Songs like Gnossienne No. 1 - Nitin Sawhney Version by Hélène Grimaud
Based on a tempo of (+/- 10%) and a similar genre
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Hélène Grimaud
Gnossienne No. 1 - Nitin Sawhney Version
136 bpm • F min • 03:18 • -26.07db
30% Popularity • 32% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
30% Popularity • 32% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Yom
On the Endless Road
136 bpm • A min • 06:10 • -17.21db
24% Popularity • 34% Danceability • 9% Energy • 8% Liveness
93% Instrumentalness • 10% Positiveness
24% Popularity • 34% Danceability • 9% Energy • 8% Liveness
93% Instrumentalness • 10% Positiveness
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Federico Mompou
Angelico
136 bpm • A min • 02:06 • -26.1db
20% Popularity • 53% Danceability • 0% Energy • 10% Liveness
93% Instrumentalness • 23% Positiveness
20% Popularity • 53% Danceability • 0% Energy • 10% Liveness
93% Instrumentalness • 23% Positiveness
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Erik Satie
Gnossiennes: I. Lent
136 bpm • F min • 03:14 • -26.32db
4% Popularity • 35% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
4% Popularity • 35% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Vocalise, Op. 34, No. 14, Lentamente can...
135 bpm • E min • 05:22 • -22.94db
16% Popularity • 20% Danceability • 6% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
16% Popularity • 20% Danceability • 6% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
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Joep Beving
Ab Ovo
135 bpm • A min • 04:48 • -25.73db
53% Popularity • 39% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
53% Popularity • 39% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Georgs Pelēcis
Flowering Jasmine
135 bpm • A min • 06:48 • -30db
27% Popularity • 30% Danceability • 3% Energy • 6% Liveness
71% Instrumentalness • 6% Positiveness
27% Popularity • 30% Danceability • 3% Energy • 6% Liveness
71% Instrumentalness • 6% Positiveness
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Dobrinka Tabakova
Frozen River Flows
135 bpm • D# Maj • 06:12 • -21.4db
18% Popularity • 21% Danceability • 3% Energy • 10% Liveness
20% Instrumentalness • 4% Positiveness
18% Popularity • 21% Danceability • 3% Energy • 10% Liveness
20% Instrumentalness • 4% Positiveness
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Maki Namekawa
Suite from "The Hours" - Movement III
135 bpm • G min • 06:26 • -23.98db
21% Popularity • 23% Danceability • 5% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
21% Popularity • 23% Danceability • 5% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Claude Debussy
Suite bergamasque, L. 75: III. Clair de ...
135 bpm • C# Maj • 05:30 • -32db
54% Popularity • 37% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 4% Positiveness
54% Popularity • 37% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 4% Positiveness
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Somei Satoh
Birds In Warped Time II
135 bpm • B min • 10:24 • -28db
21% Popularity • 16% Danceability • 3% Energy • 7% Liveness
81% Instrumentalness • 3% Positiveness
21% Popularity • 16% Danceability • 3% Energy • 7% Liveness
81% Instrumentalness • 3% Positiveness
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Valentin Silvestrov
Bagatelles I-XIII: Bagatelle I
135 bpm • C min • 03:20 • -35.94db
18% Popularity • 35% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
18% Popularity • 35% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
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Renaud Garcia-Fons
Sylvains d'orient
137 bpm • A min • 03:44 • -12.01db
41% Popularity • 72% Danceability • 48% Energy • 10% Liveness
77% Instrumentalness • 54% Positiveness
41% Popularity • 72% Danceability • 48% Energy • 10% Liveness
77% Instrumentalness • 54% Positiveness
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Simeon ten Holt
Canto Ostinato: Section 1 - Live
137 bpm • C# Maj • 09:11 • -35.52db
30% Popularity • 33% Danceability • 4% Energy • 11% Liveness
91% Instrumentalness • 48% Positiveness
30% Popularity • 33% Danceability • 4% Energy • 11% Liveness
91% Instrumentalness • 48% Positiveness
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René Aubry
Piccola Pioggia
135 bpm • D# Maj • 01:45 • -21db
45% Popularity • 63% Danceability • 17% Energy • 11% Liveness
95% Instrumentalness • 22% Positiveness
45% Popularity • 63% Danceability • 17% Energy • 11% Liveness
95% Instrumentalness • 22% Positiveness
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VÃkingur Ólafsson
Above and Below, B Minor
137 bpm • B min • 03:01 • -22db
32% Popularity • 17% Danceability • 22% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
32% Popularity • 17% Danceability • 22% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
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Arvo Pärt
Pari intervallo
137 bpm • D# min • 07:50 • -45db
22% Popularity • 52% Danceability • 0% Energy • 9% Liveness
95% Instrumentalness • 46% Positiveness
22% Popularity • 52% Danceability • 0% Energy • 9% Liveness
95% Instrumentalness • 46% Positiveness
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Komitas
Chinar es
137 bpm • F Maj • 06:29 • -24.9db
13% Popularity • 28% Danceability • 5% Energy • 14% Liveness
81% Instrumentalness • 7% Positiveness
13% Popularity • 28% Danceability • 5% Energy • 14% Liveness
81% Instrumentalness • 7% Positiveness
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Erik Truffaz
Agades - Désert
137 bpm • G min • 06:56 • -17.29db
29% Popularity • 32% Danceability • 10% Energy • 14% Liveness
88% Instrumentalness • 9% Positiveness
29% Popularity • 32% Danceability • 10% Energy • 14% Liveness
88% Instrumentalness • 9% Positiveness
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Johannes Brahms
Sonata for Cello and Piano No. 1 in E Mi...
137 bpm • E min • 06:16 • -19.5db
0% Popularity • 36% Danceability • 25% Energy • 23% Liveness
86% Instrumentalness • 24% Positiveness
0% Popularity • 36% Danceability • 25% Energy • 23% Liveness
86% Instrumentalness • 24% Positiveness
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Orchestra of the Swan
Gnossiennes No. 1 - Arr. David le Page
137 bpm • F min • 03:26 • -22db
20% Popularity • 25% Danceability • 3% Energy • 12% Liveness
1% Instrumentalness • 5% Positiveness
20% Popularity • 25% Danceability • 3% Energy • 12% Liveness
1% Instrumentalness • 5% Positiveness
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Meredith Monk
Ellis Island
134 bpm • A min • 03:02 • -32.62db
45% Popularity • 43% Danceability • 6% Energy • 9% Liveness
91% Instrumentalness • 52% Positiveness
45% Popularity • 43% Danceability • 6% Energy • 9% Liveness
91% Instrumentalness • 52% Positiveness
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Anouar Brahem
Un point bleu
134 bpm • G Maj • 01:52 • -28.01db
36% Popularity • 48% Danceability • 0% Energy • 22% Liveness
96% Instrumentalness • 76% Positiveness
36% Popularity • 48% Danceability • 0% Energy • 22% Liveness
96% Instrumentalness • 76% Positiveness
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Giovanni Battista Pergolesi
Qui Est Homo
138 bpm • G min • 04:19 • -23db
13% Popularity • 15% Danceability • 1% Energy • 9% Liveness
49% Instrumentalness • 4% Positiveness
13% Popularity • 15% Danceability • 1% Energy • 9% Liveness
49% Instrumentalness • 4% Positiveness
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Eleni Karaindrou
Ulysses' Gaze: 1. Ulysses' Theme
134 bpm • G Maj • 01:25 • -20db
33% Popularity • 33% Danceability • 5% Energy • 10% Liveness
97% Instrumentalness • 5% Positiveness
33% Popularity • 33% Danceability • 5% Energy • 10% Liveness
97% Instrumentalness • 5% Positiveness
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Johannes Brahms
3 Intermezzi, Op. 117: No. 1, Andante mo...
138 bpm • D# Maj • 04:50 • -31.45db
41% Popularity • 44% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 7% Positiveness
41% Popularity • 44% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 7% Positiveness
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Signal
Glassworks: I. Opening
138 bpm • D# Maj • 06:30 • -26db
42% Popularity • 24% Danceability • 4% Energy • 10% Liveness
86% Instrumentalness • 16% Positiveness
42% Popularity • 24% Danceability • 4% Energy • 10% Liveness
86% Instrumentalness • 16% Positiveness
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Hélène Grimaud
Etudes-Tableaux, Op. 33, No. 6 in E-Flat...
134 bpm • D# Maj • 01:54 • -21.72db
17% Popularity • 39% Danceability • 18% Energy • 10% Liveness
87% Instrumentalness • 31% Positiveness
17% Popularity • 39% Danceability • 18% Energy • 10% Liveness
87% Instrumentalness • 31% Positiveness
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Arvo Pärt
Pari Intervallo
134 bpm • D# min • 03:42 • -38.78db
9% Popularity • 46% Danceability • 0% Energy • 8% Liveness
96% Instrumentalness • 42% Positiveness
9% Popularity • 46% Danceability • 0% Energy • 8% Liveness
96% Instrumentalness • 42% Positiveness
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Peter Gregson
I. Sequence (Four)
138 bpm • D min • 04:30 • -16db
34% Popularity • 25% Danceability • 28% Energy • 11% Liveness
95% Instrumentalness • 10% Positiveness
34% Popularity • 25% Danceability • 28% Energy • 11% Liveness
95% Instrumentalness • 10% Positiveness
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VÃkingur Ólafsson
Bach mit Zumutungen
134 bpm • A Maj • 03:45 • -27.38db
19% Popularity • 21% Danceability • 18% Energy • 11% Liveness
94% Instrumentalness • 15% Positiveness
19% Popularity • 21% Danceability • 18% Energy • 11% Liveness
94% Instrumentalness • 15% Positiveness
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Kate Moore
Zomer
134 bpm • D# min • 04:01 • -37.98db
12% Popularity • 46% Danceability • 0% Energy • 8% Liveness
97% Instrumentalness • 42% Positiveness
12% Popularity • 46% Danceability • 0% Energy • 8% Liveness
97% Instrumentalness • 42% Positiveness
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Gidon Kremer
Celos
138 bpm • G min • 05:17 • -21.48db
13% Popularity • 23% Danceability • 5% Energy • 8% Liveness
3% Instrumentalness • 7% Positiveness
13% Popularity • 23% Danceability • 5% Energy • 8% Liveness
3% Instrumentalness • 7% Positiveness
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Hélène Grimaud
Etudes-Tableaux, Op. 33, No. 1 in F mino...
134 bpm • F min • 02:33 • -27.86db
11% Popularity • 44% Danceability • 14% Energy • 11% Liveness
94% Instrumentalness • 30% Positiveness
11% Popularity • 44% Danceability • 14% Energy • 11% Liveness
94% Instrumentalness • 30% Positiveness
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Anouar Brahem
Déjà la nuit
133 bpm • F min • 05:10 • -32.22db
23% Popularity • 32% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 9% Positiveness
23% Popularity • 32% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 9% Positiveness
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Wolfgang Amadeus Mozart
Piano Concerto No. 20 in D Minor, K. 466...
139 bpm • D min • 13:53 • -17.39db
10% Popularity • 33% Danceability • 18% Energy • 12% Liveness
91% Instrumentalness • 15% Positiveness
10% Popularity • 33% Danceability • 18% Energy • 12% Liveness
91% Instrumentalness • 15% Positiveness
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Nils Frahm
Because This Must Be
133 bpm • C min • 02:45 • -29.62db
61% Popularity • 19% Danceability • 6% Energy • 12% Liveness
84% Instrumentalness • 9% Positiveness
61% Popularity • 19% Danceability • 6% Energy • 12% Liveness
84% Instrumentalness • 9% Positiveness
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Armand Amar
Peggy
139 bpm • A min • 02:04 • -16.47db
33% Popularity • 20% Danceability • 15% Energy • 11% Liveness
87% Instrumentalness • 14% Positiveness
33% Popularity • 20% Danceability • 15% Energy • 11% Liveness
87% Instrumentalness • 14% Positiveness
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Aukai
La Joya
139 bpm • F# min • 03:36 • -15db
37% Popularity • 60% Danceability • 39% Energy • 10% Liveness
84% Instrumentalness • 56% Positiveness
37% Popularity • 60% Danceability • 39% Energy • 10% Liveness
84% Instrumentalness • 56% Positiveness
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G. I. Gurdjieff
Hymn No. 8 / Night Procession
133 bpm • C# Maj • 06:44 • -29db
13% Popularity • 25% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 6% Positiveness
13% Popularity • 25% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 6% Positiveness
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Michiel Borstlap
Velvet
140 bpm • F# Maj • 04:56 • -29.02db
22% Popularity • 29% Danceability • 9% Energy • 8% Liveness
93% Instrumentalness • 10% Positiveness
22% Popularity • 29% Danceability • 9% Energy • 8% Liveness
93% Instrumentalness • 10% Positiveness
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Wolfgang Amadeus Mozart
Piano Concerto No. 20 in D Minor, K. 466...
139 bpm • D min • 07:32 • -15db
25% Popularity • 35% Danceability • 29% Energy • 12% Liveness
93% Instrumentalness • 21% Positiveness
25% Popularity • 35% Danceability • 29% Energy • 12% Liveness
93% Instrumentalness • 21% Positiveness
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Ludwig van Beethoven
Piano Concerto No. 5 in E-Flat Major, Op...
133 bpm • D# Maj • 10:03 • -18.29db
11% Popularity • 37% Danceability • 25% Energy • 11% Liveness
90% Instrumentalness • 28% Positiveness
11% Popularity • 37% Danceability • 25% Energy • 11% Liveness
90% Instrumentalness • 28% Positiveness
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Nigel Kennedy
Vivaldi: The New Four Seasons: Summer: 6...
140 bpm • C min • 05:17 • -8.85db
31% Popularity • 30% Danceability • 31% Energy • 6% Liveness
24% Instrumentalness • 16% Positiveness
31% Popularity • 30% Danceability • 31% Energy • 6% Liveness
24% Instrumentalness • 16% Positiveness
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Studnitzky
Memento
140 bpm • D# Maj • 06:18 • -16.59db
22% Popularity • 37% Danceability • 16% Energy • 14% Liveness
95% Instrumentalness • 12% Positiveness
22% Popularity • 37% Danceability • 16% Energy • 14% Liveness
95% Instrumentalness • 12% Positiveness
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Melissa Parmenter
Stockholm
132 bpm • D# Maj • 02:32 • -25db
30% Popularity • 29% Danceability • 3% Energy • 10% Liveness
83% Instrumentalness • 7% Positiveness
30% Popularity • 29% Danceability • 3% Energy • 10% Liveness
83% Instrumentalness • 7% Positiveness
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Anne Müller
Walzer für Robert
132 bpm • B min • 04:11 • -18.54db
30% Popularity • 39% Danceability • 16% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
30% Popularity • 39% Danceability • 16% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
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Gaspar Claus
Une foule
140 bpm • C min • 03:16 • -18.39db
36% Popularity • 48% Danceability • 14% Energy • 13% Liveness
87% Instrumentalness • 34% Positiveness
36% Popularity • 48% Danceability • 14% Energy • 13% Liveness
87% Instrumentalness • 34% Positiveness
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Kees Wieringa
Section 1
140 bpm • A# min • 06:20 • -30.02db
17% Popularity • 36% Danceability • 3% Energy • 19% Liveness
94% Instrumentalness • 57% Positiveness
17% Popularity • 36% Danceability • 3% Energy • 19% Liveness
94% Instrumentalness • 57% Positiveness
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Max Richter
The Days Go By
132 bpm • C min • 02:43 • -23db
32% Popularity • 94% Danceability • 6% Energy • 11% Liveness
95% Instrumentalness • 71% Positiveness
32% Popularity • 94% Danceability • 6% Energy • 11% Liveness
95% Instrumentalness • 71% Positiveness
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Grzegorz Ciechowski
Mamona
132 bpm • B min • 07:11 • -23db
23% Popularity • 38% Danceability • 11% Energy • 8% Liveness
94% Instrumentalness • 8% Positiveness
23% Popularity • 38% Danceability • 11% Energy • 8% Liveness
94% Instrumentalness • 8% Positiveness
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Peter Gregson
1.1 Prelude
140 bpm • G Maj • 02:01 • -15db
49% Popularity • 24% Danceability • 27% Energy • 15% Liveness
71% Instrumentalness • 43% Positiveness
49% Popularity • 24% Danceability • 27% Energy • 15% Liveness
71% Instrumentalness • 43% Positiveness
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Yom
Celebration
140 bpm • G min • 03:34 • -16.18db
36% Popularity • 31% Danceability • 36% Energy • 11% Liveness
90% Instrumentalness • 17% Positiveness
36% Popularity • 31% Danceability • 36% Energy • 11% Liveness
90% Instrumentalness • 17% Positiveness
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Jocelyn Pook
iTMOi (In the Mind of Igor): Courting
132 bpm • F# Maj • 03:31 • -14.19db
8% Popularity • 20% Danceability • 25% Energy • 11% Liveness
70% Instrumentalness • 4% Positiveness
8% Popularity • 20% Danceability • 25% Energy • 11% Liveness
70% Instrumentalness • 4% Positiveness
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Robert Schumann
Kreisleriana, Op. 16: No. 3, Sehr aufger...
131 bpm • G min • 04:55 • -21.75db
16% Popularity • 33% Danceability • 11% Energy • 11% Liveness
88% Instrumentalness • 12% Positiveness
16% Popularity • 33% Danceability • 11% Energy • 11% Liveness
88% Instrumentalness • 12% Positiveness
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François Couturier
Voyage
141 bpm • E Maj • 05:27 • -25.05db
11% Popularity • 31% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
11% Popularity • 31% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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Manuel de Falla
Siete Canciones Populares Españolas: VI...
141 bpm • C Maj • 02:13 • -39db
29% Popularity • 14% Danceability • 0% Energy • 6% Liveness
0% Instrumentalness • 6% Positiveness
29% Popularity • 14% Danceability • 0% Energy • 6% Liveness
0% Instrumentalness • 6% Positiveness
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Michael Jones
Sunshine Canyon
141 bpm • E min • 04:33 • -29db
37% Popularity • 34% Danceability • 3% Energy • 8% Liveness
96% Instrumentalness • 27% Positiveness
37% Popularity • 34% Danceability • 3% Energy • 8% Liveness
96% Instrumentalness • 27% Positiveness
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Eleni Karaindrou
Love’s First Call
142 bpm • E min • 02:06 • -36.54db
26% Popularity • 41% Danceability • 0% Energy • 9% Liveness
58% Instrumentalness • 32% Positiveness
26% Popularity • 41% Danceability • 0% Energy • 9% Liveness
58% Instrumentalness • 32% Positiveness
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Vladimir Martynov
"Come in!": 2nd mvt.
141 bpm • A Maj • 04:30 • -13.85db
20% Popularity • 14% Danceability • 24% Energy • 9% Liveness
8% Instrumentalness • 4% Positiveness
20% Popularity • 14% Danceability • 24% Energy • 9% Liveness
8% Instrumentalness • 4% Positiveness
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François Couperin
Les Barricades mystérieuses
131 bpm • A# Maj • 02:10 • -37.66db
31% Popularity • 15% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 28% Positiveness
31% Popularity • 15% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 28% Positiveness
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Eric Whitacre
Sleep - Arr. for Marimba Quartet
142 bpm • C min • 05:56 • -27db
22% Popularity • 23% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
22% Popularity • 23% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Redi Hasa
Wave
131 bpm • D min • 05:29 • -17db
10% Popularity • 38% Danceability • 30% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
10% Popularity • 38% Danceability • 30% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
Sergei Rachmaninoff
Vocalise, Op. 34 No. 14 (Arr. for Violin...
130 bpm • E min • 05:39 • -29db
9% Popularity • 20% Danceability • 3% Energy • 6% Liveness
16% Instrumentalness • 4% Positiveness
9% Popularity • 20% Danceability • 3% Energy • 6% Liveness
16% Instrumentalness • 4% Positiveness
► Preview
Max Richter
Mirrors
142 bpm • B min • 02:36 • -34.72db
38% Popularity • 21% Danceability • 4% Energy • 9% Liveness
81% Instrumentalness • 20% Positiveness
38% Popularity • 21% Danceability • 4% Energy • 9% Liveness
81% Instrumentalness • 20% Positiveness
► Preview
Daniel Herskedal
Sunrise in Ramallah
142 bpm • B min • 04:24 • -18.17db
14% Popularity • 21% Danceability • 10% Energy • 9% Liveness
90% Instrumentalness • 15% Positiveness
14% Popularity • 21% Danceability • 10% Energy • 9% Liveness
90% Instrumentalness • 15% Positiveness
► Preview
Hania Rani
F Major
142 bpm • A# min • 04:52 • -27.32db
42% Popularity • 25% Danceability • 4% Energy • 13% Liveness
86% Instrumentalness • 6% Positiveness
42% Popularity • 25% Danceability • 4% Energy • 13% Liveness
86% Instrumentalness • 6% Positiveness
► Preview
Alexei Aigui
Trio Li?
142 bpm • G Maj • 02:37 • -17.1db
32% Popularity • 66% Danceability • 18% Energy • 11% Liveness
86% Instrumentalness • 42% Positiveness
32% Popularity • 66% Danceability • 18% Energy • 11% Liveness
86% Instrumentalness • 42% Positiveness
► Preview
Ólafur Arnalds
Verses
142 bpm • C# min • 04:03 • -17.85db
42% Popularity • 14% Danceability • 16% Energy • 39% Liveness
92% Instrumentalness • 3% Positiveness
42% Popularity • 14% Danceability • 16% Energy • 39% Liveness
92% Instrumentalness • 3% Positiveness
► Preview
Ezio Bosso
Smiles For Y
142 bpm • C min • 04:17 • -18.65db
29% Popularity • 24% Danceability • 19% Energy • 13% Liveness
88% Instrumentalness • 3% Positiveness
29% Popularity • 24% Danceability • 19% Energy • 13% Liveness
88% Instrumentalness • 3% Positiveness
► Preview
Colin Vallon
Sisyphe
143 bpm • G# min • 04:26 • -26.75db
35% Popularity • 38% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 37% Positiveness
35% Popularity • 38% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 37% Positiveness
► Preview
Nitin Sawhney
First Day in New York
130 bpm • A Maj • 01:54 • -11.49db
31% Popularity • 64% Danceability • 16% Energy • 10% Liveness
88% Instrumentalness • 23% Positiveness
31% Popularity • 64% Danceability • 16% Energy • 10% Liveness
88% Instrumentalness • 23% Positiveness
► Preview
Vassilis Tsabropoulos
Melos
130 bpm • G min • 05:23 • -21db
24% Popularity • 37% Danceability • 9% Energy • 36% Liveness
88% Instrumentalness • 7% Positiveness
24% Popularity • 37% Danceability • 9% Energy • 36% Liveness
88% Instrumentalness • 7% Positiveness
► Preview
David Helbock
Beethoven #7, 2nd Movement
129 bpm • A min • 02:43 • -23db
38% Popularity • 48% Danceability • 4% Energy • 9% Liveness
97% Instrumentalness • 10% Positiveness
38% Popularity • 48% Danceability • 4% Energy • 9% Liveness
97% Instrumentalness • 10% Positiveness
► Preview
Hania Rani
Esja
144 bpm • E min • 04:21 • -26db
46% Popularity • 42% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 19% Positiveness
46% Popularity • 42% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 19% Positiveness
► Preview
Peter Gregson
1.4 Sarabande
144 bpm • G Maj • 02:14 • -20.19db
38% Popularity • 14% Danceability • 20% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
38% Popularity • 14% Danceability • 20% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
► Preview
Julia Kent
Gardermoen
128 bpm • G min • 04:10 • -20.67db
46% Popularity • 43% Danceability • 15% Energy • 13% Liveness
87% Instrumentalness • 9% Positiveness
46% Popularity • 43% Danceability • 15% Energy • 13% Liveness
87% Instrumentalness • 9% Positiveness
► Preview
Maxence Cyrin
Mer de velours
128 bpm • G# Maj • 03:34 • -21.25db
36% Popularity • 34% Danceability • 23% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
36% Popularity • 34% Danceability • 23% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Vassilis Tsabropoulos
Trois morceaux après des hymnes byzanti...
128 bpm • D min • 04:09 • -31db
16% Popularity • 26% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 14% Positiveness
16% Popularity • 26% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 14% Positiveness
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Stéphane Grappelli
Les Valseuses
145 bpm • B min • 02:20 • -16db
40% Popularity • 27% Danceability • 15% Energy • 8% Liveness
24% Instrumentalness • 10% Positiveness
40% Popularity • 27% Danceability • 15% Energy • 8% Liveness
24% Instrumentalness • 10% Positiveness
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Ryuichi Sakamoto
Bibo no Aozora - Instrumental
145 bpm • C Maj • 07:03 • -19db
29% Popularity • 27% Danceability • 9% Energy • 12% Liveness
66% Instrumentalness • 8% Positiveness
29% Popularity • 27% Danceability • 9% Energy • 12% Liveness
66% Instrumentalness • 8% Positiveness
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Federico Mompou
Secreto
145 bpm • C# Maj • 05:04 • -29db
22% Popularity • 30% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
22% Popularity • 30% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Christian Badzura
847
145 bpm • C min • 04:06 • -12.85db
20% Popularity • 20% Danceability • 42% Energy • 11% Liveness
92% Instrumentalness • 14% Positiveness
20% Popularity • 20% Danceability • 42% Energy • 11% Liveness
92% Instrumentalness • 14% Positiveness
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Shida Shahabi
All In Circles
146 bpm • G# Maj • 03:56 • -22.94db
33% Popularity • 14% Danceability • 11% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
33% Popularity • 14% Danceability • 11% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Ludwig van Beethoven
Beethoven: Piano Sonata No. 17 in D Mino...
126 bpm • G min • 06:03 • -22.25db
10% Popularity • 24% Danceability • 19% Energy • 8% Liveness
91% Instrumentalness • 16% Positiveness
10% Popularity • 24% Danceability • 19% Energy • 8% Liveness
91% Instrumentalness • 16% Positiveness
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Eleni Karaindrou
Le Temps Perdu
146 bpm • D min • 02:07 • -23.65db
33% Popularity • 16% Danceability • 5% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
33% Popularity • 16% Danceability • 5% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Grzegorz Ciechowski
Tak tak to ja
126 bpm • G min • 04:51 • -23.92db
26% Popularity • 32% Danceability • 7% Energy • 8% Liveness
92% Instrumentalness • 10% Positiveness
26% Popularity • 32% Danceability • 7% Energy • 8% Liveness
92% Instrumentalness • 10% Positiveness
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George Frideric Handel
Scherza infida
147 bpm • F# min • 04:55 • -23.62db
16% Popularity • 23% Danceability • 8% Energy • 11% Liveness
65% Instrumentalness • 7% Positiveness
16% Popularity • 23% Danceability • 8% Energy • 11% Liveness
65% Instrumentalness • 7% Positiveness
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Henning Fuchs
As Time Passes
147 bpm • A min • 05:46 • -20.24db
18% Popularity • 34% Danceability • 8% Energy • 11% Liveness
89% Instrumentalness • 6% Positiveness
18% Popularity • 34% Danceability • 8% Energy • 11% Liveness
89% Instrumentalness • 6% Positiveness
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Rachel Grimes
Earthly Heaven
125 bpm • A min • 06:34 • -14.05db
33% Popularity • 32% Danceability • 17% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
33% Popularity • 32% Danceability • 17% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Lambert
The Dance
147 bpm • C# min • 02:46 • -21db
35% Popularity • 43% Danceability • 24% Energy • 10% Liveness
93% Instrumentalness • 56% Positiveness
35% Popularity • 43% Danceability • 24% Energy • 10% Liveness
93% Instrumentalness • 56% Positiveness
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Claude Debussy
Rêverie, L. 68
125 bpm • F Maj • 03:34 • -27.46db
3% Popularity • 29% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
3% Popularity • 29% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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Mario Batkovic
Restrictus - Annelie Rework
148 bpm • D# min • 04:39 • -28db
20% Popularity • 22% Danceability • 5% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
20% Popularity • 22% Danceability • 5% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Job Roggeveen
Uma
125 bpm • A# min • 03:12 • -13.85db
33% Popularity • 43% Danceability • 37% Energy • 10% Liveness
91% Instrumentalness • 18% Positiveness
33% Popularity • 43% Danceability • 37% Energy • 10% Liveness
91% Instrumentalness • 18% Positiveness
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Girolamo Frescobaldi
Aria di Passacaglia (Arrangement)
148 bpm • D min • 07:02 • -20.03db
20% Popularity • 39% Danceability • 18% Energy • 11% Liveness
82% Instrumentalness • 20% Positiveness
20% Popularity • 39% Danceability • 18% Energy • 11% Liveness
82% Instrumentalness • 20% Positiveness
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Hauschka
David Melrose Theme
148 bpm • D min • 01:18 • -28db
53% Popularity • 28% Danceability • 3% Energy • 10% Liveness
87% Instrumentalness • 12% Positiveness
53% Popularity • 28% Danceability • 3% Energy • 10% Liveness
87% Instrumentalness • 12% Positiveness
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Marina Baranova
The Canopy of Heaven
124 bpm • C# Maj • 02:15 • -24db
35% Popularity • 40% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 9% Positiveness
35% Popularity • 40% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 9% Positiveness
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François Couperin
Les Barricades Mystérieuses
149 bpm • A# Maj • 02:24 • -33db
40% Popularity • 17% Danceability • 3% Energy • 13% Liveness
94% Instrumentalness • 33% Positiveness
40% Popularity • 17% Danceability • 3% Energy • 13% Liveness
94% Instrumentalness • 33% Positiveness
