Songs like Glowing - Danny Verde Radio Edit by Nikki Williams
Based on a tempo of (+/- 10%) and a similar genre
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Kathryn Ostenberg
How to Say Goodbye
128 bpm • G# min • 03:40 • -5.3db
9% Popularity • 56% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
9% Popularity • 56% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
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Cherry Cherry Red
Burnin'
128 bpm • C Maj • 03:21 • -6.85db
11% Popularity • 59% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
11% Popularity • 59% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Robbie Nevil
All Eyes on You
128 bpm • B min • 03:01 • -6.14db
24% Popularity • 76% Danceability • 72% Energy • 22% Liveness
24% Instrumentalness • 63% Positiveness
24% Popularity • 76% Danceability • 72% Energy • 22% Liveness
24% Instrumentalness • 63% Positiveness
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Blithe
Say Your Prayers
128 bpm • F min • 02:58 • -6.06db
32% Popularity • 68% Danceability • 64% Energy • 39% Liveness
0% Instrumentalness • 49% Positiveness
32% Popularity • 68% Danceability • 64% Energy • 39% Liveness
0% Instrumentalness • 49% Positiveness
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Amy Stroup
This Is My Time
128 bpm • G# min • 02:35 • -9.11db
17% Popularity • 81% Danceability • 69% Energy • 9% Liveness
6% Instrumentalness • 97% Positiveness
17% Popularity • 81% Danceability • 69% Energy • 9% Liveness
6% Instrumentalness • 97% Positiveness
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of Verona
Better With You
128 bpm • E Maj • 03:34 • -5.43db
27% Popularity • 62% Danceability • 85% Energy • 11% Liveness
1% Instrumentalness • 58% Positiveness
27% Popularity • 62% Danceability • 85% Energy • 11% Liveness
1% Instrumentalness • 58% Positiveness
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Bonnie McKee
American Girl
128 bpm • C min • 03:44 • -4.33db
45% Popularity • 66% Danceability • 82% Energy • 59% Liveness
0% Instrumentalness • 66% Positiveness
45% Popularity • 66% Danceability • 82% Energy • 59% Liveness
0% Instrumentalness • 66% Positiveness
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Jennifer Lopez
Limitless from the Movie "Second Act"
128 bpm • A min • 04:07 • -3.51db
30% Popularity • 47% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
30% Popularity • 47% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Jujubee
Don't Wanna Love (Interlude)
128 bpm • C# min • 01:11 • -4.95db
14% Popularity • 55% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
14% Popularity • 55% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Margot Todd
SOS
128 bpm • D# Maj • 04:01 • -5.56db
13% Popularity • 38% Danceability • 65% Energy • 10% Liveness
1% Instrumentalness • 10% Positiveness
13% Popularity • 38% Danceability • 65% Energy • 10% Liveness
1% Instrumentalness • 10% Positiveness
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Natalie Major
Eclipse
128 bpm • A# Maj • 03:30 • -9.91db
13% Popularity • 45% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
13% Popularity • 45% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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DeathbyRomy
It's Raining Men
127 bpm • E min • 03:43 • -4.29db
24% Popularity • 35% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 10% Positiveness
24% Popularity • 35% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 10% Positiveness
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Alexi von Guggenberg
Stand Out
129 bpm • D Maj • 02:47 • -7.07db
11% Popularity • 85% Danceability • 76% Energy • 20% Liveness
0% Instrumentalness • 59% Positiveness
11% Popularity • 85% Danceability • 76% Energy • 20% Liveness
0% Instrumentalness • 59% Positiveness
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Jennifer Lopez
On My Way (Marry Me)
127 bpm • D Maj • 03:12 • -9.2db
48% Popularity • 59% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
48% Popularity • 59% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Ester Dean
Crazy Youngsters
127 bpm • F# Maj • 03:39 • -5.2db
40% Popularity • 64% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
40% Popularity • 64% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Klergy
Will You Follow Me Into the Dark
127 bpm • C min • 03:48 • -8.61db
39% Popularity • 42% Danceability • 52% Energy • 25% Liveness
19% Instrumentalness • 14% Positiveness
39% Popularity • 42% Danceability • 52% Energy • 25% Liveness
19% Instrumentalness • 14% Positiveness
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Bowie Jane
Busted
127 bpm • C# Maj • 04:06 • -5db
18% Popularity • 68% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
18% Popularity • 68% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
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Tatiana Owens
I Know U Know
127 bpm • G# Maj • 03:52 • -4.63db
9% Popularity • 59% Danceability • 90% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
9% Popularity • 59% Danceability • 90% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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DITA
Strut
130 bpm • E min • 03:04 • -4.23db
36% Popularity • 66% Danceability • 71% Energy • 35% Liveness
0% Instrumentalness • 49% Positiveness
36% Popularity • 66% Danceability • 71% Energy • 35% Liveness
0% Instrumentalness • 49% Positiveness
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Halsey
Castle - The Huntsman: Winter’s War Ve...
130 bpm • G min • 04:20 • -12db
47% Popularity • 54% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
47% Popularity • 54% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Lee Richardson
Ready for Action
130 bpm • G# min • 02:54 • -7.79db
21% Popularity • 54% Danceability • 67% Energy • 22% Liveness
0% Instrumentalness • 36% Positiveness
21% Popularity • 54% Danceability • 67% Energy • 22% Liveness
0% Instrumentalness • 36% Positiveness
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Memory Spells
Can't Hold Me Down
130 bpm • A min • 04:07 • -8.82db
25% Popularity • 73% Danceability • 46% Energy • 10% Liveness
26% Instrumentalness • 21% Positiveness
25% Popularity • 73% Danceability • 46% Energy • 10% Liveness
26% Instrumentalness • 21% Positiveness
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Nine One One
We Could Cry
130 bpm • A min • 03:23 • -8.87db
18% Popularity • 61% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
18% Popularity • 61% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Problem Child
Come and Get It
126 bpm • A Maj • 02:48 • -6.44db
16% Popularity • 55% Danceability • 73% Energy • 30% Liveness
0% Instrumentalness • 48% Positiveness
16% Popularity • 55% Danceability • 73% Energy • 30% Liveness
0% Instrumentalness • 48% Positiveness
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LeAnn Rimes
We Can
130 bpm • A Maj • 03:40 • -3.81db
24% Popularity • 49% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
24% Popularity • 49% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Nik Ammar
Turn It Back
130 bpm • C# Maj • 03:22 • -8.54db
7% Popularity • 56% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
7% Popularity • 56% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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RuPaul
Sissy That Walk
126 bpm • G# min • 03:26 • -5.94db
20% Popularity • 82% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
20% Popularity • 82% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Great Northern
Houses
130 bpm • E min • 04:17 • -5db
29% Popularity • 49% Danceability • 82% Energy • 27% Liveness
0% Instrumentalness • 37% Positiveness
29% Popularity • 49% Danceability • 82% Energy • 27% Liveness
0% Instrumentalness • 37% Positiveness
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Elliphant
Everybody
130 bpm • A# min • 04:06 • -6.89db
34% Popularity • 64% Danceability • 64% Energy • 11% Liveness
11% Instrumentalness • 42% Positiveness
34% Popularity • 64% Danceability • 64% Energy • 11% Liveness
11% Instrumentalness • 42% Positiveness
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Saint Middleton
Welcome to My Future
130 bpm • B min • 03:12 • -6.62db
12% Popularity • 70% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
12% Popularity • 70% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
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Wizardz Of Oz
Until You're Fearless
126 bpm • F# Maj • 04:08 • -6.33db
19% Popularity • 59% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
19% Popularity • 59% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
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Vanacore Music
Get On My Level
126 bpm • B min • 02:14 • -12.84db
15% Popularity • 73% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
15% Popularity • 73% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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Ruelle
Genesis
130 bpm • D min • 04:17 • -8.85db
38% Popularity • 44% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
38% Popularity • 44% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Angelina Jordan
Mercy
130 bpm • C Maj • 03:39 • -4.29db
27% Popularity • 65% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
27% Popularity • 65% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
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Smoke Corleone
Take Me There
130 bpm • C# Maj • 04:45 • -6.08db
0% Popularity • 39% Danceability • 79% Energy • 31% Liveness
0% Instrumentalness • 26% Positiveness
0% Popularity • 39% Danceability • 79% Energy • 31% Liveness
0% Instrumentalness • 26% Positiveness
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5 Alarm
How the Mighty Fall
126 bpm • A# min • 03:04 • -9.51db
26% Popularity • 66% Danceability • 62% Energy • 25% Liveness
0% Instrumentalness • 33% Positiveness
26% Popularity • 66% Danceability • 62% Energy • 25% Liveness
0% Instrumentalness • 33% Positiveness
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Wizardz Of Oz
Million Dollar Life
126 bpm • G min • 02:48 • -5.47db
18% Popularity • 65% Danceability • 88% Energy • 34% Liveness
0% Instrumentalness • 82% Positiveness
18% Popularity • 65% Danceability • 88% Energy • 34% Liveness
0% Instrumentalness • 82% Positiveness
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Lissie
Meet Me in the Mystery
126 bpm • G# Maj • 03:04 • -9.9db
18% Popularity • 52% Danceability • 30% Energy • 6% Liveness
0% Instrumentalness • 13% Positiveness
18% Popularity • 52% Danceability • 30% Energy • 6% Liveness
0% Instrumentalness • 13% Positiveness
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Katie Garfield
Nothing Left to Say
130 bpm • G# min • 03:10 • -14.89db
41% Popularity • 49% Danceability • 23% Energy • 9% Liveness
1% Instrumentalness • 10% Positiveness
41% Popularity • 49% Danceability • 23% Energy • 9% Liveness
1% Instrumentalness • 10% Positiveness
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Kat Dahlia
My Garden
130 bpm • C min • 03:57 • -5.8db
30% Popularity • 74% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 21% Positiveness
30% Popularity • 74% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 21% Positiveness
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Molly Kate Kestner
Hiding in the Crowd
126 bpm • C Maj • 03:28 • -10.81db
20% Popularity • 54% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
20% Popularity • 54% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
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Anjulie
Boom
126 bpm • G# Maj • 03:14 • -6db
33% Popularity • 72% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
33% Popularity • 72% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
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Ruelle
The World We Made
125 bpm • A min • 03:04 • -6.43db
44% Popularity • 60% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
44% Popularity • 60% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Ingrid Michaelson
Young And In Love - Sam de Jong Remix
125 bpm • E Maj • 03:22 • -5.36db
24% Popularity • 53% Danceability • 86% Energy • 22% Liveness
0% Instrumentalness • 20% Positiveness
24% Popularity • 53% Danceability • 86% Energy • 22% Liveness
0% Instrumentalness • 20% Positiveness
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Rob Lane
Time In a Bottle
125 bpm • D Maj • 02:57 • -14.26db
36% Popularity • 34% Danceability • 17% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
36% Popularity • 34% Danceability • 17% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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Cavale
Burst Into Flames
125 bpm • A Maj • 03:24 • -12db
36% Popularity • 74% Danceability • 26% Energy • 13% Liveness
1% Instrumentalness • 19% Positiveness
36% Popularity • 74% Danceability • 26% Energy • 13% Liveness
1% Instrumentalness • 19% Positiveness
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Sarah Leichtenberg
Name In Lights
125 bpm • C Maj • 04:13 • -4.97db
14% Popularity • 61% Danceability • 84% Energy • 31% Liveness
0% Instrumentalness • 45% Positiveness
14% Popularity • 61% Danceability • 84% Energy • 31% Liveness
0% Instrumentalness • 45% Positiveness
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Naz Tokio
On The Run
125 bpm • D Maj • 02:41 • -13.4db
34% Popularity • 63% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
34% Popularity • 63% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
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Kovich
For the Now
125 bpm • C# min • 03:44 • -7.41db
13% Popularity • 78% Danceability • 69% Energy • 31% Liveness
0% Instrumentalness • 28% Positiveness
13% Popularity • 78% Danceability • 69% Energy • 31% Liveness
0% Instrumentalness • 28% Positiveness
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Miss Amani
Sexy
125 bpm • A# min • 03:20 • -6.95db
13% Popularity • 70% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
13% Popularity • 70% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
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Storm Large
I've Got You Under My Skin
131 bpm • A# Maj • 04:15 • -7.46db
14% Popularity • 32% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
14% Popularity • 32% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Cavale
Burst Into Flames - Reenna Remix
125 bpm • B min • 03:38 • -9.84db
13% Popularity • 82% Danceability • 69% Energy • 37% Liveness
1% Instrumentalness • 80% Positiveness
13% Popularity • 82% Danceability • 69% Energy • 37% Liveness
1% Instrumentalness • 80% Positiveness
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FJØRA
twisted games
125 bpm • C min • 03:23 • -12.55db
21% Popularity • 61% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
21% Popularity • 61% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Laura Marano
Worst Kind of Hurt
125 bpm • B min • 02:46 • -10.82db
18% Popularity • 64% Danceability • 40% Energy • 10% Liveness
1% Instrumentalness • 17% Positiveness
18% Popularity • 64% Danceability • 40% Energy • 10% Liveness
1% Instrumentalness • 17% Positiveness
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girl fieri
I Got Mine
125 bpm • A# min • 02:34 • -9.25db
15% Popularity • 88% Danceability • 55% Energy • 6% Liveness
1% Instrumentalness • 60% Positiveness
15% Popularity • 88% Danceability • 55% Energy • 6% Liveness
1% Instrumentalness • 60% Positiveness
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Jill Barber
Cage Without a Key
132 bpm • B min • 03:45 • -9.98db
12% Popularity • 31% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
12% Popularity • 31% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Jamie Dornan
Edgar's Prayer
124 bpm • G# Maj • 02:26 • -7.77db
22% Popularity • 53% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
22% Popularity • 53% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Cavale
1234
125 bpm • E Maj • 03:49 • -11.1db
11% Popularity • 54% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
11% Popularity • 54% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
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Oshins
What a World We Live In
132 bpm • C Maj • 03:52 • -8.35db
21% Popularity • 53% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
21% Popularity • 53% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Halsey
Not Afraid Anymore
132 bpm • F min • 03:46 • -6.99db
48% Popularity • 55% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
48% Popularity • 55% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Mosh Party
Everyday Hustlin'
132 bpm • C# Maj • 02:40 • -4.33db
17% Popularity • 76% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
17% Popularity • 76% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
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CHAMIE
Attitude
124 bpm • B min • 02:56 • -3.69db
13% Popularity • 93% Danceability • 76% Energy • 3% Liveness
0% Instrumentalness • 57% Positiveness
13% Popularity • 93% Danceability • 76% Energy • 3% Liveness
0% Instrumentalness • 57% Positiveness
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Billy the Kid
Won't Be the Same
132 bpm • F# Maj • 03:26 • -9.55db
14% Popularity • 57% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
14% Popularity • 57% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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Katrina Parker
People Are Strange
132 bpm • C min • 02:39 • -7.28db
15% Popularity • 61% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
15% Popularity • 61% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
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Henry Parsley
Powerful Woman (As Featured In "Too Hot ...
124 bpm • G Maj • 02:50 • -7.38db
11% Popularity • 77% Danceability • 72% Energy • 6% Liveness
28% Instrumentalness • 84% Positiveness
11% Popularity • 77% Danceability • 72% Energy • 6% Liveness
28% Instrumentalness • 84% Positiveness
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Mike Marsden
Sing the Blues
132 bpm • F Maj • 04:31 • -7.74db
0% Popularity • 46% Danceability • 31% Energy • 62% Liveness
0% Instrumentalness • 29% Positiveness
0% Popularity • 46% Danceability • 31% Energy • 62% Liveness
0% Instrumentalness • 29% Positiveness
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Devin Hoffman
Give Me One Shot
124 bpm • G Maj • 03:05 • -6.22db
9% Popularity • 67% Danceability • 69% Energy • 5% Liveness
0% Instrumentalness • 58% Positiveness
9% Popularity • 67% Danceability • 69% Energy • 5% Liveness
0% Instrumentalness • 58% Positiveness
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BEGINNERS
Making Love to the Dead
124 bpm • B min • 03:23 • -5db
37% Popularity • 73% Danceability • 79% Energy • 38% Liveness
8% Instrumentalness • 30% Positiveness
37% Popularity • 73% Danceability • 79% Energy • 38% Liveness
8% Instrumentalness • 30% Positiveness
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Maty Noyes
Haunted
124 bpm • D min • 02:44 • -11.25db
30% Popularity • 60% Danceability • 30% Energy • 12% Liveness
1% Instrumentalness • 31% Positiveness
30% Popularity • 60% Danceability • 30% Energy • 12% Liveness
1% Instrumentalness • 31% Positiveness
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Killa Tex
Beginnings
124 bpm • C Maj • 01:56 • -9.97db
0% Popularity • 55% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
0% Popularity • 55% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
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Freya Ridings
Holy Water
124 bpm • F Maj • 03:43 • -3.46db
37% Popularity • 56% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
37% Popularity • 56% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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ITG Studios
Rectify
123 bpm • B min • 03:05 • -6.36db
17% Popularity • 38% Danceability • 62% Energy • 13% Liveness
6% Instrumentalness • 18% Positiveness
17% Popularity • 38% Danceability • 62% Energy • 13% Liveness
6% Instrumentalness • 18% Positiveness
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Ciara
Paint It, Black
123 bpm • G# Maj • 03:54 • -7.67db
54% Popularity • 63% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness
54% Popularity • 63% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness
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Regina Price
Sun Still Rises
123 bpm • C Maj • 03:05 • -14db
13% Popularity • 61% Danceability • 46% Energy • 8% Liveness
2% Instrumentalness • 8% Positiveness
13% Popularity • 61% Danceability • 46% Energy • 8% Liveness
2% Instrumentalness • 8% Positiveness
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Built For The Sea
Hold
133 bpm • A min • 03:37 • -9.85db
18% Popularity • 63% Danceability • 41% Energy • 7% Liveness
84% Instrumentalness • 14% Positiveness
18% Popularity • 63% Danceability • 41% Energy • 7% Liveness
84% Instrumentalness • 14% Positiveness
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Kaci Battaglia
I Will Learn To Love Again - Mixshow Mix
134 bpm • C# Maj • 05:39 • -6db
7% Popularity • 75% Danceability • 65% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
7% Popularity • 75% Danceability • 65% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
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Juliet Roberts
Bang Bang Boom
134 bpm • D Maj • 03:33 • -3.89db
19% Popularity • 62% Danceability • 87% Energy • 3% Liveness
0% Instrumentalness • 70% Positiveness
19% Popularity • 62% Danceability • 87% Energy • 3% Liveness
0% Instrumentalness • 70% Positiveness
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Alexina
Silent Killer
122 bpm • E min • 03:03 • -5db
27% Popularity • 44% Danceability • 84% Energy • 41% Liveness
1% Instrumentalness • 14% Positiveness
27% Popularity • 44% Danceability • 84% Energy • 41% Liveness
1% Instrumentalness • 14% Positiveness
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Lady Bri
Let's Get Filthy
122 bpm • A Maj • 03:02 • -4.35db
13% Popularity • 77% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
13% Popularity • 77% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Last Night Riot
Bad
134 bpm • G Maj • 03:24 • -5.18db
18% Popularity • 55% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
18% Popularity • 55% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Where Oceans Meet
This Is Our Time
122 bpm • D Maj • 03:25 • -4.8db
22% Popularity • 62% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
22% Popularity • 62% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Hael
Perfect Combination
122 bpm • G Maj • 02:40 • -7db
30% Popularity • 69% Danceability • 62% Energy • 24% Liveness
0% Instrumentalness • 61% Positiveness
30% Popularity • 69% Danceability • 62% Energy • 24% Liveness
0% Instrumentalness • 61% Positiveness
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Devin Hoffman
All About Me
122 bpm • A# min • 02:49 • -7.17db
16% Popularity • 84% Danceability • 83% Energy • 3% Liveness
0% Instrumentalness • 71% Positiveness
16% Popularity • 84% Danceability • 83% Energy • 3% Liveness
0% Instrumentalness • 71% Positiveness
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Audrey Assad
Wish You Were Here
122 bpm • C Maj • 05:10 • -11.3db
21% Popularity • 36% Danceability • 45% Energy • 35% Liveness
2% Instrumentalness • 26% Positiveness
21% Popularity • 36% Danceability • 45% Energy • 35% Liveness
2% Instrumentalness • 26% Positiveness
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Thomas McNeice
Revelling
122 bpm • D# Maj • 03:52 • -5.62db
19% Popularity • 70% Danceability • 63% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
19% Popularity • 70% Danceability • 63% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
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Olivier Bibeau
So Strong
122 bpm • F# Maj • 02:16 • -7.03db
13% Popularity • 78% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
13% Popularity • 78% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
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Elle King
Catch Us If You Can
122 bpm • A min • 03:18 • -3db
35% Popularity • 66% Danceability • 92% Energy • 6% Liveness
1% Instrumentalness • 69% Positiveness
35% Popularity • 66% Danceability • 92% Energy • 6% Liveness
1% Instrumentalness • 69% Positiveness
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Juliet Roberts
Rise Above
122 bpm • D Maj • 04:25 • -4.18db
11% Popularity • 35% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
11% Popularity • 35% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Maddie Poppe
Made You Miss
135 bpm • D Maj • 03:21 • -4.72db
37% Popularity • 70% Danceability • 82% Energy • 11% Liveness
2% Instrumentalness • 74% Positiveness
37% Popularity • 70% Danceability • 82% Energy • 11% Liveness
2% Instrumentalness • 74% Positiveness
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BURNS
Elevate Me
135 bpm • A# min • 02:41 • -9.31db
38% Popularity • 63% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
38% Popularity • 63% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Juliet Lyons
White Wedding
121 bpm • A# min • 03:03 • -9.49db
17% Popularity • 90% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
17% Popularity • 90% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Robbie Nevil
Some Girls Do
121 bpm • D# Maj • 03:11 • -4.47db
7% Popularity • 70% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 91% Positiveness
7% Popularity • 70% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 91% Positiveness
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Ruelle
Walking On The Moon
121 bpm • F min • 04:01 • -10.56db
34% Popularity • 38% Danceability • 43% Energy • 11% Liveness
71% Instrumentalness • 12% Positiveness
34% Popularity • 38% Danceability • 43% Energy • 11% Liveness
71% Instrumentalness • 12% Positiveness
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SATV Music
I Won't Back Down
136 bpm • A Maj • 02:18 • -6.42db
16% Popularity • 51% Danceability • 53% Energy • 19% Liveness
0% Instrumentalness • 32% Positiveness
16% Popularity • 51% Danceability • 53% Energy • 19% Liveness
0% Instrumentalness • 32% Positiveness
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Vance Westlake
This Is My Empire
136 bpm • G min • 02:52 • -13db
18% Popularity • 44% Danceability • 38% Energy • 6% Liveness
6% Instrumentalness • 4% Positiveness
18% Popularity • 44% Danceability • 38% Energy • 6% Liveness
6% Instrumentalness • 4% Positiveness
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Fefe Dobson
White Line Runaways
136 bpm • D# Maj • 03:14 • -5.15db
13% Popularity • 63% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
13% Popularity • 63% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Oskura
Everything Now
136 bpm • D Maj • 03:04 • -6.58db
27% Popularity • 43% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
27% Popularity • 43% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Imelda May
Never Look Back - TINYKVT Remix / From '...
136 bpm • G Maj • 03:14 • -9db
16% Popularity • 64% Danceability • 81% Energy • 66% Liveness
46% Instrumentalness • 39% Positiveness
16% Popularity • 64% Danceability • 81% Energy • 66% Liveness
46% Instrumentalness • 39% Positiveness
