Songs like Glow - From "World of Color Winter Dreams" by Eric Whitacre
Based on a tempo of (+/- 10%) and a similar genre
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Eleanor Tomlinson
Hushabye Mountain
132 bpm • B min • 02:59 • -13.48db
34% Popularity • 46% Danceability • 14% Energy • 20% Liveness
0% Instrumentalness • 26% Positiveness
34% Popularity • 46% Danceability • 14% Energy • 20% Liveness
0% Instrumentalness • 26% Positiveness
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Eric Whitacre
The Seal Lullaby
132 bpm • D Maj • 04:21 • -25.12db
7% Popularity • 25% Danceability • 6% Energy • 11% Liveness
64% Instrumentalness • 9% Positiveness
7% Popularity • 25% Danceability • 6% Energy • 11% Liveness
64% Instrumentalness • 9% Positiveness
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Emma Lou Diemer
Three Madrigals: II. Take, oh, take thos...
132 bpm • G min • 02:17 • -35.61db
13% Popularity • 16% Danceability • 2% Energy • 11% Liveness
1% Instrumentalness • 5% Positiveness
13% Popularity • 16% Danceability • 2% Energy • 11% Liveness
1% Instrumentalness • 5% Positiveness
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Eric William Barnum
Afternoon on a Hill
132 bpm • D Maj • 04:41 • -16db
19% Popularity • 29% Danceability • 14% Energy • 13% Liveness
91% Instrumentalness • 8% Positiveness
19% Popularity • 29% Danceability • 14% Energy • 13% Liveness
91% Instrumentalness • 8% Positiveness
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Jean Berger
The Eyes of All Wait Upon Thee
132 bpm • E min • 02:36 • -22db
25% Popularity • 20% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
25% Popularity • 20% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
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Jeff Beal
Poor in Spirit - Live
132 bpm • A Maj • 06:48 • -24.26db
4% Popularity • 19% Danceability • 10% Energy • 69% Liveness
96% Instrumentalness • 5% Positiveness
4% Popularity • 19% Danceability • 10% Energy • 69% Liveness
96% Instrumentalness • 5% Positiveness
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Ola Gjeilo
The Rose
132 bpm • E min • 03:25 • -15db
37% Popularity • 16% Danceability • 24% Energy • 10% Liveness
94% Instrumentalness • 6% Positiveness
37% Popularity • 16% Danceability • 24% Energy • 10% Liveness
94% Instrumentalness • 6% Positiveness
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Eric Whitacre
Glow
132 bpm • B Maj • 03:08 • -16db
27% Popularity • 20% Danceability • 19% Energy • 9% Liveness
38% Instrumentalness • 6% Positiveness
27% Popularity • 20% Danceability • 19% Energy • 9% Liveness
38% Instrumentalness • 6% Positiveness
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The Chamber Orchestra Of London
Mr. Turner's Waltz
133 bpm • G Maj • 02:09 • -15.83db
35% Popularity • 22% Danceability • 9% Energy • 70% Liveness
0% Instrumentalness • 30% Positiveness
35% Popularity • 22% Danceability • 9% Energy • 70% Liveness
0% Instrumentalness • 30% Positiveness
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The Wartburg Choir
Adoramus Te, Christe
131 bpm • E Maj • 02:02 • -30.19db
28% Popularity • 16% Danceability • 2% Energy • 10% Liveness
98% Instrumentalness • 3% Positiveness
28% Popularity • 16% Danceability • 2% Energy • 10% Liveness
98% Instrumentalness • 3% Positiveness
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Stephen Paulus
The Road Home
133 bpm • F Maj • 03:56 • -28.22db
44% Popularity • 20% Danceability • 5% Energy • 12% Liveness
3% Instrumentalness • 5% Positiveness
44% Popularity • 20% Danceability • 5% Energy • 12% Liveness
3% Instrumentalness • 5% Positiveness
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Pavel Chesnokov
Spaseniye sodelal yesi posrede zemli (Sa...
133 bpm • D Maj • 03:35 • -27db
32% Popularity • 16% Danceability • 2% Energy • 6% Liveness
61% Instrumentalness • 4% Positiveness
32% Popularity • 16% Danceability • 2% Energy • 6% Liveness
61% Instrumentalness • 4% Positiveness
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The Singers - Minnesota Choral Artists
Les Chansons Des Roses: I. En Une Seule ...
131 bpm • C# Maj • 02:36 • -27db
9% Popularity • 24% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
9% Popularity • 24% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Eric Whitacre
October
132 bpm • C# Maj • 07:28 • -16.17db
21% Popularity • 16% Danceability • 14% Energy • 6% Liveness
86% Instrumentalness • 4% Positiveness
21% Popularity • 16% Danceability • 14% Energy • 6% Liveness
86% Instrumentalness • 4% Positiveness
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BYU Vocal Point
Come, Thou Fount of Every Blessing (Arr....
133 bpm • D# Maj • 03:23 • -17.13db
44% Popularity • 26% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
44% Popularity • 26% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Andrea Ramsey
Grow Little Tree
133 bpm • F# Maj • 02:11 • -20.89db
12% Popularity • 26% Danceability • 6% Energy • 6% Liveness
87% Instrumentalness • 8% Positiveness
12% Popularity • 26% Danceability • 6% Energy • 6% Liveness
87% Instrumentalness • 8% Positiveness
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Elaine Hagenberg
The Music of Stillness - SATB
130 bpm • F# Maj • 05:37 • -24db
23% Popularity • 16% Danceability • 4% Energy • 19% Liveness
7% Instrumentalness • 4% Positiveness
23% Popularity • 16% Danceability • 4% Energy • 19% Liveness
7% Instrumentalness • 4% Positiveness
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Phoenix Chamber Choir
Ballade to the Moon
130 bpm • E Maj • 05:25 • -30.67db
17% Popularity • 22% Danceability • 2% Energy • 5% Liveness
15% Instrumentalness • 6% Positiveness
17% Popularity • 22% Danceability • 2% Energy • 5% Liveness
15% Instrumentalness • 6% Positiveness
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Stephen Paulus
The Three Hermits: Pilgrims' Hymn
134 bpm • G Maj • 03:35 • -27.76db
22% Popularity • 18% Danceability • 4% Energy • 6% Liveness
31% Instrumentalness • 4% Positiveness
22% Popularity • 18% Danceability • 4% Energy • 6% Liveness
31% Instrumentalness • 4% Positiveness
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Eric Whitacre
What If
133 bpm • G Maj • 02:09 • -12.47db
10% Popularity • 45% Danceability • 48% Energy • 10% Liveness
1% Instrumentalness • 19% Positiveness
10% Popularity • 45% Danceability • 48% Energy • 10% Liveness
1% Instrumentalness • 19% Positiveness
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Don MacDonald
When the Earth Stands Still
130 bpm • B min • 03:00 • -27db
11% Popularity • 18% Danceability • 8% Energy • 11% Liveness
1% Instrumentalness • 7% Positiveness
11% Popularity • 18% Danceability • 8% Energy • 11% Liveness
1% Instrumentalness • 7% Positiveness
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Millikin University Choir
Wade In De Water
134 bpm • D min • 02:49 • -18.58db
22% Popularity • 34% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
22% Popularity • 34% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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Sjaella
Christ fuhr gen Himmel
134 bpm • E min • 02:17 • -24.65db
32% Popularity • 26% Danceability • 7% Energy • 16% Liveness
92% Instrumentalness • 4% Positiveness
32% Popularity • 26% Danceability • 7% Energy • 16% Liveness
92% Instrumentalness • 4% Positiveness
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The Real Group
Gøta
130 bpm • D Maj • 04:45 • -10db
20% Popularity • 40% Danceability • 16% Energy • 10% Liveness
28% Instrumentalness • 10% Positiveness
20% Popularity • 40% Danceability • 16% Energy • 10% Liveness
28% Instrumentalness • 10% Positiveness
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MALINDA
O Come, O Come Emmanuel
134 bpm • E min • 03:31 • -12.06db
26% Popularity • 24% Danceability • 36% Energy • 30% Liveness
0% Instrumentalness • 12% Positiveness
26% Popularity • 24% Danceability • 36% Energy • 30% Liveness
0% Instrumentalness • 12% Positiveness
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Eric Whitacre
The Sacred Veil: XI. You Rise, I Fall
131 bpm • C min • 09:59 • -20.31db
16% Popularity • 16% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
16% Popularity • 16% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
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Michael McGlynn
August
134 bpm • G# min • 01:51 • -18.51db
19% Popularity • 32% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
19% Popularity • 32% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
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Spivey Hall Children's Choir
Inscription of Hope (Z. Randall Stroope)
130 bpm • A# Maj • 03:42 • -30.03db
7% Popularity • 26% Danceability • 3% Energy • 9% Liveness
13% Instrumentalness • 5% Positiveness
7% Popularity • 26% Danceability • 3% Energy • 9% Liveness
13% Instrumentalness • 5% Positiveness
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Philip Stopford
There Is No Rose
130 bpm • A# Maj • 03:27 • -27db
13% Popularity • 22% Danceability • 5% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
13% Popularity • 22% Danceability • 5% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
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Bill Douglas
Deep Peace - Choral Version
130 bpm • D# Maj • 04:48 • -19.41db
36% Popularity • 20% Danceability • 14% Energy • 10% Liveness
56% Instrumentalness • 4% Positiveness
36% Popularity • 20% Danceability • 14% Energy • 10% Liveness
56% Instrumentalness • 4% Positiveness
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Anúna
Mononoke Hime
134 bpm • C min • 03:49 • -15.6db
40% Popularity • 22% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 6% Positiveness
40% Popularity • 22% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 6% Positiveness
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Eric Whitacre
Sleep
134 bpm • C min • 05:23 • -27.53db
2% Popularity • 16% Danceability • 3% Energy • 10% Liveness
5% Instrumentalness • 4% Positiveness
2% Popularity • 16% Danceability • 3% Energy • 10% Liveness
5% Instrumentalness • 4% Positiveness
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Anton Bruckner
Locus iste
129 bpm • C Maj • 03:41 • -27.37db
15% Popularity • 16% Danceability • 5% Energy • 6% Liveness
3% Instrumentalness • 3% Positiveness
15% Popularity • 16% Danceability • 5% Energy • 6% Liveness
3% Instrumentalness • 3% Positiveness
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Kim André Arnesen
Infinity
129 bpm • F Maj • 07:41 • -27db
11% Popularity • 16% Danceability • 10% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
11% Popularity • 16% Danceability • 10% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
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David N. Childs
Weep No more
129 bpm • D Maj • 04:02 • -28.23db
15% Popularity • 20% Danceability • 2% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
15% Popularity • 20% Danceability • 2% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
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James MacMillan
O Radiant Dawn
135 bpm • C min • 04:54 • -24.84db
24% Popularity • 18% Danceability • 7% Energy • 11% Liveness
28% Instrumentalness • 3% Positiveness
24% Popularity • 18% Danceability • 7% Energy • 11% Liveness
28% Instrumentalness • 3% Positiveness
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Aaron Copland
The Promise of Living from The Tender La...
135 bpm • F Maj • 05:39 • -24.25db
7% Popularity • 16% Danceability • 7% Energy • 9% Liveness
30% Instrumentalness • 4% Positiveness
7% Popularity • 16% Danceability • 7% Energy • 9% Liveness
30% Instrumentalness • 4% Positiveness
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Eric Whitacre
Whitacre: Five Hebrew Love Songs: Kalá ...
134 bpm • E min • 03:08 • -23.21db
26% Popularity • 26% Danceability • 8% Energy • 10% Liveness
19% Instrumentalness • 8% Positiveness
26% Popularity • 26% Danceability • 8% Energy • 10% Liveness
19% Instrumentalness • 8% Positiveness
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The Singers - Minnesota Choral Artists
Les Chansons Des Roses: IV. La Rose Comp...
135 bpm • C# Maj • 03:59 • -28.65db
10% Popularity • 17% Danceability • 2% Energy • 10% Liveness
26% Instrumentalness • 6% Positiveness
10% Popularity • 17% Danceability • 2% Energy • 10% Liveness
26% Instrumentalness • 6% Positiveness
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Susan LaBarr
Grace Before Sleep
129 bpm • C# Maj • 03:45 • -23db
22% Popularity • 20% Danceability • 12% Energy • 13% Liveness
85% Instrumentalness • 4% Positiveness
22% Popularity • 20% Danceability • 12% Energy • 13% Liveness
85% Instrumentalness • 4% Positiveness
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Kim André Arnesen
MAGNIFICAT: V. Fecit potentiam
135 bpm • A# Maj • 06:21 • -17.76db
14% Popularity • 22% Danceability • 19% Energy • 8% Liveness
39% Instrumentalness • 4% Positiveness
14% Popularity • 22% Danceability • 19% Energy • 8% Liveness
39% Instrumentalness • 4% Positiveness
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Joshua Shank
David's Lamentation
129 bpm • E Maj • 04:12 • -22.04db
13% Popularity • 16% Danceability • 5% Energy • 9% Liveness
50% Instrumentalness • 3% Positiveness
13% Popularity • 16% Danceability • 5% Energy • 9% Liveness
50% Instrumentalness • 3% Positiveness
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Howard Shore
May it be (Arr. M. Sheeran)
135 bpm • D# Maj • 03:45 • -17.26db
46% Popularity • 20% Danceability • 17% Energy • 11% Liveness
78% Instrumentalness • 8% Positiveness
46% Popularity • 20% Danceability • 17% Energy • 11% Liveness
78% Instrumentalness • 8% Positiveness
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Sydney Guillaume
Twa Tanbou
129 bpm • A min • 03:50 • -19.49db
10% Popularity • 41% Danceability • 35% Energy • 72% Liveness
0% Instrumentalness • 41% Positiveness
10% Popularity • 41% Danceability • 35% Energy • 72% Liveness
0% Instrumentalness • 41% Positiveness
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Paul Reade
Suite from The Victorian Kitchen Garden:...
129 bpm • D# Maj • 02:07 • -32db
36% Popularity • 18% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 18% Positiveness
36% Popularity • 18% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 18% Positiveness
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Eric Whitacre
Sainte-Chapelle
129 bpm • G min • 06:51 • -25.04db
8% Popularity • 17% Danceability • 3% Energy • 10% Liveness
7% Instrumentalness • 3% Positiveness
8% Popularity • 17% Danceability • 3% Energy • 10% Liveness
7% Instrumentalness • 3% Positiveness
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Pavel Chesnokov
Salvation Is Created, Op. 25 No. 5
129 bpm • D Maj • 04:17 • -29.94db
34% Popularity • 16% Danceability • 2% Energy • 7% Liveness
51% Instrumentalness • 3% Positiveness
34% Popularity • 16% Danceability • 2% Energy • 7% Liveness
51% Instrumentalness • 3% Positiveness
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The Singers - Minnesota Choral Artists
Nocturnes: II. Soneto De La Noche
135 bpm • F# Maj • 05:45 • -24.3db
11% Popularity • 17% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 17% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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BYU Vocal Point
Danny Boy (Arr. McKay Crockett)
128 bpm • D Maj • 04:46 • -12.88db
39% Popularity • 25% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
39% Popularity • 25% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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BYU Singers
Water Night
136 bpm • A# min • 05:16 • -22.92db
30% Popularity • 15% Danceability • 4% Energy • 16% Liveness
64% Instrumentalness • 3% Positiveness
30% Popularity • 15% Danceability • 4% Energy • 16% Liveness
64% Instrumentalness • 3% Positiveness
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Brian Byrne
Stet's House
136 bpm • F Maj • 02:09 • -18.93db
12% Popularity • 51% Danceability • 9% Energy • 9% Liveness
91% Instrumentalness • 11% Positiveness
12% Popularity • 51% Danceability • 9% Energy • 9% Liveness
91% Instrumentalness • 11% Positiveness
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Eric Whitacre
October
135 bpm • C# Maj • 07:32 • -18.98db
31% Popularity • 15% Danceability • 9% Energy • 6% Liveness
71% Instrumentalness • 4% Positiveness
31% Popularity • 15% Danceability • 9% Energy • 6% Liveness
71% Instrumentalness • 4% Positiveness
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Ian Mulder
Ocean of Dreams
136 bpm • A# Maj • 04:22 • -17.3db
26% Popularity • 19% Danceability • 26% Energy • 11% Liveness
90% Instrumentalness • 16% Positiveness
26% Popularity • 19% Danceability • 26% Energy • 11% Liveness
90% Instrumentalness • 16% Positiveness
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Kentucky Children's Chorus
Can You Hear Me? (Live)
128 bpm • F min • 04:34 • -24.62db
9% Popularity • 24% Danceability • 11% Energy • 63% Liveness
2% Instrumentalness • 13% Positiveness
9% Popularity • 24% Danceability • 11% Energy • 63% Liveness
2% Instrumentalness • 13% Positiveness
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Majorstua Kammerkor & Tore Erik Mohn
Sunrise
128 bpm • D Maj • 10:23 • -22db
13% Popularity • 17% Danceability • 12% Energy • 10% Liveness
55% Instrumentalness • 4% Positiveness
13% Popularity • 17% Danceability • 12% Energy • 10% Liveness
55% Instrumentalness • 4% Positiveness
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Gustav Holst
Thaxted (Arr. for Trumpet & Organ)
136 bpm • C# Maj • 02:39 • -11.75db
10% Popularity • 15% Danceability • 28% Energy • 10% Liveness
79% Instrumentalness • 15% Positiveness
10% Popularity • 15% Danceability • 28% Energy • 10% Liveness
79% Instrumentalness • 15% Positiveness
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Elaine Hagenberg
O Love
137 bpm • G Maj • 05:27 • -19db
29% Popularity • 16% Danceability • 9% Energy • 12% Liveness
67% Instrumentalness • 4% Positiveness
29% Popularity • 16% Danceability • 9% Energy • 12% Liveness
67% Instrumentalness • 4% Positiveness
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Guillaume Dufay
Ave Maris Stella
137 bpm • A min • 06:47 • -27.68db
5% Popularity • 17% Danceability • 8% Energy • 13% Liveness
4% Instrumentalness • 5% Positiveness
5% Popularity • 17% Danceability • 8% Energy • 13% Liveness
4% Instrumentalness • 5% Positiveness
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James Whitbourn
Eternal Rest
127 bpm • G Maj • 03:47 • -23db
26% Popularity • 18% Danceability • 13% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
26% Popularity • 18% Danceability • 13% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
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Mark Miller & the New Haven Collective
I Believe
137 bpm • F# min • 02:41 • -12.36db
17% Popularity • 27% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 19% Positiveness
17% Popularity • 27% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 19% Positiveness
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Brian Byrne
Carvelle's Letter
137 bpm • E Maj • 03:10 • -23.94db
13% Popularity • 31% Danceability • 8% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
13% Popularity • 31% Danceability • 8% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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The Wartburg Choir
Give Me Jesus
127 bpm • E Maj • 04:55 • -26.07db
10% Popularity • 17% Danceability • 3% Energy • 16% Liveness
95% Instrumentalness • 3% Positiveness
10% Popularity • 17% Danceability • 3% Energy • 16% Liveness
95% Instrumentalness • 3% Positiveness
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Portland State Chamber Choir
The Heaven's Flock
127 bpm • D# Maj • 04:28 • -20.71db
13% Popularity • 19% Danceability • 18% Energy • 20% Liveness
98% Instrumentalness • 4% Positiveness
13% Popularity • 19% Danceability • 18% Energy • 20% Liveness
98% Instrumentalness • 4% Positiveness
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Sjaella
Ave Maria
127 bpm • A# min • 02:40 • -25db
31% Popularity • 24% Danceability • 6% Energy • 11% Liveness
76% Instrumentalness • 4% Positiveness
31% Popularity • 24% Danceability • 6% Energy • 11% Liveness
76% Instrumentalness • 4% Positiveness
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Kim André Arnesen
Holy Spirit Mass: Creator Spirit: Kyrie
137 bpm • D min • 02:56 • -17.02db
16% Popularity • 15% Danceability • 10% Energy • 32% Liveness
52% Instrumentalness • 4% Positiveness
16% Popularity • 15% Danceability • 10% Energy • 32% Liveness
52% Instrumentalness • 4% Positiveness
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The Concordia Choir
My Soul's Been Anchored in the Lord
137 bpm • A Maj • 03:12 • -24.58db
18% Popularity • 26% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
18% Popularity • 26% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Margaret Rizza
Calm Me, O Lord
137 bpm • D Maj • 04:50 • -25db
29% Popularity • 19% Danceability • 6% Energy • 11% Liveness
84% Instrumentalness • 6% Positiveness
29% Popularity • 19% Danceability • 6% Energy • 11% Liveness
84% Instrumentalness • 6% Positiveness
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The Wartburg Choir
Ain't No Grave
127 bpm • A min • 03:54 • -17.49db
15% Popularity • 32% Danceability • 28% Energy • 12% Liveness
1% Instrumentalness • 44% Positiveness
15% Popularity • 32% Danceability • 28% Energy • 12% Liveness
1% Instrumentalness • 44% Positiveness
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Jonathan Roberts
Never Seek to Tell Thy Love
127 bpm • F Maj • 03:50 • -35.04db
23% Popularity • 17% Danceability • 1% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
23% Popularity • 17% Danceability • 1% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
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Joe Zambon
Irish Jig
137 bpm • G Maj • 01:33 • -10.53db
17% Popularity • 64% Danceability • 54% Energy • 34% Liveness
0% Instrumentalness • 94% Positiveness
17% Popularity • 64% Danceability • 54% Energy • 34% Liveness
0% Instrumentalness • 94% Positiveness
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Anúna
Dúlamán
127 bpm • D Maj • 01:45 • -16.09db
25% Popularity • 42% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 90% Positiveness
25% Popularity • 42% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 90% Positiveness
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The University Of Utah Singers
J'entends Le Moulin
127 bpm • G min • 03:31 • -19db
20% Popularity • 46% Danceability • 26% Energy • 60% Liveness
0% Instrumentalness • 55% Positiveness
20% Popularity • 46% Danceability • 26% Energy • 60% Liveness
0% Instrumentalness • 55% Positiveness
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Eric Whitacre
Whitacre: Sleep
127 bpm • C min • 05:33 • -24.96db
40% Popularity • 17% Danceability • 4% Energy • 18% Liveness
5% Instrumentalness • 3% Positiveness
40% Popularity • 17% Danceability • 4% Energy • 18% Liveness
5% Instrumentalness • 3% Positiveness
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Sarah Quartel
Sing, my Child - SATB
138 bpm • F Maj • 04:24 • -20.99db
12% Popularity • 25% Danceability • 13% Energy • 22% Liveness
0% Instrumentalness • 5% Positiveness
12% Popularity • 25% Danceability • 13% Energy • 22% Liveness
0% Instrumentalness • 5% Positiveness
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Jim Brickman
Lavender’s Blue
138 bpm • A# Maj • 03:12 • -16.09db
44% Popularity • 34% Danceability • 17% Energy • 12% Liveness
93% Instrumentalness • 24% Positiveness
44% Popularity • 34% Danceability • 17% Energy • 12% Liveness
93% Instrumentalness • 24% Positiveness
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Vienna Teng
The Hymn of Acxiom
126 bpm • D Maj • 04:00 • -21.87db
13% Popularity • 18% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 18% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Kim André Arnesen
The Lamb
126 bpm • B min • 05:36 • -30db
19% Popularity • 17% Danceability • 4% Energy • 14% Liveness
87% Instrumentalness • 3% Positiveness
19% Popularity • 17% Danceability • 4% Energy • 14% Liveness
87% Instrumentalness • 3% Positiveness
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Dan Forrest
Good Night, Dear Heart
126 bpm • B Maj • 03:59 • -27.84db
30% Popularity • 18% Danceability • 6% Energy • 11% Liveness
26% Instrumentalness • 3% Positiveness
30% Popularity • 18% Danceability • 6% Energy • 11% Liveness
26% Instrumentalness • 3% Positiveness
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Eric Whitacre
Whitacre: Three Songs Of Faith: I Thank ...
126 bpm • C Maj • 06:56 • -27.52db
19% Popularity • 17% Danceability • 6% Energy • 11% Liveness
23% Instrumentalness • 3% Positiveness
19% Popularity • 17% Danceability • 6% Energy • 11% Liveness
23% Instrumentalness • 3% Positiveness
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Eric Thiman
The Path To The Moon
139 bpm • G# Maj • 01:48 • -22.9db
11% Popularity • 27% Danceability • 5% Energy • 9% Liveness
82% Instrumentalness • 40% Positiveness
11% Popularity • 27% Danceability • 5% Energy • 9% Liveness
82% Instrumentalness • 40% Positiveness
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Regency Players
Pride and Prejudice [BBC 1995 Adaptatio...
126 bpm • A# Maj • 03:23 • -16.31db
22% Popularity • 30% Danceability • 20% Energy • 9% Liveness
84% Instrumentalness • 35% Positiveness
22% Popularity • 30% Danceability • 20% Energy • 9% Liveness
84% Instrumentalness • 35% Positiveness
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The Concordia Choir
Witness
140 bpm • D Maj • 02:53 • -20.99db
24% Popularity • 33% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
24% Popularity • 33% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Dale Warland Singers
Oh Shenandoah
140 bpm • F Maj • 03:03 • -31.09db
22% Popularity • 16% Danceability • 4% Energy • 9% Liveness
49% Instrumentalness • 9% Positiveness
22% Popularity • 16% Danceability • 4% Energy • 9% Liveness
49% Instrumentalness • 9% Positiveness
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Rune Tonsgaard Sorensen
Shine You No More
140 bpm • F# min • 03:38 • -19db
34% Popularity • 36% Danceability • 18% Energy • 8% Liveness
84% Instrumentalness • 21% Positiveness
34% Popularity • 36% Danceability • 18% Energy • 8% Liveness
84% Instrumentalness • 21% Positiveness
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Eric Whitacre
Enjoy The Silence
126 bpm • G min • 05:22 • -20.75db
21% Popularity • 18% Danceability • 10% Energy • 23% Liveness
60% Instrumentalness • 3% Positiveness
21% Popularity • 18% Danceability • 10% Energy • 23% Liveness
60% Instrumentalness • 3% Positiveness
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Giuseppe Ottavio Pitoni
Cantate Domino
140 bpm • A# Maj • 01:11 • -20.07db
25% Popularity • 20% Danceability • 16% Energy • 25% Liveness
39% Instrumentalness • 23% Positiveness
25% Popularity • 20% Danceability • 16% Energy • 25% Liveness
39% Instrumentalness • 23% Positiveness
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Kim André Arnesen
O Sacrum Convivium
140 bpm • C Maj • 05:55 • -28db
12% Popularity • 14% Danceability • 5% Energy • 14% Liveness
82% Instrumentalness • 3% Positiveness
12% Popularity • 14% Danceability • 5% Energy • 14% Liveness
82% Instrumentalness • 3% Positiveness
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John Rutter
The Lord Bless You and Keep You
124 bpm • F# Maj • 03:12 • -26db
29% Popularity • 20% Danceability • 7% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
29% Popularity • 20% Danceability • 7% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
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Kammerkoor Head Ööd Vend
Õhtul
141 bpm • D# Maj • 03:41 • -27db
33% Popularity • 14% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
33% Popularity • 14% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
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Tucson Chamber Artists & Eric Holtan
Erev Shel Shoshanim
141 bpm • C min • 03:31 • -21db
12% Popularity • 18% Danceability • 7% Energy • 10% Liveness
95% Instrumentalness • 8% Positiveness
12% Popularity • 18% Danceability • 7% Energy • 10% Liveness
95% Instrumentalness • 8% Positiveness
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Ä’riks EÅ¡envalds
There Will Come Soft Rains
123 bpm • G# Maj • 03:55 • -23.2db
34% Popularity • 19% Danceability • 8% Energy • 9% Liveness
5% Instrumentalness • 4% Positiveness
34% Popularity • 19% Danceability • 8% Energy • 9% Liveness
5% Instrumentalness • 4% Positiveness
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Carl Davis
Pride and Prejudice Suite: I. Meet the F...
123 bpm • D# Maj • 03:38 • -15.79db
26% Popularity • 29% Danceability • 18% Energy • 12% Liveness
93% Instrumentalness • 36% Positiveness
26% Popularity • 29% Danceability • 18% Energy • 12% Liveness
93% Instrumentalness • 36% Positiveness
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Daniel Elder
The Heart's Reflection
123 bpm • D Maj • 05:15 • -24.07db
17% Popularity • 18% Danceability • 7% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
17% Popularity • 18% Danceability • 7% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
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Ariella Zeitlin
Prince of Egypt Violin Medley: Deliver U...
123 bpm • C# Maj • 04:58 • -5db
14% Popularity • 22% Danceability • 66% Energy • 16% Liveness
38% Instrumentalness • 15% Positiveness
14% Popularity • 22% Danceability • 66% Energy • 16% Liveness
38% Instrumentalness • 15% Positiveness
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Eric Whitacre
Sleep - Arr. for Marimba Quartet
142 bpm • C min • 05:56 • -27db
23% Popularity • 23% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
23% Popularity • 23% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Philip Stopford
Ave verum
142 bpm • F# min • 03:35 • -27.27db
28% Popularity • 14% Danceability • 9% Energy • 13% Liveness
2% Instrumentalness • 4% Positiveness
28% Popularity • 14% Danceability • 9% Energy • 13% Liveness
2% Instrumentalness • 4% Positiveness
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Frank Ticheli
Earth Song
142 bpm • F Maj • 03:42 • -28.43db
33% Popularity • 17% Danceability • 6% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
33% Popularity • 17% Danceability • 6% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
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Clamavi De Profundis
Veni Veni Emmanuel
123 bpm • C# min • 06:06 • -15.08db
29% Popularity • 22% Danceability • 15% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
29% Popularity • 22% Danceability • 15% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
