Songs like Gluck: Iphigénie en Tauride, Wq. 46, Act 1: Danze (Live) by Christoph Willibald Gluck
Based on a tempo of (+/- 10%) and a similar genre
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Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30 / Acte I: Air:...
93 bpm • G# min • 01:59 • -21.68db
6% Popularity • 38% Danceability • 8% Energy • 64% Liveness
0% Instrumentalness • 37% Positiveness
6% Popularity • 38% Danceability • 8% Energy • 64% Liveness
0% Instrumentalness • 37% Positiveness
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Claude Debussy
Petite suite: I. En bateau (arr. H. Buss...
93 bpm • G Maj • 03:47 • -30.82db
54% Popularity • 14% Danceability • 2% Energy • 12% Liveness
85% Instrumentalness • 7% Positiveness
54% Popularity • 14% Danceability • 2% Energy • 12% Liveness
85% Instrumentalness • 7% Positiveness
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Georges Bizet
Carmen Suite No. 1 (Arr. E. Guiraud): II...
92 bpm • D# Maj • 02:48 • -33.21db
49% Popularity • 11% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
49% Popularity • 11% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Ottorino Respighi
Suite No. 3, P. 172: I. Italiana: Andant...
94 bpm • A# Maj • 02:46 • -27.36db
47% Popularity • 17% Danceability • 5% Energy • 35% Liveness
68% Instrumentalness • 18% Positiveness
47% Popularity • 17% Danceability • 5% Energy • 35% Liveness
68% Instrumentalness • 18% Positiveness
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Seattle Symphony Orchestra
Symphony No. 3 in F major, Op. 90: III. ...
92 bpm • C min • 06:48 • -26.93db
26% Popularity • 11% Danceability • 3% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
26% Popularity • 11% Danceability • 3% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
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John Field
Kamarinskaya (Air russe varie)
92 bpm • A# Maj • 03:05 • -28db
32% Popularity • 36% Danceability • 7% Energy • 8% Liveness
91% Instrumentalness • 24% Positiveness
32% Popularity • 36% Danceability • 7% Energy • 8% Liveness
91% Instrumentalness • 24% Positiveness
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![Orfeo ed Euridice, Wq. 30, Act 2: Ballo [3] cover art](https://i.scdn.co/image/ab67616d00001e028553061f7c22593ac63733c3)
Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30, Act 2: Ballo ...
93 bpm • C Maj • 01:59 • -31.31db
1% Popularity • 16% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
1% Popularity • 16% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Jean Sibelius
Sonatina No. 1, Op. 67: III. Allegro mod...
94 bpm • F# Maj • 01:41 • -30db
42% Popularity • 36% Danceability • 11% Energy • 8% Liveness
89% Instrumentalness • 33% Positiveness
42% Popularity • 36% Danceability • 11% Energy • 8% Liveness
89% Instrumentalness • 33% Positiveness
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George Frideric Handel
Messiah, HWV 56, Part I: Pastoral Sympho...
92 bpm • C Maj • 03:47 • -29db
51% Popularity • 11% Danceability • 3% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
51% Popularity • 11% Danceability • 3% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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Leopold Godowsky
Renaissance, Book 2: Sarabande (Lully)
94 bpm • E min • 05:36 • -35db
34% Popularity • 48% Danceability • 1% Energy • 5% Liveness
94% Instrumentalness • 8% Positiveness
34% Popularity • 48% Danceability • 1% Energy • 5% Liveness
94% Instrumentalness • 8% Positiveness
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Franz Schubert
Minuet in A major, D. 334
92 bpm • A Maj • 03:13 • -39.25db
60% Popularity • 27% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 17% Positiveness
60% Popularity • 27% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 17% Positiveness
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César Franck
Violin Sonata in A major, FWV 8: IV. All...
94 bpm • A Maj • 06:04 • -18.62db
51% Popularity • 25% Danceability • 14% Energy • 5% Liveness
3% Instrumentalness • 18% Positiveness
51% Popularity • 25% Danceability • 14% Energy • 5% Liveness
3% Instrumentalness • 18% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30, Act 2: Ballo ...
94 bpm • G min • 01:12 • -20.88db
1% Popularity • 20% Danceability • 2% Energy • 12% Liveness
52% Instrumentalness • 4% Positiveness
1% Popularity • 20% Danceability • 2% Energy • 12% Liveness
52% Instrumentalness • 4% Positiveness
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Domenico Scarlatti
Sonata in D Minor, K. 9
94 bpm • D min • 04:14 • -32.37db
42% Popularity • 40% Danceability • 2% Energy • 6% Liveness
92% Instrumentalness • 32% Positiveness
42% Popularity • 40% Danceability • 2% Energy • 6% Liveness
92% Instrumentalness • 32% Positiveness
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Frédéric Chopin
24 Préludes, Op. 28: No. 15 in D-Flat M...
95 bpm • C# Maj • 04:51 • -26.15db
31% Popularity • 33% Danceability • 1% Energy • 7% Liveness
84% Instrumentalness • 8% Positiveness
31% Popularity • 33% Danceability • 1% Energy • 7% Liveness
84% Instrumentalness • 8% Positiveness
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Karol Szymanowski
9 Preludes, Op. 1: No. 1 in B Minor. And...
91 bpm • E min • 02:56 • -27.93db
31% Popularity • 27% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 14% Positiveness
31% Popularity • 27% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 14% Positiveness
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Jules Massenet
Thaïs: Méditation
91 bpm • D Maj • 06:01 • -29.86db
29% Popularity • 11% Danceability • 3% Energy • 18% Liveness
47% Instrumentalness • 4% Positiveness
29% Popularity • 11% Danceability • 3% Energy • 18% Liveness
47% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Capriccio brillant, Op. 22: Andante
91 bpm • B Maj • 02:30 • -30.47db
54% Popularity • 25% Danceability • 1% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
54% Popularity • 25% Danceability • 1% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
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Christoph Willibald Gluck
Gluck: Iphigénie en Tauride, Wq. 46, Ac...
95 bpm • A# Maj • 03:57 • -13.66db
7% Popularity • 28% Danceability • 18% Energy • 69% Liveness
0% Instrumentalness • 8% Positiveness
7% Popularity • 28% Danceability • 18% Energy • 69% Liveness
0% Instrumentalness • 8% Positiveness
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Clara Schumann
Schumann: 12 Gedichte aus Liebesfrühlin...
91 bpm • C# Maj • 02:08 • -30.66db
29% Popularity • 17% Danceability • 0% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
29% Popularity • 17% Danceability • 0% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
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Daniel Barenboim
Bach, JS : Well-Tempered Clavier Book 1 ...
95 bpm • C Maj • 01:40 • -37db
56% Popularity • 18% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 25% Positiveness
56% Popularity • 18% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 25% Positiveness
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Léo Delibes
Le roi s'amuse: Pavane
91 bpm • A# Maj • 01:28 • -34db
63% Popularity • 20% Danceability • 1% Energy • 15% Liveness
94% Instrumentalness • 24% Positiveness
63% Popularity • 20% Danceability • 1% Energy • 15% Liveness
94% Instrumentalness • 24% Positiveness
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Edvard Grieg
Grieg: Lyric Pieces, Book 1, Op. 12: No....
95 bpm • G min • 01:20 • -38.87db
33% Popularity • 40% Danceability • 0% Energy • 10% Liveness
90% Instrumentalness • 11% Positiveness
33% Popularity • 40% Danceability • 0% Energy • 10% Liveness
90% Instrumentalness • 11% Positiveness
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Edward Elgar
Salut d'amour, Op. 12
95 bpm • E Maj • 02:54 • -22db
51% Popularity • 17% Danceability • 13% Energy • 13% Liveness
4% Instrumentalness • 5% Positiveness
51% Popularity • 17% Danceability • 13% Energy • 13% Liveness
4% Instrumentalness • 5% Positiveness
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Christoph Willibald Gluck
Gluck: Orfeo ed Euridice, Wq. 30, Act 3:...
91 bpm • G Maj • 02:29 • -20.12db
6% Popularity • 29% Danceability • 4% Energy • 69% Liveness
0% Instrumentalness • 4% Positiveness
6% Popularity • 29% Danceability • 4% Energy • 69% Liveness
0% Instrumentalness • 4% Positiveness
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Frédéric Chopin
Berceuse in D Flat Major, Op. 57
95 bpm • C# Maj • 04:52 • -26.42db
41% Popularity • 32% Danceability • 7% Energy • 14% Liveness
90% Instrumentalness • 8% Positiveness
41% Popularity • 32% Danceability • 7% Energy • 14% Liveness
90% Instrumentalness • 8% Positiveness
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Alessandro Marcello
Adagio
91 bpm • D min • 02:49 • -33.56db
35% Popularity • 47% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 17% Positiveness
35% Popularity • 47% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 17% Positiveness
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Cologne Chamber Orchestra
Concerto For 2 Keyboards In C Minor, BWV...
96 bpm • C min • 04:45 • -19db
46% Popularity • 36% Danceability • 24% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
46% Popularity • 36% Danceability • 24% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
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Carl Maria von Weber
Piano Concerto No. 1 in C Major, Op. 11,...
95 bpm • G# Maj • 04:17 • -33.85db
41% Popularity • 17% Danceability • 1% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
41% Popularity • 17% Danceability • 1% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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![6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] cover art](https://i.scdn.co/image/ab67616d00001e02b75259b5803e04a1d46dc211)
Franz Liszt
6 Chants polonais, S. 480: No. 2, Frühl...
96 bpm • G min • 02:11 • -35.91db
64% Popularity • 41% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 16% Positiveness
64% Popularity • 41% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 16% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30, Act 1: Che di...
95 bpm • C# Maj • 01:46 • -22.2db
1% Popularity • 38% Danceability • 4% Energy • 15% Liveness
0% Instrumentalness • 13% Positiveness
1% Popularity • 38% Danceability • 4% Energy • 15% Liveness
0% Instrumentalness • 13% Positiveness
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Jacques Offenbach
Les larmes de Jacqueline, Op. 76, No. 2
90 bpm • C Maj • 07:11 • -19.82db
27% Popularity • 20% Danceability • 10% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
27% Popularity • 20% Danceability • 10% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Aram Khachaturian
Khachaturian: Children's Album, Book I, ...
90 bpm • G# Maj • 01:27 • -30.39db
46% Popularity • 37% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 28% Positiveness
46% Popularity • 37% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 28% Positiveness
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Maria João Pires
Sonata No. 16 in B Flat Major, II. Adagi...
96 bpm • D# Maj • 06:17 • -30.17db
33% Popularity • 44% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 28% Positiveness
33% Popularity • 44% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 28% Positiveness
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Franz Schubert
Sonate pour Arpeggione et Piano en La Mi...
90 bpm • B Maj • 04:28 • -26.93db
43% Popularity • 12% Danceability • 3% Energy • 21% Liveness
94% Instrumentalness • 4% Positiveness
43% Popularity • 12% Danceability • 3% Energy • 21% Liveness
94% Instrumentalness • 4% Positiveness
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John Field
Nocturne in B Flat Major, H. 37 (Version...
97 bpm • A# Maj • 02:58 • -27.05db
49% Popularity • 32% Danceability • 6% Energy • 11% Liveness
93% Instrumentalness • 15% Positiveness
49% Popularity • 32% Danceability • 6% Energy • 11% Liveness
93% Instrumentalness • 15% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30, Act 1: Ah! se...
95 bpm • C min • 02:29 • -18.84db
3% Popularity • 16% Danceability • 16% Energy • 20% Liveness
78% Instrumentalness • 4% Positiveness
3% Popularity • 16% Danceability • 16% Energy • 20% Liveness
78% Instrumentalness • 4% Positiveness
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Jules Massenet
Méditation from Thaïs
89 bpm • E min • 05:31 • -23.42db
56% Popularity • 11% Danceability • 7% Energy • 9% Liveness
43% Instrumentalness • 4% Positiveness
56% Popularity • 11% Danceability • 7% Energy • 9% Liveness
43% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
12 Romances, Op. 21: No. 7, How Fair Thi...
89 bpm • A Maj • 01:49 • -24.42db
42% Popularity • 16% Danceability • 6% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
42% Popularity • 16% Danceability • 6% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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George Frideric Handel
Rinaldo, HWV 7a, Act II, Scene 4: Lascia...
97 bpm • B Maj • 05:00 • -26.68db
47% Popularity • 13% Danceability • 2% Energy • 8% Liveness
37% Instrumentalness • 6% Positiveness
47% Popularity • 13% Danceability • 2% Energy • 8% Liveness
37% Instrumentalness • 6% Positiveness
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Anonymous
Catalan Folksong - arr. Pablo Casals (18...
89 bpm • A min • 03:12 • -27.12db
40% Popularity • 21% Danceability • 4% Energy • 6% Liveness
52% Instrumentalness • 4% Positiveness
40% Popularity • 21% Danceability • 4% Energy • 6% Liveness
52% Instrumentalness • 4% Positiveness
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Edward Elgar
Chanson de Matin, Op. 15 No. 2 (Arr. Cul...
89 bpm • G Maj • 03:05 • -22.24db
31% Popularity • 24% Danceability • 11% Energy • 60% Liveness
92% Instrumentalness • 11% Positiveness
31% Popularity • 24% Danceability • 11% Energy • 60% Liveness
92% Instrumentalness • 11% Positiveness
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Christoph Willibald Gluck
Gluck: Orfeo ed Euridice, Wq. 30, Act 3:...
95 bpm • B Maj • 05:07 • -13.58db
6% Popularity • 32% Danceability • 18% Energy • 57% Liveness
1% Instrumentalness • 8% Positiveness
6% Popularity • 32% Danceability • 18% Energy • 57% Liveness
1% Instrumentalness • 8% Positiveness
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Pyotr Ilyich Tchaikovsky
Variations on a Rococo Theme, Op. 33, TH...
89 bpm • D Maj • 02:36 • -31.18db
59% Popularity • 12% Danceability • 3% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
59% Popularity • 12% Danceability • 3% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
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Henry Purcell
Abdelazer, Z.570: 2. Rondeau
97 bpm • C# min • 01:38 • -20db
49% Popularity • 37% Danceability • 5% Energy • 11% Liveness
52% Instrumentalness • 48% Positiveness
49% Popularity • 37% Danceability • 5% Energy • 11% Liveness
52% Instrumentalness • 48% Positiveness
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Sergei Rachmaninoff
Morceaux de Fantaisie, Op. 3: 1. Elégie
89 bpm • D# min • 05:17 • -22db
34% Popularity • 20% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
34% Popularity • 20% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Carl Philipp Emanuel Bach
Sonata in G major, Wq. 62/19: 2. Andante
98 bpm • B min • 03:07 • -32db
43% Popularity • 44% Danceability • 1% Energy • 7% Liveness
87% Instrumentalness • 34% Positiveness
43% Popularity • 44% Danceability • 1% Energy • 7% Liveness
87% Instrumentalness • 34% Positiveness
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Manuel de Falla
7 Canciones populares españolas - Arran...
89 bpm • A min • 03:04 • -31.33db
40% Popularity • 12% Danceability • 1% Energy • 5% Liveness
93% Instrumentalness • 4% Positiveness
40% Popularity • 12% Danceability • 1% Energy • 5% Liveness
93% Instrumentalness • 4% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30 (Excerpts): Tr...
91 bpm • C# Maj • 03:15 • -13.74db
3% Popularity • 28% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
3% Popularity • 28% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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Pablo Casals
El cant dels ocells (Song of the Birds) ...
89 bpm • A min • 03:49 • -33db
57% Popularity • 16% Danceability • 3% Energy • 11% Liveness
23% Instrumentalness • 3% Positiveness
57% Popularity • 16% Danceability • 3% Energy • 11% Liveness
23% Instrumentalness • 3% Positiveness
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Ralph Vaughan Williams
The Lark Ascending: I. Andante sostenuto
98 bpm • B min • 06:12 • -24db
40% Popularity • 20% Danceability • 8% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
40% Popularity • 20% Danceability • 8% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Rhapsody on a Theme of Paganini, Op. 43:...
88 bpm • C# Maj • 02:54 • -23.84db
55% Popularity • 20% Danceability • 5% Energy • 10% Liveness
91% Instrumentalness • 5% Positiveness
55% Popularity • 20% Danceability • 5% Energy • 10% Liveness
91% Instrumentalness • 5% Positiveness
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Aram Khachaturian
Khachaturian: Spartacus (Highlights from...
88 bpm • G# Maj • 09:54 • -21.56db
38% Popularity • 11% Danceability • 11% Energy • 10% Liveness
82% Instrumentalness • 3% Positiveness
38% Popularity • 11% Danceability • 11% Energy • 10% Liveness
82% Instrumentalness • 3% Positiveness
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Ottorino Respighi
6 Pieces for Piano, P. 44: No. 3. Nottur...
88 bpm • F# Maj • 05:00 • -29.23db
44% Popularity • 15% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
44% Popularity • 15% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30, Act 1: Gli sg...
90 bpm • D Maj • 02:42 • -22.54db
2% Popularity • 51% Danceability • 7% Energy • 55% Liveness
0% Instrumentalness • 33% Positiveness
2% Popularity • 51% Danceability • 7% Energy • 55% Liveness
0% Instrumentalness • 33% Positiveness
► Preview
Domenico Scarlatti
Keyboard Sonata in E Major, K. 380: Anda...
88 bpm • B Maj • 04:59 • -28db
28% Popularity • 36% Danceability • 5% Energy • 14% Liveness
93% Instrumentalness • 22% Positiveness
28% Popularity • 36% Danceability • 5% Energy • 14% Liveness
93% Instrumentalness • 22% Positiveness
► Preview
Gabriel Fauré
Après un rêve, Op. 7, No. 1 (Arr. for ...
98 bpm • F min • 03:01 • -20db
50% Popularity • 17% Danceability • 10% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
50% Popularity • 17% Danceability • 10% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Souvenir d'un lieu cher, Op. 42: 3. Mél...
99 bpm • D# Maj • 03:52 • -25.25db
43% Popularity • 22% Danceability • 5% Energy • 10% Liveness
3% Instrumentalness • 7% Positiveness
43% Popularity • 22% Danceability • 5% Energy • 10% Liveness
3% Instrumentalness • 7% Positiveness
► Preview
Antonio Vivaldi
Nulla in mundo pax, RV 630: 1. Nulla in ...
99 bpm • D# Maj • 06:42 • -19.51db
50% Popularity • 29% Danceability • 8% Energy • 24% Liveness
0% Instrumentalness • 10% Positiveness
50% Popularity • 29% Danceability • 8% Energy • 24% Liveness
0% Instrumentalness • 10% Positiveness
► Preview
Richard Wagner
Wagner: Albumblatt, WWV 94
87 bpm • A Maj • 04:48 • -13db
33% Popularity • 19% Danceability • 24% Energy • 6% Liveness
2% Instrumentalness • 6% Positiveness
33% Popularity • 19% Danceability • 24% Energy • 6% Liveness
2% Instrumentalness • 6% Positiveness
► Preview
Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30, Act 1: Ballo....
96 bpm • A# Maj • 02:11 • -32.35db
2% Popularity • 13% Danceability • 2% Energy • 13% Liveness
12% Instrumentalness • 6% Positiveness
2% Popularity • 13% Danceability • 2% Energy • 13% Liveness
12% Instrumentalness • 6% Positiveness
► Preview
Carl Philipp Emanuel Bach
Keyboard Concerto in G Major, Wq. 44: II...
87 bpm • E min • 03:18 • -27db
50% Popularity • 38% Danceability • 3% Energy • 23% Liveness
62% Instrumentalness • 20% Positiveness
50% Popularity • 38% Danceability • 3% Energy • 23% Liveness
62% Instrumentalness • 20% Positiveness
► Preview
Gabriel Fauré
Elégie in C Minor, Op. 24 (Arr. Parkin ...
88 bpm • G# Maj • 07:35 • -24db
49% Popularity • 12% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
49% Popularity • 12% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
The Seasons, Op. 37b: VI. June, "Barcaro...
87 bpm • G min • 04:31 • -27.95db
46% Popularity • 31% Danceability • 4% Energy • 8% Liveness
87% Instrumentalness • 18% Positiveness
46% Popularity • 31% Danceability • 4% Energy • 8% Liveness
87% Instrumentalness • 18% Positiveness
► Preview
Sergei Rachmaninoff
Zdes' khorosho ('How Fair This Spot'), O...
87 bpm • A Maj • 01:59 • -29.09db
57% Popularity • 25% Danceability • 2% Energy • 4% Liveness
94% Instrumentalness • 6% Positiveness
57% Popularity • 25% Danceability • 2% Energy • 4% Liveness
94% Instrumentalness • 6% Positiveness
► Preview
Edvard Grieg
Lyric Pieces Book I, Op. 12: No. 7 Album...
100 bpm • E min • 01:20 • -33.32db
50% Popularity • 55% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 68% Positiveness
50% Popularity • 55% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 68% Positiveness
► Preview
Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30, Act 1: Chiamo...
90 bpm • A min • 01:12 • -23.36db
2% Popularity • 22% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
2% Popularity • 22% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Clara Schumann
3 Preludes and Fugues, Op. 16: No. 2. Pr...
100 bpm • A# Maj • 03:43 • -33db
43% Popularity • 28% Danceability • 4% Energy • 8% Liveness
85% Instrumentalness • 9% Positiveness
43% Popularity • 28% Danceability • 4% Energy • 8% Liveness
85% Instrumentalness • 9% Positiveness
► Preview
Nadia Boulanger
3 Pieces for cello and piano: No. 1. Mod...
87 bpm • D# min • 02:37 • -30.78db
52% Popularity • 16% Danceability • 2% Energy • 8% Liveness
89% Instrumentalness • 8% Positiveness
52% Popularity • 16% Danceability • 2% Energy • 8% Liveness
89% Instrumentalness • 8% Positiveness
► Preview
Alexander Glazunov
The Seasons, Op. 67: XIV. Petit Adagio
87 bpm • A Maj • 03:29 • -21.96db
34% Popularity • 18% Danceability • 10% Energy • 15% Liveness
81% Instrumentalness • 6% Positiveness
34% Popularity • 18% Danceability • 10% Energy • 15% Liveness
81% Instrumentalness • 6% Positiveness
► Preview
Dmitri Shostakovich
24 Preludes and Fugues, Op. 87: Prelude ...
100 bpm • G Maj • 01:57 • -35db
47% Popularity • 39% Danceability • 2% Energy • 8% Liveness
91% Instrumentalness • 9% Positiveness
47% Popularity • 39% Danceability • 2% Energy • 8% Liveness
91% Instrumentalness • 9% Positiveness
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Johann Sebastian Bach
Violin Concerto No. 2 in E, BWV 1042: 1....
100 bpm • E Maj • 07:25 • -16db
37% Popularity • 45% Danceability • 33% Energy • 8% Liveness
2% Instrumentalness • 56% Positiveness
37% Popularity • 45% Danceability • 33% Energy • 8% Liveness
2% Instrumentalness • 56% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30, Act 2: Ah, qu...
89 bpm • C Maj • 01:20 • -18.7db
1% Popularity • 30% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
1% Popularity • 30% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
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Maurice Ravel
Le tombeau de Couperin (version for orch...
86 bpm • G Maj • 04:25 • -30db
42% Popularity • 12% Danceability • 2% Energy • 5% Liveness
88% Instrumentalness • 8% Positiveness
42% Popularity • 12% Danceability • 2% Energy • 5% Liveness
88% Instrumentalness • 8% Positiveness
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Luigi Boccherini
Bocherini / Arr. Grützmacher: Cello Con...
86 bpm • G min • 06:54 • -23.72db
44% Popularity • 13% Danceability • 12% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
44% Popularity • 13% Danceability • 12% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Les berceaux, Op. 23, No. 1
85 bpm • C min • 03:07 • -24db
37% Popularity • 18% Danceability • 4% Energy • 8% Liveness
86% Instrumentalness • 4% Positiveness
37% Popularity • 18% Danceability • 4% Energy • 8% Liveness
86% Instrumentalness • 4% Positiveness
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Jean-Baptiste Lully
Gavotte - Arr. for Cello and Piano
85 bpm • D min • 02:50 • -27db
35% Popularity • 30% Danceability • 2% Energy • 9% Liveness
76% Instrumentalness • 34% Positiveness
35% Popularity • 30% Danceability • 2% Energy • 9% Liveness
76% Instrumentalness • 34% Positiveness
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Johann Sebastian Bach
Prelude in B minor, BWV 855a (Arr. by Al...
100 bpm • B min • 04:01 • -33.75db
57% Popularity • 18% Danceability • 4% Energy • 8% Liveness
96% Instrumentalness • 9% Positiveness
57% Popularity • 18% Danceability • 4% Energy • 8% Liveness
96% Instrumentalness • 9% Positiveness
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Christoph Willibald Gluck
Orphée et Eurydice, Wq. 30, Act II: Act...
86 bpm • B Maj • 02:28 • -23.51db
0% Popularity • 12% Danceability • 6% Energy • 14% Liveness
19% Instrumentalness • 27% Positiveness
0% Popularity • 12% Danceability • 6% Energy • 14% Liveness
19% Instrumentalness • 27% Positiveness
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Ludwig van Beethoven
Piano Concerto No. 5 in E-Flat Major, Op...
85 bpm • B Maj • 08:18 • -29.76db
51% Popularity • 23% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
51% Popularity • 23% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
Suite for Viola & Small Orchestra: II. C...
85 bpm • C min • 03:01 • -33db
38% Popularity • 17% Danceability • 2% Energy • 14% Liveness
89% Instrumentalness • 7% Positiveness
38% Popularity • 17% Danceability • 2% Energy • 14% Liveness
89% Instrumentalness • 7% Positiveness
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Franz Schubert
Die Nacht (Arr. for Cello and Guitar by ...
85 bpm • G Maj • 02:23 • -27.02db
56% Popularity • 16% Danceability • 4% Energy • 9% Liveness
91% Instrumentalness • 17% Positiveness
56% Popularity • 16% Danceability • 4% Energy • 9% Liveness
91% Instrumentalness • 17% Positiveness
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Georg Philipp Telemann
Sinfonia melodica in C Major, TWV 50:2: ...
103 bpm • B Maj • 01:08 • -19db
53% Popularity • 42% Danceability • 13% Energy • 55% Liveness
60% Instrumentalness • 58% Positiveness
53% Popularity • 42% Danceability • 13% Energy • 55% Liveness
60% Instrumentalness • 58% Positiveness
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Johann Sebastian Bach
Come, Sweet Death, BWV 478 (Arr. for 5 C...
86 bpm • C min • 03:17 • -20.73db
55% Popularity • 10% Danceability • 9% Energy • 15% Liveness
87% Instrumentalness • 4% Positiveness
55% Popularity • 10% Danceability • 9% Energy • 15% Liveness
87% Instrumentalness • 4% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30, Act II, Scene...
86 bpm • F# Maj • 06:21 • -24db
16% Popularity • 19% Danceability • 5% Energy • 12% Liveness
14% Instrumentalness • 4% Positiveness
16% Popularity • 19% Danceability • 5% Energy • 12% Liveness
14% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Sarabande et rigaudon, Op. 93: Sarabande
84 bpm • E Maj • 06:16 • -26db
43% Popularity • 11% Danceability • 8% Energy • 22% Liveness
80% Instrumentalness • 5% Positiveness
43% Popularity • 11% Danceability • 8% Energy • 22% Liveness
80% Instrumentalness • 5% Positiveness
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Cologne Chamber Orchestra
Concerto For 2 Keyboards In C Minor, BWV...
103 bpm • D# Maj • 06:07 • -26db
49% Popularity • 25% Danceability • 8% Energy • 19% Liveness
0% Instrumentalness • 20% Positiveness
49% Popularity • 25% Danceability • 8% Energy • 19% Liveness
0% Instrumentalness • 20% Positiveness
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Domenico Cimarosa
Oboe Concerto in C: 3. Siciliana
84 bpm • A min • 02:59 • -22.76db
27% Popularity • 25% Danceability • 6% Energy • 12% Liveness
71% Instrumentalness • 7% Positiveness
27% Popularity • 25% Danceability • 6% Energy • 12% Liveness
71% Instrumentalness • 7% Positiveness
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Alexander Glazunov
Mélodie, Op. 20, No. 1
84 bpm • D Maj • 06:39 • -23db
43% Popularity • 9% Danceability • 10% Energy • 19% Liveness
90% Instrumentalness • 8% Positiveness
43% Popularity • 9% Danceability • 10% Energy • 19% Liveness
90% Instrumentalness • 8% Positiveness
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Johann Sebastian Bach
Prelude & Fugue in C Major (Well-Tempere...
102 bpm • C Maj • 01:26 • -29.53db
38% Popularity • 29% Danceability • 6% Energy • 12% Liveness
87% Instrumentalness • 57% Positiveness
38% Popularity • 29% Danceability • 6% Energy • 12% Liveness
87% Instrumentalness • 57% Positiveness
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Christoph Willibald Gluck
Gluck: Orfeo ed Euridice, Wq. 30, Act 1:...
85 bpm • F# min • 01:57 • -17.97db
7% Popularity • 48% Danceability • 14% Energy • 6% Liveness
0% Instrumentalness • 10% Positiveness
7% Popularity • 48% Danceability • 14% Energy • 6% Liveness
0% Instrumentalness • 10% Positiveness
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Johannes Brahms
6 Chorale Preludes, BV B 50: Herzlich tu...
84 bpm • A min • 03:01 • -39.58db
49% Popularity • 12% Danceability • 0% Energy • 7% Liveness
92% Instrumentalness • 19% Positiveness
49% Popularity • 12% Danceability • 0% Energy • 7% Liveness
92% Instrumentalness • 19% Positiveness
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Johann Christian Bach
Keyboard Concerto in E-Flat Major, Op. 7...
84 bpm • C min • 06:25 • -28db
21% Popularity • 23% Danceability • 4% Energy • 15% Liveness
91% Instrumentalness • 11% Positiveness
21% Popularity • 23% Danceability • 4% Energy • 15% Liveness
91% Instrumentalness • 11% Positiveness
► Preview
Claude Debussy
Debussy: Piano Trio in G Major, CD 5, L....
84 bpm • C Maj • 03:47 • -21.94db
41% Popularity • 12% Danceability • 10% Energy • 17% Liveness
67% Instrumentalness • 13% Positiveness
41% Popularity • 12% Danceability • 10% Energy • 17% Liveness
67% Instrumentalness • 13% Positiveness
► Preview
Domenico Scarlatti
Sonata in E Major, K. 380
84 bpm • B Maj • 02:52 • -31.38db
42% Popularity • 45% Danceability • 4% Energy • 14% Liveness
95% Instrumentalness • 17% Positiveness
42% Popularity • 45% Danceability • 4% Energy • 14% Liveness
95% Instrumentalness • 17% Positiveness
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Jules Massenet
Thaïs: Méditation
84 bpm • D Maj • 05:28 • -27db
44% Popularity • 17% Danceability • 4% Energy • 21% Liveness
15% Instrumentalness • 4% Positiveness
44% Popularity • 17% Danceability • 4% Energy • 21% Liveness
15% Instrumentalness • 4% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30, Act 1: Cerco ...
97 bpm • F Maj • 01:13 • -23.09db
2% Popularity • 25% Danceability • 4% Energy • 16% Liveness
0% Instrumentalness • 10% Positiveness
2% Popularity • 25% Danceability • 4% Energy • 16% Liveness
0% Instrumentalness • 10% Positiveness
► Preview
Alexander Borodin
Polovetsian Dances from Prince Igor: Int...
83 bpm • A Maj • 02:16 • -23db
53% Popularity • 16% Danceability • 6% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
53% Popularity • 16% Danceability • 6% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
