Songs like Go For Soda by Kim Mitchell
Based on a tempo of (+/- 10%) and a similar genre
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Kim Mitchell
Diary For Rock'N'Roll Men
124 bpm • D Maj • 04:13 • -11.12db
16% Popularity • 55% Danceability • 75% Energy • 37% Liveness
21% Instrumentalness • 37% Positiveness
16% Popularity • 55% Danceability • 75% Energy • 37% Liveness
21% Instrumentalness • 37% Positiveness
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ZZ Top
Doubleback
124 bpm • F Maj • 03:56 • -10.19db
45% Popularity • 66% Danceability • 67% Energy • 37% Liveness
0% Instrumentalness • 56% Positiveness
45% Popularity • 66% Danceability • 67% Energy • 37% Liveness
0% Instrumentalness • 56% Positiveness
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The Call
Let The Day Begin
124 bpm • D Maj • 03:51 • -10db
43% Popularity • 58% Danceability • 87% Energy • 11% Liveness
2% Instrumentalness • 47% Positiveness
43% Popularity • 58% Danceability • 87% Energy • 11% Liveness
2% Instrumentalness • 47% Positiveness
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The Smithereens
A Girl Like You
124 bpm • C# Maj • 04:42 • -9.34db
49% Popularity • 66% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 91% Positiveness
49% Popularity • 66% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 91% Positiveness
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Styx
Blue Collar Man (Long Nights)
124 bpm • D min • 04:07 • -11.26db
54% Popularity • 44% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
54% Popularity • 44% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
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The Edgar Winter Group
Free Ride
124 bpm • D Maj • 03:07 • -11.93db
47% Popularity • 67% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 81% Positiveness
47% Popularity • 67% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 81% Positiveness
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Kim Mitchell
Go For Soda
124 bpm • A# Maj • 03:25 • -14db
51% Popularity • 67% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
51% Popularity • 67% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Doug and the Slugs
Tomcat Prowl
123 bpm • A# min • 03:48 • -8.58db
33% Popularity • 57% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
33% Popularity • 57% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
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Helix
Heavy Metal Love
123 bpm • C# Maj • 03:03 • -5db
44% Popularity • 48% Danceability • 85% Energy • 55% Liveness
0% Instrumentalness • 88% Positiveness
44% Popularity • 48% Danceability • 85% Energy • 55% Liveness
0% Instrumentalness • 88% Positiveness
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Streetheart
Hollywood
124 bpm • F# min • 03:18 • -5db
28% Popularity • 55% Danceability • 90% Energy • 14% Liveness
12% Instrumentalness • 82% Positiveness
28% Popularity • 55% Danceability • 90% Energy • 14% Liveness
12% Instrumentalness • 82% Positiveness
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David Wilcox
Riverboat Fantasy
123 bpm • F Maj • 03:37 • -10.17db
44% Popularity • 82% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
44% Popularity • 82% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Haywire
Black and Blue
125 bpm • E Maj • 04:08 • -5.08db
28% Popularity • 55% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
28% Popularity • 55% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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John Mellencamp
Small Town
123 bpm • B Maj • 03:41 • -2.66db
66% Popularity • 66% Danceability • 92% Energy • 31% Liveness
1% Instrumentalness • 63% Positiveness
66% Popularity • 66% Danceability • 92% Energy • 31% Liveness
1% Instrumentalness • 63% Positiveness
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Scandal
The Warrior
123 bpm • D Maj • 04:00 • -11.03db
55% Popularity • 61% Danceability • 78% Energy • 32% Liveness
0% Instrumentalness • 86% Positiveness
55% Popularity • 61% Danceability • 78% Energy • 32% Liveness
0% Instrumentalness • 86% Positiveness
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Steve Miller Band
Jet Airliner
123 bpm • F Maj • 03:35 • -11.5db
68% Popularity • 57% Danceability • 66% Energy • 22% Liveness
0% Instrumentalness • 94% Positiveness
68% Popularity • 57% Danceability • 66% Energy • 22% Liveness
0% Instrumentalness • 94% Positiveness
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Platinum Blonde
Standing in the Dark - Remastered
123 bpm • C# min • 03:20 • -3.59db
36% Popularity • 77% Danceability • 80% Energy • 8% Liveness
2% Instrumentalness • 81% Positiveness
36% Popularity • 77% Danceability • 80% Energy • 8% Liveness
2% Instrumentalness • 81% Positiveness
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Prism
Virginia
125 bpm • B Maj • 03:58 • -8.41db
27% Popularity • 68% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
27% Popularity • 68% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
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Haywire
Standin' in Line
123 bpm • B min • 03:53 • -5.36db
29% Popularity • 59% Danceability • 74% Energy • 35% Liveness
0% Instrumentalness • 79% Positiveness
29% Popularity • 59% Danceability • 74% Energy • 35% Liveness
0% Instrumentalness • 79% Positiveness
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The Pursuit Of Happiness
Hard To Laugh
125 bpm • A Maj • 02:39 • -9db
29% Popularity • 34% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
29% Popularity • 34% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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Van Halen
Finish What Ya Started
125 bpm • A Maj • 04:24 • -15db
35% Popularity • 77% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
35% Popularity • 77% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Ozzy Osbourne
Flying High Again
125 bpm • C# Maj • 04:44 • -6db
54% Popularity • 32% Danceability • 94% Energy • 19% Liveness
0% Instrumentalness • 53% Positiveness
54% Popularity • 32% Danceability • 94% Energy • 19% Liveness
0% Instrumentalness • 53% Positiveness
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Night Ranger
Sing Me Away
123 bpm • D Maj • 04:10 • -10.07db
41% Popularity • 55% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
41% Popularity • 55% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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ZZ Top
Legs (2008 Remaster)
125 bpm • E Maj • 04:33 • -5.36db
63% Popularity • 61% Danceability • 95% Energy • 36% Liveness
7% Instrumentalness • 76% Positiveness
63% Popularity • 61% Danceability • 95% Energy • 36% Liveness
7% Instrumentalness • 76% Positiveness
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John Mellencamp
Hurts So Good
125 bpm • A Maj • 03:38 • -5.31db
71% Popularity • 78% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
71% Popularity • 78% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
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Prism
Young And Restless
122 bpm • D Maj • 03:30 • -6.67db
33% Popularity • 65% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
33% Popularity • 65% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
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Steve Miller Band
Rock'n Me
122 bpm • E Maj • 03:07 • -11.35db
73% Popularity • 70% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
73% Popularity • 70% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
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Harlequin
Innocence
126 bpm • D Maj • 04:20 • -5db
40% Popularity • 70% Danceability • 84% Energy • 31% Liveness
0% Instrumentalness • 92% Positiveness
40% Popularity • 70% Danceability • 84% Energy • 31% Liveness
0% Instrumentalness • 92% Positiveness
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AC/DC
Have a Drink on Me
122 bpm • D Maj • 03:58 • -5.17db
62% Popularity • 42% Danceability • 89% Energy • 65% Liveness
1% Instrumentalness • 42% Positiveness
62% Popularity • 42% Danceability • 89% Energy • 65% Liveness
1% Instrumentalness • 42% Positiveness
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Chilliwack
Whatcha Gonna Do?
122 bpm • B min • 04:15 • -6.77db
39% Popularity • 71% Danceability • 74% Energy • 29% Liveness
0% Instrumentalness • 97% Positiveness
39% Popularity • 71% Danceability • 74% Energy • 29% Liveness
0% Instrumentalness • 97% Positiveness
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The Trews
Not Ready to Go
126 bpm • E Maj • 03:03 • -6db
44% Popularity • 53% Danceability • 81% Energy • 70% Liveness
0% Instrumentalness • 66% Positiveness
44% Popularity • 53% Danceability • 81% Energy • 70% Liveness
0% Instrumentalness • 66% Positiveness
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Toronto
Girls Night Out
122 bpm • A Maj • 02:47 • -6.03db
23% Popularity • 71% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
23% Popularity • 71% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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The Kings
This Beat Goes On - Original Radio Seque
126 bpm • A Maj • 05:42 • -3db
42% Popularity • 66% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
42% Popularity • 66% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Damn Yankees
Coming of Age
126 bpm • G Maj • 04:19 • -9db
46% Popularity • 56% Danceability • 87% Energy • 58% Liveness
0% Instrumentalness • 58% Positiveness
46% Popularity • 56% Danceability • 87% Energy • 58% Liveness
0% Instrumentalness • 58% Positiveness
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Honeymoon Suite
Feel It Again
122 bpm • A# Maj • 04:37 • -13.16db
43% Popularity • 60% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
43% Popularity • 60% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Beverley Mahood
Patio Lanterns
122 bpm • A# Maj • 03:41 • -5.83db
5% Popularity • 73% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
5% Popularity • 73% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Kim Mitchell
Bad Times
122 bpm • D Maj • 05:11 • -5.02db
4% Popularity • 53% Danceability • 94% Energy • 36% Liveness
5% Instrumentalness • 92% Positiveness
4% Popularity • 53% Danceability • 94% Energy • 36% Liveness
5% Instrumentalness • 92% Positiveness
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Aerosmith
Back In the Saddle
122 bpm • G# Maj • 04:40 • -6db
59% Popularity • 42% Danceability • 96% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
59% Popularity • 42% Danceability • 96% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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The Kings
Switchin' to Glide
126 bpm • A Maj • 02:35 • -3db
36% Popularity • 59% Danceability • 94% Energy • 36% Liveness
0% Instrumentalness • 58% Positiveness
36% Popularity • 59% Danceability • 94% Energy • 36% Liveness
0% Instrumentalness • 58% Positiveness
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Cinderella
Shelter Me
126 bpm • G Maj • 04:47 • -8db
48% Popularity • 61% Danceability • 88% Energy • 8% Liveness
7% Instrumentalness • 92% Positiveness
48% Popularity • 61% Danceability • 88% Energy • 8% Liveness
7% Instrumentalness • 92% Positiveness
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Honeymoon Suite
Burning in Love
122 bpm • D min • 04:31 • -11.78db
43% Popularity • 54% Danceability • 63% Energy • 27% Liveness
0% Instrumentalness • 62% Positiveness
43% Popularity • 54% Danceability • 63% Energy • 27% Liveness
0% Instrumentalness • 62% Positiveness
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Lee Aaron
Whatcha Do to My Body
126 bpm • D# min • 04:43 • -6.71db
35% Popularity • 63% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
35% Popularity • 63% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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John Mellencamp
I Need A Lover
126 bpm • F# Maj • 05:37 • -5db
51% Popularity • 42% Danceability • 85% Energy • 37% Liveness
1% Instrumentalness • 80% Positiveness
51% Popularity • 42% Danceability • 85% Energy • 37% Liveness
1% Instrumentalness • 80% Positiveness
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Prism
Don't Let Him Know
126 bpm • C# min • 03:08 • -7.99db
28% Popularity • 56% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
28% Popularity • 56% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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The Tragically Hip
Blow At High Dough
122 bpm • E Maj • 04:37 • -11.55db
51% Popularity • 69% Danceability • 59% Energy • 11% Liveness
1% Instrumentalness • 34% Positiveness
51% Popularity • 69% Danceability • 59% Energy • 11% Liveness
1% Instrumentalness • 34% Positiveness
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Boston
Don't Look Back
122 bpm • D Maj • 06:00 • -10.31db
57% Popularity • 36% Danceability • 72% Energy • 36% Liveness
0% Instrumentalness • 47% Positiveness
57% Popularity • 36% Danceability • 72% Energy • 36% Liveness
0% Instrumentalness • 47% Positiveness
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The Babys
Back on My Feet Again
122 bpm • A Maj • 03:18 • -7db
48% Popularity • 52% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
48% Popularity • 52% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Sloan
Money City Maniacs
126 bpm • E Maj • 03:53 • -5.27db
44% Popularity • 45% Danceability • 69% Energy • 36% Liveness
0% Instrumentalness • 38% Positiveness
44% Popularity • 45% Danceability • 69% Energy • 36% Liveness
0% Instrumentalness • 38% Positiveness
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Kim Mitchell
N'awlin Nights
122 bpm • F Maj • 11:10 • -4.93db
2% Popularity • 31% Danceability • 94% Energy • 72% Liveness
6% Instrumentalness • 32% Positiveness
2% Popularity • 31% Danceability • 94% Energy • 72% Liveness
6% Instrumentalness • 32% Positiveness
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Blackfoot
Train, Train
122 bpm • A Maj • 03:36 • -8db
53% Popularity • 61% Danceability • 81% Energy • 37% Liveness
0% Instrumentalness • 75% Positiveness
53% Popularity • 61% Danceability • 81% Energy • 37% Liveness
0% Instrumentalness • 75% Positiveness
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Jefferson Starship
Find Your Way Back
126 bpm • C Maj • 04:15 • -6db
46% Popularity • 58% Danceability • 92% Energy • 78% Liveness
8% Instrumentalness • 44% Positiveness
46% Popularity • 58% Danceability • 92% Energy • 78% Liveness
8% Instrumentalness • 44% Positiveness
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Headpins
Mine, All Mine
127 bpm • D min • 05:22 • -7db
19% Popularity • 53% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
19% Popularity • 53% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Ratt
Round and Round
127 bpm • B Maj • 04:25 • -6.03db
67% Popularity • 63% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
67% Popularity • 63% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Jackyl
Down On Me
121 bpm • C Maj • 04:03 • -7.59db
49% Popularity • 72% Danceability • 86% Energy • 22% Liveness
0% Instrumentalness • 54% Positiveness
49% Popularity • 72% Danceability • 86% Energy • 22% Liveness
0% Instrumentalness • 54% Positiveness
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Kim Mitchell
All We Are
122 bpm • F min • 04:44 • -16.64db
35% Popularity • 29% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
35% Popularity • 29% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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John Mellencamp
Lonely Ol' Night
127 bpm • A Maj • 03:45 • -4db
52% Popularity • 63% Danceability • 89% Energy • 4% Liveness
1% Instrumentalness • 76% Positiveness
52% Popularity • 63% Danceability • 89% Energy • 4% Liveness
1% Instrumentalness • 76% Positiveness
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Warrant
Uncle Tom's Cabin
127 bpm • G# Maj • 04:00 • -6db
51% Popularity • 57% Danceability • 73% Energy • 21% Liveness
0% Instrumentalness • 32% Positiveness
51% Popularity • 57% Danceability • 73% Energy • 21% Liveness
0% Instrumentalness • 32% Positiveness
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Tesla
Gettin' Better
127 bpm • D Maj • 03:20 • -11db
45% Popularity • 56% Danceability • 66% Energy • 26% Liveness
0% Instrumentalness • 26% Positiveness
45% Popularity • 56% Danceability • 66% Energy • 26% Liveness
0% Instrumentalness • 26% Positiveness
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Grand Funk Railroad
Some Kind Of Wonderful - Remastered 1999
121 bpm • D Maj • 03:22 • -6.51db
69% Popularity • 86% Danceability • 69% Energy • 36% Liveness
0% Instrumentalness • 65% Positiveness
69% Popularity • 86% Danceability • 69% Energy • 36% Liveness
0% Instrumentalness • 65% Positiveness
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Barney Bentall & The Legendary Hearts
Something to Live For
121 bpm • F Maj • 04:35 • -15.29db
35% Popularity • 48% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
35% Popularity • 48% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Quiet Riot
Bang Your Head (Metal Health)
121 bpm • B min • 03:54 • -7db
49% Popularity • 55% Danceability • 94% Energy • 32% Liveness
0% Instrumentalness • 63% Positiveness
49% Popularity • 55% Danceability • 94% Energy • 32% Liveness
0% Instrumentalness • 63% Positiveness
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David Wilcox
Hot, Hot Papa
121 bpm • G# Maj • 03:04 • -8.53db
26% Popularity • 59% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
26% Popularity • 59% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
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Prism
See Forever Eyes
127 bpm • B Maj • 05:10 • -11.12db
21% Popularity • 46% Danceability • 63% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
21% Popularity • 46% Danceability • 63% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
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Sass Jordan
Tell Somebody
127 bpm • D Maj • 04:20 • -9.78db
27% Popularity • 64% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 97% Positiveness
27% Popularity • 64% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 97% Positiveness
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Trooper
Boy With A Beat
127 bpm • C# Maj • 03:33 • -9.69db
23% Popularity • 64% Danceability • 83% Energy • 35% Liveness
0% Instrumentalness • 86% Positiveness
23% Popularity • 64% Danceability • 83% Energy • 35% Liveness
0% Instrumentalness • 86% Positiveness
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Blackfoot
Highway Song
127 bpm • E min • 07:30 • -6.89db
50% Popularity • 34% Danceability • 82% Energy • 14% Liveness
3% Instrumentalness • 54% Positiveness
50% Popularity • 34% Danceability • 82% Energy • 14% Liveness
3% Instrumentalness • 54% Positiveness
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Ted Nugent
Cat Scratch Fever
127 bpm • E min • 03:39 • -4.19db
45% Popularity • 55% Danceability • 92% Energy • 10% Liveness
12% Instrumentalness • 63% Positiveness
45% Popularity • 55% Danceability • 92% Energy • 10% Liveness
12% Instrumentalness • 63% Positiveness
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The Tragically Hip
Boots Or Hearts
121 bpm • G Maj • 03:44 • -12.24db
46% Popularity • 88% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
46% Popularity • 88% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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KISS
Calling Dr. Love
127 bpm • G# Maj • 03:44 • -8.17db
53% Popularity • 54% Danceability • 88% Energy • 38% Liveness
0% Instrumentalness • 47% Positiveness
53% Popularity • 54% Danceability • 88% Energy • 38% Liveness
0% Instrumentalness • 47% Positiveness
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Billy Squier
Rock Me Tonite
127 bpm • A min • 04:57 • -5.06db
46% Popularity • 47% Danceability • 72% Energy • 24% Liveness
0% Instrumentalness • 67% Positiveness
46% Popularity • 47% Danceability • 72% Energy • 24% Liveness
0% Instrumentalness • 67% Positiveness
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Pat Benatar
Hit Me With Your Best Shot
127 bpm • E Maj • 02:51 • -9.05db
73% Popularity • 74% Danceability • 58% Energy • 21% Liveness
0% Instrumentalness • 94% Positiveness
73% Popularity • 74% Danceability • 58% Energy • 21% Liveness
0% Instrumentalness • 94% Positiveness
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The Guess Who
No Time
128 bpm • C Maj • 03:49 • -6.35db
48% Popularity • 48% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 59% Positiveness
48% Popularity • 48% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 59% Positiveness
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Boston
Peace of Mind
128 bpm • E Maj • 05:03 • -6.18db
67% Popularity • 42% Danceability • 68% Energy • 21% Liveness
0% Instrumentalness • 68% Positiveness
67% Popularity • 42% Danceability • 68% Energy • 21% Liveness
0% Instrumentalness • 68% Positiveness
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Alice Cooper
No More Mr. Nice Guy
128 bpm • B min • 03:07 • -11.99db
60% Popularity • 50% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
60% Popularity • 50% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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The Northern Pikes
Girl With A Problem
120 bpm • D Maj • 03:59 • -11.36db
31% Popularity • 57% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
31% Popularity • 57% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
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Prism
Armageddon
128 bpm • E Maj • 07:47 • -7.06db
32% Popularity • 31% Danceability • 73% Energy • 19% Liveness
1% Instrumentalness • 26% Positiveness
32% Popularity • 31% Danceability • 73% Energy • 19% Liveness
1% Instrumentalness • 26% Positiveness
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Toronto
Start Tellin' The Truth
120 bpm • F Maj • 04:26 • -6.24db
27% Popularity • 59% Danceability • 59% Energy • 24% Liveness
27% Instrumentalness • 84% Positiveness
27% Popularity • 59% Danceability • 59% Energy • 24% Liveness
27% Instrumentalness • 84% Positiveness
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Kim Mitchell
Space
128 bpm • E Maj • 03:28 • -3.88db
2% Popularity • 47% Danceability • 99% Energy • 29% Liveness
1% Instrumentalness • 38% Positiveness
2% Popularity • 47% Danceability • 99% Energy • 29% Liveness
1% Instrumentalness • 38% Positiveness
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Chilliwack
Arms of Mary
120 bpm • G Maj • 03:04 • -5.23db
23% Popularity • 55% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
23% Popularity • 55% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
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Headpins
Just One More Time
128 bpm • D Maj • 04:42 • -8db
31% Popularity • 51% Danceability • 83% Energy • 33% Liveness
0% Instrumentalness • 70% Positiveness
31% Popularity • 51% Danceability • 83% Energy • 33% Liveness
0% Instrumentalness • 70% Positiveness
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Van Halen
Jamie's Cryin' - 2015 Remaster
128 bpm • G# Maj • 03:29 • -6.13db
57% Popularity • 56% Danceability • 93% Energy • 23% Liveness
0% Instrumentalness • 70% Positiveness
57% Popularity • 56% Danceability • 93% Energy • 23% Liveness
0% Instrumentalness • 70% Positiveness
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Harlequin
You are the Light
128 bpm • C# min • 03:41 • -4.05db
16% Popularity • 61% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
16% Popularity • 61% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Toronto
Your Daddy Don't Know
128 bpm • F Maj • 03:17 • -5.31db
40% Popularity • 58% Danceability • 69% Energy • 57% Liveness
0% Instrumentalness • 86% Positiveness
40% Popularity • 58% Danceability • 69% Energy • 57% Liveness
0% Instrumentalness • 86% Positiveness
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Kim Mitchell
Killer's Name
120 bpm • B min • 04:42 • -5.55db
6% Popularity • 51% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
6% Popularity • 51% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Slaughter
Fly To The Angels
120 bpm • C Maj • 04:32 • -12.26db
52% Popularity • 50% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
52% Popularity • 50% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Foreigner
Long, Long Way from Home
128 bpm • G Maj • 02:52 • -7.21db
50% Popularity • 62% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
50% Popularity • 62% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
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Red Rider
Power (Strength In Numbers)
128 bpm • F Maj • 03:54 • -13.02db
19% Popularity • 65% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
19% Popularity • 65% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Huey Lewis & The News
Walking On A Thin Line
128 bpm • D Maj • 05:10 • -8.61db
48% Popularity • 67% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
48% Popularity • 67% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Harlequin
Superstitious Feeling
120 bpm • B Maj • 03:47 • -6.05db
29% Popularity • 62% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
29% Popularity • 62% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Trooper
Thin White Line
120 bpm • C Maj • 04:02 • -10.4db
37% Popularity • 66% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
37% Popularity • 66% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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Doug and the Slugs
Day by Day
120 bpm • D Maj • 03:28 • -12.24db
43% Popularity • 79% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
43% Popularity • 79% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
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Foreigner
Blue Morning, Blue Day
120 bpm • B min • 03:12 • -6.14db
47% Popularity • 65% Danceability • 85% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
47% Popularity • 65% Danceability • 85% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
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Red Rider
Cowboys In Hong Kong (As Far As Siam)
129 bpm • D Maj • 04:08 • -12.08db
27% Popularity • 62% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
27% Popularity • 62% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
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Streetheart
Under My Thumb
129 bpm • A Maj • 06:39 • -6.57db
19% Popularity • 65% Danceability • 83% Energy • 14% Liveness
3% Instrumentalness • 95% Positiveness
19% Popularity • 65% Danceability • 83% Energy • 14% Liveness
3% Instrumentalness • 95% Positiveness
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Styx
Come Sail Away
120 bpm • C Maj • 06:07 • -15.6db
64% Popularity • 32% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
64% Popularity • 32% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Prism
Take Me Away
119 bpm • F min • 03:17 • -11.64db
25% Popularity • 48% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
25% Popularity • 48% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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54-40
I Go Blind
119 bpm • C Maj • 02:46 • -11.04db
39% Popularity • 67% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 93% Positiveness
39% Popularity • 67% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 93% Positiveness
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Journey
Stone in Love (2022 Remaster)
119 bpm • C Maj • 04:25 • -8.45db
61% Popularity • 50% Danceability • 89% Energy • 67% Liveness
0% Instrumentalness • 47% Positiveness
61% Popularity • 50% Danceability • 89% Energy • 67% Liveness
0% Instrumentalness • 47% Positiveness
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Poison
Nothin' But A Good Time - Remastered 200...
129 bpm • C# Maj • 03:44 • -2.79db
70% Popularity • 58% Danceability • 97% Energy • 35% Liveness
0% Instrumentalness • 53% Positiveness
70% Popularity • 58% Danceability • 97% Energy • 35% Liveness
0% Instrumentalness • 53% Positiveness
