Songs like Go Get That Love by Wilson Meadows
Based on a tempo of (+/- 10%) and a similar genre
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The Louisiana Blues Brothas
Is It Love
97 bpm • G Maj • 04:27 • -8.09db
17% Popularity • 75% Danceability • 62% Energy • 23% Liveness
0% Instrumentalness • 84% Positiveness
17% Popularity • 75% Danceability • 62% Energy • 23% Liveness
0% Instrumentalness • 84% Positiveness
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Billy Soul Bonds
Bedroom Workout (Remix)
97 bpm • A min • 04:52 • -7.48db
17% Popularity • 83% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
17% Popularity • 83% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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Big Yayo
Good Wood
97 bpm • F Maj • 04:19 • -10.58db
33% Popularity • 73% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
33% Popularity • 73% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
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Miss Lady Blues
Get It Up
97 bpm • B Maj • 03:22 • -5.3db
23% Popularity • 73% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
23% Popularity • 73% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Walter Waiters
Don't Scratch My Back
97 bpm • F min • 05:02 • -10.27db
20% Popularity • 77% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
20% Popularity • 77% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Jeff Floyd
Lock My Door
97 bpm • A# Maj • 05:53 • -3.36db
27% Popularity • 72% Danceability • 82% Energy • 17% Liveness
0% Instrumentalness • 93% Positiveness
27% Popularity • 72% Danceability • 82% Energy • 17% Liveness
0% Instrumentalness • 93% Positiveness
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The Louisiana Blues Brothas
I'm Still Wearing Your Name
97 bpm • G Maj • 04:10 • -7.77db
12% Popularity • 68% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 73% Positiveness
12% Popularity • 68% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 73% Positiveness
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Wilson Meadows
I Can't Understand
97 bpm • C# Maj • 03:58 • -7.67db
0% Popularity • 83% Danceability • 76% Energy • 3% Liveness
0% Instrumentalness • 69% Positiveness
0% Popularity • 83% Danceability • 76% Energy • 3% Liveness
0% Instrumentalness • 69% Positiveness
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Rue Davis
Candy Sweet
97 bpm • C Maj • 04:43 • -7.29db
7% Popularity • 77% Danceability • 44% Energy • 5% Liveness
0% Instrumentalness • 37% Positiveness
7% Popularity • 77% Danceability • 44% Energy • 5% Liveness
0% Instrumentalness • 37% Positiveness
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O. B. Buchana
I Can't Get You off of My Mind
97 bpm • F# min • 05:15 • -8.13db
14% Popularity • 65% Danceability • 57% Energy • 21% Liveness
0% Instrumentalness • 52% Positiveness
14% Popularity • 65% Danceability • 57% Energy • 21% Liveness
0% Instrumentalness • 52% Positiveness
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Jaye Hammer
I'm the Right Man
97 bpm • D Maj • 04:40 • -9.62db
15% Popularity • 71% Danceability • 33% Energy • 25% Liveness
0% Instrumentalness • 23% Positiveness
15% Popularity • 71% Danceability • 33% Energy • 25% Liveness
0% Instrumentalness • 23% Positiveness
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Lebrado
Try Me
97 bpm • C Maj • 04:13 • -6.26db
26% Popularity • 76% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
26% Popularity • 76% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
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J. Blackfoot
Shake It Down
97 bpm • G Maj • 03:28 • -4.17db
9% Popularity • 76% Danceability • 60% Energy • 22% Liveness
0% Instrumentalness • 73% Positiveness
9% Popularity • 76% Danceability • 60% Energy • 22% Liveness
0% Instrumentalness • 73% Positiveness
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Wilson Meadows
Go Get That Love
97 bpm • A min • 04:14 • -10.66db
9% Popularity • 83% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
9% Popularity • 83% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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FATDADDY
The Blame
98 bpm • C Maj • 04:00 • -6.41db
19% Popularity • 73% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
19% Popularity • 73% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Stan Mosley
Rock Me
98 bpm • F# Maj • 04:32 • -10.28db
19% Popularity • 79% Danceability • 46% Energy • 5% Liveness
0% Instrumentalness • 75% Positiveness
19% Popularity • 79% Danceability • 46% Energy • 5% Liveness
0% Instrumentalness • 75% Positiveness
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The Louisiana Blues Brothas
My Sidepiece
96 bpm • F min • 04:40 • -6.33db
42% Popularity • 68% Danceability • 74% Energy • 29% Liveness
0% Instrumentalness • 79% Positiveness
42% Popularity • 68% Danceability • 74% Energy • 29% Liveness
0% Instrumentalness • 79% Positiveness
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Kenne' Wayne
Let's Dance
96 bpm • C# Maj • 04:03 • -8.05db
8% Popularity • 82% Danceability • 75% Energy • 27% Liveness
0% Instrumentalness • 84% Positiveness
8% Popularity • 82% Danceability • 75% Energy • 27% Liveness
0% Instrumentalness • 84% Positiveness
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Donnie Ray
Is She Waiting on You?
98 bpm • F# min • 04:57 • -5.75db
15% Popularity • 75% Danceability • 74% Energy • 39% Liveness
0% Instrumentalness • 94% Positiveness
15% Popularity • 75% Danceability • 74% Energy • 39% Liveness
0% Instrumentalness • 94% Positiveness
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Arthur Young
Windex Man
98 bpm • C Maj • 02:50 • -7.78db
24% Popularity • 83% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
24% Popularity • 83% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
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Sheba Potts-Wright
Spare Me
96 bpm • G Maj • 03:55 • -9.73db
30% Popularity • 77% Danceability • 57% Energy • 4% Liveness
0% Instrumentalness • 69% Positiveness
30% Popularity • 77% Danceability • 57% Energy • 4% Liveness
0% Instrumentalness • 69% Positiveness
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Carl Sims
It's Just a Party - Remix
98 bpm • F min • 04:39 • -10.35db
23% Popularity • 90% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
23% Popularity • 90% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Ms. Jody
My Cat Smells a Rat
96 bpm • B Maj • 05:14 • -7.38db
16% Popularity • 79% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
16% Popularity • 79% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
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Lebrado
I'm Missin' You Babe
98 bpm • G Maj • 04:38 • -7.86db
38% Popularity • 73% Danceability • 59% Energy • 4% Liveness
0% Instrumentalness • 94% Positiveness
38% Popularity • 73% Danceability • 59% Energy • 4% Liveness
0% Instrumentalness • 94% Positiveness
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Adrian Bagher
Hittin’ it Right
96 bpm • G min • 03:01 • -6.06db
26% Popularity • 77% Danceability • 70% Energy • 23% Liveness
0% Instrumentalness • 86% Positiveness
26% Popularity • 77% Danceability • 70% Energy • 23% Liveness
0% Instrumentalness • 86% Positiveness
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Mel Waiters
I Watch That Girl
96 bpm • C min • 04:30 • -6.03db
21% Popularity • 69% Danceability • 68% Energy • 32% Liveness
0% Instrumentalness • 81% Positiveness
21% Popularity • 69% Danceability • 68% Energy • 32% Liveness
0% Instrumentalness • 81% Positiveness
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Arthur Young
Funky Forty
96 bpm • G Maj • 03:55 • -7.76db
45% Popularity • 90% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
45% Popularity • 90% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
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Carl Sims
It's Just a Party
98 bpm • F Maj • 04:46 • -8.09db
22% Popularity • 89% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
22% Popularity • 89% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Ms. Jody
When Your Give a Damn Just Don't Give a ...
98 bpm • E min • 06:23 • -10.19db
26% Popularity • 81% Danceability • 64% Energy • 24% Liveness
0% Instrumentalness • 92% Positiveness
26% Popularity • 81% Danceability • 64% Energy • 24% Liveness
0% Instrumentalness • 92% Positiveness
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Jaye Hammer
She's Still Got It
96 bpm • G min • 04:05 • -8.21db
11% Popularity • 78% Danceability • 55% Energy • 21% Liveness
0% Instrumentalness • 94% Positiveness
11% Popularity • 78% Danceability • 55% Energy • 21% Liveness
0% Instrumentalness • 94% Positiveness
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Lebrado
Dancin
98 bpm • C Maj • 03:41 • -7.84db
14% Popularity • 71% Danceability • 42% Energy • 23% Liveness
0% Instrumentalness • 74% Positiveness
14% Popularity • 71% Danceability • 42% Energy • 23% Liveness
0% Instrumentalness • 74% Positiveness
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Sheba Potts-Wright
The Real Deal
96 bpm • A# min • 05:02 • -9.73db
22% Popularity • 76% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
22% Popularity • 76% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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Veronica Ra'elle
My Sidepiece Reply
96 bpm • F min • 04:07 • -9db
29% Popularity • 70% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
29% Popularity • 70% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Chris Ivy
Hey Mr. DJ
96 bpm • F Maj • 04:05 • -6db
19% Popularity • 83% Danceability • 58% Energy • 21% Liveness
0% Instrumentalness • 88% Positiveness
19% Popularity • 83% Danceability • 58% Energy • 21% Liveness
0% Instrumentalness • 88% Positiveness
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Mel Waiters
Friday Night Fish Fry
98 bpm • B Maj • 04:36 • -6.26db
26% Popularity • 73% Danceability • 72% Energy • 36% Liveness
0% Instrumentalness • 80% Positiveness
26% Popularity • 73% Danceability • 72% Energy • 36% Liveness
0% Instrumentalness • 80% Positiveness
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Miss Lady Blues
Mr. Fix It
96 bpm • G# Maj • 04:45 • -8db
32% Popularity • 90% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
32% Popularity • 90% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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Lebrado
I'm Missin You Babe - Remix
98 bpm • G Maj • 04:16 • -8.36db
8% Popularity • 82% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 85% Positiveness
8% Popularity • 82% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 85% Positiveness
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HIGHWAY HEAVY
Nookie & Tongue
96 bpm • D# min • 03:26 • -7.4db
12% Popularity • 94% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
12% Popularity • 94% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Floyd Taylor
What If He Knew
98 bpm • B min • 04:58 • -8.68db
31% Popularity • 72% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
31% Popularity • 72% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Wilson Meadows
Just Can't Do Without You
96 bpm • C Maj • 03:46 • -8.81db
4% Popularity • 73% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
4% Popularity • 73% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Reggie P
Come on Girl
98 bpm • C Maj • 02:58 • -10.76db
27% Popularity • 80% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
27% Popularity • 80% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Roi "Chip" Anthony
Gonna Do Me
98 bpm • G# Maj • 04:10 • -6.36db
34% Popularity • 76% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 95% Positiveness
34% Popularity • 76% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 95% Positiveness
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Larome Powers
Knockin'
96 bpm • F# min • 04:55 • -7db
8% Popularity • 87% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
8% Popularity • 87% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
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Kenne' Wayne
Is There a Party In Here Now?
99 bpm • E Maj • 04:24 • -7.99db
10% Popularity • 84% Danceability • 60% Energy • 29% Liveness
0% Instrumentalness • 83% Positiveness
10% Popularity • 84% Danceability • 60% Energy • 29% Liveness
0% Instrumentalness • 83% Positiveness
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Floyd Taylor
Slipped, Tripped, Stumbled and Fell
95 bpm • A# Maj • 04:58 • -9db
18% Popularity • 76% Danceability • 56% Energy • 15% Liveness
1% Instrumentalness • 43% Positiveness
18% Popularity • 76% Danceability • 56% Energy • 15% Liveness
1% Instrumentalness • 43% Positiveness
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Wilson Meadows
Go On and Cry
98 bpm • C Maj • 04:38 • -11.69db
1% Popularity • 92% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
1% Popularity • 92% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Donnie Ray
Let's Go Dancing
95 bpm • C Maj • 04:28 • -9db
24% Popularity • 72% Danceability • 51% Energy • 21% Liveness
0% Instrumentalness • 84% Positiveness
24% Popularity • 72% Danceability • 51% Energy • 21% Liveness
0% Instrumentalness • 84% Positiveness
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David Brinston
Located
99 bpm • C Maj • 03:56 • -5.44db
14% Popularity • 81% Danceability • 66% Energy • 51% Liveness
0% Instrumentalness • 94% Positiveness
14% Popularity • 81% Danceability • 66% Energy • 51% Liveness
0% Instrumentalness • 94% Positiveness
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Roi "Chip" Anthony
Going Back
99 bpm • D Maj • 04:10 • -2.51db
35% Popularity • 80% Danceability • 83% Energy • 28% Liveness
0% Instrumentalness • 80% Positiveness
35% Popularity • 80% Danceability • 83% Energy • 28% Liveness
0% Instrumentalness • 80% Positiveness
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Ronnie Bell
I'll Pay the Shipping Cost
99 bpm • E min • 05:00 • -7.64db
40% Popularity • 95% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
40% Popularity • 95% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
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Mel Waiters
Got No Curfew
99 bpm • C Maj • 03:52 • -3.56db
26% Popularity • 80% Danceability • 90% Energy • 29% Liveness
0% Instrumentalness • 92% Positiveness
26% Popularity • 80% Danceability • 90% Energy • 29% Liveness
0% Instrumentalness • 92% Positiveness
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Rhomey
Head Bad
95 bpm • B min • 03:50 • -8db
15% Popularity • 89% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
15% Popularity • 89% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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Donnie Ray
She's My Honey Bee
99 bpm • C# Maj • 04:46 • -7.26db
15% Popularity • 66% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
15% Popularity • 66% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Tucka: King Of Swing
Travel That Road
99 bpm • C Maj • 04:36 • -10.59db
11% Popularity • 72% Danceability • 47% Energy • 8% Liveness
3% Instrumentalness • 75% Positiveness
11% Popularity • 72% Danceability • 47% Energy • 8% Liveness
3% Instrumentalness • 75% Positiveness
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Terry Wright
Anytime Man
99 bpm • A# Maj • 05:04 • -8.15db
12% Popularity • 75% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
12% Popularity • 75% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
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Jeff Floyd
It's You
95 bpm • C Maj • 04:22 • -5.95db
10% Popularity • 89% Danceability • 56% Energy • 31% Liveness
0% Instrumentalness • 56% Positiveness
10% Popularity • 89% Danceability • 56% Energy • 31% Liveness
0% Instrumentalness • 56% Positiveness
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Tyree Neal
Bring It On Home
95 bpm • G min • 03:04 • -9db
25% Popularity • 88% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
25% Popularity • 88% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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Ronnie Bell
Thinking Bout U
95 bpm • C Maj • 03:44 • -8.4db
18% Popularity • 84% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
18% Popularity • 84% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Rue Davis
Saving My Love for You
99 bpm • A# Maj • 04:52 • -12.5db
8% Popularity • 80% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
8% Popularity • 80% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Karen Wolfe
You Ain't Woman Enough
95 bpm • D Maj • 04:15 • -6db
13% Popularity • 79% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
13% Popularity • 79% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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Reggie P
Whip That Thang
95 bpm • G# Maj • 03:46 • -14db
8% Popularity • 82% Danceability • 30% Energy • 20% Liveness
0% Instrumentalness • 81% Positiveness
8% Popularity • 82% Danceability • 30% Energy • 20% Liveness
0% Instrumentalness • 81% Positiveness
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Donnie Ray
She's Just My Girlfriend
95 bpm • A min • 03:34 • -6.12db
24% Popularity • 85% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
24% Popularity • 85% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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Theodis Ealey
Bluesman Lover
99 bpm • C Maj • 03:22 • -9.34db
17% Popularity • 65% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
17% Popularity • 65% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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Carl Sims
House Of Love
95 bpm • C# min • 04:07 • -18db
11% Popularity • 67% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
11% Popularity • 67% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Tucka: King Of Swing
Let Me Rock Ya
94 bpm • C Maj • 04:42 • -9db
10% Popularity • 74% Danceability • 64% Energy • 30% Liveness
2% Instrumentalness • 69% Positiveness
10% Popularity • 74% Danceability • 64% Energy • 30% Liveness
2% Instrumentalness • 69% Positiveness
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Avail Hollywood
Love Train
99 bpm • C min • 04:13 • -3.58db
17% Popularity • 74% Danceability • 75% Energy • 28% Liveness
0% Instrumentalness • 75% Positiveness
17% Popularity • 74% Danceability • 75% Energy • 28% Liveness
0% Instrumentalness • 75% Positiveness
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Arthur Young
Country Man
94 bpm • B Maj • 03:38 • -4.75db
31% Popularity • 77% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
31% Popularity • 77% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Charles Wilson
Party Tonight
100 bpm • C Maj • 03:45 • -4.87db
14% Popularity • 89% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 94% Positiveness
14% Popularity • 89% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 94% Positiveness
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Mel Waiters
Got My Whiskey
100 bpm • G# Maj • 03:48 • -4.35db
46% Popularity • 76% Danceability • 79% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
46% Popularity • 76% Danceability • 79% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
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Karen Wolfe
Man Enough
100 bpm • A# Maj • 04:12 • -10.11db
31% Popularity • 81% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
31% Popularity • 81% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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Big Cynthia
Ain't Nothing Like a Big Woman - Remix
100 bpm • G# Maj • 04:08 • -3.93db
8% Popularity • 84% Danceability • 87% Energy • 19% Liveness
0% Instrumentalness • 76% Positiveness
8% Popularity • 84% Danceability • 87% Energy • 19% Liveness
0% Instrumentalness • 76% Positiveness
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Nathaniel Kimble
You Make Me Happy
100 bpm • F min • 04:03 • -6db
19% Popularity • 87% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
19% Popularity • 87% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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Avail Hollywood
Sexy Real Bad
100 bpm • C Maj • 03:31 • -6.14db
23% Popularity • 83% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
23% Popularity • 83% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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David Brinston
Joy
100 bpm • C Maj • 03:37 • -6.76db
22% Popularity • 81% Danceability • 54% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
22% Popularity • 81% Danceability • 54% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
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Donnie Ray
Letter to My Baby - Part 2
100 bpm • F# min • 05:22 • -8.5db
33% Popularity • 78% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
33% Popularity • 78% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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Tyree Neal
Whiskey And Beer
100 bpm • F# min • 03:54 • -16.59db
16% Popularity • 78% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 86% Positiveness
16% Popularity • 78% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 86% Positiveness
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Adrian Bagher
To Old to Cheat
100 bpm • F# min • 02:59 • -3.58db
32% Popularity • 80% Danceability • 69% Energy • 25% Liveness
0% Instrumentalness • 91% Positiveness
32% Popularity • 80% Danceability • 69% Energy • 25% Liveness
0% Instrumentalness • 91% Positiveness
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Jaye Hammer
Strawberry Ice Cream Woman
100 bpm • G# Maj • 03:41 • -7.87db
35% Popularity • 85% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 93% Positiveness
35% Popularity • 85% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 93% Positiveness
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Lebrado
Coffee
100 bpm • C# Maj • 04:33 • -9.38db
25% Popularity • 88% Danceability • 45% Energy • 27% Liveness
0% Instrumentalness • 40% Positiveness
25% Popularity • 88% Danceability • 45% Energy • 27% Liveness
0% Instrumentalness • 40% Positiveness
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David Brinston
Woman in Love
100 bpm • G# Maj • 02:59 • -5.71db
17% Popularity • 74% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
17% Popularity • 74% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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FATDADDY
Strong Woman
100 bpm • B min • 03:22 • -8.82db
29% Popularity • 79% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
29% Popularity • 79% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Mel Waiters
Half Pint
100 bpm • A Maj • 04:39 • -7.79db
23% Popularity • 84% Danceability • 60% Energy • 37% Liveness
0% Instrumentalness • 68% Positiveness
23% Popularity • 84% Danceability • 60% Energy • 37% Liveness
0% Instrumentalness • 68% Positiveness
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Luster Baker
That's My Boo
100 bpm • D Maj • 03:54 • -6.3db
25% Popularity • 82% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
25% Popularity • 82% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Arthur Young
Mr. Hide & Go Get It
100 bpm • F Maj • 03:32 • -5.7db
35% Popularity • 94% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
35% Popularity • 94% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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Jay Hall
Lets Roll
100 bpm • G# Maj • 04:09 • -11.7db
31% Popularity • 80% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
31% Popularity • 80% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Lacee
Sex U Up
100 bpm • B min • 03:57 • -6.93db
13% Popularity • 76% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
13% Popularity • 76% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Mr. David
Shoo Da Wop feat Sir Charles Jones
100 bpm • C Maj • 04:13 • -2.9db
19% Popularity • 86% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
19% Popularity • 86% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
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Sheba Potts-Wright
Put Your Hands Up
100 bpm • C# min • 04:51 • -8.58db
29% Popularity • 80% Danceability • 60% Energy • 25% Liveness
0% Instrumentalness • 89% Positiveness
29% Popularity • 80% Danceability • 60% Energy • 25% Liveness
0% Instrumentalness • 89% Positiveness
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Mel Waiters
I Ain't Gone Do It
100 bpm • C Maj • 03:53 • -6db
28% Popularity • 79% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 92% Positiveness
28% Popularity • 79% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 92% Positiveness
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J. Red (The Nephew)
Give It to Me
100 bpm • A Maj • 04:15 • -3.54db
13% Popularity • 75% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
13% Popularity • 75% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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LaMorris Williams
Junk in Yo Trunk
100 bpm • E Maj • 03:35 • -4.47db
22% Popularity • 81% Danceability • 69% Energy • 41% Liveness
0% Instrumentalness • 64% Positiveness
22% Popularity • 81% Danceability • 69% Energy • 41% Liveness
0% Instrumentalness • 64% Positiveness
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Terry Wright
Goody Good Loving
100 bpm • C# Maj • 03:18 • -7.35db
10% Popularity • 79% Danceability • 56% Energy • 21% Liveness
0% Instrumentalness • 86% Positiveness
10% Popularity • 79% Danceability • 56% Energy • 21% Liveness
0% Instrumentalness • 86% Positiveness
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Lacee
I Ran a Good Man Away
100 bpm • C Maj • 03:50 • -4.45db
15% Popularity • 90% Danceability • 73% Energy • 41% Liveness
0% Instrumentalness • 83% Positiveness
15% Popularity • 90% Danceability • 73% Energy • 41% Liveness
0% Instrumentalness • 83% Positiveness
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Wilson Meadows
Something's Gotta Give
100 bpm • F Maj • 03:58 • -5.81db
1% Popularity • 76% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
1% Popularity • 76% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Mel Waiters
Ladies Party Night
100 bpm • A min • 04:07 • -7.57db
24% Popularity • 80% Danceability • 70% Energy • 29% Liveness
0% Instrumentalness • 81% Positiveness
24% Popularity • 80% Danceability • 70% Energy • 29% Liveness
0% Instrumentalness • 81% Positiveness
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Kenne' Wayne
Good Ole Blues
100 bpm • C# min • 03:39 • -11.79db
15% Popularity • 79% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
15% Popularity • 79% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
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Donnie Ray
A Letter To My Baby (Extended Version)
100 bpm • F# min • 05:07 • -8.39db
25% Popularity • 84% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
25% Popularity • 84% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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Karen Wolfe
Grown Folk Step
100 bpm • A# min • 03:55 • -8.33db
19% Popularity • 81% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 77% Positiveness
19% Popularity • 81% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 77% Positiveness