 bpm • C Maj • 03:05 • -8.09db
8% Popularity • 42% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 16% Positiveness
8% Popularity • 42% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 16% Positiveness
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Thi'sl
Be King
90 bpm • G Maj • 05:24 • -10.42db
8% Popularity • 32% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
8% Popularity • 32% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Brothatone
I Preach Christ
90 bpm • C# Maj • 03:14 • -3.54db
13% Popularity • 47% Danceability • 84% Energy • 35% Liveness
0% Instrumentalness • 30% Positiveness
13% Popularity • 47% Danceability • 84% Energy • 35% Liveness
0% Instrumentalness • 30% Positiveness
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Coop
UNDER CONSTRUCTION
90 bpm • A# min • 02:13 • -3.5db
28% Popularity • 74% Danceability • 74% Energy • 4% Liveness
0% Instrumentalness • 76% Positiveness
28% Popularity • 74% Danceability • 74% Energy • 4% Liveness
0% Instrumentalness • 76% Positiveness
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KJ-52
I Believe
90 bpm • A# Maj • 02:37 • -6.55db
10% Popularity • 83% Danceability • 66% Energy • 24% Liveness
0% Instrumentalness • 20% Positiveness
10% Popularity • 83% Danceability • 66% Energy • 24% Liveness
0% Instrumentalness • 20% Positiveness
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Eshon Burgundy
The Fear of God
80 bpm • G# min • 02:34 • -7.81db
26% Popularity • 65% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
26% Popularity • 65% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Jimmy Dooley
Still Fighting
90 bpm • G# min • 03:00 • -9.66db
48% Popularity • 59% Danceability • 55% Energy • 18% Liveness
0% Instrumentalness • 69% Positiveness
48% Popularity • 59% Danceability • 55% Energy • 18% Liveness
0% Instrumentalness • 69% Positiveness
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John Reuben
Secular Music
80 bpm • G Maj • 03:05 • -6.04db
9% Popularity • 82% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
9% Popularity • 82% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Timothy Brindle
The Humility of Christ
90 bpm • B min • 05:31 • -7.37db
25% Popularity • 62% Danceability • 71% Energy • 18% Liveness
0% Instrumentalness • 35% Positiveness
25% Popularity • 62% Danceability • 71% Energy • 18% Liveness
0% Instrumentalness • 35% Positiveness
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Stephen the Levite
Stained Glass Window
90 bpm • C# Maj • 03:49 • -4.4db
11% Popularity • 64% Danceability • 82% Energy • 4% Liveness
0% Instrumentalness • 77% Positiveness
11% Popularity • 64% Danceability • 82% Energy • 4% Liveness
0% Instrumentalness • 77% Positiveness
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KJ-52
Broken People
90 bpm • B min • 03:22 • -5.63db
9% Popularity • 67% Danceability • 71% Energy • 22% Liveness
0% Instrumentalness • 44% Positiveness
9% Popularity • 67% Danceability • 71% Energy • 22% Liveness
0% Instrumentalness • 44% Positiveness
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Wrath and Grace
5 Solas
80 bpm • F# Maj • 05:37 • -5.72db
18% Popularity • 66% Danceability • 77% Energy • 22% Liveness
0% Instrumentalness • 49% Positiveness
18% Popularity • 66% Danceability • 77% Energy • 22% Liveness
0% Instrumentalness • 49% Positiveness
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Viktory
Keep It Ahunit
80 bpm • C# Maj • 03:55 • -7.24db
14% Popularity • 61% Danceability • 82% Energy • 4% Liveness
0% Instrumentalness • 50% Positiveness
14% Popularity • 61% Danceability • 82% Energy • 4% Liveness
0% Instrumentalness • 50% Positiveness
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H.U.R.T.
Devil Got Me Twisted
90 bpm • C# min • 03:04 • -6.39db
19% Popularity • 69% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
19% Popularity • 69% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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The Ambassador
My Clothes, My Hair
80 bpm • G Maj • 05:07 • -6.3db
16% Popularity • 64% Danceability • 68% Energy • 36% Liveness
0% Instrumentalness • 46% Positiveness
16% Popularity • 64% Danceability • 68% Energy • 36% Liveness
0% Instrumentalness • 46% Positiveness
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Beautiful Eulogy
Omnipotent
80 bpm • F min • 03:27 • -7.41db
36% Popularity • 49% Danceability • 67% Energy • 19% Liveness
0% Instrumentalness • 12% Positiveness
36% Popularity • 49% Danceability • 67% Energy • 19% Liveness
0% Instrumentalness • 12% Positiveness
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God's Servant
Look Ye Saints
80 bpm • G min • 03:27 • -5.02db
18% Popularity • 50% Danceability • 77% Energy • 21% Liveness
0% Instrumentalness • 14% Positiveness
18% Popularity • 50% Danceability • 77% Energy • 21% Liveness
0% Instrumentalness • 14% Positiveness
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KJ-52
More of You Less of Me
91 bpm • G Maj • 03:41 • -7.92db
20% Popularity • 58% Danceability • 65% Energy • 36% Liveness
0% Instrumentalness • 20% Positiveness
20% Popularity • 58% Danceability • 65% Energy • 36% Liveness
0% Instrumentalness • 20% Positiveness
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Crowder
Wildfire
91 bpm • F# min • 03:14 • -4db
41% Popularity • 55% Danceability • 97% Energy • 37% Liveness
0% Instrumentalness • 67% Positiveness
41% Popularity • 55% Danceability • 97% Energy • 37% Liveness
0% Instrumentalness • 67% Positiveness
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Ty Brasel
Praying Hands II
79 bpm • G# Maj • 03:55 • -6.98db
19% Popularity • 62% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
19% Popularity • 62% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
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The Ambassador
One Two
91 bpm • B min • 04:13 • -8.25db
15% Popularity • 74% Danceability • 69% Energy • 25% Liveness
0% Instrumentalness • 55% Positiveness
15% Popularity • 74% Danceability • 69% Energy • 25% Liveness
0% Instrumentalness • 55% Positiveness
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Beautiful Eulogy
An Open Letter to Whoever's Listening
79 bpm • B Maj • 03:35 • -7.32db
23% Popularity • 68% Danceability • 67% Energy • 17% Liveness
0% Instrumentalness • 57% Positiveness
23% Popularity • 68% Danceability • 67% Energy • 17% Liveness
0% Instrumentalness • 57% Positiveness
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Stephen the Levite
Give It Up
79 bpm • C Maj • 04:10 • -6.76db
23% Popularity • 65% Danceability • 84% Energy • 24% Liveness
0% Instrumentalness • 49% Positiveness
23% Popularity • 65% Danceability • 84% Energy • 24% Liveness
0% Instrumentalness • 49% Positiveness
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Braille
Set The Table
92 bpm • E min • 04:23 • -4.33db
19% Popularity • 49% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
19% Popularity • 49% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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Josiah Williams
I Love God
92 bpm • F# Maj • 03:36 • -5.82db
12% Popularity • 77% Danceability • 72% Energy • 38% Liveness
0% Instrumentalness • 72% Positiveness
12% Popularity • 77% Danceability • 72% Energy • 38% Liveness
0% Instrumentalness • 72% Positiveness
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KJ-52
So Far Apart
92 bpm • C Maj • 04:21 • -7.15db
12% Popularity • 60% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
12% Popularity • 60% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Canton Jones
I Am
79 bpm • F min • 03:43 • -4.41db
9% Popularity • 52% Danceability • 83% Energy • 37% Liveness
0% Instrumentalness • 32% Positiveness
9% Popularity • 52% Danceability • 83% Energy • 37% Liveness
0% Instrumentalness • 32% Positiveness
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Beautiful Eulogy
Slain
79 bpm • G# Maj • 03:34 • -6.39db
27% Popularity • 53% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
27% Popularity • 53% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Aaron Kell
Punch The Devil In The Face
92 bpm • B min • 02:49 • -6.38db
31% Popularity • 85% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
31% Popularity • 85% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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The Ambassador
Girl Named World
92 bpm • B min • 04:13 • -7.36db
14% Popularity • 81% Danceability • 77% Energy • 27% Liveness
0% Instrumentalness • 42% Positiveness
14% Popularity • 81% Danceability • 77% Energy • 27% Liveness
0% Instrumentalness • 42% Positiveness
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John Reuben
Word of Mouth
92 bpm • G# Maj • 04:04 • -5db
13% Popularity • 64% Danceability • 68% Energy • 23% Liveness
0% Instrumentalness • 63% Positiveness
13% Popularity • 64% Danceability • 68% Energy • 23% Liveness
0% Instrumentalness • 63% Positiveness
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Thi'sl
On my Grind
92 bpm • F# Maj • 04:21 • -3.96db
14% Popularity • 68% Danceability • 95% Energy • 33% Liveness
0% Instrumentalness • 33% Positiveness
14% Popularity • 68% Danceability • 95% Energy • 33% Liveness
0% Instrumentalness • 33% Positiveness
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R-Swift
Awesome God
78 bpm • A Maj • 03:16 • -3.56db
42% Popularity • 51% Danceability • 87% Energy • 60% Liveness
0% Instrumentalness • 42% Positiveness
42% Popularity • 51% Danceability • 87% Energy • 60% Liveness
0% Instrumentalness • 42% Positiveness
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Beautiful Eulogy
King Kulture
93 bpm • F# Maj • 04:31 • -3.99db
22% Popularity • 56% Danceability • 93% Energy • 60% Liveness
0% Instrumentalness • 43% Positiveness
22% Popularity • 56% Danceability • 93% Energy • 60% Liveness
0% Instrumentalness • 43% Positiveness
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KJ-52
Right Here
78 bpm • A min • 03:36 • -5.42db
14% Popularity • 59% Danceability • 63% Energy • 21% Liveness
0% Instrumentalness • 66% Positiveness
14% Popularity • 59% Danceability • 63% Energy • 21% Liveness
0% Instrumentalness • 66% Positiveness
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Stephen the Levite
...to Die Is Gain
93 bpm • C# Maj • 03:41 • -6.16db
18% Popularity • 58% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
18% Popularity • 58% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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Jackie Hill Perry
The Argument
78 bpm • A Maj • 01:47 • -4.66db
25% Popularity • 40% Danceability • 91% Energy • 34% Liveness
0% Instrumentalness • 8% Positiveness
25% Popularity • 40% Danceability • 91% Energy • 34% Liveness
0% Instrumentalness • 8% Positiveness
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Rhett Walker
Peace in the Family (Remix)
93 bpm • C# min • 03:11 • -4.71db
16% Popularity • 71% Danceability • 84% Energy • 31% Liveness
0% Instrumentalness • 87% Positiveness
16% Popularity • 71% Danceability • 84% Energy • 31% Liveness
0% Instrumentalness • 87% Positiveness
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Capital Kings
Ooh Ahh
93 bpm • B min • 04:08 • -5db
28% Popularity • 69% Danceability • 78% Energy • 77% Liveness
0% Instrumentalness • 59% Positiveness
28% Popularity • 69% Danceability • 78% Energy • 77% Liveness
0% Instrumentalness • 59% Positiveness
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Timothy Brindle
The All-Sufficiency of Christ
93 bpm • B Maj • 04:20 • -6.16db
19% Popularity • 69% Danceability • 84% Energy • 23% Liveness
0% Instrumentalness • 50% Positiveness
19% Popularity • 69% Danceability • 84% Energy • 23% Liveness
0% Instrumentalness • 50% Positiveness
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KJ-52
Dear Slim
93 bpm • F min • 03:57 • -7.18db
21% Popularity • 72% Danceability • 72% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
21% Popularity • 72% Danceability • 72% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
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John Reuben
Do Not
93 bpm • F min • 04:05 • -6db
23% Popularity • 83% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 73% Positiveness
23% Popularity • 83% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 73% Positiveness
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Pro
Beautiful
78 bpm • A# min • 03:57 • -5.79db
16% Popularity • 60% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
16% Popularity • 60% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
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Viktory
Fly Away
78 bpm • G Maj • 03:16 • -8.82db
18% Popularity • 52% Danceability • 58% Energy • 21% Liveness
1% Instrumentalness • 22% Positiveness
18% Popularity • 52% Danceability • 58% Energy • 21% Liveness
1% Instrumentalness • 22% Positiveness
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The Ambassador
The Chop Chop
77 bpm • C# Maj • 04:06 • -3.19db
11% Popularity • 56% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
11% Popularity • 56% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Stephen the Levite
John the Baptist
93 bpm • F# Maj • 03:18 • -5.58db
18% Popularity • 62% Danceability • 78% Energy • 23% Liveness
0% Instrumentalness • 54% Positiveness
18% Popularity • 62% Danceability • 78% Energy • 23% Liveness
0% Instrumentalness • 54% Positiveness
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KJ-52
Dear Slim Pt. 2
93 bpm • G Maj • 04:34 • -7.77db
17% Popularity • 66% Danceability • 78% Energy • 38% Liveness
0% Instrumentalness • 52% Positiveness
17% Popularity • 66% Danceability • 78% Energy • 38% Liveness
0% Instrumentalness • 52% Positiveness
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Bl1nd3d
Breathe
77 bpm • A min • 02:34 • -9.49db
3% Popularity • 62% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
3% Popularity • 62% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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R-Swift
Stage Fright
94 bpm • C# Maj • 01:41 • -7.76db
17% Popularity • 68% Danceability • 60% Energy • 27% Liveness
0% Instrumentalness • 60% Positiveness
17% Popularity • 68% Danceability • 60% Energy • 27% Liveness
0% Instrumentalness • 60% Positiveness
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Marty
The Last One
94 bpm • D Maj • 02:27 • -5.09db
31% Popularity • 61% Danceability • 87% Energy • 76% Liveness
0% Instrumentalness • 83% Positiveness
31% Popularity • 61% Danceability • 87% Energy • 76% Liveness
0% Instrumentalness • 83% Positiveness
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The Ambassador
Ride n Vibe
77 bpm • C# Maj • 03:45 • -7.91db
13% Popularity • 67% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
13% Popularity • 67% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Shonlock
Hello
94 bpm • C Maj • 03:25 • -5.01db
15% Popularity • 56% Danceability • 89% Energy • 27% Liveness
0% Instrumentalness • 55% Positiveness
15% Popularity • 56% Danceability • 89% Energy • 27% Liveness
0% Instrumentalness • 55% Positiveness
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KJ-52
I'm Guilty
94 bpm • C# Maj • 03:50 • -8.05db
9% Popularity • 79% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
9% Popularity • 79% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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Ruslan
Million Heirs
94 bpm • A# min • 02:43 • -6.18db
16% Popularity • 70% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
16% Popularity • 70% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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R-Swift
Flava of Forever
94 bpm • B min • 04:03 • -4db
6% Popularity • 66% Danceability • 81% Energy • 32% Liveness
0% Instrumentalness • 76% Positiveness
6% Popularity • 66% Danceability • 81% Energy • 32% Liveness
0% Instrumentalness • 76% Positiveness
