Songs like Gluck: Orphée et Eurydice, Act 3: "J'ai perdu mon Eurydice" (Orphée) by Christoph Willibald Gluck
Based on a tempo of (+/- 10%) and a similar genre
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Gaetano Donizetti
Donizetti: L'elisir d'amore, Act 2: "Una...
79 bpm • A# min • 04:17 • -22.29db
20% Popularity • 16% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
20% Popularity • 16% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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Christoph Willibald Gluck
Gluck: Orphée et Eurydice, Act 3: "J'ai...
79 bpm • E min • 04:22 • -20.16db
17% Popularity • 32% Danceability • 10% Energy • 35% Liveness
0% Instrumentalness • 4% Positiveness
17% Popularity • 32% Danceability • 10% Energy • 35% Liveness
0% Instrumentalness • 4% Positiveness
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Gioachino Rossini
Rossini: Stabat Mater: VII. Fac, ut port...
79 bpm • E Maj • 04:43 • -20.6db
10% Popularity • 14% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 14% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Jules Massenet
Werther / Act 3: "Pourquoi me réveiller...
79 bpm • F# min • 03:17 • -15.56db
29% Popularity • 13% Danceability • 14% Energy • 20% Liveness
14% Instrumentalness • 8% Positiveness
29% Popularity • 13% Danceability • 14% Energy • 20% Liveness
14% Instrumentalness • 8% Positiveness
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Reynaldo Hahn
L'Heure exquise
79 bpm • C# Maj • 02:28 • -33.12db
25% Popularity • 24% Danceability • 2% Energy • 10% Liveness
1% Instrumentalness • 5% Positiveness
25% Popularity • 24% Danceability • 2% Energy • 10% Liveness
1% Instrumentalness • 5% Positiveness
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Georges Bizet
Les Pecheurs des Perles / Act 1: "Au fon...
78 bpm • D# Maj • 05:25 • -16.03db
32% Popularity • 14% Danceability • 25% Energy • 9% Liveness
9% Instrumentalness • 7% Positiveness
32% Popularity • 14% Danceability • 25% Energy • 9% Liveness
9% Instrumentalness • 7% Positiveness
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Wolfgang Amadeus Mozart
Vesperae solennes de confessore in C, K....
78 bpm • F Maj • 03:59 • -26db
14% Popularity • 19% Danceability • 4% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
14% Popularity • 19% Danceability • 4% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice Wq. 30 - Vienna Versio...
79 bpm • F Maj • 07:29 • -28.34db
13% Popularity • 14% Danceability • 5% Energy • 19% Liveness
96% Instrumentalness • 8% Positiveness
13% Popularity • 14% Danceability • 5% Energy • 19% Liveness
96% Instrumentalness • 8% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia / Act 1: "Una vo...
78 bpm • B Maj • 05:35 • -21.94db
15% Popularity • 37% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
15% Popularity • 37% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Jules Massenet
Werther / Act 3: Massenet: Werther: Va !...
80 bpm • D min • 02:35 • -23.26db
11% Popularity • 21% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 21% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Maurice Duruflé
Requiem: Pie Jesu
80 bpm • G# Maj • 04:25 • -24.94db
11% Popularity • 10% Danceability • 2% Energy • 18% Liveness
12% Instrumentalness • 4% Positiveness
11% Popularity • 10% Danceability • 2% Energy • 18% Liveness
12% Instrumentalness • 4% Positiveness
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Léo Delibes
Lakmé / Act 1: "Sous le dôme épais" (...
80 bpm • B Maj • 03:50 • -22.69db
21% Popularity • 29% Danceability • 7% Energy • 9% Liveness
26% Instrumentalness • 7% Positiveness
21% Popularity • 29% Danceability • 7% Energy • 9% Liveness
26% Instrumentalness • 7% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Vesperae solennes de confessore,...
80 bpm • F Maj • 05:24 • -21.88db
9% Popularity • 11% Danceability • 8% Energy • 17% Liveness
4% Instrumentalness • 4% Positiveness
9% Popularity • 11% Danceability • 8% Energy • 17% Liveness
4% Instrumentalness • 4% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30 / Acte I: Choe...
80 bpm • F# Maj • 03:04 • -16.09db
11% Popularity • 16% Danceability • 21% Energy • 29% Liveness
9% Instrumentalness • 4% Positiveness
11% Popularity • 16% Danceability • 21% Energy • 29% Liveness
9% Instrumentalness • 4% Positiveness
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Giuseppe Verdi
Rigoletto / Act 3: Bella figlia dell'amo...
78 bpm • C# Maj • 03:53 • -14.58db
22% Popularity • 23% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
22% Popularity • 23% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Gioachino Rossini
III. Quis est homo (Duet)
78 bpm • E Maj • 05:56 • -22.54db
10% Popularity • 26% Danceability • 6% Energy • 7% Liveness
0% Instrumentalness • 5% Positiveness
10% Popularity • 26% Danceability • 6% Energy • 7% Liveness
0% Instrumentalness • 5% Positiveness
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Gaetano Donizetti
L'elisir d'amore / Act 1: "Quanto è bel...
80 bpm • C Maj • 03:20 • -15.64db
24% Popularity • 31% Danceability • 23% Energy • 69% Liveness
0% Instrumentalness • 34% Positiveness
24% Popularity • 31% Danceability • 23% Energy • 69% Liveness
0% Instrumentalness • 34% Positiveness
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Richard Wagner
Tannhäuser, WWV 70 - Paris version / Ac...
80 bpm • D# Maj • 04:56 • -17.52db
26% Popularity • 10% Danceability • 14% Energy • 14% Liveness
1% Instrumentalness • 7% Positiveness
26% Popularity • 10% Danceability • 14% Energy • 14% Liveness
1% Instrumentalness • 7% Positiveness
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Charles Gounod
Faust, CG 4 / Act 3: "Quel trouble incon...
80 bpm • G# Maj • 06:14 • -17.77db
9% Popularity • 16% Danceability • 17% Energy • 8% Liveness
53% Instrumentalness • 4% Positiveness
9% Popularity • 16% Danceability • 17% Energy • 8% Liveness
53% Instrumentalness • 4% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice: Act I, Scene 1, Coro:...
80 bpm • F min • 02:23 • -21db
25% Popularity • 10% Danceability • 13% Energy • 22% Liveness
64% Instrumentalness • 3% Positiveness
25% Popularity • 10% Danceability • 13% Energy • 22% Liveness
64% Instrumentalness • 3% Positiveness
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Giuseppe Verdi
Nabucco / Act I: Gli arredi festivi giù...
80 bpm • E Maj • 05:41 • -16.03db
26% Popularity • 14% Danceability • 10% Energy • 8% Liveness
91% Instrumentalness • 14% Positiveness
26% Popularity • 14% Danceability • 10% Energy • 8% Liveness
91% Instrumentalness • 14% Positiveness
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スーザン・マカロック
歌劇「ホフマン物語」/舟歌 (�...
80 bpm • D Maj • 03:43 • -19.69db
11% Popularity • 17% Danceability • 15% Energy • 21% Liveness
0% Instrumentalness • 6% Positiveness
11% Popularity • 17% Danceability • 15% Energy • 21% Liveness
0% Instrumentalness • 6% Positiveness
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Gioachino Rossini
Rossini: Guillaume Tell, Act 4 Scene 11:...
78 bpm • C Maj • 03:37 • -15.5db
15% Popularity • 14% Danceability • 17% Energy • 8% Liveness
6% Instrumentalness • 4% Positiveness
15% Popularity • 14% Danceability • 17% Energy • 8% Liveness
6% Instrumentalness • 4% Positiveness
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Henry Purcell
Purcell: Dido and Aeneas, Z. 626, Act II...
80 bpm • F# min • 03:54 • -22.6db
29% Popularity • 17% Danceability • 2% Energy • 30% Liveness
0% Instrumentalness • 4% Positiveness
29% Popularity • 17% Danceability • 2% Energy • 30% Liveness
0% Instrumentalness • 4% Positiveness
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Charles Gounod
Gounod: Roméo et Juliette, CG 9, Act 1:...
78 bpm • F Maj • 03:55 • -18.15db
15% Popularity • 30% Danceability • 13% Energy • 5% Liveness
0% Instrumentalness • 14% Positiveness
15% Popularity • 30% Danceability • 13% Energy • 5% Liveness
0% Instrumentalness • 14% Positiveness
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Christoph Willibald Gluck
Iphigénie en Tauride / Act 1: Scène 1....
80 bpm • C# Maj • 06:44 • -19db
8% Popularity • 31% Danceability • 29% Energy • 44% Liveness
1% Instrumentalness • 7% Positiveness
8% Popularity • 31% Danceability • 29% Energy • 44% Liveness
1% Instrumentalness • 7% Positiveness
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Giuseppe Verdi
Verdi: Aida, Act 4: "O terra, addio, val...
80 bpm • C# Maj • 04:45 • -22.19db
17% Popularity • 18% Danceability • 7% Energy • 17% Liveness
0% Instrumentalness • 5% Positiveness
17% Popularity • 18% Danceability • 7% Energy • 17% Liveness
0% Instrumentalness • 5% Positiveness
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Renata Tebaldi
Si, Mi Chiamano Mimì - la Boheme Atto I
80 bpm • D Maj • 04:56 • -14.01db
28% Popularity • 20% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
28% Popularity • 20% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Antonio Caldara
Il trionfo dell'innocenza: "Vanne pentit...
80 bpm • A Maj • 08:45 • -24db
19% Popularity • 22% Danceability • 5% Energy • 13% Liveness
3% Instrumentalness • 7% Positiveness
19% Popularity • 22% Danceability • 5% Energy • 13% Liveness
3% Instrumentalness • 7% Positiveness
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Georges Bizet
Carmen, WD 31 / Act 2: "La fleur que tu ...
80 bpm • C# Maj • 04:20 • -16db
16% Popularity • 19% Danceability • 18% Energy • 9% Liveness
70% Instrumentalness • 4% Positiveness
16% Popularity • 19% Danceability • 18% Energy • 9% Liveness
70% Instrumentalness • 4% Positiveness
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Charles Gounod
Gounod: Roméo et Juliette, Act 1: "Non,...
80 bpm • F Maj • 03:48 • -21db
10% Popularity • 30% Danceability • 11% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
10% Popularity • 30% Danceability • 11% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
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Gaetano Donizetti
L'elisir d'amore / Act 2: "Una furtiva l...
78 bpm • F min • 04:38 • -18db
29% Popularity • 16% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
29% Popularity • 16% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Reynaldo Hahn
Trois Jours de vendange
81 bpm • B min • 03:50 • -25db
9% Popularity • 31% Danceability • 5% Energy • 17% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 31% Danceability • 5% Energy • 17% Liveness
0% Instrumentalness • 4% Positiveness
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Wilhelm Kempff
Orfeo ed Euridice, Act II Scene 2: Balle...
81 bpm • F Maj • 04:45 • -33.57db
36% Popularity • 29% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
36% Popularity • 29% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Richard Wagner
Wagner: Tristan und Isolde, Act 3: "Mild...
81 bpm • B Maj • 06:58 • -15db
12% Popularity • 11% Danceability • 25% Energy • 33% Liveness
1% Instrumentalness • 4% Positiveness
12% Popularity • 11% Danceability • 25% Energy • 33% Liveness
1% Instrumentalness • 4% Positiveness
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Leoš Janáček
Jenufa / Act 2: Co chvila ... co chvila
77 bpm • B Maj • 03:47 • -15db
31% Popularity • 21% Danceability • 19% Energy • 64% Liveness
0% Instrumentalness • 4% Positiveness
31% Popularity • 21% Danceability • 19% Energy • 64% Liveness
0% Instrumentalness • 4% Positiveness
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Charles Gounod
Roméo et Juliette, Acte II: "L'amour......
80 bpm • F Maj • 06:10 • -18.27db
14% Popularity • 14% Danceability • 11% Energy • 9% Liveness
59% Instrumentalness • 4% Positiveness
14% Popularity • 14% Danceability • 11% Energy • 9% Liveness
59% Instrumentalness • 4% Positiveness
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Georges Bizet
Bizet: Carmen, WD 31, Act 4: "C'est toi ...
81 bpm • G# Maj • 03:29 • -16.76db
4% Popularity • 27% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
4% Popularity • 27% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Vincenzo Bellini
La Sonnambula (1997 - Remaster): Aria - ...
81 bpm • C Maj • 05:06 • -19db
13% Popularity • 17% Danceability • 7% Energy • 28% Liveness
5% Instrumentalness • 13% Positiveness
13% Popularity • 17% Danceability • 7% Energy • 28% Liveness
5% Instrumentalness • 13% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30 / Act III: "Ch...
77 bpm • C Maj • 03:55 • -17.2db
24% Popularity • 23% Danceability • 12% Energy • 34% Liveness
0% Instrumentalness • 15% Positiveness
24% Popularity • 23% Danceability • 12% Energy • 34% Liveness
0% Instrumentalness • 15% Positiveness
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Giuseppe Verdi
La traviata / Act 1: "E strano!...Ah, fo...
81 bpm • F min • 06:43 • -16.96db
10% Popularity • 30% Danceability • 11% Energy • 5% Liveness
3% Instrumentalness • 4% Positiveness
10% Popularity • 30% Danceability • 11% Energy • 5% Liveness
3% Instrumentalness • 4% Positiveness
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Elena Filipova
Messa da Requiem: II Lacrymosa
77 bpm • A# min • 05:45 • -22db
32% Popularity • 19% Danceability • 15% Energy • 9% Liveness
7% Instrumentalness • 4% Positiveness
32% Popularity • 19% Danceability • 15% Energy • 9% Liveness
7% Instrumentalness • 4% Positiveness
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Charles Gounod
Roméo et Juliette, CG 9 / Act 1: "Ah, j...
77 bpm • C Maj • 03:52 • -12.17db
30% Popularity • 35% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
30% Popularity • 35% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Die Zauberflöte, K. 620, Act 2:...
81 bpm • D Maj • 03:51 • -28.01db
9% Popularity • 20% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 20% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Jacques Offenbach
Offenbach: Les Contes d'Hoffmann, Act 4:...
81 bpm • D Maj • 04:23 • -24.77db
32% Popularity • 24% Danceability • 9% Energy • 33% Liveness
6% Instrumentalness • 6% Positiveness
32% Popularity • 24% Danceability • 9% Energy • 33% Liveness
6% Instrumentalness • 6% Positiveness
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Gaetano Donizetti
Lucia di Lammermoor: Act I: Regnava nel ...
81 bpm • A min • 08:01 • -18db
11% Popularity • 29% Danceability • 11% Energy • 10% Liveness
2% Instrumentalness • 21% Positiveness
11% Popularity • 29% Danceability • 11% Energy • 10% Liveness
2% Instrumentalness • 21% Positiveness
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Giuseppe Verdi
Verdi: Messa da Requiem: XX. Requiem æt...
81 bpm • F# Maj • 03:10 • -29db
15% Popularity • 17% Danceability • 6% Energy • 13% Liveness
6% Instrumentalness • 4% Positiveness
15% Popularity • 17% Danceability • 6% Energy • 13% Liveness
6% Instrumentalness • 4% Positiveness
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Richard Strauss
Strauss, R: 8 Gedichte aus Letzte Blätt...
81 bpm • C Maj • 01:55 • -16.04db
20% Popularity • 36% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
20% Popularity • 36% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice: Act II, Scene 1, Orfe...
81 bpm • F min • 00:59 • -29db
25% Popularity • 31% Danceability • 4% Energy • 20% Liveness
0% Instrumentalness • 33% Positiveness
25% Popularity • 31% Danceability • 4% Energy • 20% Liveness
0% Instrumentalness • 33% Positiveness
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Wolfgang Amadeus Mozart
Die Zauberflöte, K.620: O zittre nicht ...
81 bpm • A# Maj • 04:38 • -16db
8% Popularity • 28% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
8% Popularity • 28% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 4: "Belle nu...
77 bpm • D Maj • 02:14 • -23.75db
24% Popularity • 24% Danceability • 10% Energy • 33% Liveness
0% Instrumentalness • 11% Positiveness
24% Popularity • 24% Danceability • 10% Energy • 33% Liveness
0% Instrumentalness • 11% Positiveness
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Camille Saint-Saëns
Saint-Saëns: Samson et Dalila, Op. 47, ...
77 bpm • C# Maj • 05:20 • -19.91db
23% Popularity • 16% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
23% Popularity • 16% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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Giuseppe Verdi
Verdi: Messa da Requiem: I. Introit - Ky...
77 bpm • A Maj • 09:40 • -22.98db
8% Popularity • 12% Danceability • 9% Energy • 16% Liveness
14% Instrumentalness • 4% Positiveness
8% Popularity • 12% Danceability • 9% Energy • 16% Liveness
14% Instrumentalness • 4% Positiveness
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Richard Wagner
Wagner: Tristan und Isolde, Act III: Lie...
82 bpm • B Maj • 08:43 • -17db
14% Popularity • 18% Danceability • 21% Energy • 13% Liveness
27% Instrumentalness • 3% Positiveness
14% Popularity • 18% Danceability • 21% Energy • 13% Liveness
27% Instrumentalness • 3% Positiveness
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Christoph Willibald Gluck
Gluck: Orfeo ed Euridice, Wq. 30, Act 2:...
77 bpm • E Maj • 02:34 • -18.76db
10% Popularity • 39% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
10% Popularity • 39% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Wolfgang Amadeus Mozart
Le nozze di Figaro, K. 492, Atto terzo S...
81 bpm • A# Maj • 02:55 • -25db
28% Popularity • 37% Danceability • 7% Energy • 38% Liveness
0% Instrumentalness • 25% Positiveness
28% Popularity • 37% Danceability • 7% Energy • 38% Liveness
0% Instrumentalness • 25% Positiveness
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Slovak Philharmonic
Requiem In D Minor, K. 626: Sanctus
82 bpm • D Maj • 01:38 • -17db
50% Popularity • 17% Danceability • 26% Energy • 54% Liveness
24% Instrumentalness • 27% Positiveness
50% Popularity • 17% Danceability • 26% Energy • 54% Liveness
24% Instrumentalness • 27% Positiveness
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Vincenzo Bellini
I puritani / Act 1: "A te, o cara"
76 bpm • D Maj • 06:56 • -17db
13% Popularity • 13% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
13% Popularity • 13% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Giuseppe Verdi
Nabucco / Act IV: Su me ... morente ...e...
82 bpm • E Maj • 03:29 • -19.69db
17% Popularity • 24% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
17% Popularity • 24% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Gabriel Fauré
Fauré: Requiem, Op. 48: III. Sanctus
82 bpm • D# Maj • 02:42 • -20.54db
18% Popularity • 13% Danceability • 6% Energy • 12% Liveness
78% Instrumentalness • 4% Positiveness
18% Popularity • 13% Danceability • 6% Energy • 12% Liveness
78% Instrumentalness • 4% Positiveness
► Preview
Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30 / Act 3: "Che ...
81 bpm • G Maj • 03:53 • -19.13db
7% Popularity • 24% Danceability • 12% Energy • 57% Liveness
0% Instrumentalness • 5% Positiveness
7% Popularity • 24% Danceability • 12% Energy • 57% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
Wolfgang Amadeus Mozart
Così fan tutte, K.588 / Act 1: "Soave s...
81 bpm • E Maj • 02:38 • -17db
15% Popularity • 17% Danceability • 30% Energy • 21% Liveness
0% Instrumentalness • 7% Positiveness
15% Popularity • 17% Danceability • 30% Energy • 21% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Richard Strauss
Strauss, R: 4 Letzte Lieder: No. 4, Im A...
82 bpm • A# Maj • 08:27 • -24.29db
19% Popularity • 8% Danceability • 6% Energy • 13% Liveness
55% Instrumentalness • 4% Positiveness
19% Popularity • 8% Danceability • 6% Energy • 13% Liveness
55% Instrumentalness • 4% Positiveness
► Preview
Georges Bizet
Bizet: Carmen, Act 1: "La cloche a sonn�...
82 bpm • E Maj • 04:33 • -25.91db
21% Popularity • 18% Danceability • 5% Energy • 12% Liveness
2% Instrumentalness • 12% Positiveness
21% Popularity • 18% Danceability • 5% Energy • 12% Liveness
2% Instrumentalness • 12% Positiveness
► Preview
Jacques Offenbach
Offenbach: Les Contes d'Hoffmann, Act 1:...
82 bpm • G# Maj • 05:48 • -17.5db
16% Popularity • 33% Danceability • 11% Energy • 9% Liveness
23% Instrumentalness • 14% Positiveness
16% Popularity • 33% Danceability • 11% Energy • 9% Liveness
23% Instrumentalness • 14% Positiveness
► Preview
Gaetano Donizetti
Roberto Devereux / Act I: "All'afflitto ...
82 bpm • G Maj • 03:35 • -26.61db
11% Popularity • 18% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 18% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Christoph Willibald Gluck
Orfeo ed Euridice: Act I, Scene 1, Orfeo...
77 bpm • E min • 02:44 • -24.89db
17% Popularity • 48% Danceability • 8% Energy • 78% Liveness
0% Instrumentalness • 19% Positiveness
17% Popularity • 48% Danceability • 8% Energy • 78% Liveness
0% Instrumentalness • 19% Positiveness
► Preview
Wolfgang Amadeus Mozart
Mozart: Die Zauberflöte, K. 620, Act I:...
76 bpm • A# Maj • 04:37 • -20.88db
8% Popularity • 30% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
8% Popularity • 30% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
Alessandro Scarlatti
Il Sedecia, Rè di Gerusalemme: "Caldo S...
82 bpm • A# min • 05:25 • -20.73db
16% Popularity • 18% Danceability • 5% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
16% Popularity • 18% Danceability • 5% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Gioachino Rossini
Rossini: Stabat Mater: X. Amen. In sempi...
76 bpm • C min • 05:58 • -14.63db
13% Popularity • 12% Danceability • 53% Energy • 18% Liveness
90% Instrumentalness • 11% Positiveness
13% Popularity • 12% Danceability • 53% Energy • 18% Liveness
90% Instrumentalness • 11% Positiveness
► Preview
Georges Bizet
Bizet: Carmen, Act 1: Séguedille. "Prè...
83 bpm • D Maj • 04:36 • -19.43db
27% Popularity • 31% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
27% Popularity • 31% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Gaetano Donizetti
Donizetti: Anna Bolena, Act 2: "Al dolce...
76 bpm • F Maj • 04:31 • -22db
9% Popularity • 19% Danceability • 5% Energy • 24% Liveness
1% Instrumentalness • 9% Positiveness
9% Popularity • 19% Danceability • 5% Energy • 24% Liveness
1% Instrumentalness • 9% Positiveness
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Erich Wolfgang Korngold
Die tote Stadt (The Dead City), Op. 12: ...
83 bpm • A# Maj • 05:28 • -24.23db
34% Popularity • 9% Danceability • 10% Energy • 17% Liveness
34% Instrumentalness • 6% Positiveness
34% Popularity • 9% Danceability • 10% Energy • 17% Liveness
34% Instrumentalness • 6% Positiveness
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Christoph Willibald Gluck
Gluck: Orfeo ed Euridice, Wq. 30, Act 3:...
82 bpm • C# Maj • 03:47 • -20.11db
22% Popularity • 36% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
22% Popularity • 36% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Wolfgang Amadeus Mozart
Zaide, K.344 / Act 1: "Ruhe sanft, mein ...
76 bpm • G Maj • 05:29 • -19.38db
12% Popularity • 21% Danceability • 16% Energy • 13% Liveness
23% Instrumentalness • 5% Positiveness
12% Popularity • 21% Danceability • 16% Energy • 13% Liveness
23% Instrumentalness • 5% Positiveness
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Richard Wagner
Wagner: Tannhäuser, Act 3: "Beglückt d...
83 bpm • D# Maj • 04:47 • -20.39db
3% Popularity • 19% Danceability • 4% Energy • 24% Liveness
0% Instrumentalness • 4% Positiveness
3% Popularity • 19% Danceability • 4% Energy • 24% Liveness
0% Instrumentalness • 4% Positiveness
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Giuseppe Verdi
Il Trovatore / Act 2: "Stride la vampa!....
83 bpm • C Maj • 05:15 • -21db
19% Popularity • 29% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
19% Popularity • 29% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
L'Olimpiade, RV 725 / Act 2: Tra le foll...
83 bpm • C Maj • 06:45 • -20db
8% Popularity • 41% Danceability • 19% Energy • 29% Liveness
0% Instrumentalness • 35% Positiveness
8% Popularity • 41% Danceability • 19% Energy • 29% Liveness
0% Instrumentalness • 35% Positiveness
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Richard Strauss
Strauss, R: 4 Letzte Lieder: No. 1, Frü...
83 bpm • G# Maj • 03:44 • -17.35db
20% Popularity • 12% Danceability • 16% Energy • 28% Liveness
0% Instrumentalness • 4% Positiveness
20% Popularity • 12% Danceability • 16% Energy • 28% Liveness
0% Instrumentalness • 4% Positiveness
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Christoph Willibald Gluck
Il Parnaso confuso: Di questa cetra in s...
82 bpm • F# Maj • 05:21 • -28db
12% Popularity • 25% Danceability • 2% Energy • 29% Liveness
0% Instrumentalness • 6% Positiveness
12% Popularity • 25% Danceability • 2% Energy • 29% Liveness
0% Instrumentalness • 6% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Don Giovanni, K. 527, Act 1: "Da...
75 bpm • G Maj • 04:42 • -24.86db
9% Popularity • 13% Danceability • 6% Energy • 28% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 13% Danceability • 6% Energy • 28% Liveness
0% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Samson et Dalila, Op. 47, R. 288 / Act 1...
83 bpm • E Maj • 06:20 • -23db
9% Popularity • 20% Danceability • 4% Energy • 11% Liveness
5% Instrumentalness • 4% Positiveness
9% Popularity • 20% Danceability • 4% Energy • 11% Liveness
5% Instrumentalness • 4% Positiveness
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Giuseppe Verdi
Verdi: Messa da Requiem: XV. Agnus Dei
83 bpm • C Maj • 05:17 • -30.42db
4% Popularity • 20% Danceability • 2% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
4% Popularity • 20% Danceability • 2% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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Alessandro Scarlatti
Se Florindo è fedele
75 bpm • G# Maj • 02:28 • -21db
20% Popularity • 37% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
20% Popularity • 37% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Carl Maria von Weber
Der Freischütz, J. 277 / Act III: "Und ...
84 bpm • G# Maj • 05:57 • -23.47db
29% Popularity • 18% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
29% Popularity • 18% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice: Act I, Scene 1, Coro:...
75 bpm • C min • 03:18 • -21db
28% Popularity • 18% Danceability • 12% Energy • 17% Liveness
82% Instrumentalness • 3% Positiveness
28% Popularity • 18% Danceability • 12% Energy • 17% Liveness
82% Instrumentalness • 3% Positiveness
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Wolfgang Amadeus Mozart
Die Zauberflöte, K. 620, Act II: No. 21...
83 bpm • D# Maj • 05:01 • -18db
15% Popularity • 32% Danceability • 17% Energy • 69% Liveness
0% Instrumentalness • 22% Positiveness
15% Popularity • 32% Danceability • 17% Energy • 69% Liveness
0% Instrumentalness • 22% Positiveness
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Georges Bizet
Bizet: Carmen, WD 31, Act 2: "La fleur q...
83 bpm • C# Maj • 04:04 • -19db
13% Popularity • 22% Danceability • 16% Energy • 10% Liveness
7% Instrumentalness • 8% Positiveness
13% Popularity • 22% Danceability • 16% Energy • 10% Liveness
7% Instrumentalness • 8% Positiveness
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Giuseppe Verdi
Verdi: Messa da Requiem: VIII. Recordare
83 bpm • F Maj • 04:16 • -25.55db
3% Popularity • 15% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
3% Popularity • 15% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Eugene Onegin, Op. 24, TH 5 / Act II: "K...
84 bpm • E min • 06:41 • -23.02db
10% Popularity • 18% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 18% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Alfredo Catalani
Catalani: La Wally, Act 1: "Ebben, ne an...
84 bpm • E Maj • 03:43 • -18db
17% Popularity • 28% Danceability • 14% Energy • 9% Liveness
4% Instrumentalness • 4% Positiveness
17% Popularity • 28% Danceability • 14% Energy • 9% Liveness
4% Instrumentalness • 4% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice (Orphée et Eurydice) ...
83 bpm • G Maj • 03:59 • -20.41db
9% Popularity • 23% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
9% Popularity • 23% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
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Pietro Mascagni
Cavalleria rusticana: "Gli aranci olezza...
75 bpm • A Maj • 07:24 • -22db
27% Popularity • 11% Danceability • 11% Energy • 34% Liveness
67% Instrumentalness • 12% Positiveness
27% Popularity • 11% Danceability • 11% Energy • 34% Liveness
67% Instrumentalness • 12% Positiveness
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Georges Bizet
Bizet: Carmen, Act 1: "Carmen! sur tes p...
84 bpm • A min • 01:27 • -20db
26% Popularity • 27% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
26% Popularity • 27% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Giuseppe Verdi
Verdi: Messa da Requiem: VII. Rex tremen...
83 bpm • C# Maj • 03:53 • -17.6db
4% Popularity • 15% Danceability • 24% Energy • 27% Liveness
1% Instrumentalness • 5% Positiveness
4% Popularity • 15% Danceability • 24% Energy • 27% Liveness
1% Instrumentalness • 5% Positiveness
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Léo Delibes
Lakmé / Act 1: Viens, Mallika, ... Dôm...
84 bpm • B Maj • 06:03 • -22.23db
38% Popularity • 23% Danceability • 6% Energy • 41% Liveness
0% Instrumentalness • 6% Positiveness
38% Popularity • 23% Danceability • 6% Energy • 41% Liveness
0% Instrumentalness • 6% Positiveness
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Felice Romani
Capuleti E I Montecchi, Act I: Se Romeo ...
74 bpm • G Maj • 07:00 • -21.74db
7% Popularity • 24% Danceability • 12% Energy • 5% Liveness
0% Instrumentalness • 4% Positiveness
7% Popularity • 24% Danceability • 12% Energy • 5% Liveness
0% Instrumentalness • 4% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30, Act III Scene...
84 bpm • G Maj • 03:42 • -22.45db
2% Popularity • 20% Danceability • 5% Energy • 15% Liveness
0% Instrumentalness • 8% Positiveness
2% Popularity • 20% Danceability • 5% Energy • 15% Liveness
0% Instrumentalness • 8% Positiveness
